Plan d’accès Colloque international Caen - 2008 rsh M Conception : service infographie
HAPPY ENDINGS
Responsables scientifiques: in Literature and Film Armelle Parey ; Isabelle Roblin Contacts: 23 et 24 janvier 2009 [email protected] [email protected] Http://www.unicaen.fr/recherche/mrsh/eribia/happyEndsPrg Université de Caen - M r s H FRIDAY AFTERNOON FRIDAY MORNING Workshop 1: Workshop 2: Workshop 3: (Room 005) Children’s Literature: Fairy Tales Revisited Representations of happy endings in 19th-century fiction Rom-Coms, or the art of devious happy endings (room SH 125), 13.30-17.00 (room 006) 13.30- 17.00 (room 005) 13.30- 17.45 Chair: Isabelle Roblin (Littoral-Côte d’opale) Chair: Laurent Bury (Lyon 2) chair: Shannon Wells-Lassagne (Bretagne Sud) Audrey Doussot (Bourgogne) Suzanne Fraysse (Aix-Marseille) James MacDowell (Warwick, UK) 9.15 Registration and Coffee Last Words, Last Pictures: The Visual Transcription ‘Happiness not unmixed with sorrow of a very touching Does the Hollywood ‘Happy Ending’ Exist? of the Happy Ending in Victorian Illustrated Fairy Tales kind’: the ends of antebellum slave narratives Serge Chauvin (Paris X) 9.30 Denis Jacquet (Directeur-Adjoint de la MRSH) Isobel Heald (Angers) Natalie Gomez Handford (Madrid) And they lived happily ever after... or did they? ‘All’s well that ends well’ - Tragi-Comic Irony Marriage as a False Ending in Hollywood Romantic keynote speakers The Economics of Love: Marriage and the Prospects in Wilde’s Tales. of a Large Estate in the Novels of Jane Austen Comedies and Female Gothic Films 9.45 Cristina Bacchilega (University of Hawaii, Manoa) Virginie Douglas (Rouen) Gilbert Pham-Thanh (Paris XIII) Manuela Ruiz (Zaragoza, Spain) To What Ends? Happy Endings Revised Are Children’s Books Bound to End Happily? Happy Endings in 19th-century Fashionable Novels: ‘Not Quite the End’: The Boundaries of Narrative in Contemporary Fairy-Tale Fiction and The Example of a Few Recent British Novels Text and Subtext Closure in Hollywood Romantic Comedy Film Chair: Virginie Douglas (Rouen) Chair : Armelle Parey (Caen) Celestino Delayto (Zaragoza, Spain) Isabelle Roblin (Littoral-Côte d’opale) Laurent Bury (Lyon II) Tales of the Millennium (Park): The Happy Ending 10.40-11.05 Coffee ‘Arabian Nights Plus One’: Salman Rushdie’s Haroun Sweetmeats and Sugar-Plums: Trollope’s (un)Happy and the Magic Cityscape of Contemporary Romantic 11.05 Nicholas Tucker (University of Sussex) and the Sea of Stories (1990) Endings Comedy Happy Endings in Children’s Literature Timothy Mason (Paris 8 Vincennes-Saint-Denis) Anne-Claire Le Reste (Rennes 2) Taina Tuhkunen (Versailles Saint-Quentin-en-Yvelines) ‘You Can’t Always Get What You Want ...’ ‘Call it marry, if you like’: Henry James’s Nuptial Endings The Pursuit of Happiness in Contemporary Ame- 23 et 24 janvier 2009 Terry Pratchett’s Subversions of the Happy Ending rican RomComs : Ending in Bliss in Rob Reiner’s 12.00-13.30 Lunch on the campus (RU A) Jean-Michel Yvard (Angers) Nicolas Labarre (Rennes 2) on William Hale White (« Mark Rutherford ») When Harry Meets Sally (1989) and Nancy Meyers’s In Wait of the (Super) Happy End The Holiday (2006)
break 15.00-15.30 / Dinner 20.00 Restaurant “La petite marmite” Challenging Happy Endings Workshop 1: Workshop 2: Heritage and Minorities in Film in the 20th and 21st-Century Novel (I)
Chair: Armelle Parey (Caen) Chair: Dominique Sipière (Paris X-Nanterre) SATURDAY Jakob Winnberg (Växjö, Sweden) Ariane Hudelet (Paris VII-Denis Diderot) MORNING ‘Here We Are Let Loose in Open Fields’: Happy Endings and Hopeful SATURDAY Prospects in Postmodernist Fiction ‘I’d rather be watching Jane Austen’: Enhancing Wish (room 006) Fulfilment in the ‘Austen films’ MORNING Hélène Fau (Centre écritures, Metz) 9.00-12.30 Shannon Wells-Lassagne (Bretagne Sud) (room 005) Happy are those who end up in light. In the light of (happy) endings 9.00-12.30 in Jeanette Winterson’s novels Heritage and Happy Endings: Adapting to Audience Expectations Monica Latham (Nancy) Sad, but Happy Endings: Jeannette Winterson’s Variations Break on Conjugal Happiness Samuel Minne (Independent scholar) Break Gay/Happy Ending: Class, Egoism and Happiness in Maurice by Forster and Ivory Chair: Jakob Winnberg (Växjö, Sweden) Nicole Terrien (Rouen) Laëtitia Lefèvre-Thierry (Caen) Happily Ever After by Jenny Diski or how to start with the ending Oscar Micheaux: Behind His Happy Endings Maria-José Chivite de León (La Laguna, Tenerife, Spain) Love and Alterity: Rewriting Happy Endings in M. Warner’s Indigo 8.45 Coffee Armelle Parey (Caen) 10.30-11.00 Break Who’s Afraid of Happy Endings? Reflections on a Few 12.30-14.00 Lunch Contemporary Novels (Café Mancel) Workshop 1: th Chair: Ariane Hudelet (Paris VII-Diderot) Challenging Happy Endings in the 20 SATURDAY st and 21 -Century Novel (II) AFTERNOON Dominique Sipière (Paris X-Nanterre) How Do You Mean, Happy? Characters, Spectators and (room 005) Chair: Véronique Alexandre (Caen) 14.00-16.45 SATURDAY Text in Hollywood (Huston, Lubitsch and Hitchcock) AFTERNOON Claudia Alonso Recarte (Complutense, Madrid) Ronan Ludot-Vlazak (Grenoble 3) (room 006) ‘In the Lower Frequencies I Speak for You’: Woody Allen’s Impossible Tragedy: 14.00-16.30 Happy Endings in the Blues Discourse Tragic Expectations and Happy Ending in Match Point and Its Reflection in Literature break (15.30-16.00) Yannicke Chupin (Franche-Comté) Happy Endings and Storytelling in the Late 1960s Marimar Azcona (Zaragoza, Spain) Lynn Blin (Montpellier 3) Precarious Teleologies: New Endings for a New Genre End Wait – Or How Coordinate Structures Participate in the ‘Happy Ending’ of Alice Munro’s Friend of My Youth break 15.30-16.00 Chair: Isabelle Roblin (Littoral-Côte d’opale) Workshop 2: Eddy Chevalier (Paris-Sud 11) Happy Endings in Cinéma ‘Believe in Happy Endings’: Danielle Steel’s Sugar-Coating of Reality d’auteur Veronique Alexandre (Caen) ‘I share this with the Reaper: happy endings’. Robert Coover’s Vibrantly Unconventional and Imperious Voice in Stepmother