The Enoch-Metatron Tradition in the Kabbalah of Nathan Neta Shapira of Kraków (1585-1633)

Total Page:16

File Type:pdf, Size:1020Kb

The Enoch-Metatron Tradition in the Kabbalah of Nathan Neta Shapira of Kraków (1585-1633) The Enoch-Metatron Tradition in the Kabbalah of Nathan Neta Shapira of Kraków (1585-1633) Agata Paluch UCL Department of Hebrew & Jewish Studies May 2013 A dissertation submitted for the degree of Doctor of Philosophy University College London 1 I, Agata Paluch, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract Nathan Neta ben Shlomo Shapira (1585-1633) is the most famous kabbalist stemming from the Jewish intellectual environment of Poland. His major treatise, Megaleh Amuqot, is among the most complex kabbalistic texts ever written. It combines variegated strata of older mystical traditions, to which the author applies diverse, often obscure modes of interpretation. For this reason, Nathan Shapira has remained one of the least studied figures in modern scholarship, despite the fact that he is generally acknowledged as the most important early-modern Ashkenazi kabbalist, whose influence on later Eastern-European mystical circles is well attested. Although there are some general accounts of Shapira’s religious activity in Kraków, and references have been made to his startling mathematical mind-set, scholarship still lacks a thorough examination of his literary legacy, and a detailed evaluation of his contribution to the development of Jewish mystical thought. My dissertation aims to integrate Nathan Shapira’s kabbalah within a broad panorama of Jewish mystical traditions of the early modern period. It challenges the notion of the dominance of Lurianic ideas in Shapira’s thought, arguing for a more pluralistic perspective of the historical development of the kabbalistic tradition. Recently, Yehuda Liebes and Moshe Idel have raised the possibility that Nathan Shapira’s kabbalah may have belonged to a tradition that sprang from a multifaceted cultural milieu of Ashkenazi mysticism, consisting of at least two distinct major strands. Following this notion, I propose to challenge the common view that the Ashkenazi mysticism was a homogenous entity, whose influences effectively ceased after 13th century. On the contrary, I claim that the medieval mystical Ashkenazi ideas underlie much of Nathan Shapira’s kabbalah. In considering medieval Ashkenazi mysticism as Shapira’s formative background, I focus on the ‘Enoch-Metatron’ cluster of traditions, which I claim was as central to Shapira’s thought as it was to his Ashkenazi predecessors. 3 Table of contents I. Preface 8 1. Acknowledgments 8 2. A note on the presentation of sources 9 II. Introduction 10 1. Literature review 11 2. Nathan Neta Shapira’s life in Kraków 16 3. Cultural background 19 3.1. Megaleh Amuqot as a kabbalistic biblical commentary 19 3.2. Print and the dissemination of kabbalah in Ashkenaz and Poland 21 3.3. The Ashkenazi kabbalah 23 3.4. Nathan Shapira’s sources 25 4. The Enoch-Metatron constellation 28 4.1. Enoch-Metatron in medieval Ashkenazi mysticism 28 4.2. The Enoch-Metatron cluster of motifs in Nathan Shapira’s kabbalah 31 4.3. Overview of the thesis 34 III. Chapter 1: Yefeifiyah and learning the Torah 36 1. Introduction 36 2. Yefeifiyah in Megaleh Amuqot and in early mystical Jewish sources 37 2.1. The angel Yefeifiyah in the Ashkenazi medieval sources 47 2.1.1. Nehemiah ben Shlomo’s circle 47 2.1.2. Magical traditions on the angel Yefeifiyah 50 3. Yefeifiyah, Metatron and acquiring the Torah in Megaleh Amuqot 53 3.1. Metatron and Sinaitic revelation – messianic implications 56 4. Conclusions 64 4 IV. Chapter 2: The ‘youth’ as a redemptive figure in Megaleh Amuqot 65 1. Introduction 65 2. Na’ar in the early Jewish sources 68 2.1. Beloved and pure servant – the biblical usage of the term 68 2.2. Na’ar as angelic being officiating on high in 3 Enoch and its parallels 69 2.3. Metatron as primordial ‘youth’ and High Priest: variants of the Shi’ur Qomah tradition 72 3. The ‘youth’ in Nathan Shapira’s writings and its medieval Ashkenazi parallels 75 3.1. Mishkan ha-na’ar 75 3.3. Mishkan ha-na’ar in Megaleh Amuqot 84 4. Enoch and ‘son’ in the redemptive process 88 4.1. Early Ashkenazi traditions 88 4.2. ‘Youth’, Elijah and ‘son’ in Shapira’s kabbalah 96 5. Conclusions 108 IV. Chapter 3: The triad of angels as a medium of prayer 110 1. Introduction: Metatron in the heavenly liturgy 110 2. Elijah-Sandalfon in the Ashkenazi Rosh ha-Shanah liturgy 112 3. Mediation of prayer through angels 120 3.1. The three worlds 120 3.2. Akatriel, the uppermost angel 126 3.3. Metatron 133 3.3.1. Metatron as the central angel 133 3.3.2. The middle prayer 137 3.3.3. Metatron as the voice of prayer 143 4. Conclusions 146 V. Chapter 4: Metatron and the Godhead 148 1. Introduction 148 5 2. Metatron as garment and as shoe 150 2.1. Metatron as the garment of exile 150 2.2. Shoe as the power of evil 156 2.2.1. Halitsah – the separation of Sandalfon and Metatron 156 2.2.2. Halitsah – the unification of Sandalfon and Metatron 159 2.2.3. Evil as shoe 161 2.2.4. Male-female encounter 165 3. The shoe and the shoemaker 168 3.1. The shoemaker in Megaleh Amuqot vs. Cordovero’s writings 168 3.2. Enoch-the shoemaker in the Lurianic kabbalah 173 3.3. Cordoverian and Lurianic influences on the shoemaker motif in Megaleh Amuqot 182 4. Conclusions 183 VI. Chapter 5: Moses and Metatron 185 1. Introduction 185 2. Metatron and the Tree of Knowledge 186 2.1. Cordovero on the Tree of Knowledge 186 2.2. Shapira on Metatron as the Tree of Knowledge 188 2.3. Moses and the Tree of Knowledge 194 3. Mosheh – Metatron Sar ha-Panim 201 3.1. Metatron as Moses’ mentor 201 3.2. Metatron and Moses as tiqun adam 202 3.3. Moses and Metatron on a par 203 3.4. Moses as the supreme leader 206 6 4. The rod of Moses 210 5. Conclusions 223 VII. Conclusions 225 VIII. Bibliography 229 1. Manuscripts 229 2. Primary sources – printed editions 230 3. Secondary literature 235 7 Preface Acknowledgments I would like to acknowledge the financial and academic support of University College London, particularly the award of a Graduate Research Scholarship from the UCL Graduate School, which provided me with the necessary funding for my doctoral research, and enabled me to visit multiple libraries in Europe and Israel. I am also grateful to the Institute for the History of Polish Jewry at Tel Aviv University for a travel grant, which allowed me to carry out my research in Jerusalem for several months. I am indebted to the staff of the Institute of the Microfilmed Hebrew Manuscripts at the National Library of Israel, the Special Collections Reading Room of the Bodleian Library in Oxford, the British Library’s Asian and African Studies Department, the Institute of Jewish Studies at the Jagiellonian University of Kraków, especially prof. Michal Galas, and the Warburg Institute Library, for all the help and support I received during my studies. Special thanks are due to my parents and Wojtek, without whose encouragement this doctoral project would never have been undertaken. My greatest debt is to my primary supervisor, prof. Ada Rapoport-Albert, whose indefatigable editorial diligence far exceeded the requirements of her office. I am extremely grateful for benefitting from her wisdom, critical eye and intellectual sharpness. Without her this dissertation would have looked entirely .שלי שלה .different Above all, I would like to express my gratitude to my second supervisor, prof. Moshe Idel, whose knowledge and illuminating insights have always been my inspiration, and from whom I continuously receive invaluable advice and support. For any errors or inadequacies that may remain in this work, of course, the responsibility is entirely my own. 8 A note on the presentation of source materials Published English translations (with some modifications, as necessary) have been used wherever possible. All other translations from the Hebrew sources are my own. Biblical quotations follow the The Authorized King James Version (Oxford: Oxford University Press, 1998). Zohar translation follows, where possible, The Zohar: Pritzker Edition (Stanford: Stanford University Press, 2004-), with some modifications. The transliteration of Hebrew aims to reflect contemporary Modern Hebrew pronunciation while generally following the Library of Congress’ romanization system, with the following exceptions: there is no distinction between aleph and ayin (both represented by the same apostrophe and disregarded when appearing as initial letters), tet and tav, samekh and sin, het and he. Whenever the tseire is distinguished from the segol in contemporary pronunciation, it appears as ei rather than e. The consonants vav and quf are represented by v and q respectively. Consonants marked with a dagesh are not doubled in transliteration. Hebrew words in transliteration are generally italicized, with the exception of those in common English use (i.e. kabbalah), where the common English spelling has been preserved. Megaleh Amuqot al ha-Torah is abbreviated throughout as MAT, and Megaleh Amuqot ReNaV Ofanim as MA ReNaV. When quoting MA ReNaV, I refer to the most recent, London 2008 edition of the work, while quotations from MAT mostly follow the 2005, and occasionally the1982-1985 Bnei Brak edition. The latter is referred to in the footnotes as MAT, ed. Weiss. 9 Introduction Nathan Neta ben Shlomo Shapira, also known under the name of Spira, was the most famous kabbalist to emerge from the Jewish intellectual environment of early modern Poland, in which he most probably spent all of his life. His lifespan (1585-1633) coincided with the final stages of the cultural and economic ‘golden age’ of Polish Jewry, marking the peak of its intellectual influence in the Jewish world.1 Shapira’s major kabbalistic treatises, Megaleh Amuqot ReNaV Ofanim al Va-Ethanan and Megaleh Amuqot al ha-Torah, are among the most complex kabbalistic texts ever written.
Recommended publications
  • TALMUDIC STUDIES Ephraim Kanarfogel
    chapter 22 TALMUDIC STUDIES ephraim kanarfogel TRANSITIONS FROM THE EAST, AND THE NASCENT CENTERS IN NORTH AFRICA, SPAIN, AND ITALY The history and development of the study of the Oral Law following the completion of the Babylonian Talmud remain shrouded in mystery. Although significant Geonim from Babylonia and Palestine during the eighth and ninth centuries have been identified, the extent to which their writings reached Europe, and the channels through which they passed, remain somewhat unclear. A fragile consensus suggests that, at least initi- ally, rabbinic teachings and rulings from Eretz Israel traveled most directly to centers in Italy and later to Germany (Ashkenaz), while those of Babylonia emerged predominantly in the western Sephardic milieu of Spain and North Africa.1 To be sure, leading Sephardic talmudists prior to, and even during, the eleventh century were not yet to be found primarily within Europe. Hai ben Sherira Gaon (d. 1038), who penned an array of talmudic commen- taries in addition to his protean output of responsa and halakhic mono- graphs, was the last of the Geonim who flourished in Baghdad.2 The family 1 See Avraham Grossman, “Zik˙atah shel Yahadut Ashkenaz ‘el Erets Yisra’el,” Shalem 3 (1981), 57–92; Grossman, “When Did the Hegemony of Eretz Yisra’el Cease in Italy?” in E. Fleischer, M. A. Friedman, and Joel Kraemer, eds., Mas’at Mosheh: Studies in Jewish and Moslem Culture Presented to Moshe Gil [Hebrew] (Jerusalem, 1998), 143–57; Israel Ta- Shma’s review essays in K˙ ryat Sefer 56 (1981), 344–52, and Zion 61 (1996), 231–7; Ta-Shma, Kneset Mehkarim, vol.
    [Show full text]
  • Angelology Angelology
    Christian Angelology Angelology Introduction Why study Angels? They teach us about God As part of God’s creation, to study them is to study why God created the way he did. In looking at angels we can see God’s designs for his creation, which tells us something about God himself. They teach us about ourselves We share many similar qualities to the angels. We also have several differences due to them being spiritual beings. In looking at these similarities and differences we can learn more about the ways God created humanity. In looking at angels we can avoid “angelic fallacies” which attempt to turn men into angels. They are fascinating! Humans tend to be drawn to the supernatural. Spiritual beings such as angels hit something inside of us that desires to “return to Eden” in the sense of wanting to reconnect ourselves to the spiritual world. They are different, and different is interesting to us. Fr. J. Wesley Evans 1 Christian Angelology Angels in the Christian Worldview Traditional Societies/World of the Bible Post-Enlightenment Worldview Higher Reality God, gods, ultimate forces like karma and God (sometimes a “blind watchmaker”) fate [Religion - Private] Middle World Lesser spirits (Angels/Demons), [none] demigods, magic Earthly Reality Human social order and community, the Humanity, Animals, Birds, Plants, as natural world as a relational concept of individuals and as technical animals, plants, ect. classifications [Science - Public] -Adapted from Heibert, “The Flaw of the Excluded Middle” Existence of Angels Revelation: God has revealed their creation to us in scripture. Experience: People from across cultures and specifically Christians, have attested to the reality of spirits both good and bad.
    [Show full text]
  • The Identification of “The Righteous” in the Psalms of Solomon(Psssol1))
    DOI: https://doi.org/10.28977/jbtr.2011.10.29.149 The Identification of “the Righteous” in the Psalms of Solomon / Unha Chai 149 The Identification of “the Righteous” in the Psalms of Solomon(PssSol1)) Unha Chai* 1. The Problem The frequent references to “the righteous” and to a number of other terms and phrases2) variously used to indicate them have constantly raised the most controversial issue studied so far in the Psalms of Solomon3) (PssSol). No question has received more attention than that of the ideas and identity of the righteous in the PssSol. Different views on the identification of the righteous have been proposed until now. As early as 1874 Wellhausen proposed that the righteous in the PssSol refer to the Pharisees and the sinners to the Sadducees.4) * Hanil Uni. & Theological Seminary. 1) There is wide agreement on the following points about the PssSol: the PssSol were composed in Hebrew and very soon afterwards translated into Greek(11MSS), then at some time into Syriac(4MSS). There is no Hebrew version extant. They are generally to be dated from 70 BCE to Herodian time. There is little doubt that the PssSol were written in Jerusalem. The English translation for this study is from “the Psalms of Solomon” by R. Wright in The OT Pseudepigrapha 2 (J. Charlesworth, ed.), 639-670. The Greek version is from Septuaginta II (A. Rahlfs, ed.), 471-489; G. W. E. Nickelsburg, Jewish Literature between the Bible and the Mishnah, 203-204; K. Atkinson, “On the Herodian Origin of Militant Davidic Messianism at Qumran: New Light From Psalm of Solomon 17”, JBL 118 (1999), 440-444.
    [Show full text]
  • The Role of Hebrew Letters in Making the Divine Visible
    "VTSFDIUMJDIFO (SàOEFOTUFIU EJFTF"CCJMEVOH OJDIUJN0QFO "DDFTT[VS 7FSGàHVOH The Role of Hebrew Letters in Making the Divine Visible KATRIN KOGMAN-APPEL hen Jewish figural book art began to develop in central WEurope around the middle of the thirteenth century, the patrons and artists of Hebrew liturgical books easily opened up to the tastes, fashions, and conventions of Latin illu- minated manuscripts and other forms of Christian art. Jewish book designers dealt with the visual culture they encountered in the environment in which they lived with a complex process of transmis- sion, adaptation, and translation. Among the wealth of Christian visual themes, however, there was one that the Jews could not integrate into their religious culture: they were not prepared to create anthropomorphic representations of God. This stand does not imply that Jewish imagery never met the challenge involved in representing the Divine. Among the most lavish medieval Hebrew manu- scripts is a group of prayer books that contain the liturgical hymns that were commonly part of central European prayer rites. Many of these hymns address God by means of lavish golden initial words that refer to the Divine. These initials were integrated into the overall imagery of decorated initial panels, their frames, and entire page layouts in manifold ways to be analyzed in what follows. Jewish artists and patrons developed interesting strategies to cope with the need to avoid anthropomorphism and still to give way to visually powerful manifestations of the divine presence. Among the standard themes in medieval Ashkenazi illuminated Hebrew prayer books (mahzorim)1 we find images of Moses receiving the tablets of the Law on Mount Sinai (Exodus 31:18, 34), commemorated during the holiday of Shavuot, the Feast of Weeks (fig.
    [Show full text]
  • MIN ANGEL Summary Overall
    MIN ANGEL Summary Overall - General sense of moving practice forward, positive direction for most, more direct painting language on a non-high art, disposable ‘punk’ support, personal and universal themes of life/death and memories. Allegorical and spiritual references. Humorous, tender, sad, unsettling, intriguing, immediacy. An exploration of image relationships within the composition and in relation to the configurations of the support and the conversations the support introduces in painting materially and thematically in particular in terms of time and space. The ‘reveal’ of the box. Handing paint with authority and fluidly, ‘treating the paint as a new guest at the table’, forthright, painterly, graphic, illustrative. Good colour. Relationship of the three images. Reflecting on ways forward - Continue with cardboard, use the cardboard colour, build up from photos, directness of paint application, reconsider the dreamy, embrace drawing/ illustrative/graphic qualities. Consider compositions, explore single image paintings of the portraits hung close together, limit palette. Build up from photographic references. Draw more. Comments: Marcus Big changes! The card board is working very well, it seems to invite so much more in. This is early days to analyse the paintings in any depth or indeed the composition and painting so just enjoy letting the work emerge. Having said that........ I detect that these are about family and the source material is family photos. I love the male figure in the suit! The Dean Martinish figure. There is tons of good colour in this painting , the modelling in loose greys on the pink ground with cardboard fringes showing. This limited range really works well and has something of the nostalgia of old photos without being too restricted to monochrome.
    [Show full text]
  • How Did Halacha Originate Or Did the Rabbis Tell a “Porky”?1 Definitions Written Law the Written Law Is the Torah Or Five Books of Moses
    How Did Halacha Originate or Did the Rabbis Tell a “Porky”?1 Definitions Written Law The Written Law is the Torah or Five books of Moses. Also known from the Greek as the Pentateuch. (What status is the Tanach?) Oral Law An Oral Law is a code of conduct in use in a given culture, religion or community …, by which a body of rules of human behaviour is transmitted by oral tradition and effectively respected, ...2 lit. "Torah that is on the ,תורה שבעל פה) According to Rabbinic Judaism, the Oral Torah or Oral Law mouth") represents those laws, statutes, and legal interpretations that were not recorded in the Five lit. "Torah that is in writing"), but nonetheless are ,תורה שבכתב) "Books of Moses, the "Written Torah regarded by Orthodox Jews as prescriptive and co-given. This holistic Jewish code of conduct encompasses a wide swathe of rituals, worship practices, God–man and interpersonal relationships, from dietary laws to Sabbath and festival observance to marital relations, agricultural practices, and civil claims and damages. According to Jewish tradition, the Oral Torah was passed down orally in an unbroken chain from generation to generation of leaders of the people until its contents were finally committed to writing following the destruction of the Second Temple in 70 CE, when Jewish civilization was faced with an existential threat.3 Halacha • all the rules, customs, practices, and traditional laws. (Lauterbach) • the collective body of Jewish religious laws derived from the Written and Oral Torah. (Wikipedia) • Lit. the path that one walks. Jewish law. The complete body of rules and practices that Jews are bound to follow, including biblical commandments, commandments instituted by the rabbis, and binding customs.
    [Show full text]
  • From the Garden of Eden to the New Creation in Christ : a Theological Investigation Into the Significance and Function of the Ol
    The University of Notre Dame Australia ResearchOnline@ND Theses 2017 From the Garden of Eden to the new creation in Christ : A theological investigation into the significance and function of the Old estamentT imagery of Eden within the New Testament James Cregan The University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Religion Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Cregan, J. (2017). From the Garden of Eden to the new creation in Christ : A theological investigation into the significance and function of the Old Testament imagery of Eden within the New Testament (Doctor of Philosophy (College of Philosophy and Theology)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/181 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. FROM THE GARDEN OF EDEN TO THE NEW CREATION IN CHRIST: A THEOLOGICAL INVESTIGATION INTO THE SIGNIFICANCE AND FUNCTION OF OLD TESTAMENT IMAGERY OF EDEN WITHIN THE NEW TESTAMENT. James M. Cregan A thesis submitted for the degree of Doctor of Philosophy at the University of Notre Dame, Australia. School of Philosophy and Theology, Fremantle. November 2017 “It is thus that the bridge of eternity does its spanning for us: from the starry heaven of the promise which arches over that moment of revelation whence sprang the river of our eternal life, into the limitless sands of the promise washed by the sea into which that river empties, the sea out of which will rise the Star of Redemption when once the earth froths over, like its flood tides, with the knowledge of the Lord.
    [Show full text]
  • Embracing Icons: the Face of Jacob on the Throne of God*
    Images 2007_f13_36-54 8/13/07 5:19 PM Page 36 RACHEL NEIS University of Michigan EMBRACING ICONS: THE FACE OF JACOB ON THE THRONE OF GOD* Abstract I bend over it, embrace, kiss and fondle to it, Rachel Neis’ article treats Hekhalot Rabbati, a collection of early and my hands are upon its arms, Jewish mystical traditions, and more specifically §§ 152–169, a three times, when you speak before me “holy.” series of Qedusha hymns. These hymns are liturgical performances, As it is said: holy, holy, holy.1 the highlight of which is God’s passionate embrace of the Jacob icon Heikhalot Rabbati, § 164 on his throne as triggered by Israel’s utterance of the Qedusha. §§ 152–169 also set forth an ocular choreography such that the For over a century, scholars conceived of the relation- gazes of Israel and God are exchanged during the recitation of the ship between visuality in Judaism and Christianity Qedusha. The article set these traditions within the history of sim- in binary terms.2 Judaism was understood as a reli- ilar Jewish traditions preserved in Rabbinic literature. It will be argued that §§ 152–169 date to the early Byzantine period, reflecting gion of the word in opposition to Christianity, a Jewish interest in images of the sacred parallel to the contempo- which was seen as a deeply visual culture. For raneous Christian intensification of the cult of images and preoccupation many scholars, never the twain did meet—Jews with the nature of religious images. were always “the nation without art,” or “artless,”3 while for much of their history Christians embraced Bear witness to them 4 5 of what testimony you see of me, icons, creating visual representations of the divine.
    [Show full text]
  • Chapter 2 Tort Liability in Maimonides
    CHAPTER 2 TORT LIABILITY IN MAIMONIDES’ CODE (MISHNEH TORAH): THE DOWNSIDE OF THE COMMON INTERPRETATION A. INTRODUCTION: THE MODERN STUDY OF JEWISH TORT THEORY AS A STORY OF “SELF- MIRRORING” B. THE OWNERSHIP AND STRICT LIABILITY THEORY VS. THE FAULT-BASED THEORY (PESHIAH) (1) The Difficulties of the Concept of Peshiah (2) The Common Interpretation of the Code: The “Ownership and Strict Liability Theory” C. EXEGETICAL AND CONCEPTUAL DIFFICULTIES OF THE COMMON INTERPRETATION OF MAIMONIDES (1) Maimonides did not Impose Comprehensive Strict Liability on the Tortfeasor (2) Maimonides’ Use of the Term Peshiah in Different Places (3) The Theory of Ownership Contradicts Various Rulings in the Code (4) The Problem with Finding a Convincing Rationale for the Ownership Theory D. DIFFICULTIES IN UNDERSTANDING SOME ELEMENTS OF TORT LIABILITY MENTIONED IN THE CODE (1) Rulings that are Difficult to Interpret according to Either Ownership or Fault-Based Theories (2) Providing a Rationale for the Exemption in Tort (3) Standard of Care in Damages Caused by a Person to the Property of Another: Absolute/Strict Liability or Negligence? (4) Deterrence of Risk-Causing Behavior E. RE-EXAMINING THE OPENING CHAPTER OF THE BOOK OF TORTS IN THE CODE: CONTROL AS A CENTRAL ELEMENT OF LIABILITY IN TORT F. CONCLUSION 1 A. INTRODUCTION: THE MODERN STUDY OF JEWISH TORT THEORY AS A STORY OF “SELF- MIRRORING” Isidore Twersky showed us that “[t]o a great extent the study of Maimonides is a story of ‘self- mirroring’,”1 and that the answers given by modern and medieval scholars and rabbis to some questions on the concepts of Maimonides “were as different as their evaluations of Maimonides, tempered of course by their own ideological convictions and/or related contingencies.”2 Maimonides’ opening passages of the Book of Torts (Sefer Nezikin) in the Code (Mishneh Torah) can also be described as a story of “self-mirroring”.
    [Show full text]
  • Polymorphism and Polysemy in Images of the Sefirot
    Portland State University PDXScholar Systems Science Faculty Publications and Presentations Systems Science Winter 3-16-2021 Polymorphism and Polysemy in Images of the Sefirot Martin Zwick Portland State University, [email protected] Follow this and additional works at: https://pdxscholar.library.pdx.edu/sysc_fac Part of the Arts and Humanities Commons, Computer Sciences Commons, and the Social and Behavioral Sciences Commons Let us know how access to this document benefits ou.y Citation Details Zwick, Martin (2021). Polymorphism and Polysemy in Images of the Sefirot. Western Judaic Studies Association 25th Annual Conference, online. This Presentation is brought to you for free and open access. It has been accepted for inclusion in Systems Science Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Polymorphism and Polysemy in Images of the Sefirot (Martin Zwick) Polymorphism and Polysemy in Images of the Sefirot Martin Zwick Portland State University, Portland OR 97207 [email protected] Western Judaic Studies Association 25th annual meeting Virtual, University of Nevada, Las Vegas March 16, 2021 web: https://works.bepress.com/martin_zwick/205 (Included in categories ‘Systems Theory and Philosophy’ and ‘Jewish Thought’) https://sites.google.com/view/ohrchadash/home 1 Abstract (1/2) • The resurgence of interest in Kabbalistic diagrams (Segol, Busi, Chajes) raises the question of how diagrams function in religious symbolism. This question can be approached via methods used in the graphical modeling of data. Specifically, graph theory lets one define a repertoire of candidate structures that can be applied not only to quantitative data, but also to symbols consisting of qualitative components.
    [Show full text]
  • The Christian Comforter
    The Christian Comforter Enoch the seventh from Adam In the book of Genesis, there are two Enoch’s; one from the line of Cain, in Genesis 4:17, and one from the line of Seth, who is the Enoch that we are concerned with here. The lineage is Adam — Seth — Enos — Cainan — Mahalaleel — Jared — Enoch. Enoch walked with God, and after 365 years God took him — he did not die. Genesis 5:23-24 And all the days of Enoch were three hundred sixty and five years: And Enoch walked with God: and he was not; for God took him. This fact is expanded upon in Hebrews chapter 11 — among those who walked in faith. Hebrews 11:5 By faith Enoch was translated that he should not see death; and was not found, because God had translated him: for before his translation he had this testimony, that he pleased God. Enoch is also found in the genealogy of Jesus. Luke 3:37 Which was the son of Mathusala, which was the son of Enoch, which was the son of Jared, which was the son of Maleleel, which was the son of Cainan. Note; above the names are spelt differently in the New Testament which was originally written in Greek. In the time of the early church fathers, the book of Enoch was widely accepted as inspired scripture by Justin Martyr, Irenaeus, Clement of Alexandria, Athenagoras, Tertullian, Origen and Lactantius. They all referenced Enoch in their own writings, probably because of Jude’s reference that it was a prophetic text. Jude 1:14-15 And Enoch also, the seventh from Adam, prophesied of these, saying, Behold, the Lord cometh with ten thousands of his saints, to execute judgment upon all, and to convince all that are ungodly among them of all their ungodly deeds which they have ungodly committed, and of all their hard speeches which ungodly sinners have spoken against him.
    [Show full text]
  • The Wise Blood of Enoch Emery
    The Corinthian Volume 9 Article 5 2008 The Wise Blood of Enoch Emery Susan Presley Georgia College & State University Follow this and additional works at: https://kb.gcsu.edu/thecorinthian Part of the English Language and Literature Commons Recommended Citation Presley, Susan (2008) "The Wise Blood of Enoch Emery," The Corinthian: Vol. 9 , Article 5. Available at: https://kb.gcsu.edu/thecorinthian/vol9/iss1/5 This Article is brought to you for free and open access by the Undergraduate Research at Knowledge Box. It has been accepted for inclusion in The Corinthian by an authorized editor of Knowledge Box. The Wise Blood of Enoch Emery The Wise Blood of Enoch Emery Susan Presley Dr. Marshall Bruce Gentry Faculty Sponsor Some readers regard Enoch Emery of Wise Blood as a shallow, comic, even demonic character because of his seemingly meaningless rituals, his grotesque actions, and his secular state of living. In a lecture to the NEH Summer Institute “Reconsidering Flannery O’Connor” at GCSU in July 2007, Michael Kreyling described Enoch as “obviously deranged” and “only a mole- cule away from becoming Dick Hickock in In Cold Blood.” Enoch actually shares qualities with many common eighteen-year-old boys and is not the dis- turbing character many critics claim he is. Readers too easily have over- looked Enoch’s important role in the novel, because they have not considered the potential of this character who has “wise blood” (44). Enoch possesses the qualities of self-knowledge, resilience, and initiative, traits that come from his wise blood. Enoch’s wise blood serves as a spiritual compass in his life and enables him to connect with and try to help others, prepare for his future as a productive adult, and overcome his difficult childhood.
    [Show full text]