The Orb Cydonia Mp3, Flac, Wma
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Magnetoelastic Beam with Extended Polymer for Low Frequency Vibration Energy Harvesting
Binghamton University The Open Repository @ Binghamton (The ORB) Mechanical Engineering Faculty Scholarship Mechanical Engineering 2016 Magnetoelastic Beam with Extended Polymer For Low Frequency Vibration Energy Harvesting Alwathiqbellah Ibrahim Binghamton University--SUNY Shahrzad Towfighian Binghamton University--SUNY, [email protected] Mohammad I. Younis Binghamton University--SUNY Quang Su Binghamton University--SUNY Follow this and additional works at: https://orb.binghamton.edu/mechanical_fac Part of the Mechanical Engineering Commons Recommended Citation Ibrahim, Alwathiqbellah; Towfighian, Shahrzad; ounis,Y Mohammad I.; and Su, Quang, "Magnetoelastic Beam with Extended Polymer For Low Frequency Vibration Energy Harvesting" (2016). Mechanical Engineering Faculty Scholarship. 15. https://orb.binghamton.edu/mechanical_fac/15 This Conference Proceeding is brought to you for free and open access by the Mechanical Engineering at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Mechanical Engineering Faculty Scholarship by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. Magnetoelastic beam with extended polymer for low frequency vibration energy harvesting Alwathiqbellah Ibrahima, Shahrzad Towfighianb, Mohammad Younisc, and Quang Sud Binghamton University, 4400 Vestal Parkway E., Binghamton, NY 13902 ABSTRACT Ambient energy in the form of mechanical kinetic energy is mostly considered waste energy. The process of scavenging and storing such energy is known as energy harvesting. Energy harvesting from mechanical vibration is performed using resonant energy harvesters (EH) with two major goals: enhancing the power scavenged at low frequency sources of vibrations, and increasing the efficiency of scavenging energy by increasing the bandwidth near the resonant frequency. Toward such goals, we propose a piezoelectric EH of a composite cantilever beam with a tip magnet facing another magnet at a distance. -
The Cocktail Lab Welcome to D’Amico’S the Continental American Provisions & Craft Bar
The Cocktail Lab Welcome to D’Amico’s The Continental American Provisions & Craft Bar. The Continental Craft Cocktail Lab focuses on classic, Prohibition-era tipples that have stood the test of time. These cocktails combine simplicity and elegance, using a specific recipe model that include all the components of a balanced cocktail-spirit, citrus, sugar and bitter-resulting in an intriguing overall drinking experience. Our Craft Cocktail menu pays tribute to these time-honored recipes while also reinventing and experimenting with different ingredients and proportions to create new and exciting cocktails. We are pleased to present you our Craft Cocktail menu composed of modified Classics and Continental Originals; hand crafted with precision using fresh juices, house-made bitters, syrups and infusions. We invite you to explore the different flavors and let our staff guide you through a new cocktail experience. -Ross Kupitz THE ALCHEMIST AN ITALIAN IN NYC BLIND TIGER Bulleit Bourbon, Casamigos Reposado Tequila, Out of the Orb Nonino Quintessentia, Carpano Bianco, Rothman & Winter Peach, Cherry, Lime, Angostura, Peach Bitters 15 Orange Bitters BARRY L. CONTINENTAL INNOVATION RD’S CAFÉ CAVALLI DETROIT IN THE 1920’S Death’s Door Gin, St. George Dry Rye Gin, St. Augustine Gin, Cocchi Americano Bianco, Campari, Vya, Continental Green Chartreuse, Carpano Bianco, Grapefruit Bitters Cranberry-Anise Bitters Maraschino, Lime Craft Cocktails GIN 14 BOURBON/WHISKEY PS, IT’S A CHAMPAGNE COCKTAIL CARTHUSIAN LD SAZERAC Tattersall Gin, Grapefruit Crema, Cassis, Sparkling Wine Overholt Rye Whiskey, Yellow Chartreuse, ERIN N. Absinthe, Peychaud’s, Lemon RUM IT’S 11 AM SOMEWHERE HENRY COGSWELL’S WATER St. -
The Orb U.F.Orb Mp3, Flac, Wma
The Orb U.F.Orb mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: U.F.Orb Country: Europe Released: 2007 Style: Ambient, Dub, Experimental, House MP3 version RAR size: 1291 mb FLAC version RAR size: 1147 mb WMA version RAR size: 1578 mb Rating: 4.8 Votes: 292 Other Formats: MOD WMA MIDI AA VQF AHX RA Tracklist Hide Credits Orbit One: U.F.Orb Remastered O.O.B.E. 1-1 Flute – Tom GreenWritten-By – Alex Paterson, Kristian Anthony Weston*, 12:54 Thomas Fehlmann U.F.Orb 1-2 6:09 Bass – Guy PrattWritten-By – Alex Paterson, Kristian Anthony Weston* Blue Room Bass – Jah WobbleGuitar – Steve HillageWritten-By – Alex Paterson, Jah 1-3 17:34 Wobble, Kristian Anthony Weston*, Mad Professor, Miquette Giraudy, Pamela Ross, Steve Hillage Towers Of Dub 1-4 Harmonica – Marney PaxVoice [Intro] – Victor Lewis-SmithWritten-By – Alex 15:00 Paterson, Kristian Anthony Weston*, Thomas Fehlmann Close Encounters 1-5 Written-By – Alex Paterson, Kristian Anthony Weston*, Orde Meikle, Stuart 10:27 McMillan Majestic 1-6 11:06 Written-By – Alex Paterson, Kristian Anthony Weston*, Martin Glover 1-7 Sticky End 0:49 Orbit Two: Remixes O.O.B.E. (Andy Hughes Mix) 2-1 Remix – Andy Hughes Written-By – Alex Paterson, Kristian Anthony 11:58 Weston*, Thomas Fehlmann Towers Of Dub (Ambient Mix) 2-2 10:14 Written-By – Alex Paterson, Kristian Anthony Weston*, Thomas Fehlmann Blue Room (Ambient At Mark Angelo's Mix) Bass – Jah WobbleMixed By – Alex Paterson, ThrashWritten-By – Alex 2-3 8:57 Paterson, Jah Wobble, Kristian Anthony Weston*, Mad Professor, Miquette Giraudy, Pamela Ross, Steve Hillage Close Encounters (Ambient Mix 1) 2-4 Written-By – Alex Paterson, Kristian Anthony Weston*, Orde Meikle, Stuart 12:49 McMillan Majestic (Mix 1) 2-5 11:52 Written-By – Alex Paterson, Kristian Anthony Weston*, Martin Glover Assassin (Chocolate Hills Of Bohol Mix) 2-6 Remix – Alex PatersonWritten-By – Alex Paterson, Kristian Anthony 14:37 Weston*, Martin Glover Companies, etc. -
High-Fidelity-1980-1
S1.50 NOVEMBER 1980 HIGH FIDELIT HIGH-TECH RECORDS Are they worth them ey? Double - blindtests reveal the truth I e cg 111. AUDIO AT HOME N oon? How good? ^ .c 40' ooi'9 --- -1 o.ISTENING REPORTS Vssexy cassette deck y's "robot" turntable F...rs top -value receiver 11 it 01 0839E IF ALL $200TURNTABLES HAVE THE SAME SPECS, HOWCOME THE PL -400 SOUNDS BETTER? Il MEN -WPC IWO AL 4 MilmiiiiM . 1111111.1111111.11.1.111111111101 .TE Alzr 'T % 'I iv'.,.r I 1 1 IPATING 0 et.N\ qZ, r3lczbrowecont (= NS 4.0 VI, A _,.. joimma, 7 0,0 ;a! 11.111,, " "'".11"1"' The best for both worlds The culmination of 30 years of Audio Engineer- A fresh new breakthrough in cartridge de- ing leadership-the new Stereohedron velopment designed specifically as an answer for the low impedance moving coil cartridge- XSV/5000 XLZ/7500S One of the most dramatic developments of car- tridge performance was the introduction of the The advantages of the XLZ/7500S are that it offers - ,. Pickering XSV /3000. It offered the con- characteristics exceeding even the best of moving 'lila coil cartridges. Features such as an openness of sound and extremely fast risetime, less than 10µ, to provide a new crispness in sound reproduction. At the same tine, the XLZ/7500S provides these features without any of the disadvantages of ringing, undesirable spurious harmonics which are often characterizations of moving coil pickups. The above advantages provide a new sound experience while utilizing the proven advantages of the Stereohedron stylus, a samarium sumer a first 'generation of cartridges, combining 1.\\_ both high tracking ability and superb frequency response. -
Signumclassics
143booklet 23/9/08 13:15 Page 1 ALSO AVAILABLE on signumclassics Different Trains Time for Marimba Steve Reich Daniella Ganeva The Smith Quartet SIGCD057 SIGCD064 Signum Classics are proud to release the Smith Quartet’s debut Time for Marimba explores the 20-th century Japanese repertoire for disc on Signum Records - Different Trains. The disc contains three marimba including music by five pre-eminent post-war composers. of Steve Reich’s most inspiring works: Triple Quartet for three string quartets, Reich’s personal dedication to the late Yehudi Menuhin, Duet, and the haunting Different Trains for string quartet and electronic tape. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 143booklet 23/9/08 13:15 Page 3 Electric Counterpoint Electric Counterpoint Steve Reich 1. I Fast [6.51] 2. II Slow [3.22] 3. III Fast [4.33] 4. Tour de France Kraftwerk [5.25] 5. Radioactivity Kraftwerk [5.57] 6. Pocket Calculator Kraftwerk [6.44] 7. Carbon Copy Joby Burgess & Matthew Fairclough [5.14] 8. Temazcal Javier Alvarez [8.05] 9. Audiotectonics III Matthew Fairclough [3.47] Total Timings [49.55] Video: Temazcal [8.09] Powerplant Joby Burgess percussion Matthew Fairclough sound design Kathy Hinde visual artist The Elysian Quartet www.signumrecords.com 143booklet 23/9/08 13:15 Page 5 Electric Counterpoint Tour de France improvising with flute, electric guitar, cello and Carbon Copy Steve Reich (1936-) Ralf Hutter (1946-), Florian Schneider (1947-) vibraphone as the then Organisation, they Joby Burgess (1976-) and Matthew Fairclough I Fast II Slow III Fast and Karl Bartos (1952-) explored the sounds of the modern industrial (1970-) world, setting up their own studio, Kling Klang, Joby Burgess xylosynth Radioactivity which remains at a secret location in Dusseldorf. -
Social Spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay
Social spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay This article aims to briefly explore some the compositional links that exist between Intelligent Dance Music (IDM) and acousmatic music. Whilst the central theme of this article will focus on compositional links it will suggest some ways in which we might use these links to enhance pedagogic practice and widen access to acousmatic music. In particular, the article is concerned with documenting artists within Intelligent Dance Music (IDM), and how their practices relate to acousmatic music composition. The article will include a hand full of examples of music which highlight this musical exchange and will offer some ways to use current academic thinking to explain how IDM and acousmatics are related, at least from a theoretical point of view. There is a growing body of compositional work and theoretical research that draws from both acousmatics and various forms of electronic dance music. Much of this work blurs the boundaries of electronic music composition, often with vastly different aesthetic and cultural outcomes. Elements of acousmatic composition can be found scattered throughout Intelligent Dance Music (IDM) and on the other side of the divide there are a number of composers who are entering the world of acousmatics from a dance music background. This dynamic exchange of ideas and compositional processes is resulting in an interesting blend of music which is able to sit quite comfortably inside an academic framework as well as inside a more commercial one. Whilst there are a number of genres of dance music that could be described in terms of the theories that would normally relate to acousmatic music composition practices, the focus of this article lies particularly with Intelligent Dance Music. -
Orb Is Required for Anteroposterior and Dorsoventral Patterning During Drosophita Oogenesis
Downloaded from genesdev.cshlp.org on October 1, 2021 - Published by Cold Spring Harbor Laboratory Press orb is required for anteroposterior and dorsoventral patterning during Drosophita oogenesis Lori B. Christerson and Dennis M. McKearin Department of Biochemistry, University of Texas Southwestern Medical Center, Dallas, Texas 75235-9038 USA We describe mutations in the orb gene, identified previously as an ovarian-specific member of a large family of RNA-binding proteins. Strong orb alleles arrest oogenesis prior to egg chamber formation, an early step of oogenesis, whereas females mutant for a maternal-effect lethal orb allele lay eggs with ventralized eggshell structures. Embryos that develop within these mutant eggs display posterior patterning defects and abnormal dorsoventral axis formation. Consistent with such embryonic phenotypes, orb is required for the asymmetric distribution of oskar and gurken mRNAs within the oocyte during the later stages of oogenesis. In addition, double heterozygous combinations of orb and grk or orb and top/DER alleles reveal that mutations in these genes interact genetically, suggesting that they participate in a common pathway. Orb protein, which is localized within the oocyte in wild-type females, is distributed ubiquitously in stage 8-10 orb mutant oocytes. These data will be discussed in the context of a model proposing that Orb is a component of the cellular machinery that delivers mRNA molecules to specific locations within the oocyte and that this function contributes to both D/V and A/P axis specification during oogenesis. [Key Words: RNA binding; oogenesis; dorsoventral; posterior group; polarity; RNA localization] Received October 5, 1993; accepted in revised form January 20, 1994. -
2016–2017 Gratitude Report Be Who You Are, Where You Are… Alaska
Thank You 2016–2017 Gratitude Report Be who you are, where you are… Alaska NORTHERN LIGHTS OVER THE KNIK RIVER ANCHORAGE, AK Table of Contents Letter from Leadership ............................................. 4 Our Lives In Numbers .............................................. 6 Grants, Scholarships, and Advocacy ................................. 10 Our Impact Building Organizations ......................................... 12 Supporting Students ........................................... 16 Connecting Leaders ........................................... 20 United with Equity ................................................ 23 2017 Grantees . 25 2017 Scholars . 28 Our Donors ...................................................... 29 Visionaries . 43 Volunteers . 45 Organizational Support ............................................ 48 Financials ........................................................ 51 Staff & Board ..................................................... 52 Your generosity makes Pride Foundation’s work possible, and we want to share our heartfelt appreciation for all the ways you are helping to build a world where every single person’s humanity is protected and valued . Pride Foundation was founded 32 years ago on the shoulders of generations of leaders who brought simple but revolutionary values to our movement: the courage to truly see one another, the compassion to recognize our shared humanity, and the conviction to show up every day to protect one another. Nicole Browning We live in times of incredible progress -
Installation and Operation Guide
www.aja.com Published: 3/31/11 Installation and Operation Guide Because it matters. ii Trademarks AJA®, KONA®, Ki Pro®, KUMO® and XENA® are registered trademarks of AJA Video, Inc. Ki Pro Mini™, Io Express™, Io HD™ ,Io™ and “Work. Flow.” are trademarks of AJA Video, Inc. Apple, the Apple logo, AppleShare, AppleTalk, FireWire, iPod, iPod Touch, Mac, and Macintosh are registered trademarks of Apple Computer, Inc. Final Cut Pro, QuickTime and the QuickTime Logo are trademarks of Apple Computer, Inc. All other trademarks are the property of their respective holders. Notice Copyright © 2011 AJA Video, Inc. All rights reserved. All information in this manual is subject to change without notice. No part of the document may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying or recording, without the express written permission of AJA Inc. Contacting Support To contact AJA Video for sales or support, use any of the following methods: Telephone: 800.251.4224 or 530.274.2048 Fax: 530.274.9442 Web: http://www.aja.com Support Email: [email protected] Sales Email: [email protected] Limited Warranty AJA Video warrants that the product, will be free from defects in materials and workmanship for a period of three years from the date of purchase. If a product proves to be defective during this warranty period, AJA Video, at its option, will either repair the defective product without charge for parts and labor, or will provide a replacement in exchange for the defective product. To obtain service under this warranty, the Customer must notify AJA Video of the defect before expiration of the warranty period and make suitable arrangements for the performance of service by contacting AJA Video support through the channels set forth on the support contacts web page at http://www.aja.com/support/index.php. -
("The 1994 Agreement") Which Agreement Was Hereinafter Referred to As "The Prior Agreement" Music Agreement&
IMPORTANT NOTICE TO THE SONGWRITER THIS DOCUMENT CONTAINS AN IMPORTANT AGREEMENT WHICH MAY AFFECT YOUR CAREER ON A LONG TERM BASIS lT IS VITAL THAT YOU UNDERSTAND ITS CONTENTS AND ITS POTENTlAL RAMIFICATIONS YOU MUST THEREFORE SEEK SPECIALIST ADVICE FROM A LAWYER WITH EXPERIENCE OF AGREEMENTS OF THIS KIND BEFORE THE AGREEMENT IS ENTERED INTO WE WILL REQUIRE EVIDENCE THAT YOU HAVE HAD THE BENEFIT OF SUCH ADVICE T HT S A G REEM ENT is made th~day of ~wo thousand and three BETWEEN CHRYSALIS MUSIC LIMITED ofThe Chrysalis Building Bramley Road London WlO 6SP (hereinafter called "the Publisher") ofthe one part and KRISTIAN WESTON (pka "THRASH'') care ofBaxter McKay LLP Solicitors 34 Great James Street London WClN 3HB (hereinafter called "the Writer") of the other part WHEREAS 1. The Writer together with Duncan Alexander Robert Paterson aod Adam Morris entered into an agreement with Publisher on I 7lh May 1994 ("the 1994 Agreement") which agreement was amended (inter a/ia) by way of a further agreement between the same parties on 29th August 1997 ("the 1997 Agreement") The 1994 Agreement (as the same has been varied and amended) is hereinafter referred to as "the Prior Agreement" 2. Pursuant to the Prior Agreement the Writer granted to the Publisher certain rights in relation to the Writers interest in the Big Life Music Works (as defined therein) Such rights included (without limitation) the right to receive royalties otherwise payable to the Writer by Big Life Music Limited ("Big Life") pursuant to the Writers prior agreement with Big Life Music Ltd ("the Big Life Music Agreement") ("the Big Life Royalties") 3. -
Oxford's First Couple of Porch Folk Come Down from the Hills
[email protected] @NightshiftMag nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 231 October Oxford’s Music Magazine 2014 “Nothing makes our hearts sink more than a soppy photo:Johnny Moto boy/girl acoustic duo” photo:Johnny Moto THETHE AUGUSTAUGUST LISTLIST OXFORD DUPLICATION CENTRE Oxford’s first couple of [email protected] Office: 01865 457000 Mobile: 07917 775477 Supporting Oxfordshire Bands with porch folk come down Affordable Professional CD Duplication from the hills. FANTASTIC BAND RATES Also in this issue: ON ALL SERVICES Introducing PEERLESS PIRATES Professional Thermal Printed CDs Full Colour/Black & White SPRING OFFENSIVE split. Silver or White Discs OXFORDOXFORD cancelled Design Work Support Digital Printing plus Packaging Options Fulfilment All your Oxford music news, previews and Recommended by Matchbox Recordings Ltd, Poplar Jake, Undersmile, Desert Storm, Turan Audio Ltd, Nick Cope, Prospeckt, Paul Jeffries, Alvin reviews, and six pages of local gigs. Roy, Pete The Temp, Evolution, Coozes, Blue Moon and many more... NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net month. The festival, due to be held in South Park at the end of September, with a day of live music featuring The Klaxons, Gaz Combes and Katy B among others, was planned as the first in a series of annual festivals in the park, but poor ticket sales and issues with one of the main acts apparently left organisers with no WILD SWIM provide the option but to pull the plug. soundtrack for Fast Track, a new A statement on the festival site play which runs at The North Wall said, “A number of factors in in Summertown this month. -
Rage in Eden Records, Po Box 17, 78-210 Bialogard 2, Poland [email protected]
RAGE IN EDEN RECORDS, PO BOX 17, 78-210 BIALOGARD 2, POLAND [email protected], WWW.RAGEINEDEN.ORG Artist Title Label HAUSCHKA ROOM TO EXPAND 130701/FAT CAT CD RICHTER, MAX BLUE NOTEBOOKS, THE 130701/FAT CAT CD RICHTER, MAX SONGS FROM BEFORE 130701/FAT CAT CD ASCENSION OF THE WAT NUMINOSUM 13TH PLANET RECORDS CD MINISTRY COVER UP 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS LTD MINISTRY RIO GRANDE BLOOD 13TH PLANET RECORDS CD MINISTRY RIO GRANDE DUB YA 13TH PLANET RECORDS CD PRONG POWER OF THE DAMAGER 13TH PLANET RECORDS CD REVOLTING COCKS COCKED AND LOADED 13TH PLANET RECORDS CD REVOLTING COCKS COCKTAIL MIXXX 13TH PLANET RECORDS CD BERNOCCHI, ERALDO/FE MANUAL 21ST RECORDS CD BOTTO & BRUNO/THE FA BOTTO & BRUNO/THE FAMILY 21ST RECORDS CD FLOWERS OF NOW INTUITIVE MUSIC LIVE IN COLOGNE 21ST RECORDS CD LOST SIGNAL EVISCERATE 23DB RECORDS CD SEVENDUST ALPHA 7 BROS RECORDS CD SEVENDUST CHAPTER VII: HOPE & SORROW 7 BROS RECORDS CD A BLUE OCEAN DREAM COLD A DIFFERENT DRUM MCD A BLUE OCEAN DREAM ON THE ROAD TO WISDOM A DIFFERENT DRUM CD B!MACHINE ALTERNATES AND REMIXES A DIFFERENT DRUM CD B!MACHINE EVENING BELL, THE A DIFFERENT DRUM CD B!MACHINE FALLING STAR, THE A DIFFERENT DRUM CD B!MACHINE MACHINE BOX A DIFFERENT DRUM BOX BLUE OCTOBER ONE DAY SILVER, ONE DAY GOLD A DIFFERENT DRUM CD BLUE OCTOBER UK INCOMING 10th A DIFFERENT DRUM 2CD CAPSIZE A PERFECT WRECK A DIFFERENT DRUM CD COSMIC ALLY TWIN SUN A DIFFERENT DRUM CD COSMICITY ESCAPE POD FOR TWO A DIFFERENT DRUM CD DIGNITY