01 Esi AP Soovitab .Indd
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Suppose It to Be So
188 L A W GLOSSARY. by a fine of twenty-five asses, or pounds of brass. But if the injury was more atrocious, as, for instance, if any one deprived another of the use of a limb, (si membrum rapsit, i. e. ruperit,) he was punished by retaliation, \talione,) if the person injured would not accept of any other satisfaction. If he only dislocated or broke a bone, he paid three hundred asses, if the suffer er was a freeman ; and one hundred and fifty, if a slave. Gell. xx. If any one slandered another by defamatory verses, (si quis aliquem publice diffamas- set, eique adversus bonos mores convicium fecissit,�i. e. "if any one defamed another, or cast reproach on him contrary to good manners or morality ;" " affronted him (vel carmen famosum in eum condidisset)�i. e. made an in famous libel upon him," he was beaten with a club, vid. Hor. Sat. ii. which alludes to the law for this species of libel. But these laws gradually fell into disuse, Gell. xx. ; and by the edicts of the Prcetor, an action was granted on account of ail personal injuries and af fronts only, for a fine, which was proportioned according to the dignity of the person, and the nature of the injury. This, however, being found in sufficient to check licentiousness and insolence, Sulla made a new law con cerning injuries, by which, not only a civil action, but also a criminal prose cution, was appointed for certain offences, with the punishment of exile, or working in the mines. -
I Love Metal Press Release.Docx
Tony Iommi/Black Sabbath and Judas Priest backs #ILoveMetal – The world’s biggest ever metal-music charity prize draw. Visit - www.ilovemetal.co.uk Donated by international metal-music industry heavyweights such as Black Sabbath, Judas Priest, Nuclear Blast, My Dying Bride, Laney, Epiphone, Earache, Sony/BMG, Razamataz, PRS Guitars, Live Nation/Download, 5BAM, Bravado, and UK Metal Merger resulting in nine incredible bundles, with over 1,000 items of ‘money-can’t-buy’ metal memorabilia, merchandise and rarities - #ILoveMetal is the world’s biggest ever metal-music charity prize draw. In partnership with Julie Weir/Music For Nations – the #ILoveMetal collection was collated by the UK Metal Merger ‘In Solitude’ single supergroup collaboration, again with the motivation of raising funds for the Stagehand Charity. Stagehand is the only UK charity that specifically helps music stage and road crew, and is dedicated to providing severe-hardship funding and mental health support for live events industry workers. The #ILoveMetal campaign is critical to supporting the ‘behind the scenes’ workers in the live music industry that, right now, are in crisis. Without them there won't be a live events industry, even when covid restrictions are lifted. Whilst providing the opportunity to win money-can’t-buy prizes, #ILoveMetal is a way for the metal community to come together to support live music (a cause very dear to our hearts and ears!) giving back to the people who make these life-affirming events happen. This is not an auction! It is a series of prize draws for each available bundle. With an auction, only fans with the deepest pockets get involved, whereas with a prize draw the whole international metal community can participate through £5 entries via the #ILoveMetal Crowdfunder page. -
Kiel.De DEUTSCHLANDS ERSTES STADTMAGAZIN KIEL
> GESCHÄFT GESCHÄFT ZU ZU GESCHÄFT GESCHÄFT > CLUBS VERANSTALTUNGEN & PARTY > KINO GASTRONOMIE UND KONZERTE > VERANSTALTUNGEN 1 > KLEINANZEIGEN CLUBS & PARTY > VERLOSUNGEN KLEINANZEIGEN VERLOSUNGEN www.ultimo-kiel.de KIEL UND UMGEBUNG www.ultimo-kiel.de DEUTSCHLANDS ERSTES STADTMAGAZINDEUTSCHLANDS KIEL ERSTES UND STADTMAGAZIN UMGEBUNG 47.48. JHRG. / AUGUSTMAI 201 20145 2 internationale fern- und online briefmarkenauktionen Wollen Sie Ihre Briefmarken immer nur zeigen ... oder doch lieber verkaufen? Seit über 40 Jahren versteigern wir größere Sammlungen, Nachlässe und seltene Einzelmarken. Auch Dirketankauf möglich. www.nordphila.de Eichenweg 2, 24214 Lindhöft Telefon: 04346 366900 E-Mail: [email protected] Monatl. Konzertreihe in Kiel . Lübeck . Flensburg Unterstützt von GÖLDNER & FREDRICH Immobilienrecht VORWORT FANTASTISCHE MUSIK#0063 .de Gut durch den Mai eins31 www. Contrast Trio Knapp verpasst, schon wieder nicht in den Mai getanzt. Möchten wir mitunter nicht am liebsten hüpfen wie die Läm- . UG. Jens Christiani Medialust mer auf der Wiese, einen Luftsprung machen vor Übermut und Lebensfreu- de? Denn der Mai ist gekommen, das Warten hat ein Ende. Vorbei ist die Zeit der langen Unterho- sen, von der Nase pellt ein erster Son- nenbrand. Geduldig stehen die Radler vor den Kanalfähren an. Nur das Geknat- ter der Motorräder zerschneidet die Mit- tagsruhe auf dem Lande, wo Spargel und ORPHEUS Waldmeister eher lautlos schießen. FLENSBURG Do 7.5. THEATER Das Leben findet wieder draußen statt KIEL Fr 8.5. KulturForum – in Restaurants, Cafés und offenen Cab- rios. Auch die Freibäder öffnen ihre Tore, LUEBECK Sa 9.5. CVJM INFO facebook.com/eins31event/events + www.eins31.de während puschelige Küken lieber auf Karten an allen VVK Stellen / print@home bei www.eins31.de dem Schreventeich für den Freischwim- mer üben. -
Social Spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay
Social spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay This article aims to briefly explore some the compositional links that exist between Intelligent Dance Music (IDM) and acousmatic music. Whilst the central theme of this article will focus on compositional links it will suggest some ways in which we might use these links to enhance pedagogic practice and widen access to acousmatic music. In particular, the article is concerned with documenting artists within Intelligent Dance Music (IDM), and how their practices relate to acousmatic music composition. The article will include a hand full of examples of music which highlight this musical exchange and will offer some ways to use current academic thinking to explain how IDM and acousmatics are related, at least from a theoretical point of view. There is a growing body of compositional work and theoretical research that draws from both acousmatics and various forms of electronic dance music. Much of this work blurs the boundaries of electronic music composition, often with vastly different aesthetic and cultural outcomes. Elements of acousmatic composition can be found scattered throughout Intelligent Dance Music (IDM) and on the other side of the divide there are a number of composers who are entering the world of acousmatics from a dance music background. This dynamic exchange of ideas and compositional processes is resulting in an interesting blend of music which is able to sit quite comfortably inside an academic framework as well as inside a more commercial one. Whilst there are a number of genres of dance music that could be described in terms of the theories that would normally relate to acousmatic music composition practices, the focus of this article lies particularly with Intelligent Dance Music. -
The Funeral Oration for Vincent De Paul : 23 November 1660
DePaul University Via Sapientiae Vincentian Digital Books Vincentian Heritage Collections 2015 The Funeral Oration for Vincent de Paul : 23 November 1660 Henri de Maupas du Tour Edward R. Udovic C.M. Follow this and additional works at: https://via.library.depaul.edu/vincentian_ebooks Recommended Citation de Maupas du Tour, Henri and Udovic, Edward R. C.M., "The Funeral Oration for Vincent de Paul : 23 November 1660" (2015). Vincentian Digital Books. 41. https://via.library.depaul.edu/vincentian_ebooks/41 This Book is brought to you for free and open access by the Vincentian Heritage Collections at Via Sapientiae. It has been accepted for inclusion in Vincentian Digital Books by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. With his insightful analysis of the Funeral Oration of St. Vincent de Paul, Rev. Udovic, in three introductory chapters, lays the groundwork for the reading of the actual Oration, placing it in the context of the history of Church and State in the seventeenth century. He shows also how Maupas du Tour carefully crafted his panegyric to avoid the censure of church authorities in his depiction of Vincent de Paul and his works, while, at the same time, artfully giving the Crown, Mazarin, and the nobles a place of honor in the text. Copious illustrations of significant persons and places give life to the book. A must for any serious study of Vincentian historiography. —Marie Poole, D.C. Historian and Author; Editor of Vincent de Paul: Correspondence, Conferences, Documents Everyone with an interest in Vincent de Paul will welcome this English translation of Maupas du Tour’s funeral oration. -
JUDAS PRIEST BIOGRAPHY There Are Few Heavy Metal Bands That
JUDAS PRIEST BIOGRAPHY There are few heavy metal bands that have managed to scale the heights that Judas Priest have during their nearly 50-year career. Their presence and influence remains at an all-time high as evidenced by 2014's 'Redeemer of Souls' being the highest charting album of their career, a 2010 Grammy Award win for 'Best Metal Performance', being a 2006 VH1 Rock Honors recipient, a 2017 Rock and Roll Hall of Fame nomination, and they will soon release their 18th studio album, 'Firepower', through Epic Records. Judas Priest originally formed in 1969 in Birmingham, England (an area that many feel birthed heavy metal). Rob Halford, Glenn Tipton, K.K. Downing and Ian Hill would be the nucleus of musicians (along with several different drummers over the years) that would go on to change the face of heavy metal. After a 'feeling out' period of a couple of albums, 1974's 'Rocka Rolla' and 1976's 'Sad Wings of Destiny' this line-up truly hit their stride. The result was a quartet of albums that separated Priest from the rest of the hard rock pack - 1977's 'Sin After Sin', 1978's 'Stained Class' and 'Hell Bent for Leather', and 1979's 'Unleashed in the East', which spawned such metal anthems as 'Sinner', 'Diamonds and Rust', 'Hell Bent for Leather', and 'The Green Manalishi (With the Two-Pronged Crown)'. Also, Priest were one of the first metal bands to exclusively wear leather and studs – a look that began during this era and would eventually be embraced by metal heads throughout the world. -
2016–2017 Gratitude Report Be Who You Are, Where You Are… Alaska
Thank You 2016–2017 Gratitude Report Be who you are, where you are… Alaska NORTHERN LIGHTS OVER THE KNIK RIVER ANCHORAGE, AK Table of Contents Letter from Leadership ............................................. 4 Our Lives In Numbers .............................................. 6 Grants, Scholarships, and Advocacy ................................. 10 Our Impact Building Organizations ......................................... 12 Supporting Students ........................................... 16 Connecting Leaders ........................................... 20 United with Equity ................................................ 23 2017 Grantees . 25 2017 Scholars . 28 Our Donors ...................................................... 29 Visionaries . 43 Volunteers . 45 Organizational Support ............................................ 48 Financials ........................................................ 51 Staff & Board ..................................................... 52 Your generosity makes Pride Foundation’s work possible, and we want to share our heartfelt appreciation for all the ways you are helping to build a world where every single person’s humanity is protected and valued . Pride Foundation was founded 32 years ago on the shoulders of generations of leaders who brought simple but revolutionary values to our movement: the courage to truly see one another, the compassion to recognize our shared humanity, and the conviction to show up every day to protect one another. Nicole Browning We live in times of incredible progress -
("The 1994 Agreement") Which Agreement Was Hereinafter Referred to As "The Prior Agreement" Music Agreement&
IMPORTANT NOTICE TO THE SONGWRITER THIS DOCUMENT CONTAINS AN IMPORTANT AGREEMENT WHICH MAY AFFECT YOUR CAREER ON A LONG TERM BASIS lT IS VITAL THAT YOU UNDERSTAND ITS CONTENTS AND ITS POTENTlAL RAMIFICATIONS YOU MUST THEREFORE SEEK SPECIALIST ADVICE FROM A LAWYER WITH EXPERIENCE OF AGREEMENTS OF THIS KIND BEFORE THE AGREEMENT IS ENTERED INTO WE WILL REQUIRE EVIDENCE THAT YOU HAVE HAD THE BENEFIT OF SUCH ADVICE T HT S A G REEM ENT is made th~day of ~wo thousand and three BETWEEN CHRYSALIS MUSIC LIMITED ofThe Chrysalis Building Bramley Road London WlO 6SP (hereinafter called "the Publisher") ofthe one part and KRISTIAN WESTON (pka "THRASH'') care ofBaxter McKay LLP Solicitors 34 Great James Street London WClN 3HB (hereinafter called "the Writer") of the other part WHEREAS 1. The Writer together with Duncan Alexander Robert Paterson aod Adam Morris entered into an agreement with Publisher on I 7lh May 1994 ("the 1994 Agreement") which agreement was amended (inter a/ia) by way of a further agreement between the same parties on 29th August 1997 ("the 1997 Agreement") The 1994 Agreement (as the same has been varied and amended) is hereinafter referred to as "the Prior Agreement" 2. Pursuant to the Prior Agreement the Writer granted to the Publisher certain rights in relation to the Writers interest in the Big Life Music Works (as defined therein) Such rights included (without limitation) the right to receive royalties otherwise payable to the Writer by Big Life Music Limited ("Big Life") pursuant to the Writers prior agreement with Big Life Music Ltd ("the Big Life Music Agreement") ("the Big Life Royalties") 3. -
![The Compleat Works of Nostradamus -=][ Compiled and Entered in PDF Format by Arcanaeum: 2003 ][=](https://docslib.b-cdn.net/cover/3323/the-compleat-works-of-nostradamus-compiled-and-entered-in-pdf-format-by-arcanaeum-2003-2343323.webp)
The Compleat Works of Nostradamus -=][ Compiled and Entered in PDF Format by Arcanaeum: 2003 ][=
The Compleat Works of Nostradamus -=][ compiled and entered in PDF format by Arcanaeum: 2003 ][=- Table of Contents: Preface Century I Century II Century III Century IV Century V Century VI Century VII Century VIII Century IX Century X Epistle To King Henry II Pour les ans Courans en ce Siecle (roughly translated: for the years’ events in this century) Almanacs: 1555−1563 Note: Many of these are written in French with the English Translation directly beneath them. Preface by: M. Nostradamus to his Prophecies Greetings and happiness to César Nostradamus my son Your late arrival, César Nostredame, my son, has made me spend much time in constant nightly reflection so that I could communicate with you by letter and leave you this reminder, after my death, for the benefit of all men, of which the divine spirit has vouchsafed me to know by means of astronomy. And since it was the Almighty's will that you were not born here in this region [Provence] and I do not want to talk of years to come but of the months during which you will struggle to grasp and understand the work I shall be compelled to leave you after my death: assuming that it will not be possible for me to leave you such [clearer] writing as may be destroyed through the injustice of the age [1555]. The key to the hidden prediction which you will inherit will be locked inside my heart. Also bear in mind that the events here described have not yet come to pass, and that all is ruled and governed by the power of Almighty God, inspiring us not by bacchic frenzy nor by enchantments but by astronomical assurances: predictions have been made through the inspiration of divine will alone and the spirit of prophecy in particular. -
Oxford's First Couple of Porch Folk Come Down from the Hills
[email protected] @NightshiftMag nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 231 October Oxford’s Music Magazine 2014 “Nothing makes our hearts sink more than a soppy photo:Johnny Moto boy/girl acoustic duo” photo:Johnny Moto THETHE AUGUSTAUGUST LISTLIST OXFORD DUPLICATION CENTRE Oxford’s first couple of [email protected] Office: 01865 457000 Mobile: 07917 775477 Supporting Oxfordshire Bands with porch folk come down Affordable Professional CD Duplication from the hills. FANTASTIC BAND RATES Also in this issue: ON ALL SERVICES Introducing PEERLESS PIRATES Professional Thermal Printed CDs Full Colour/Black & White SPRING OFFENSIVE split. Silver or White Discs OXFORDOXFORD cancelled Design Work Support Digital Printing plus Packaging Options Fulfilment All your Oxford music news, previews and Recommended by Matchbox Recordings Ltd, Poplar Jake, Undersmile, Desert Storm, Turan Audio Ltd, Nick Cope, Prospeckt, Paul Jeffries, Alvin reviews, and six pages of local gigs. Roy, Pete The Temp, Evolution, Coozes, Blue Moon and many more... NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net month. The festival, due to be held in South Park at the end of September, with a day of live music featuring The Klaxons, Gaz Combes and Katy B among others, was planned as the first in a series of annual festivals in the park, but poor ticket sales and issues with one of the main acts apparently left organisers with no WILD SWIM provide the option but to pull the plug. soundtrack for Fast Track, a new A statement on the festival site play which runs at The North Wall said, “A number of factors in in Summertown this month. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Orbital I the Orb Na Soundedit
Orbital i The Orb na Soundedit The Orb pojawi się w Łodzi podczas 10. edycji Festiwalu Soundedit. Zespół wystąpi w czwartek, 25 października 2018 r. w Klubie Wytwórnia (ul. Łąkowa 29). Natomiast 26 października (piątek) zagrają: zimnofalowa legenda The Opposition oraz kultowo-klubowa Morcheeba. 27 października (sobota) wystąpią: Mery Spolsky, Nosowska i Giorgio Moroder. Tego samego dnia odbędzie się uroczysta Gala wręczenia nagrody "Człowieka ze Złotym Uchem". The Orb założyli w 1988 r. Alex Paterson oraz Jimmy Cauty, którzy są absolutnymi pionierami ambient house. Ich pomysł na muzykę elektroniczną to spowolnione, bardziej uduchowione rytmy. The Orb wystąpi podczas 10. edycji Festiwalu Soundedit. Zagrają 25 października w łódzkim klubie Wytwórnia poprzedzając Orbital. Przez lata działalności członkowie tylko Alex Paterson przetrwał wszystkie zawirowania składu zespołu. Jego kariera muzyczna rozpoczęła się we wczesnych latach 80. Pracował wtedy jako techniczny formacji Killing Joke, gdzie na basie grał i gra nadal przyjaciel Alexa jeszcze z dzieciństwa - Martin "Youth" Glover (muzyk został nagrodzony statuetką "Człowieka ze Złotym Uchem" w 2012 r.). Po opuszczeniu Killing Joke w 1986 r., Paterson spotkał się Jimmy'ego Cauty, a duet zaczął występować razem jako The Orb w legendarnym londyńskim klubie The Land of Oz. Wspólne muzykowanie w naturalny sposób przerodziło się w nagrywanie płyt. Następnie Patterson i Youth założyli wytwórnię płytową WAU!/Mr. Modo Records. W 1990 r. wydali klasyczny już singiel "Little Fluffy Clouds", na którym wykorzystano fragmenty kompozycji "Electric Counterpoint" Steve'a Reicha. Utwór został odnotowany na 275 pozycji listy "New Musical Express" 500 najważniejszych utworów wszechczasów. W 1991 r. The Orb zarejestrowało swój pierwszy album "The Orb's Adventures Beyond The Ultraworld", na którym znalazł się również wspomniany singiel.