DOCSLIB.ORG

Movie Aquisitions in 2011 - Hindi Cinema

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Movie Aquisitions in 2011 - Hindi Cinema Movie Aquisitions in 2011 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aashiqui Ab Ke Baras Directed by Mahesh Bhatt Directed by Kanwar Produced by Gulshan Kumar 2002 1990 Aamir Amar Prem Directed by Raj Kumar Gupta Directed and produced by Shakti Samanta Produced by Ronnie Screwwala 1972 2008 UTV Motion Pictures Anand Anarkali Directed by Hrishikesh Mukherjee Directed by Nandlal Jaswantlal Produced by Hrishikesh Mukherjee & N.C. Sippy 1953 1971 Shemaroo Video Pvt. Ltd. Anjaana Anjaani Ankhiyon Ke Jharokhon Se Directed by Siddharth Anand Directed and produced by Hiren Naq Produced by Sajid Nadiadwala 1978 2010 Nadiadwala Grandson Entertainment Pvt. Ltd. Ankush Aparahan Directed and produced by N. Chandra Directed and produced by Prakash Jha 1986 2005 Entertainment One Apradh Arjun Pandit Directed and produced by Feroz Khan Directed by Hrishikesh Pandit 1972 1976 Aryan Baadshah Directed by Abhishek Kapoor Directed by Abbas-Mustan Produced by Poonam Khubani & Vipin Anand Produced by Bhawar & Girish Jain 2006 1999 K Factor Entertainment Pvt. Ltd. Baghban Balle-balle! Amritsar to London (Bride And Directed by Ravi Chopra Prejudice) Produced by B.R. Chopra Directed and produced by Gurinder Chadha 2003 2004 B.R. Films Miramax Films Band Baaja Baaraat (Wedding Music Band) Bawarchi Directed by Maneesh Sharma Directed by Hrishikesh Mukherjee Produced by Aditya Chopra Produced by Hrishikesh Mukherjee 2010 1972 Yash Raj Films Bewafaa Bhabhi Ki Chudiyaan Directed by M.L. Anand Directed by Row Kawi Produced by Jaffer Hussain Produced by Sadashiv J 1975 1961 Bhai-Bhai Big Brother Directed by Raja Nawathe Directed by Guddu Dhanoa Produced by Ratan Mohan Produced by Ninth Jan Jeet Entertainment 1970 2007 R.M. Arts Production Chalti Ka Naam Gaadi China Town Directed by Satyen Bose Directed and produced by Shakti Samanta Produced by Anoop Sharma 1962 1958 Shakti Films Chingaari Choti Bahen Directed by Kalpana Lajmi Directed by L.V. Prasad Produced by Kalpana Lajmi & Vikas Sahni 1959 2006 Chowringhee Lane 36 Chupke Chupke Directed by Aparna Sen Directed and produced by Hrishikesh Mukherjee Produced by Shashi Kapoor 1975 1981 Company Dabangg Directed by Ram Gopal Varma Directed by Abhinav Kashyap Produced by Boney Kapoor Produced by Arbaaz Khan 2002 2010 Arbaaz Khan Productions Damini (Lightning) Dhan Daulat Directed by Rajkumar Santoshi Directed by Harish Shah Produced by Aly Morani Produced by Vinod Shah 1993 1980 Dharm Dharamputra Directed by Bhavna Talwar Directed by Yash Chopra 2007 Produced by B.R. Chopra 1961 Dhokha Dhool Ka Phool Directed by Pooja Bhatt Directed by Yash Chopra Produced by Mukesh Bhatt Produced by B.R. Chopra 2007 1959 Dil Ek Mandir Dil Hai Ke Manta Nahin Directed by C.V. Sridhar Directed by Mahesh Bhatt Produced by Chitralaya Produced by Gulshan Kumar 1963 1991 T-Series Do Anjaane Dor Directed by Dulal Guha Directed by Nagesh Kukuno or Produced by Tito Produced by Elahe Hiptoola 1976 2006 New Jeevan Films Sahara One Motion Pictures Dosti Ek Duuje Ke Liye Directed by Satyen Bose Directed by K. Balachander Produced by Tarachand Barjatya Produced by L.V. Prasad 1964 1981 Rajshri Productions Farz Fashion Directed by Ravikant Nagaich Directed and produced by Madhur Bhandarkar Produced by Sunderlal Nahata 2008 1967 Bhandarkhar Entertainment Gadar: Ek Prem Katha Geet Gaada Chal Directed by Anil Sharma Directed by Hiren Naq Produced by Nitin Keni Produced by Tarachand Barjatya 2001 1975 T-Series Rajshri Productions Gharana Ghatak Directed and produced by S.S. Vasan Directed and produced by Rajkumar Santoshi 1961 1996 Santoshi Productions Ghayal God Tussi Great Ho Directed by Rajkumar Santoshi Directed by Rumi Jaffery Produced by Dharmendra Produced by Afzal Khan 1990 2008 Shabbo Arts Golmaal Grahasti Directed by Hrishikesh Mukherjee Directed by Kishore Sahu Produced by N.C. Sippy Produced by S.S. Vasan 1979 1963 Gumrah Guru Directed and produced by B.R. Chopra Directed and produced by Mani Ratnam 1963 2007 Madras Talkies Guzaarish Hamraaz Directed by Sanjay Leela Bhansali Directed and produced by B.R. Chopra Produced by Ronnie Screwwala 1967 2010 UTV Motion Pictures Heer Ranjha Hero Directed by Chetan Anand Directed and produced by Subhash Ghai 1970 1983 Produced by Himalaya Films Mukta Arts Ltd Haqeeqat Hari-Bhari (Fertility) Directed by Chetan Anand Directed by Shyam Benegal 1964 2000 Himalaya Films Indian I - Proud To Be An Indian Directed by S. Shankar Directed by Puneet Sira Produced by A.M. Rathnam Produced by Sohail Khan 1996 2004 Sohail Khan Productions Jaane Bhi Do Yaaro Janbaaz Directed by Kundan Shah Directed and produced by Feroz Khan Produced by National Film Development 1986 Corporation 1983 Junoon Kabhi Haan Kabhi Naa Directed by Shyam Benegal Directed by Kundan Shah Produced by Shashi Kapoor Produced by Vikram Mehrohtra 1978 1993 Shemarro Video Pvt. Ltd Kairee Kashmir Ki Kali Directed by Amol Palekar Directed and produced by Shakti Samanta Produced by the Ministry Of Health And Family 1964 Welfare, Govt. Of India Shakti Films 2000 Khamoshi Kalyug Directed by Asit Sen Directed by Shyam Benegal Produced by Geetanjali Produced by Shashi Kapoor 1969 1981 Karz Khel-Khel Mein Directed by Subhash Ghai Directed by Ravi Tandon Produced by Akhtar Farooqui Produced by Ravi Malhotra 1980 1975 Mukta Arts Khelein Hum Jee Jaan Sey Khichdi Directed by Ashutosh Gowariker Directed by Aatish Kapadia Produced by Ajay Bijli Produced by Jamnadas Majethia 2010 2010 PVR Pictures Fox Star Studios, Hats Off Productions Kisaan Aur Bhagwaan Koshish Directed by Chandrakhant Directed by Gulzar 1974 Produced by N.C. Sippy 1972 Kranti Kya Kehna Directed and produced by Manoj Kumar Directed by Kundan Shah 1981 Produced by Kumar S. Taurani 2000 Tips Music Films Love Story Maachis (Matches) Directed and produced by Rajendra Kumar Directed by Gulzar 1981 1996 Maine Pyar Kiya Makdee (The Web Of The Witch) Directed by Sooraj R. Barjatya Directed and produced by Vishal Bhardwaj Produced by Tarachand Barjatya 2002 1989 Percept Picture Company Rajshri Productions Matrubhoomi (A Nation Without Women) Milan Directed by Manish Jha Directed by Adurthi Subba Rao Produced by Patrick Sobelman Produced by L.V. Prasad 2003 1967 SAAG Mistress of Spices, The Mujhse Shaadi Karogi Directed by Paul Mayeda Berges Directed by David Dhawan 2005 Produced by Sajid Nadiadwala 2004 Nadiadwala Grandson Entertainment Pvt. Ltd. Namak Haraam Namastey London Directed by Hrishikesh Mukherjee Directed and produced by Vipul Amrutlal Shah Produced by Rajaram, S. Wagle & J. Pandya 2007 1973 Adlabs Films Ltd RSJ Production (Combine) Namkeen Naulakha Haar Directed by Gulzar Directed by Harsukh Jagnaschwar Bhatt & Produced by Jayant Malkan Balachandra Shukla Produced by Ratnadeep Pics 1982 1953 Naya Daur New York Directed and produced by B.R. Chopra Directed by Kabir Khan 1957 Produced by Aditya Chopra 2009 Yash Raj Films Nishabd (No Words) No One Killed Jessica Directed and produced by Ram Gopal Verma Directed by Raj Kumar Gupta 2007 Produced by Ronnie Screwwala 2011 UTV Spot Boy Once Upon A Time in Mumbaai Oye Lucky! Lucky Oye! Directed by Milan Luthria Directed by Dibakar Banerjee Produced by Ekta Kapoor Produced by Ronnie Screwwala 2010 2008 Balaji Motion Pictures UTV Motion Pictures Parineeta (The Married Woman) Parvarish Directed by Pradeep Sarkar Directed by Manmohan Desai Produced by Vidhu Vinod Chopra Produced by A.A. Nadiadwala 2005 1977 B4U Entertainment Peepli (Live) Phir Subah Hogi Directed by Anusha Rizvi Directed and produced by Ramesh Saigal Produced by Amir Khan, Kiran Rao 1958 2010 UTV Motion Pictures Prahaar (The Final Attack) Pranali Directed by Nana Patekar Directed by Hridesh Kambli Produced by Sudhakar Bokade 2008 1991 Dviya Films Combines Worldwide Pratighaat Purab Aur Paschim Directed and produced by N. Chandra Directed and produced by Manoj Kumar 1987 1970 Ultra Distributors Raajneeti Raja Babu Directed and produced by Prakash Jha Directed by David Dhawan 2010 Produced by Nandu G. Tolani Prakash Jha Productions 1994 Sapna Arts Ramchand Pakistani Ram Lakhan Directed by Mehreen Jabbar Directed and produced by Subhash Ghai Produced by Javed Jabbar 1989 2008 Mukta Arts Razia Sultan Reshma Aur Shera Directed by Kamal Amrohi Directed and produced by Sunil Dutt Produced by A.K. Mishra 1971 1983 Rudaali Saajan Directed by Kalpana Lajmi Directed by Lawrence D'Souza Produced by Ravi Gupta Produced by Sudhakar Bokade 1993 1991 Eros Entertainment Sadiyaan Satya Directed by Raj Kanwar Directed and produced by Ram Gopal Varma 2010 1998 B4U Movies Sawan Ko Aane Do Shakti - The Power Directed and produced by Ram Gopal Varma Directed by Krishna Vamsi 1979 Produced by Boney Kapoor Sridevi 2002 Sridevi Productions Shahjehan Sharada Directed and produced by A.R. Kardar Directed by L.V. Prasad 1946 Produced by Yogesh & Raj Nizami Kardar Productions 1957 Yash Raj Films Shor Silsila Directed and produced by Manoj Kumar Directed and produced by Yash Chopra 1972 1981 Yash Raj Films Sir Siskiyaan Directed by Mahesh Bhatt Directed by Sachin Khedekar 1983 2005 Swami Taj Mahal Directed by Basu Chatterjee Directed by M. Sadiq Produced Jaya Chakracarty 1963 1977 Tamanna Tere Bin Laden Directed by Mahesh Bhatt Directed by Abhishek Sharma Produced by Pooja Bhatt Produced by Pooja Shetty Deora 1997 2010 Tezaab Tumse Achcha Kaun Hai Directed by Devaraj Payakkal Directed and produced by Pramod Chakravorty Produced by N. Chandra 1969 1988 Usne Kaha Tha Upkar Directected and produced by Amit Bose Directed by Manoj Kumar 1960 Produced by Harkishen R. & Mirchandani 1967 Utsav Vaastan Directed by Girish Karnad Directed by Mahesh Manjrekar Produced by Shashi Kapoor Producd by Deepak Nikalje 1984 1999 Adishakti Films Vivah Waqt Directed by Sooraj R. Barjatya Directed by Yash Chopra Produced by Ajit Kumar Barjatya Produced by B.R.
Load more

Recommended publications
  • Movie Aquisitions in 2010 - Hindi Cinema
    Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions
    [Show full text]
  • Yash Chopra the Legend
    YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today.
    [Show full text]
  • Annual Report and Accounts 2004/2005
    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
    [Show full text]
  • Bollywood Lens Syllabus
    Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences.
    [Show full text]
  • MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances Du Marché Mondial Du fi Lm
    MARCHÉ DU FILM 2011 FOCUS World Film Market Trends Tendances du marché mondial du fi lm FOCUS-COVER-FINAL.indd 1 13/04/11 19:30 focus 2011 World Film Market Trends Tendances du marché mondial du film focus_2011.indd 1 26/04/11 19:11 Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. focus_2011.indd 2 26/04/11 19:11 Editorial We now find ourselves in an era where all chan- À l’heure où toute la filière cinématographique nels of cinematography are undergoing a transfor- poursuit sa mutation, où la VoD se positionne mation: VoD has become a realistic medium, the comme un écran crédible, où le passage au tout switch to all-digital is simply a matter of time and numérique n’est plus qu’une question de calen- 3D is becoming more and more ubiquitous. As drier, où la 3D commence à se banaliser, il est such, it is more crucial than ever for us, as profes- plus que jamais nécessaire, pour les profession- sionals, to identify major industry tendencies. nels que nous sommes, d’appréhender les grands I hope that Focus, now in its 14th year, will indicateurs du secteur. serve as an indispensable tool for you in analyzing Je souhaite que Focus, qui fête son 14e anni- and anticipating the challenges of tomorrow. versaire, vous apporte les clefs indispensables pour analyser et anticiper les enjeux de demain.
    [Show full text]
  • My God, That's My Tune'
    The composer recently made it on the New York hit parade with a song titled In every city. In an interview R. D. Burman talks about his craft. Left: R. D. Burman with Latin American composer Jose Flores. Below: The 'Pantera' team, among others R.D. Burman (centre), Jose Flores and (far right) Pete Gavankar. HENEVER an Indian achieves a Wmilestone abroad, he instantly gets more recognition in his own coun- try. Perhaps it's the colonial hangover that still makes us believe that they are always right over there. In this case however, the distinction is not going to make any difference as the person gaining it is already a household name here. Rahul Dev Burman, who has given music for 225 Hindi films, has made it to the New York hit parade with a song titled In every city. He is all set to launch the album—'Pantera'—in India. Two people have been responsible for getting him there—his father Sachin Dev Burman who was the only member of the family willing to let him enter films, and Pete Gavankar, a friend of thirty years who goaded him into seek- ing new pastures and has financed the album. Intrigued, we decided to find out just how the international album had come about and while we were at it, also gauge just how much R.D. had already packed into his life of 45 years. It turned out to be much more than we had thought as we had to have several sittings before we were through. But R.D.
    [Show full text]
  • Page-00005.Pdf
    Voice Entertainment presents the latest in entertainment news, occasional i lm reviews, interviews with i lm personalities and Friday, January 5, 2018 www.WeeklyVoice.com Section B SRK’s Twitter Following gossip from the Bollywood i lm industry - the second largest Crosses 32 Million i lm industry in the world. One page is also devoted to news MUMBAI: Shah Rukh Khan’s social media on Twitter has ex- tended to 32 million. Shah Rukh on Tuesday tweet- ed: “Naye saal ki sabko shubh from Hollywood. In addition to entertainment news, Voice kamnayein. Sab raho khush aur aabaad aur 32 million ke liye bahut bahut dhanyawaad. Waah Hindi main likha toh kuch kavi sa hogaya. (Good wishes to all for Entertainment also incorporates occasional pages on Health, the New Year. Please stay happy and thank you for the 32 million. Written in Hindi, so became like a poet.)” The 52-year-old superstar, who has a following of 32.2 million, Technology and Travel, a popular Numerology/Astrology page is right behind megastar Amitabh Bachchan, who has a Twitter following of 32.4 million. Shah Rukh is Bollywood’s top Khan with the most number of follow- ers on Twitter -- Salman has 29.9 and a Matrimonials section. million and Aamir has 22.6 mil- lion.Shah Rukh is an avid user of digital platforms uses social media to update fans and follow- ers about his life and projects. On the fi rst day of the New Year on Monday, he unveiled the title and teaser of his upcoming fi lm with Aanand L Rai.
    [Show full text]
  • Fascist Imaginaries and Clandestine Critiques: Young Hindi Film Viewers Respond to Violence, Xenophobia and Love in Cross- Border Romances
    CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Shakuntala Banaji Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross- border romances Book section Original citation: Banaji, Shakuntala (2007) Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances. In: Bharat, Meenakshi and Kumar, Nirmal, (eds.) Filming the line of control: the Indo–Pak relationship through the cinematic lens. Routledge, Oxford, UK. ISBN 9780415460941 © 2007 Routledge This version available at: http://eprints.lse.ac.uk/27360/ Available in LSE Research Online: May 2011 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Fascist imaginaries and clandestine critiques: young Hindi film viewers respond to violence, xenophobia and love in cross-border romances Shakuntala Banaji1 Tarang: I’ve watched Hindi films all my life.
    [Show full text]
  • 2 Apar Gupta New Style Complete.P65
    INDIAN LAWYERS IN POPULAR HINDI CINEMA 1 TAREEK PAR TAREEK: INDIAN LAWYERS IN POPULAR HINDI CINEMA APAR GUPTA* Few would quarrel with the influence and significance of popular culture on society. However culture is vaporous, hard to capture, harder to gauge. Besides pure democracy, the arts remain one of the most effective and accepted forms of societal indicia. A song, dance or a painting may provide tremendous information on the cultural mores and practices of a society. Hence, in an agrarian community, a song may be a mundane hymn recital, the celebration of a harvest or the mourning of lost lives in a drought. Similarly placed as songs and dance, popular movies serve functions beyond mere satisfaction. A movie can reaffirm old truths and crystallize new beliefs. Hence we do not find it awkward when a movie depicts a crooked politician accepting a bribe or a television anchor disdainfully chasing TRP’s. This happens because we already hold politicians in disrepute, and have recently witnessed sensationalistic news stories which belong in a Terry Prachet book rather than on prime time news. With its power and influence Hindi cinema has often dramatized courtrooms, judges and lawyers. This article argues that these dramatic representations define to some extent an Indian lawyer’s perception in society. To identify the characteristics and the cornerstones of the archetype this article examines popular Bollywood movies which have lawyers as its lead protagonists. The article also seeks solutions to the lowering public confidence in the legal profession keeping in mind the problem of free speech and censorship.
    [Show full text]
  • Interim Dividend FY 2016-17 INR 4,27,524.00
    Hester Biosciences Limited Unpaid and Unclaimed Amount of Interim Dividend FY 2016-17 INR 4,27,524.00 First Middle Last Father/ Address Country State PIN Folio DP/Client Investment Type Amount Proposed Date of Name Name Name Husb Code Number ID (in INR) Transfer to IEPF Name A K TYAGI BSTYAGI 4 / 403 , EAST END INDIA Delhi 110096 HEST000000 Amount for unclaimed 450.00 25-Dec-2023 APARTMENTS MAYUR 0000000148 and unpaid dividend VIHAR PHASE - I EXTN NEW DELHI A P MAHADHEV APONNUSA C PERIASAMY ILLAM INDIA Tamil 637001 HEST000000 Amount for unclaimed 450.00 25-Dec-2023 AYADHAV MY SOUTH 34-C-19 TIRU Nadu 0000000152 and unpaid dividend NAGAR MOHANUR ROAD NAMAKKAL AARTI RAKESH SOLANKI NA A 1 CHIMAJI NAGAR INDIA Maharas 401107 16014301- Amount for unclaimed 15.00 25-Dec-2023 CHAWL PENKARPADA htra 02986045 and unpaid dividend NEAR SANKET STD MIRA ROAD EAST THANE ABDULKA JUSABBHAI KHATRI JUSABBHA LAHERI PURA BARODA INDIA Gujarat 390001 HEST000000 Amount for unclaimed 450.00 25-Dec-2023 DAR I GUJ NEAR GATE 0000000177 and unpaid dividend KHANADIWAD NAK BARODA ABHAY N JAIN NANDALAL 2ND KUBHARWADA LANE INDIA Maharas 400004 HEST000000 Amount for unclaimed 450.00 25-Dec-2023 JAIN 228/19 PANWALA BLDG. htra 0000010952 and unpaid dividend 2ND FLOOR BOMBAY ABHAYKU DAYA 247/30 RAJA BAZAR PARK INDIA Uttar 226003 HEST000000 Amount for unclaimed 450.00 25-Dec-2023 MAR LUCKNOW Pradesh 0000000189 and unpaid dividend ABHIJEET L DESHMUKH LAXMIKAN C/O LD DESHMUKH INDIA Maharas 431601 HEST000000 Amount for unclaimed 450.00 25-Dec-2023 T PUNDLIK WADI htra 0000000190
    [Show full text]
  • Contenido Estrenos Mexicanos
    Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148
    [Show full text]
  • Anjaana Anjaani Movie Full Download for Free
    1 / 4 Anjaana Anjaani Movie Full Download For Free Watch Anjaana Anjaani full movie online in HD. Enjoy this Comedy,Romance film starring Vishal Malhotra:Gaurav,Pooja Kumar:Peshto,Priyanka Chopra:Kiara .... 5 Hours ago ~~~~ How to Watch Anjaana Anjaani Online Free? [opEnlOad]Anjaana Anjaani!(2010) Full Movie Watch online free HQ .... youtube, youtube to mp3, download youtube, mymp3song, hindi music lyrics ... waploft, videoking, free, download, video,Youtube video Download,New Video song,Top ... Anjaana Anjaani (2010) Full Hindi Movie | Ranbir Kapoor, Priyanka Chopra ... Anjaana Anjaani | Full Movie LIVE on Eros Now | Ranbir Kapoor, Priyanka .... Anjaana Anjaani 2010 Hindi HDRip 720p x264 AC3...Hon3y ... 2:16:48. ... Hon3y torrent or any other torrent from Video > HD - Movies Direct download .... 【720p高清】 ... c71e67ad50. choco cooky font apk free download. Download Anjaana Anjaani 720p for free movie with torrentDownload Anjaana Anjaani in HD Film Genre: Drama Melodrama Comedy Musical Budget: Country ... However, both land up on the same bridge at the same time. Anjaana Anjaani 2010 Full Movie Download in 480p, 720p & 1080p MKV: G-Drive [ .... Anjaana Anjaani - Find details of movie release date, film cast and crew of Anjaana Anjaani, news about Anjaana Anjaani full hd movie download, online mp3 .... Anjaana Anjaani Full Movie Free Download 720p BluRay. 1- LOKI- M2Tv Judwaa 2 Hindi 720p BluRay x264 AC3 5. ... Subtitle JudwaaHindi .... Anjaana Anjaani Full Movie Download in 720p bluray, directly Download Anjaana Anjaani 2010 Bollywood HD Movie free Video For mobile .... Download Anjaana Anjaani (2010) – Movie HD Posters 1, Images, Stills, Trailers, Review, Songs, News, Synopsis, Plot, Cast & Crew, Video Clips , User Review, ...
    [Show full text]