Press Kit 2021

PRESS KIT 2021 © Dominique Edte WELCOME TO STRASBOURG! Nicolas WEVELSIP - Press Officer Tel. : +33 (0)3 88 52 28 38 Email: [email protected] Sophie BALLAND - Press and Communication Officer Tel. : +33 (0)3 88 52 28 27 Email: [email protected] YOUR CONTACTS YOUR www.visitstrasbourg.fr/en StrasbourgTourisme @strasbourgtourisme Stras_Tourisme Press relations The Press Department at the Tourist Office would be pleased to help you with your re- search and initiatives while you write an article about Strasbourg. The photo library You can visit our photo library from our website www.visitstrasbourg.fr/en, under the heading “Professional area”. Once you have registered, you will have access to a selection of downloadable photos. AT YOUR SERVICE YOUR AT These photos are royalty-free for the tourism promotion of the destination. Please in- dicate the name(s) of the photographer(s) and “Office de Tourisme de Strasbourg et sa Région” and if possible, send us a copy of the publication. Key features New in Strasbourg In Strasbourg, and nowhere else Heritage built over the centuries CONTENTS Strasbourg, Europe's beating heart Strasbourg, city of culture Exceptional museums Strasbourg, a family destination Strasbourg, a green city Strasbourg, a vibrant city In Strasbourg, slow living Discovering Strasbourg “Strasbourg, capital of Christmas" Strasbourg, at the heart of Alsace Strasbourg in numbers © Philippe de Rexel KEY FEATURES In addition to being a unique, cosmopolitan city, Strasbourg also features key sights not to be missed: Grande Île, the Cathedral, Petite France and the Neustadt district. Grande Ile houses several museums. N 2 place du Château Enclosed by the boundary of the River Ill, the Grande Ile Island, • Ancienne Grande Boucherie (former slaughterhouse) the historic town centre, is connected to the rest of the city by Built in 1587 to replace the old slaughterhouse that had been in 21 bridges and footbridges. use since the 13th century, this exceptional example of Renais- It has seen Strasbourg develop, enabling it in 1988 to beco- sance architecture has been home since 1919 to the Historical me the first historic city centre listed in its entirety as a Museum of the City of Strasbourg. UNESCO World Heritage site. On the main squares and little N 2 rue du Vieux-Marché-aux-Poissons pedestrian streets, many buildings are worth a look: • Ancienne Douane • The Kammerzell House This building, with its gable roof, located on the banks of the This Renaissance building, the foundations of which date River Ill, was used for centuries for storing and taxing goods to 1427, is a former merchant’s house. Its steep roof, beams transiting on the Rhine. Now it houses a restaurant and a far- sculpted with secular subjects, crown glass windows and stone mer’s market. N 6 rue de la Douane ground floor inspire admiration. N 16 place de la Cathédrale • The Neubau • Palais Rohan (Rohan Palace) Dating to the late 16th century, this remarkable, extremely ri- First the place of residence of the four cardinals of Rohan, then gorously symmetrical building was constructed in cut stone, a city hall and then an imperial and royal palace, it is a testament daring choice at the time because it was in sharp contrast with to the princely art of living of the 18th century. Its classical the local architectural style, which traditionally used half-tim- architecture is inspired by fine Parisian townhouses. It now bering. N 10 place Gutenberg The cathedral Church and Synagogue. The Strasbourg Cathedral stands on a wide cobblestone square At the end of the 13th Century, work began on the main fa- as in the Middle Ages. It rests on foundations of an old roman çade, the most richly ornate. The tympana of its three portals basilica of the Rhine constructed in 1015 by Bishop Wernher, of are dedicated to the life and Passion of Christ and to the Last the Hapsburg family. Destroyed by fire, it was gradually replaced Judgment. The famous group of the Tempter, surrounded by by a new cathedral. Nearly three centuries passed between the the Wise and Foolish Virgins, which decorate the right portal, reconstruction of the choir in 1176 and the completion of the served as a model for the cathedrals of Fribourg and Basle. On steeple in 1439. Its height of 142 m. classified Notre-Dame of the left portal, the Virtues are stabbing the Vices with their Strasbourg as the tallest edifice in Christendom up until the lances. 19th century. • "A prodigy of the gigantic and of the delicate" (Victor Hugo) A strikingly delicate double gable crowns the portals. In a frame of stone, delicately ornamented with openwork, blooms a magnificent rose window, attributed to Erwin of Steinbach, in charge of the cathedral project from 1284 to 1318. Above it, two towers connected by the belfry, constructed only at the end of the 14th century, compose the platform. From this height, after having climbed the 329 stairs, one can enjoy a magnificent view of the city and its surroundings. The tower, octagonal in shape and crowned by an ornate steeple credited to John Hültz, is found on the north side of the platform. On the south side of the Cathedral, the beautiful Romanesque portal, the oldest of the building, is flanked by copies of the famous Church and Synagogue statues whose originals are preserved at the Œuvre Notre-Dame Museum. The tympanum of the left door is decorated with a magnificent Death of the Virgin, one which filled Delacroix with admiration. On the tympanum of the left door appears the Coronation of the Virgin. The portal on the left side, dating from the end of the 15th century, is dedicated to Saint Lawrence, whose martyrdom -a modern copy- is represented above the door. The nave, whose harmonious proportions fill one with won- der, was inspired by that of St. Denis, and constructed in two stages between 1240 and 1275. Most of its original stained- glass windows, whose golden brilliance is due to the use of lighter colours which the master glassworkers of Strasbourg have always favoured, have been preserved. The oldest windows of the nave date back to the beginning of the 13th century and are located on the north side-aisle. They • A little history about a big construction project picture the succession of Germanic kings and emperors. The foundations and a few stones in the crypt are the only re- The Virgin of the choir is modern. In the nave, the stained- mains of the old basilica. Around 1225, the arrival of an archi- glass windows with the saints which face each other are tect and craftsmen from Chartres revolutionised the course of also impressive. the construction. In the 14th century, the Chapel of Saint Catherine, with A project manager whose name remains unknown to us intro- remarkable windows from the same century featuring Je- duced the local artisans to the splendours of Gothic art ignored sus’ life, and the Chapel of Saint Lawrence whose stained so far. This anonymous individual left behind unrivalled mas- glass windows are those of the old Dominican church, terpieces, such as the Pillar of Angels and the statues of the were added to the nave. In the north transept, a Mount of Olives (1498) and baptismal fonts in the late-Gothic style FEATURES KEY (1453). The oldest windows of the cathedral originate from the automata at precisely 12.30 p.m., which file out in procession. primitive sanctuary and represent the two Saint Johns and the At this moment, the apostles march in front of Christ. Their pro- Judgment of Solomon. cession is punctuated by a cock beating its wings and crowing. At the back of the north transept, the Chapel of Saint John Lower down, we see the four ages of life, which, personified the Baptist houses the beautiful 14th century tomb of Bishop by a child, an adolescent, an adult and an old man, pass every Conrad of Lichtenberg and an epitaph (1464) representing a quarter of an hour before Death. Since 1987, it has been listed canon in prayer before a moving Virgin with Child attributed to as a historical monument object. Nicolas Gerhaert de Leyde. Every day, the procession of the apostles can be admired after a film is shown about the astronomical clock. The ticket counter • The pulpit, a sound example of the late gothic style opens at 11:30 am. In the nave, the pulpit by Hans Hammer is a superb example of In front of the clock stands the striking Pillar of Angels which, the flamboyant Gothic style. The organ chest, ornamented with in a very original fashion, represents in fact a Last Judgment interesting automata, also dates from the end of the Middle because it groups together Christ the Judge, the four Evange- Ages. Its statues, with their movable joints and endowed with lists and the Angels of Judgment, sounding the trumpet. The speech, shamelessly ranted at the officiating priest and were a Saint-André Chapel, dating from the late 12th century, can be well-appreciated attraction. found at the end of the south transept. • The Astronomical Clock and the Pillar of Angels • Platform of the Cathedral Visitors can climb up to the Cathedral’s platform and guard- house. The spiral staircase takes them deep into the building and up to the top, where they’ll enjoy amazing views. After clim- bing up the 330 steps, visitors find themselves 66 metres above the square, with a stunning panoramic view of the city and the surrounding area. When the weather is fine, the view goes all the way to the Vosges and the Black Forest (in Germany).

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