DOCSLIB.ORG

The Picture on the Cover Is One of Pierce County Container Terminal at the Port of Tacoma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Picture on the Cover Is One of Pierce County Container Terminal at the Port of Tacoma The picture on the cover is one of Pierce County Container Terminal at the Port of Tacoma. It was supplied by Evergreen Marine Corp., and is available from Dunelm public related limited (http://www.dunelmpr.co.uk) ACKNOWLEDGEMENTS ACKNOWLEDGEMENTS I. Writing a doctoral thesis shows many similarities with container handling: it is a process which requires optimisation of the number and quality of a vast number of inputs, it is subject to a whole lot of factors of uncertainty, one needs to make output choices nearly constantly, and congestion (of to do’s) and capacity shortage (of time) are recurrent phenomena. It is a process whereby obviously one does not start from zero knowledge, but where one appeals to what one has learned before, and most of all where the contributions and useful remarks from many people are included. A first and most inspiring source of knowledge as well as support in difficult moments has of course been my promoter, Prof. Dr. Eddy Van de Voorde. His useful comments above all helped shape and structure not only this thesis, but also me as a transport economist. Various research projects with him aroused my interest in transport economics, and in the maritime and port sector in particular. In the course of this particular research, he introduced me to many contact persons and pointed at useful sources of input. The respect and fame he enjoys in the worldwide port and maritime environment opened doors that would otherwise have remained closed for sure. It has always been a pleasure to have him as a ‘superior’ as well as a promotor: at the good moments, but also at the more difficult ones, where a chat about for instance soccer provided a marvellous kind of distraction. Next, special thanks go to Prof. Dr. Hilde Meersman. She fully complemented my promotor in providing useful directions for research and inputs. The many constructive discussions always brought me new insights… although it was not always easy to order round plans and structures as borne in my mind at that moment. She did a great job however in supporting me, to the thesis content as well as morally, in refining the content of the thesis, and in increasing its readability. Further, Prof. Dr. Gust Blauwens, as chairman of the Department of Transport and Regional Economics, first of all granted me the opportunity to engage into this research. Further, i ACKNOWLEDGEMENTS through the entire process of conception and production, he has guided me into industrial economics research in transportation. I am very grateful to him for the opportunities I got, and I have always enjoyed being at the service of the Department. Fortunately for me, e-mail was invented, which made my quite frequent communication with Prof. Dr. Trevor Heaver (University of British Columbia, Canada) a lot easier. Sending texts to Canada and having them read and commented on no more than one week later would have been impossible without e-mail. But it would especially have been impossible without Prof. Heaver’s effort to help me in structuring my thoughts and texts. His extensive comments made me question every word I put on paper, which was sometimes hard at the first moment, but which was the right way of doing things in the end. Moreover, he introduced a closed- door policy during his last visit. Closing gates is something that maybe also some terminals should do in order to process a backlog in outbound yard containers: it is a wonderful way of freeing-up capacity, and not having this process disturbed by side-phenomena. Dr. Jan Blomme is at the same time internal and external to the Department of Transport and Regional Economics, which was of double advantage to me. I had close contacts with him as a lecturer at the Department, but I especially benefited from his position as head of the Research Department at the Antwerp Municipal Port Authority, from where he supplied me with many real-life views on port-specific matters. Prof. Dr. Raymond De Bondt provided plenty of industrial-economic insights and references and highly contributed to the theoretical background of the thesis. His constructive remarks were of great help to focus on the conceptual matters that were of relevance. Two professors I learned to know first through Prof. Dr. Eddy Van de Voorde’s extensive network and later on even better through TRANSPORTNET, were Prof. Enrico Musso (University of Genoa, Italy) and Prof. Dr. José Viegas (Technical University of Lisboa, Portugal). They have in common that they live in countries which are a lot warmer than Belgium, which encouraged me to keep on working on the Ph.D. research, even when temperature here was exceptionally higher than we are used to bearing, and when the weather invited more to go outside than stay behind a computer. Both professors have in common an unmatched knowledge of the maritime and port sector and of transport economics in general. ii ACKNOWLEDGEMENTS The formal and informal contacts we had, closeby during meetings and at longer distance via e-mail, supplied me with many transport economics insights, directly or indirectly of use for my Ph.D thesis. Mr. William Masschelier and Prof. Honoré Paelinck, both port consultants, introduced me to the daily processes taking place in the port environment, and this way, they contributed a lot to conceptual as well as factual elements in my thesis. Mr. Masschelier never left a chance unused to clarify to me terminal matters which I mailed him. Prof. Honoré Paelinck even used the ultimate technique to transfer his knowledge: inviting me on a boat trip… be it that is was not a container ship. I also want to give my special thanks to Prof. Dr. Ann Verhetsel. Although port economics is not her immediate field of research, it was thanks to her that I was granted the opportunity to start working at the Department of Transport and Regional Economics in 1998. Two very interesting research projects with her as a promoter further aroused my interest in transport economics research, and prepared me for the ‘real’ work. The fruitful discussions and her moral support during the course of my writing the Ph.D have no doubt contributed a lot to its success. Further on at the Department of Transport and Regional Economics, I would like to thank my immediate colleagues, Tom Pauwels in particular, for their conceptual contributions and for the support they gave me, logistical as well as moral when research did not move on as I had liked it to, and for their understanding when I had one of the (hopefully not too frequent) difficult moments… At the Department and the Faculty, I would also like to thank all secretaries who offered their logistical support, especially Ms Patsy Geurts, Ms Henriette Horoba and Ms Simonne Wouters. For the practical lay-outing matters, I would like to thank Frederik Hulstaert, who helped design the cover to this thesis, and made it as attractive but in the meantime sticking to business, two characteristics which perfectly match the container-handling business. iii ACKNOWLEDGEMENTS Last but not least, I’d like to give very special thanks to my immediate family and family-in- law, my friends, and my wife Annick. They all, and especially Annick, know what it is to have a husband / son / son-in-law / friend who tries to finish a Ph.D. Spare time was often shared with the computer instead of with family members, and holidays were not what they used to be before. Working on the Ph.D was often a valid and unvoluntary argument not to help with household tasks… Above all, I must admit that I still admire my relatives’ immediate understanding in my using this argument. I promise I will compensate in the near future, and as a start in this, I would like to dedicate this book to my wife Annick. But I am sure all of them will also remember some nice moments in the writing process, like me working in an antique chair near the coal fire at the Bakkershof, and of course my obtaining the degree of Doctor of Applied Economics as an ultimate pinnacle of some years of hard work. iv TABLE OF CONTENTS TABLE OF CONTENTS CHAPTER I................................................................................................................................1 I.1. Rationale for the thesis ...............................................................................................2 I.2. Setting for the expansion of cargo-handling companies ............................................4 I.2.1. The chain environment .......................................................................................5 I.2.2. Local terminal specifics......................................................................................7 I.2.3. Policy intervention..............................................................................................7 I.3. Hypotheses and Objectives.........................................................................................8 I.4. Definition and limitation ............................................................................................9 I.5. Methodology.............................................................................................................13 I.6. Text Outline.............................................................................................................16 v TABLE OF CONTENTS CHAPTER II. ...................................................................................................................... 19 II.1. Rationale for the chapter....................................................................................... 20 II.2. Co-operation
Load more

Recommended publications
  • High-Fidelity-1980-1
    S1.50 NOVEMBER 1980 HIGH FIDELIT HIGH-TECH RECORDS Are they worth them ey? Double - blindtests reveal the truth I e cg 111. AUDIO AT HOME N oon? How good? ^ .c 40' ooi'9 --- -1 o.ISTENING REPORTS Vssexy cassette deck y's "robot" turntable F...rs top -value receiver 11 it 01 0839E IF ALL $200TURNTABLES HAVE THE SAME SPECS, HOWCOME THE PL -400 SOUNDS BETTER? Il MEN -WPC IWO AL 4 MilmiiiiM . 1111111.1111111.11.1.111111111101 .TE Alzr 'T % 'I iv'.,.r I 1 1 IPATING 0 et.N\ qZ, r3lczbrowecont (= NS 4.0 VI, A _,.. joimma, 7 0,0 ;a! 11.111,, " "'".11"1"' The best for both worlds The culmination of 30 years of Audio Engineer- A fresh new breakthrough in cartridge de- ing leadership-the new Stereohedron velopment designed specifically as an answer for the low impedance moving coil cartridge- XSV/5000 XLZ/7500S One of the most dramatic developments of car- tridge performance was the introduction of the The advantages of the XLZ/7500S are that it offers - ,. Pickering XSV /3000. It offered the con- characteristics exceeding even the best of moving 'lila coil cartridges. Features such as an openness of sound and extremely fast risetime, less than 10µ, to provide a new crispness in sound reproduction. At the same tine, the XLZ/7500S provides these features without any of the disadvantages of ringing, undesirable spurious harmonics which are often characterizations of moving coil pickups. The above advantages provide a new sound experience while utilizing the proven advantages of the Stereohedron stylus, a samarium sumer a first 'generation of cartridges, combining 1.\\_ both high tracking ability and superb frequency response.
    [Show full text]
  • Installation and Operation Guide
    www.aja.com Published: 3/31/11 Installation and Operation Guide Because it matters. ii Trademarks AJA®, KONA®, Ki Pro®, KUMO® and XENA® are registered trademarks of AJA Video, Inc. Ki Pro Mini™, Io Express™, Io HD™ ,Io™ and “Work. Flow.” are trademarks of AJA Video, Inc. Apple, the Apple logo, AppleShare, AppleTalk, FireWire, iPod, iPod Touch, Mac, and Macintosh are registered trademarks of Apple Computer, Inc. Final Cut Pro, QuickTime and the QuickTime Logo are trademarks of Apple Computer, Inc. All other trademarks are the property of their respective holders. Notice Copyright © 2011 AJA Video, Inc. All rights reserved. All information in this manual is subject to change without notice. No part of the document may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying or recording, without the express written permission of AJA Inc. Contacting Support To contact AJA Video for sales or support, use any of the following methods: Telephone: 800.251.4224 or 530.274.2048 Fax: 530.274.9442 Web: http://www.aja.com Support Email: support@aja.com Sales Email: sales@aja.com Limited Warranty AJA Video warrants that the product, will be free from defects in materials and workmanship for a period of three years from the date of purchase. If a product proves to be defective during this warranty period, AJA Video, at its option, will either repair the defective product without charge for parts and labor, or will provide a replacement in exchange for the defective product. To obtain service under this warranty, the Customer must notify AJA Video of the defect before expiration of the warranty period and make suitable arrangements for the performance of service by contacting AJA Video support through the channels set forth on the support contacts web page at http://www.aja.com/support/index.php.
    [Show full text]
  • Rage in Eden Records, Po Box 17, 78-210 Bialogard 2, Poland Info@Rageineden.Org
    RAGE IN EDEN RECORDS, PO BOX 17, 78-210 BIALOGARD 2, POLAND INFO@RAGEINEDEN.ORG, WWW.RAGEINEDEN.ORG Artist Title Label HAUSCHKA ROOM TO EXPAND 130701/FAT CAT CD RICHTER, MAX BLUE NOTEBOOKS, THE 130701/FAT CAT CD RICHTER, MAX SONGS FROM BEFORE 130701/FAT CAT CD ASCENSION OF THE WAT NUMINOSUM 13TH PLANET RECORDS CD MINISTRY COVER UP 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS LTD MINISTRY RIO GRANDE BLOOD 13TH PLANET RECORDS CD MINISTRY RIO GRANDE DUB YA 13TH PLANET RECORDS CD PRONG POWER OF THE DAMAGER 13TH PLANET RECORDS CD REVOLTING COCKS COCKED AND LOADED 13TH PLANET RECORDS CD REVOLTING COCKS COCKTAIL MIXXX 13TH PLANET RECORDS CD BERNOCCHI, ERALDO/FE MANUAL 21ST RECORDS CD BOTTO & BRUNO/THE FA BOTTO & BRUNO/THE FAMILY 21ST RECORDS CD FLOWERS OF NOW INTUITIVE MUSIC LIVE IN COLOGNE 21ST RECORDS CD LOST SIGNAL EVISCERATE 23DB RECORDS CD SEVENDUST ALPHA 7 BROS RECORDS CD SEVENDUST CHAPTER VII: HOPE & SORROW 7 BROS RECORDS CD A BLUE OCEAN DREAM COLD A DIFFERENT DRUM MCD A BLUE OCEAN DREAM ON THE ROAD TO WISDOM A DIFFERENT DRUM CD B!MACHINE ALTERNATES AND REMIXES A DIFFERENT DRUM CD B!MACHINE EVENING BELL, THE A DIFFERENT DRUM CD B!MACHINE FALLING STAR, THE A DIFFERENT DRUM CD B!MACHINE MACHINE BOX A DIFFERENT DRUM BOX BLUE OCTOBER ONE DAY SILVER, ONE DAY GOLD A DIFFERENT DRUM CD BLUE OCTOBER UK INCOMING 10th A DIFFERENT DRUM 2CD CAPSIZE A PERFECT WRECK A DIFFERENT DRUM CD COSMIC ALLY TWIN SUN A DIFFERENT DRUM CD COSMICITY ESCAPE POD FOR TWO A DIFFERENT DRUM CD DIGNITY
    [Show full text]
  • !Nce Given NOT DIE ON
    ~ r .^2 7- :•.> o-#r » i-V-si’»' 0 - -.^m '-r^f - * r f; : _ \ 'C r^ w * U -'J i4 ? r.t’ 5« r Vi^f* ■y .. :• •'I %K V , • -N^.V . •ri-' :%r; * -:> .;•. • r •'■ •■ -\>-'h ;''->v'-:.^ ’ ■'V ; >•'. ?■></=. 1— 7 -: 777 "■■7. ^v.7.„ , ‘'f':.7 ■;,, ,=-,.,'> s '^- -- • j-. 7.'^:- ■J-l- ’ C«. ' f . -■■.■■■^■•■.■■}^.;:^K-t:7 ■ ;■ V - - »' ^--' .’^ 77 ’ -77. •'7:7'.. 7j>iicn^Wj|cATHER7ire^t¥teATHE|fr;,,.:«v - -.7 - ■ .L-’7 7.7 .-^ NET PRESS RUN * ■ ■ ••* . --. 4-. __ ; ‘A- •';:. " ForecMt -hy Di*A. •^eathwr.'OilThail,,' * AVERAGE DAILY CIRCULATION :• t ; ■•. jfew Huveu- —'• for the month of Febmary, 1028 f:-. :.'-r: V-'-'^"' " - ' -■'r: i ■ »•- ■•^^•^*^ •i ' . hCoim. State Library ■■ ?: > -. y-'"^^V=~- ■•..> : ■'■ -•■■.-.'.■ i 7 -.■ > -:g7-7:. Fair torfght and Thursday. 5 , 1 0 8 , 7,. >r»;7 T-,V ;7'.' — ..-•v^r-. 4 Member of the Audit Rnrenu of . -*^ V ^ 4* CirculatlouB 4 - (tWEI#if;PAGteS) V : j^ " pr ic e t h r e e CENTS VOL. XLIL, NO. 146. classified Advertising on Page 18. MAKCHESTERreOm WEDNESDAY, MARCH 21, 1928. MANY FAMILY TREES Lindy Gets the IN NEED OP SPRAYING SEN. ROBINSON EXPERTS SCOFF V» Boston, Mass.,. March 21.— “ I may be a descendant of our AT THEORY OF early settlers,” Judge George AGAIN A H A C E D. Alden, direct descendant of John and Priscilla Alden, told 500 members of the TraSic S-4JU1CIDES Club of New England at a din­ G O V .^ SMITH ner here, “ but I am not one of these ancestry hounds. Neither do I believe in this family tree Former Official Says He Was Say Safety Gear Was Re­ stuff— too many of them need Wonders How New York spraying.
    [Show full text]
  • Head Injury Patients Finding Rehabilitation Whafs Inside Zits, Pat
    Trr^r y i II in ii—fi^w^wwwi w^mmmmmmmm^m^mmmt^tmmmm^i^^^mfmm mmm ,J :.nti^«3fc: *®«fc#$^^a«*|^ ••:-.<, : '.- 'I < ^¾1^^ ^vli^^-1' ' -•; •m.v > ," ••• :• **#*'•-,.:•'•: •' v v ?- - • ••«( •v' -.—'t-J -3^ .¾¾¾^¾^ .--,- -^ IV Jl!Vt*J» yi I, 1 ^, : %||»';- 'L»•£.*" • - : ?(f.-- 'fej*>;* .. •-•l.^r.it.V' v'M>'^-^.Vi^^^^ .' ^-/-- :'4t^';ft ;,'v^jh^'.v .,>^M:,-.-:-;-,-.: .^.y;; '• •-<^•.;• .u.. ^ /. --^.-•^••viAf:-fii?^-^.v,->><..;.<• ^^yy^tv rj Us&i^^k • I *i r4 • ii i i In ii i ii i r n ' ' J in vi -..,.> • ^- .-,., i ' i f i i Volume 24 Number tiV .Monday, February 6,1989 . Westland. Michigan ;: 50 Pages fwenty:f lye cents \'r © im Subu A*A ConvrualaOoM Cocpontfaa. AH Rjto Rt*»v«d. Resource card places review and faces by teen group COT AN old pair <rf ior By Todd 8chne!der needs of the community are," she boaatjattwatth^tobo staff writer said. accidentally tat, or wow yet, /Mrioii/: A teen resource card/directory THE COMMITTEE Is concentrat­ ^IteVWcM rotate or that could include phone numbers ing on six health-risk areas outlined Mlddgao mfafht h* *hte to tare for area counseling agencies is one In Its recommendation to the school yoa the pain, UtarsBy. of several projects being studied by board last June. TV hucttate, ia cooparattao the Wayne-Westland school district's They are substance abuse, mental wtth the W<>ridltatteal Relief teen development committee, the health, sexual behavior, safety, nu­ organisatiOD, it ipmnrlag an group's director said Friday. trition and positive health habits. "eyeglass drive* it all Us offtces, Lisa Johnson said the idea for the Members are using surveys taken incladiag the Waaflaad branch.
    [Show full text]
  • Minimalism, Technology and Electronic Music
    University of Huddersfield Repository Glover, Richard Minimalism, Technology and Electronic Music Original Citation Glover, Richard (2013) Minimalism, Technology and Electronic Music. In: Ashgate Research Companion to Minimalist and Post-Minimalist Music. Ashgate, pp. 161-180. ISBN 9781409435495 This version is available at http://eprints.hud.ac.uk/id/eprint/16269/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: E.mailbox@hud.ac.uk. http://eprints.hud.ac.uk/ 1 Minimalism, Technology and Electronic Music Richard Glover Concept has always been the driving force of many composers associated with a minimalist approach. It is for this reason that much of their output retains strong similarities throughout their composing life. So while some of these composers' ideas emerged out of working with technology, the main concept itself was very much divorced from the continual need to update technological tools in order to achieve what were perceived as better musical results.
    [Show full text]
  • Targeting Utterances Through the Liminal Mist: an Investigation Into the Cultural Ractices and Worldview of the Westem Canadian Singedsongwriter
    University of Alberta Targeting Utterances through the Liminal Mist: An Investigation into the Cultural Ractices and Worldview of the Westem Canadian SingedSongwriter A thesis submitted to the Facdty of Graduate Studies and Research in partial hilfillmeat of the requirements for the degree of Master of Arts Department of Music Edmonton, Alberta Fall2001 National ti'brary Bibliothèque nationale 1*1 ofC=da du Canada Acquisitions and Acquisitions et Bibliographie Services senrices bibliographiques The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/£ilm, de reproduction sur papier ou sur format électronique. The author retains omership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Dedicated, of course. to Cady. Not because you will find this work so enthnlling. but because your patience and encouragement throughout this process has kept us both sane. ABSTRACT This thesis is an ethnographie investigation into the cultud pnctices and worldview of the Western Canadian Singer/Songwiter. Iaddress the question of how and why independent hadian SingerlSongwriters gear their compositional and promotional material to suit perceived institutional expectations of genre, national identity and aesthetic.
    [Show full text]
  • Symbolon: the Poetry of Anne Carson
    University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2015-02-03 Symbolon: The Poetry of Anne Carson McDowell, Drew McDowell, D. (2015). Symbolon: The Poetry of Anne Carson (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27947 http://hdl.handle.net/11023/2072 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Symbolon: The Poetry of Anne Carson by Drew McDowell A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH CALGARY, ALBERTA JANUARY, 2015 © Drew McDowell 2015 Abstract This study examines Anne Carson’s use and abuse of the lyric form, elucidating how Carson reinvigorates the lyric poem with the power of the sublime, and theorizing the relationship between poetry and knowledge. Through three critical and historical inflections, “Symbolon: The Poetry of Anne Carson” contextualizes Carson’s synthetic approach to poetry alongside the work of her significant influences and her significant peers. In following two diverging themes in Carson’s work, the erotic and the thanatological, this dissertation posits a new way to understand Carson’s contribution to poetry in Canada.
    [Show full text]
  • Une Bibliographie Commentée En Temps Réel : L'art De La Performance Au Québec Et Au Canada
    Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada (2017/2018) Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time: Performance Art in Quebec and Canada 2014 – 2020 Chercheure responsable : Professeure Dr phil Barbara Clausen, UQAM DéparteMent d’histoire de l’art Partenaires (s’il y a lieu) : Bibliothèque des arts UQAM et Artexte Montréal. Organisme subventionnaire : FRQSC (2016-2019) PARFAC (2014-2015) Équipe de recherche 2016 – 2019 Jade Boivin, EMManuelle Choquette, Geneviève Marcil, Maude Lefebvre, CaMille Richard (étudiantes de Maitrise en histoire de l’art) 2014 – 2015 Jade Boivin, EMManuelle Choquette, Joëlle Perron-Oddo, Julie Riendeau (étudiantes de Maitrise en histoire de l’art) Description Ce projet de recherche universitaire Une bibliographie coMMentée : l’art de la perforMance au Québec et au Canada, vise à dresser l’inventaire des textes et des ouvrages que des théoricien.ne.s, critiques, artistes, conservateur.trice.s et autres auteur.trice.s ont rédigés par anticipation, en réaction ou en réponse à l’art perforMatif. Le projet de recherche vise la réalisation d’un survol des histoires coMplexes et reMarquableMent Multidisciplinaires de la perforMance au Québec et au Canada. L’objectif est de procéder à une identification et à une évaluation globale des Modes de production reliés et corrélés qui sont au cœur de la théorie, de l’histoire et de la pratique de la perforMance au niveau local, provincial et national depuis le début du XXe siècle.
    [Show full text]
  • New Features Guide Davinci Resolve
    New Features Guide DaVinci Resolve February 2021 English Leading the Creative Video Revolution Welcome Welcome to DaVinci Resolve for Mac, Linux and Windows! DaVinci is the world’s most trusted name in color and has been used to grade more Hollywood films, TV shows, and commercials than anything else. With DaVinci Resolve, you get a complete set of editing, advanced color correction, professional Fairlight audio post production tools and Fusion visual effects combined in one application so you can edit, compose, grade, mix and master deliverables from start to finish, all in a single tool! DaVinci Resolve has the features professional editors, colorists, audio engineers and VFX artists need, and is built on completely modern technology with advanced audio, color and image processing that goes far beyond what any other system can do. With this release, we hope to inspire creativity by letting you work in a comfortable, familiar way, while also giving you an entirely new creative toolset that will help you cut and finish projects at higher quality than ever before! We hope you enjoy reading this manual. With its customizable interface and keyboard shortcuts, DaVinci Resolve is easy to learn, especially if you’re switching from another editor, and has all of the tools you need to create breathtaking, high end work! The DaVinci Resolve Engineering Team Grant Petty CEO Blackmagic Design DaVinci Resolve 17 New Features Guide 2 Navigation Guide Hover over and click the Contents Heading and it opens the Main Content Page at the beginning of the
    [Show full text]
  • The Orb Cydonia Mp3, Flac, Wma
    The Orb Cydonia mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Cydonia Country: Japan Released: 2001 Style: Downtempo, Dub, Experimental, Ambient, Abstract MP3 version RAR size: 1402 mb FLAC version RAR size: 1568 mb WMA version RAR size: 1770 mb Rating: 4.2 Votes: 420 Other Formats: XM FLAC AU DXD RA MP2 MP4 Tracklist Hide Credits Once More Bass Guitar – Simon Phillips Engineer – Andy Hughes Lyrics By – Omori*, Paterson*Producer, 1 Mixed By – Andy Hughes , The OrbVocals – Aki OmoriWritten-By – Omori*, Paterson*, Hughes*, Fehlmann* Promis 2 Engineer – Andy Hughes Producer, Mixed By – Andy Hughes , The OrbWritten-By – Paterson*, Hughes* Ghostdancing 3 Engineer – Andy Hughes Lyrics By – Paterson*, Walsh*Producer, Mixed By – Andy Hughes , The OrbVocals, Guitar – Nina WalshWritten-By – Paterson*, Hughes*, Walsh*, Fehlmann* Turn It Down 4 Bass Guitar – Nick BurtonElectric Guitar – Bailey HarperEngineer – Andy Hughes Producer, Mixed By – Andy Hughes , The OrbWritten-By – Paterson*, Hughes*, Phillips* Egnable 5 Producer, Mixed By – The Orb Mk II*Written-By – Paterson*, Hughes*, Le Gonidec*, Weston*, Fehlmann* Firestar 6 Engineer – Simon Phillips Written-By – Paterson*, Phillips* A Mile Long Lump Of Lard 7 Engineer – Andy Hughes Producer, Mixed By – Andy Hughes , The OrbWritten-By – Paterson*, Hughes*, Le Gonidec* Centuries 8 Engineer – George HoltProducer – Alex Paterson, Thomas FehlmannVocals – Aki OmoriWritten- By – Omori*, Paterson*, Fehlmann* Plum Island Arranged By – Nina WalshEngineer, Mixed By – Andy SheriffFlute –
    [Show full text]
  • Maquetacišn 1
    Esta edición de ANIMADRID está dedicada a la memoria de Santiago Moro (1925 - 2007) This year’s ANIMADRID is dedicated to the memory of Santiago Moro (1925 - 2007) 4 Un año más, la Comunidad de Madrid se reencuentra con ayer y hoy realizados en México, el país invitado en esta Once again this year, the Community of Madrid is reunited 2008 festival, and the opportunity to attend the tributes la animación cinematográfica gracias a la oportunidad edición de 2008, así como de asistir a los homenajes que with animated film thanks to the opportunity provided to made by the festival to two outstanding figures in national que nos brinda ANIMADRID. En esta novena edición, el el festival tributa a dos destacadísimas figuras de la ani- us by ANIMADRID. It its ninth year, the INTERNATIONAL and international animation: Cruz Delgado and Tex Avery, FESTIVAL INTERNACIONAL DE IMAGEN ANIMADA DE mación nacional e internacional: Cruz Delgado y Tex Avery, FESTIVAL OF THE ANIMATED IMAGE OF POZUELO DE respectively. ANIMADRID will also be joined by our special POZUELO DE ALARCÓN - COMUNIDAD DE MADRID, vuel- respectivamente. ANIMADRID contará también con la pre- ALARCÓN-COMMUNITY OF MADRID once again makes a guest Will Vinton, an outstanding figure in the world of ve a convocar a los espectadores madrileños, y a todos los sencia como invitado especial de Will Vinton, figura desta- call to the audiences of Madrid and animation fans every- clay animation. In short, ANIMADRID offers us one week aficionados al género de la animación, a disfrutar con las cada en el mundo de la animación con plastilina.
    [Show full text]