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Que a Melhor Mulher Vença: Problemas De Identidade De Gênero E Questões Drag Em “Rupaul’S Drag Race”
QUE A MELHOR MULHER VENÇA: PROBLEMAS DE IDENTIDADE DE GÊNERO E QUESTÕES DRAG EM “RUPAUL’S DRAG RACE” João Vinícius Nascimento de Jesus (João Bertonie)1 Resumo: Este trabalho tem como objetivo analisar os problemas de gênero, em sua abordagem relativa à identidade de gênero, e suas relações com questões drag, queer e LGBT encontrados no reality show estadosunidense “RuPaul’s Drag Race”, que envolve uma competição entre diferentes graus de articidade e habilidades performáticas de drag queens. Articulando autores como Butler (2003, 2006), Zumthor (2001) e Scheschner (2003, 2006), percebemos o quanto o programa televisivo explora questões relativas à legitimação e autenticidade em relação à arte drag e à cultura queer e LGBT e como ele atua de modo a regular produções de articidade e, principalmente, de identidades contemporâneas. Palavras-chave: drag queens, performatividade, performance, gênero, RuPaul. Introdução Ao meio de todo episódio do reality show americano “RuPaul’s Drag Race” (LOGO; VH1, 2009-2016, 2017-), RuPaul desfila no main stage ao som da sua música “Cover Girl (Put The Bass In Your Walk)”, enquanto luzes de holofote são apontadas freneticamente para ela. Em seu programa, drag queens americanas competem, ao longo de diversas provas que testam seus talentos performáticos, ao título de Próxima Drag Superstar dos EUA. Seu visual assinatura é um cabelo volumoso loiro, expressivos olhos esfumados e um vestido longo que lhe confere uma cintura de ampulheta. Após saudar os jurados fixos e os convidados e explicar o desafio da semana, ela repete o bordão, de forma pomposa e entusiasmada: “Senhores, apertem os cintos, e que a melhor mulher vença!”. -
Kimmel Center Cultural Campus Presents Critically-Acclaimed Drag Theatre Show Spectacular Sasha Velour's Smoke & Mirrors
Tweet It! Drag icon @Sasha_Velour’s revolutionary show “Smoke & Mirrors” will be at the @KimmelCenter on 11/12. The effortless blend of drag, visual art, and magic is a can’t-miss! More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS CRITICALLY-ACCLAIMED DRAG THEATRE SHOW SPECTACULAR SASHA VELOUR’S SMOKE & MIRRORS, COMING TO THE MERRIAM THEATER NOVEMBER 12, 2019 "Smoke & Mirrors is a spellbinding tour de force." - Forbes “The intensely personal [Smoke & Mirrors] shows what a top-of-her-game queen Velour really is, both as an artist and as a storyteller.” - Paper Magazine "[Velour’s] most spectacular stage gambit yet." - Time Out New York FOR IMMEDIATE RELEASE (Philadelphia, PA, October 9, 2019) – Sasha Velour’s Smoke & Mirrors, the critically-acclaimed one-queen show by global drag superstar and theatre producer, Sasha Velour, will come to the Kimmel Center Cultural Campus’ Merriam Theater on November 12, 2019 at 8:00 p.m., as part of the show’s 23-city North American tour. This is Velour’s first solo tour, following her win of RuPaul’s Drag Race Season 9, and sold-out engagements of Smoke & Mirrors in New York City, Los Angeles, London, Australia, and New Zealand this year. “Sasha Velour is a drag superstar, as well as an astonishing talent in the visual arts,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Smoke & Mirrors invites audiences to experience the depths of Velour that have yet to be explored in the public eye. -
Have a Available ‘Wonderful’ Holiday
NEW LOCATION SAME GREAT DEALS 1600 S. Main St. Ned’s Pawn Laurinburg, NC 28352 December 21 - 27, 2019 JEWELRY • AUDIO (910) 276-5310 Jimmy Stewart and Donna Reed star in “It’s a Wonderful Life” Refer a friend programs Have a available ‘Wonderful’ holiday 910 276 7474 | 877 829 2515 12780 S Caledonia Rd, Laurinburg, NC 28352 Joy Locklear, Store Manager 234 E. Church Street, Laurinburg NC 910-277-8588 www.kimbrells.com Page 2 — Saturday, December 21, 2019 — Laurinburg Exchange “Serving Scotland A holiday classic with class: County 38 years” Danny Caddell, Agent Jimmy Stewart stars in ‘It’s a Wonderful Life’ 915 S Main Street The Oaks Professional Building PageLaurinburg, 2 — Saturday, NC 28352 December 21, 2019 — Laurinburg Exchange Bus: 910-276-3050 [email protected] A holiday classic with class: Thank you for your loyalty. We appreciate you. Jimmy Stewart stars in ‘It’s a Wonderful Life’ The personal attention from Diana Graves, Debbie Barnes, Laura Haywood, Gail Jackson and Danny Caddell given at the time of purchase and when the unexpected happens, sets them apart from other providers. FOR NEW ACCOUNTS UP SAVE TO $100 ON YOUR FIRST IN-STORE PURCHASE* when you open and use a new Lowe’s Advantage Card. Minimum purchase required. Offer ends 2/1/20. *Cannot be combined with any other offer. Coupon required. Lowe's of Laurinburg By Kyla910 Brewer US 15-401 By-Pass |Reed, Laurinburg, “From Here NC to28352 Eternity,” TV Media 1953). (910) 610-2365Karolyn Grimes (“The Bishop’s he holiday favorite that never Wife,” 1947), who played George TByfails Kyla to Brewer warm viewers’ hearts is andReed, Mary’s “From daughter Here to Eternity,” Zuzu, is one backTV Media just in time for Christmas of1953). -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
THE TUFTS DAILY Tufts Dining Workers and Students Are Pictured Marching in the ‘Picket for a Fair Dining Contract’ on March 5
WOMEN’S LACROSSE Work-study students discuss pressures, commitments see FEATURES / PAGE 4 Jumbos put on offensive clinic in win over Continentals A call for trustee transparency SEE SPORTS/BACK PAGE see OPINION/ PAGE 10 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 HE UFTS AILY VOLUME LXXVII, ISSUE 30T T D MEDFORD/SOMERVILLE, MASS. WEDNESDAY, MARCH 6, 2019 tuftsdaily.com More than 800 people attend picket for dining workers, strike vote set for March 14 KYLE LUI / THE TUFTS DAILY Tufts Dining workers and students are pictured marching in the ‘Picket for a Fair Dining Contract’ on March 5. by Alexander Thompson “Tufts University can afford for one job He said the university hopes to resolve the situ- Trisha O’Brien, a dining services atten- Assistant News Editor to be enough for all workers. It was never ation as soon as possible. dant at Kindlevan Café who held the banner a question of affordability, it’s a question of The dining workers first began their negoti- at the head of the procession as it moved to In a dramatic development in their sev- respect for human dignity,” Lang told the ations with Tufts in August 2018. Dewick-MacPhie Dining Center, said that she en-month campaign for a contract with crowd through a megaphone. “This admin- In an email to the Daily after the latest would vote for the the strike because she the university, Tufts Dining workers will istration is getting increasingly isolated on round of negotiations on Feb. 27, Mike Kramer, thinks negotiations are not going well, and a vote on whether to go on strike on March this campus and in the communities around the lead negotiator for UNITE HERE Local 26, strike is necessary in order for the workers to 14, according to UNITE HERE Local 26 this campus.” wrote that the sticking points were key eco- secure a fair contract. -
Rosie Johnston Combined
ROSIE JOHNSTON MAKEUP CELEBRITIES Adam Brody Ed Helms Jim Sturgess Adam Scott Emile Hirsch Joe Manganiello Ali Hillis Emily Deschanel Joel McHale Alia Shawkat Emily Montague John F. Daley Allison Miller Emily VanCamp John Mayer Alyson Hannigan Eric Close Jon Cryer Amanda Brooks George Lopez Jonathan Goldstein Andy Samberg Grace Park Josh Holloway Angie Everhart Guy Pearce Kara DioGuardi America Ferrera Hank Azaria Kelly Preston Andrea Bowen Hayden Christensen Kerr Smith AnnaLynne McCord Ian Somerhalder Kylie Minogue Anthony LaPaglia Isla Fisher Laura Prepon Beth Riesgraf Jacinda Barrett Lisa Paulsen Billy Burke Jackie Earle Haley Lizzy Caplan Breckin Meyer Jacqueline Pinol Lorraine Bracco Brenda Strong Jake Hoffman Lucy Hale Bryan Cranston James Wolk Lucy Punch Calista Flockhart James Woods Luke Grimes Cate Blanchett James McAvoy Mark Ballas Charlie Sheen Jane Adams Matt Bomer Chris Hemsworth Jared Harris Melissa Rivers Christina Hendricks Jason Bateman Michael Vartan Courteney Cox Arquette Jason Lee Mimi Rogers Danielle Campbell Jason Ritter Minka Kelly Danielle Panabaker Jayma Mays Mireille Enos Dannii Minogue Jeffrey Dean Morgan Nick Swardson Danny Masterson Jenna Elfman Olivia Crocicchia Diablo Cody Jennifer Siebel Paul McCartney Dr. Oz Jeremy Sisto Paul Rudd 1 CELEBRITIES CONT. Poppy Montgomery Simon Baker Virginia Williams Portia De Rossi Sophie Marceau Walton Goggins Rashida Jones Steve Martin Will Arnet Ray Liotta Talulah Riley Yin Chang Rob Morrrow Tammin Sursok Zack Snyder Ron Howard Tiffany Dunn Zooey Deschanel Roxy Olin Tim -
Jeremias Lucas Tavares
UNIVERSIDADE FEDERAL DE CAMPINA GRANDE CENTRO DE HUMANIDADES UNIDADE ACADÊMICA DE LETRAS CURSO DE LICENCIATURA EM LETRAS: LÍNGUA INGLESA JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA. CAMPINA GRANDE - PB 2019 JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA. Monografia apresentada ao Curso de Licenciatura em Letras - Língua Inglesa do Centro de Humanidades da Universidade Federal de Campina Grande, como requisito parcial para obtenção do título de Licenciado em Letras – Língua Inglesa. Orientadora: Professora Dra. Sinara de Oliveira Branco. CAMPINA GRANDE - PB 2019 JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA Monografia de conclusão de curso apresentada ao curso de Letras – Língua Inglesa da Universidade Federal de Campina Grande, como requisito parcial à conclusão do curso. Aprovada em 11 de Julho de 2019 Banca Examinadora: _______________________________________________________________ Orientadora: Profa. Dra. Sinara de Oliveira Branco – UFCG _______________________________________________________________ Profa. Dra. Danielle Dayse Marques de Lima – UFCG _______________________________________________________________ Prof. Dr. Suênio Stevenson Tomaz da Silva – UFCG Campina Grande - PB 2019 AGRADECIMENTOS Primeiramente, gostaria de agradecer a essa força – ainda tão pouco explicada – que foi batizada com diversos nomes no decorrer da história da humanidade e que eu gosto de me referir como natureza. Toda minha vida fui guiado por essa força – nunca estive só. Quero agradecer à minha família – minhas duas mães, Finha e Dona Donzica, meu irmão, Jonas e minha cunhada, Day – que sempre me amaram e torceram por mim. -
Ebook Download Honey West (Hardback)
HONEY WEST (HARDBACK) PDF, EPUB, EBOOK John C Fredriksen | 228 pages | 21 Jun 2016 | BEARMANOR MEDIA | 9781593939786 | English | none Honey West (Hardback) PDF Book Create a Want BookSleuth Can't remember the title or the author of a book? Free Return Exchange or money back guarantee for all orders. Tags: kanye, yeezy, lyrics, tumblr, rap, music, bees, honey, yellow, r and b, life of pablo, liquid, gold, bound 2, yeezus. Gutes Exemplar der Erstauflage dieser Ausgabe. To cut a long story short, the Western comics line was killed by distribution. Book is in Used-Good condition. Rilegatura: Cartonato telato nero con impressioni in giallo. This book is in unread condition and is a stated third printing and is Pyramid number with a cover price of 50 cents. Tags: california, west coast is the best coast, west coast, eureka, the golden state, the land of milk and honey, the grape state, the eldorado state. Gold Key considered suing over the similarly themed television series Lost in Space for its resemblance to the preexisting Space Family Robinson , but decided their business relationship with CBS and Irwin Allen was more important than any monetary reward resulting from such a suit; as a result, the Gold Key series adopted the branding Space Family Robinson Lost in Space with issue 15 Jan. Seller Inventory DSX About this Item: Moonstone , Tags: bound 2, kim kardashian, kim k, kanye, kanye west, kimye, uh huh honey. Opening paragraphs only without subscription. I naturally assumed that must have not been very good, something only a ten-year-old looking for action and gadgets would think was worthwhile. -
Strategic Thinking in Rupaul's Drag Race All Stars: a Game Theory Analysis by John Norell, 29/3-2019
Strategic Thinking in Rupaul's Drag Race All Stars: a game theory analysis By John Norell, 29/3-2019 Rupaul's Drag Race All Stars is an American reality competition show for drag performers. In simple terms, the format is this: a group of contestants each episode compete in different challenges related to drag, each week one gets voted of the show and when there’s only one left, that contestant is crowned the winner. A feature of the All Stars game that is different from an ordinary season of Rupaul’s Drag Race is that instead of the judge (Rupaul) deciding who’s sent home, the winners of the episode challenges decide which of the two worst-performing contestants that gets eliminated. This introduces a strategic element into the competition, and this is what will be analysed in this text. If you are the winner of the episode challenge, should you eliminate the strongest competitor or is there an advantage to gain from acting fair and eliminate the weakest one? Is it strategic to form alliances? Why is it, that in the show, the contestants tend to establish a norm of always sending home the weakest of the bottom contestants? These are some of the questions questions I will answer by using the tools of game theory. In the next section, I outline the basic model and solve it to see what predictions it makes about how contestants will behave. I will then analyse the model and in particular different contestants probability of winning the whole game. Next, a number of modifications are proposed and analysed how they affect the predictions the model makes. -
Sunday Morning Grid 1/25/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 1/25/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program College Basketball Indiana at Ohio State. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News (N) Paid Detroit Auto Show (N) Mecum Auto Auction (N) Lindsey Vonn: The Climb 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC Outback Explore This Week News (N) NBA Basketball Miami Heat at Chicago Bulls. (N) Å Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 700 Club Telethon 11 FOX Paid Joel Osteen Fox News Sunday Paid Program Big East Tip-Off College Basketball Duke at St. John’s. (N) 13 MyNet Paid Program The Game Plan ›› (PG) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Ciao Italia 28 KCET Raggs Cold. Space Travel-Kids Biz Kid$ News Asia Biz Aging Backwards Things That Aren’t Here Anymore More 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly Superman III ›› (1983) 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Mexico Primera Division Soccer: Pumas vs Toluca República Deportiva 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written B. -
CCS Connection Spring 2016
SPRING 2016 www.ccssd.org PROGRAM SPOTLIGHT: SEXUAL ASSAULT VICTIM ADVOCACY (SAVA) Survivors of sexual assault often find themselves in complicated criminal justice proceedings and social service systems. CCS’ Sexual Assault Victim Advocacy (SAVA) program helps survivors navigate these complicated systems with free and confidential in-person advocacy, crisis intervention, and referral services. Our SAVA staff offer non-judgmental, respectful, and empathic support, along with information and resources based on the individualized needs of *Stock photo used to protect client’s identity the survivor. THE ART OF HEALING To maximize the safety of PATTY’S STORY — our clients, SAVAs advocate within social service, housing, Patty first met her Center for Community Solutions (CCS) advocate one financial, legal, medical, and year ago. As a child, Patty had told her mother she was being sexually educational systems, and abused, but her mother didn’t believe or support her. She kept the abuse coordinate sexual assault a secret for almost 30 years until, after decades of bottled-up pain, she services in conjunction with confided in her husband and eventually called us at CCS where she was the countywide Sexual Assault connected to a Sexual Assault Victim Advocate (SAVA). Our advocate Response Team(SART), local law listened to her story and asked what she would like to do next. After enforcement, and the District brainstorming with her SAVA, Patty decided that even if the chances Attorney’s office. of prosecution were slim, she wanted to make a police report so there would be a written record of the abuse she endured. Through SAVA, clients are empowered and given the Patty and her SAVA went to the police station and filed a report. -
OFI Orchestra Filarmonica Italiana
con il patrocinio di Si ringraziano per la collaborazione per la conferenza stampa 2 SOMMARIO 1. EDIFICIO 2. STORIA 3. SHOW BEES 4. TEATRO 5. ARTE 6. MUSICA 7. ORCHESTRA FILARMONICA ITALIANA E APERITIVI MUSICALI 8. EDU TAM 9. EATAM 10. TEATRO GREEN 11. NUOVO SITO WEB 12. COLLABORAZIONI 13. CONTATTI E TEAM TAM 3 Milano, 1 luglio 2021 Per oltre un anno siamo stati tenuti lontani da quei luoghi di elaborazione creativa e di proposta culturale. Quel 22 febbraio 2020 è stato l’inizio di un lungo vuoto emotivo, nel quale però non ci siamo annullati perché l’amore e la passione per il teatro ci hanno motivato a lavorare, a creare nuovi progetti, a sviluppare nuove straordinarie collaborazioni. In questi lunghi 15 mesi, abbiamo pensato a un nuovo Teatro Arcimboldi con l’ambizione di creare un sistema culturale allargato, un luogo di scambio nel quale il teatro si integra con realtà creative diverse come l’arte, la musica, il design, la formazione artistica, le mostre interattive, il cibo e l’ambiente come forme di piacere e di sostenibilità. La gestione del Teatro Arcimboldi è per noi un’occasione unica: per i suoi spazi, la sua programmazione trasversale, la sua vocazione internazionale e la poliedricità insita nel progetto. Lo immaginiamo come un grande cuore pulsante, che sentiamo la necessità di far battere il più possibile, anche in questo periodo di enorme fragilità e di insicurezza normativa sulle capienze. Il Teatro Arcimboldi è anche un luogo strategico per la città, un luogo simbolico che si fa collettore delle esigenze e delle suggestioni culturali di una metropoli ricettiva e dinamica come Milano.