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American Architecture: from Bungalow to Bauhaus Art 1630H Yeshiva College Spring 2016
American Architecture: From Bungalow to Bauhaus Art 1630H Yeshiva College Spring 2016 S Y L L A B U S By comparing buildings from different eras and from different cultures, we shall learn about the diverse traditions of American architecture, from its colonial beginnings to post-modern practices. The result will be the basis for an architectural vocabulary and a greater consciousness of the built environment. We shall examine what the first colonists found, what they created, and what they brought with them from Europe. Thus, observations on numerous references to roots in European design will bring us to an initial definition of the nature of American architecture. We shall develop an understanding of the vigor and innovations of its building arts. We shall examine not only work of the masters of the discipline, but also architecture without architects. This introductory course will include lecture, discussion, critical written analysis, and oral presentations by each class member. Frequent visits to architectural sites will highlight materials, form, ornamentation, and context. Meeting times Tuesday, 6:45-9:15 p.m. (May occasionally run until 9:45 p.m.) Furst Hall Instructor Paul Glassman, M. Arch., M.B.A. Telephone 917.434.0954 (cell) Electronic mail [email protected] General course requirements Attendance at all but one class is required; each additional absence will lower your grade by 1/3 (e. g., A- to B+). Three absences will result in a reduction by one full letter (e. g., A- to B-). Four absences will result in a failing grade (F). Please notify the instructor via e-mail in advance of the class you will be missing. -
Defining Architectural Design Excellence Columbus Indiana
Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES -
New York, New York
EXPOSITION NEW YORK, NEW YORK Cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo Du 14 juillet au 10 septembre 2006 Grimaldi Forum - Espace Ravel INTRODUCTION L’exposition « NEW YORK, NEW YORK » cinquante ans d’art, architecture, cinéma, performance, photographie et vidéo produite par le Grimaldi Forum Monaco, bénéficie du soutien de la Compagnie Monégasque de Banque (CMB), de SKYY Vodka by Campari, de l’Hôtel Métropole à Monte-Carlo et de Bentley Monaco. Commissariat : Lisa Dennison et Germano Celant Scénographie : Pierluigi Cerri (Studio Cerri & Associati, Milano) Renseignements pratiques • Grimaldi Forum : 10 avenue Princesse Grace, Monaco – Espace Ravel. • Horaires : Tous les jours de 10h00 à 20h00 et nocturne les jeudis de 10h00 à 22h00 • Billetterie Grimaldi Forum Tél. +377 99 99 3000 - Fax +377 99 99 3001 – E-mail : [email protected] et points FNAC • Site Internet : www.grimaldiforum.mc • Prix d’entrée : Plein tarif = 10 € Tarifs réduits : Groupes (+ 10 personnes) = 8 € - Etudiants (-25 ans sur présentation de la carte) = 6 € - Enfants (jusqu’à 11 ans) = gratuit • Catalogue de l’exposition (versions française et anglaise) Format : 24 x 28 cm, 560 pages avec 510 illustrations Une coédition SKIRA et GRIMALDI FORUM Auteurs : Germano Celant et Lisa Dennison N°ISBN 88-7624-850-1 ; dépôt légal = juillet 2006 Prix Public : 49 € Communication pour l’exposition : Hervé Zorgniotti – Tél. : 00 377 99 99 25 02 – [email protected] Nathalie Pinto – Tél. : 00 377 99 99 25 03 – [email protected] Contact pour les visuels : Nadège Basile Bruno - Tél. : 00 377 99 99 25 25 – [email protected] AUTOUR DE L’EXPOSITION… Grease Etes-vous partant pour une virée « blouson noir, gomina et look fifties» ? Si c’est le cas, ne manquez pas la plus spectaculaire comédie musicale de l’histoire du rock’n’roll : elle est annoncée au Grimaldi Forum Monaco, pour seulement une semaine et une seule, du 25 au 30 juillet. -
Neighborhood Preservation Center
Landmarks Preservation Commission January 27, 1976, Number 1 LP-0898 LESCAZE HOUSE, 211 East 43th Street Borough of Manhattan. Built 1933-34; archite~t William Lescaze. ' Landl'.lark Site: Borough of Manhattan Tax Map Block 1322, Lot 107. On September 23, 1975, the Landmarks Preservation Cor.~ission held a public hearing on the proposed designation as a Land~ark of the Lescnze House and the proposed designation of the related Landmark Site (Item No.2). 1be hearing was continued to November 25, 1975 (Item No. 1). B'oth hearings had been duly ~vertised in accordance with the provisior.s of law. A total of three Wltnesses spoke in favor of designation at the two hearings. ~~ry Lescaze, owner of the house, has given her approval of the designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS The Lescaze House of 1933-34, desi~ed by William Lescaze for his own use as a co~bined residence and architectural office, is an ernbodiDent of the theory and practice of one of the most influential exponents of modern archi tecture in the United States. His go~l -- the creation of an architecture expressive of the spirit and life of the 20th century and of each client•s' indi vidual roquirements -- is fully r~aiizcd in this house by an ha~onious - design of deceptive siEplicity, dete~ined by a rational, functional plan, and developed through the use of the newest available technology, materials and Ee~ods of co~struction. The sudden appearance on East 48th Street of this startlingly "raodern" facade of 1934, set between deteriorating brownstones of the post-Civil War period, had a drama. -
Modernism in Bartholomew County, Indiana, from 1942
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction. -
Chapter 5: Shadows
Chapter 5: Shadows A. INTRODUCTION This chapter presents the detailed shadow study that was conducted to determine whether the proposed One Vanderbilt development would cast any new shadows on sunlight-sensitive resources. Sunlight-sensitive resources can include parks, playgrounds, residential or office plazas, and other publicly accessible open spaces; sunlight-dependent features of historic resources; and important natural features such as water bodies. Since the preparation of the shadow analysis in the Draft Environmental Impact Statement (DEIS), the height of the proposed One Vanderbilt development was increased. The shadow analysis in this Final Environmental Impact Statement (FEIS) has been revised to reflect this change including Figures 5-1 to 5-22 and 5-27. PRINCIPAL CONCLUSIONS This analysis compared shadows that would be cast by the proposed One Vanderbilt development, which would be built to a floor area ratio (FAR) of 30, with those that would be cast by the 15 FAR building that would be developed absent the proposed actions (the 15 FAR No-Action building). As described below, the analysis concluded that the proposed 30 FAR One Vanderbilt development would cast new shadows on Bryant Park, the west windows of Grand Central Terminal’s main concourse and several other sunlight-sensitive resources. However, the new shadows would be limited in extent, duration and effects and would not result in any significant adverse shadow impacts, as demonstrated in detail below. B. DEFINITIONS AND METHODOLOGY This analysis has been prepared in accordance with CEQR procedures and follows the guidelines of the 2014 City Environmental Quality Review (CEQR) Technical Manual. DEFINITIONS Incremental shadow is the additional, or new, shadow that a structure resulting from a project would cast on a sunlight-sensitive resource. -
Morris B. Sanders Studio & Apartment
Landmarks Preservation Commission November 18, 2008; Designation List 407 LP-2267 MORRIS B. SANDERS STUDIO & APARTMENT 219 East 49th Street, Manhattan. Built 1934-35; Morris B. Sanders, architect. Landmarks Site: Borough of Manhattan Tax Map Block 1323, Lot 10. On October 30, 2007, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Morris B. Sanders Studio & Apartment and the proposed designation of the related Landmark Site (Item No. 10). The hearing had been advertised in accordance with provisions of law. A representative of the owner spoke in opposition to designation. Two witnesses spoke in favor of designation, including representatives of the Historic Districts Council and the Landmarks Conservancy. In addition, the Commission received three letters in support of designation, including one from Manhattan Community Board Six. Summary Morris B. Sanders, Jr. designed and built 219 East 49th Street in 1934-35. Located in the Turtle Bay section of Manhattan, between Second and Third Avenues, this building was one of the earliest structures in New York City to adapt the aesthetic principles pioneered by Le Corbusier and other European modernists starting in the 1920s. Whereas the nearby Lescaze House, considered to be the first truly modern-style residence in New York City, was built on East 48th Street as an alteration to an existing structure in 1934, the 5½ story Sanders Studio & Apartment was an entirely new structure. Planned with two duplex apartments and an office for Sanders on the first floor, the upper stories are cantilevered and clad with blue glazed brick and several types of glass. -
Rank1/200) (Rank: 6/200) Rank Company Number Avg
493 Total International Students On Campus Spring 2103 272 Total International COB Students Spring 2013 55% of Total International Student Population 18% of COB Population Computer Systems Analyst Management Analysts (Rank1/200) (Rank: 6/200) Rank Company Number Avg. Salary Rank 1 Infosys Limited 10,154 $73,412 1 2 Cognizant Technology Solutions 1,761 $67,051 2 3 IBM 1,217 $85,232 3 4 Deloitte Consulting 1,111 $79,778 4 5 Satyam Computer Services 1,076 $72,356 5 6 UST Global 1,013 $63,886 6 7 HCL Technologies America 977 $73,009 7 8 Patni Americas 820 $70,699 8 9 Wipro 785 $82,443 9 10 Hexaware Technologies 610 $63,204 10 11 Deloitte Touche 549 $81,179 11 12 Accenture 491 $79,527 12 13 Tata Consultancy Services 381 $65,010 13 14 Mphasis 367 $66,044 14 15 Synechron 358 $77,189 15 16 Capgemini Financial Services 318 $78,030 16 17 Virgo 291 $60,227 17 18 Hewlett Packard 272 $96,771 18 19 Diaspark 270 $64,728 19 20 Yash Technologies 269 $55,205 20 21 Advent Global Solutions 247 $62,220 21 22 RS Software India 243 $67,253 22 23 Infosys Limited 241 $78,296 23 24 Persistent Systems 240 $71,556 24 25 Reliable Software Resources 232 $60,521 25 26 Larsen Toubro Infotech 231 $65,177 26 27 kforce 225 $90,304 27 28 Ernst Young 217 $89,948 28 29 Pricewaterhousecoopers 208 $66,478 29 30 Compunnel Software Group 206 $76,062 30 31 Polaris Software Lab 204 $69,457 31 32 Tech Mahindra americas 204 $64,965 32 33 Horizon Technologies 199 $61,330 33 34 SAP America 198 $102,811 34 35 Orian Engineersorporated 197 $62,835 35 36 Oracle 195 $93,968 36 37 Syntel -
Oz Contributors
Oz Volume 32 Article 12 1-1-2010 Contributors Follow this and additional works at: https://newprairiepress.org/oz This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation (2010) "Contributors," Oz: Vol. 32. https://doi.org/10.4148/2378-5853.1482 This Back Matter is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Oz by an authorized administrator of New Prairie Press. For more information, please contact cads@k- state.edu. Contributors Chris Harrison is a Ph.D. student parent’s feedback over the course of 36 Eleven Danes and was examiner at the Stefanie Posavec was raised in in the Human-Computer Interaction months and entirely during moonlight Danish Design School and a board Denver, Colorado, where analyzing the Institute at Carnegie Mellon University. hours while first a graduate student member in the ‘Designfondation’ with grammatical structure of sentences He is also the Editor-in-Chief of ACM’s at Columbia University and then a a budget under the Ministry of Cultural in high school English class proved XRDS Magazine. His research focuses full time working professional in New Affairs. To learn more join the facebook to be more influential than she ever on novel interaction techniques and York City. group ‘Amistad o Nada’ and follow their imagined. She moved to London input technologies - especially those This project and other commissions work. Visit www.studiomama.com for permanently in 2004, and holds a BFA that enable (small) mobile devices to spawned from it allowed Matthew to information on Nina Tolstrup. -
DOCO Lescaze
Documentation and Conservation of buildings, P. O . B o x 2 5 0 5 3 2 sites and neighborhoods of the Modern Movement New York, NY 10025 [email protected] www.docomomo-nytri.org January 19, 2021 The Honorable Sarah Carroll, Chair New York City Landmarks Preservation Commission David N. Dinkins Municipal Building 1 Centre Street, 9th Floor North New York, NY 10007 Re: Certificate of Appropriateness 211 East 48th Street DOCOMOMO US/New York Tri-State is a local chapter of an international organization working in over 65 countries around the world. Our mission is to increase public awareness and appreciation of Modern architecture, landscapes and urban design; to identify and document local examples; and to advocate for the protection of those determined most significant. Since 1996, the chapter has been advancing this mission in New York, New Jersey and Connecticut. Completed in 1934, the groundbreaking Lescaze House was the first International Style residence built in New York City, the first house in the city with central air conditioning, and the first building in New York City to employ structural glass block. It was designed by the architect William Lescaze, a key figure in the introduction of the Modern Movement in America, as his own home and studio. Two years before, with George Howe, he had completed the seminal PSFS Building in Philadelphia, the first International Style skyscraper built in the United States. Lescaze lived and practiced architecture in the house for three and a half decades, until his death in 1969. As both an innovative early example of Modernism and the longtime home and studio of a leading Modern architect, the Lescaze House is among the most important works of Modern architecture in New York and nationally significant. -
THROUGH the LOOKING GLASS Transparency in Modern Architecture
THROUGH THE LOOKING GLASS Transparency in Modern Architecture ACTIVITY OVERVIEW This document contains six edited excerpts from Elizabeth Fagan’s 2015 dissertation, “Building Walls of Light: The Development Of Glass Block And Its Influence On American Architecture In The 1930s.” The six sections included are: A Very Short History of Glass; A Desire for Light; The Early American Glass Block Buildings; The William Lescaze House and Office; The Decline of Glass Block; and Conclusion. Read A Very Short History of Glass aloud as a class and focus on unknown terms, key words, essential facts, and major themes. Then, examine each of the following four sections individually focusing only on the thinking questions assigned to you. In groups, discuss answers to the thinking questions and prepare to share your findings with the class. Finally, examine the conclusion and compare/contrast your and your peers’ answers. THINKING QUESTIONS pg. 3 – 5 A Very Short History of Glass 1. Although glass has been found among the archeological remains of ancient civilizations, when did it first become a commonly used architectural material and why? 2. What were the pros and cons of Emile Fourcault invention? 3. How did the industrial revolution and increased use of assembly fabrication affect the development of glass? pg. 16 – 22 A Desire for Light 4. What was the significance of Bruno Taut’s Glass Pavilion, and how was its development connected to global politics? 5. Although Maison de Verre was not the first use of glass block, what made its use of glass block unique? 6. Why does the author cite the occupation and political beliefs of Dr. -
Landmarks Preservation Commission November 18, 2008; Designation List 407 LP-2267
Landmarks Preservation Commission November 18, 2008; Designation List 407 LP-2267 MORRIS B. SANDERS STUDIO & APARTMENT 219 East 49th Street, Manhattan. Built 1934-35; Morris B. Sanders, architect. Landmarks Site: Borough of Manhattan Tax Map Block 1323, Lot 10. On October 30, 2007, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Morris B. Sanders Studio & Apartment and the proposed designation of the related Landmark Site (Item No. 10). The hearing had been advertised in accordance with provisions of law. A representative of the owner spoke in opposition to designation. Two witnesses spoke in favor of designation, including representatives of the Historic Districts Council and the Landmarks Conservancy. In addition, the Commission received three letters in support of designation, including one from Manhattan Community Board Six. Summary Morris B. Sanders, Jr. designed and built 219 East 49th Street in 1934-35. Located in the Turtle Bay section of Manhattan, between Second and Third Avenues, this building was one of the earliest structures in New York City to adapt the aesthetic principles pioneered by Le Corbusier and other European modernists starting in the 1920s. Whereas the nearby Lescaze House, considered to be the first truly modern-style residence in New York City, was built on East 48th Street as an alteration to an existing structure in 1934, the 5½ story Sanders Studio & Apartment was an entirely new structure. Planned with two duplex apartments and an office for Sanders on the first floor, the upper stories are cantilevered and clad with blue glazed brick and several types of glass.