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Between Power and Rebellion: Rethinking Authority
EDGAR STRAEHLE* BETWEEN POWER AND REBELLION: RETHINKING AUTHORITY Entre poder e rebelião: repensar a autoridade Resumo Um dos principais objectivos deste escrito é dissociar e desembaraçar os conceitos de autoridade e poder à luz das insurreiçãos medievais e lutas na ciudade de Milão e, além disso, compreender na dimensão ambivalente e ambígua da autoridade. Ao analisar estes fatos históricos, vou tentar mostrar que a autoridade não pertence sempre ou necessariamente ao governo ou que somente pode ser um instrumento deste. De fato, é mais interessante explorar o outro lado desta questão: como o uso da autoridade pôde devenir um instrumento de contrapoder. Neste sentido, vou examinar como e porquê algumas rebeliões contestaram o poder não apenas combatendo a autoridade oficial mas reivindicando uma alternativa. Ou seja, como e porquê a categoria de auto- ridade pôde tornarse uma fonte de legitimidade da insurreição. Palavras-chave: autoridade; poder; rebelião. Authors: Santo Ambrósio; Hannah Arendt. * Museu d'Història de Barcelona (MUHBA) and University of Barcelona (ADHUC). Email: [email protected]. This work has been written with the support of the research group «La transmisión desde el pensamiento filosófico femenino» (FFI2015-63828-P, MINECO/FEDER, UE) and the GRC «Creació i pensament de les dones» (2014 SGR44) of the University of Barcelona. The writing of this paper would have been impossible without the generous help of Emily McBride and Meritxell Joan. I am really indebted to them and I thank their tips and corrections. Filosofia. Revista da Faculdade de Letras da Universidade do Porto, 33 (2016) 273-285 273 DOI: http://dx.doi.org/10.21747/21836892/fil33a17 EDGAR STRAEHLE Abstract One of the main goals of this paper is to dissociate and disentangle the concepts of power and authority in light of the late medieval insurrections and fights in thecom - mune of Milan and, then, to comprehend the ambivalent and ambiguous dimension of authority. -
The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
#m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e. -
La Lotta Per Il Potere a Milano
LA GRANDE BATTAGLIA Nel corso del 1276, non si hanno notizie circa il periodo dell’anno, le forze viscontee cominciarono ad organizzare un attacco, nelle intenzioni decisivo, nei confronti dei Torriani. Goffredo da Langosco, alla testa dei fuoriusciti milanesi, occupò inizialmente Arona, unitamente ad alcune postazioni strategiche dell’Ossola, le cui popolazioni erano fedeli all’arcivescovo. Intanto Ottone Visconti riusciva a sbarcare ad Angera con tre-quattromila uomini e ad occuparne la rocca. Napo della Torre, benché colto di sorpresa, reagì inviando nella zona il figlio Cassone che, con una schiera di cinquecento tedeschi fornitagli dall’imperatore Rodolfo d’Asburgo, riuscì a mettere sotto assedio il castello di Angera. Nel frattempo Goffredo da Langosco, insieme ad un esercito di quattro-cinquemila armati composto da fuoriusciti milanesi, uomini del Seprio e di Pavia, oltre che da genovesi e spagnoli, ingrossato oltretutto da locali fedeli a Ottone, muovendo da Arona riuscì ad occupare buona parte del Seprio settentrionale dirigendosi poi verso Angera. Cassone della Torre aveva intanto preso posizione nella piana del torrente Guassera, nei pressi della riva del Lago Maggiore al confine tra gli odierni comuni di Ranco e Ispra. Il momento della verità era ormai arrivato… Le forze torriane furono all’improvviso raggiunte dall’esercito visconteo che proveniva da Nord e cioè dal territorio isprese. Goffredo da Langosco, sfruttando l’elemento sorpresa, non si lasciò sfuggire l’occasione di attaccare i soldati teutonici di Cassone mentre stavano ancora approntando l’accampamento. Durante l’attacco, superato di slancio dai Viscontei il rio Guassera, lo stesso capo dei tedeschi, Hans Lauser, venne ucciso: forse proprio da Goffredo in persona. -
Competing Sovereignties in 14Th Century Milan
University of Nebraska at Omaha DigitalCommons@UNO Medieval/Renaissance Studies Faculty Publications Medieval/Renaissance Studies 2011 The Prince and the Prostitute: Competing Sovereignties in 14th Century Milan Martina Saltamacchia Rutgers University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/medrenstudfacpub Part of the Medieval Studies Commons Recommended Citation “The Prince and the Prostitute: Competing Sovereignties in Fourteenth-Century Milan” in Law and Sovereignty in the Middle Ages and Renaissance, Robert Sturges, ed. (Turnhout: Brepols, 2011), 173-191. This Article is brought to you for free and open access by the Medieval/Renaissance Studies at DigitalCommons@UNO. It has been accepted for inclusion in Medieval/Renaissance Studies Faculty Publications by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. The following is a post-print manuscript of “The Prince and the Prostitute: Competing Sovereignties in Fourteenth-Century Milan” that appeared in Law and Sovereignty in the Middle Ages and Renaissance, Robert Sturges, ed. Full citation: Martina Saltamacchia, “The Prince and the Prostitute: Competing Sovereignties in Fourteenth-Century Milan” in Law and Sovereignty in the Middle Ages and Renaissance, Robert Sturges, ed. (Turnhout: Brepols, 2011), 173-191. 2 The Prince and the Prostitute: Competing Sovereignties in 14th Century Milan Martina Saltamacchia, Rutgers University On the morning of November 27, -
Milan and the Lakes Travel Guide
MILAN AND THE LAKES TRAVEL GUIDE Made by dk. 04. November 2009 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Attractions Milan and the Lakes Travel Guide Leonardo’s Last Supper The Last Supper , Leonardo da Vinci’s 1495–7 masterpiece, is a touchstone of Renaissance painting. Since the day it was finished, art students have journeyed to Milan to view the work, which takes up a refectory wall in a Dominican convent next to the church of Santa Maria delle Grazie. The 20th-century writer Aldous Huxley called it “the saddest work of art in the world”: he was referring not to the impact of the scene – the moment when Christ tells his disciples “one of you will betray me” – but to the fresco’s state of deterioration. More on Leonardo da Vinci (1452–1519) Crucifixion on Opposite Wall Top 10 Features 9 Most people spend so much time gazing at the Last Groupings Supper that they never notice the 1495 fresco by Donato 1 Leonardo was at the time studying the effects of Montorfano on the opposite wall, still rich with colour sound and physical waves. The groups of figures reflect and vivid detail. the triangular Trinity concept (with Jesus at the centre) as well as the effect of a metaphysical shock wave, Example of Ageing emanating out from Jesus and reflecting back from the 10 Montorfano’s Crucifixion was painted in true buon walls as he reveals there is a traitor in their midst. fresco , but the now barely visible kneeling figures to the sides were added later on dry plaster – the same method “Halo” of Jesus Leonardo used. -
The Body Politic Metaphor in Communal and Post-Communal Italy – Some Remarks on the Case of Lombardy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by AIR Universita degli studi di Milano The Body Politic Metaphor in Communal and Post-Communal Italy – Some Remarks on the Case of Lombardy Andrea Gamberini University of Milan [email protected] Abstract This paper uses the body politic metaphor to explore the dialectic of power between different political players in communal and post-communal Lombardy. On the one hand, notions of corporeal links, drawing upon an ancient and venerable tradition, were key strands of public debate on state formation in the Late Middle Ages. On the other hand, there were distinctively communal and post- communal discourses based upon the body politic metaphor. My purpose is to investigate all of these aspects through analysis of the so-called “pragmatic writings” (such as letters, decrees, notarial deeds), sources usually overlooked by historians of political thought. As is shown in this paper, the novelty of this approach makes it possible to appreciate corporeal metaphors as performative tools and instruments of political action. Keywords City communes – Lombardy – Duchy of Milan – Body politic – political discourse 1. Introduction The purpose of this paper is to trace a brief history of the use of corporeal metaphors in political discourse in the Po Valley (i.e., Lombardy) in the communal and post-communal ages. As will be shown, there are many sources in political literature that establish an analogy between the political body and the human body. This is not particularly surprising; medieval Europe inherited corporeal metaphors from diverse cultural traditions, ranging from the theological tradition (think of the famous image of the body and limbs handed down from the first of Paul’s Letters to the Corinthians 1 – “But now are they many members, but yet one body”; 12:20) to the classical tradition (going from Plato and Aristotle to Livy).1 These terminological genealogies have been extensively investigated by historians of political thought. -
Expo in Città Events Calendar Read Our Top Picks
Maps Events Restaurants Cafés Nightlife Sightseeing Shopping Hotels Milan SSummerummer 22015015 Expo in città events calendar Read our top picks inyourpocket.com Contents Arriving & Transport 8 City basics 13 History 17 Culture & Events 18 Restaurants 23 Cafés 27 Nightlife 28 Sightseeing 30 Shopping 39 Directory 42 Where to sleep 44 Maps & Index Public transport maps 47 City centre map 50 © Oskar Dariz Expo 2015 map 52 MUDEC Index 54 Publisher IYP Italia S.r.l. Via San Vincenzo 2 - XI piano 16121 Genoa, Italy Head offi ce Via Benigno Crespi 19 - MAC4 - IV piano 20159 Milan, Italy Tel. +39 02 00 69 71 41 Fax +39 02 00 69 71 01 [email protected] www.inyourpocket.com Printed by Graphicscalve S.p.A., Vilminore di Scalve, Italy Editor-in-Chief: Lorenzo Marsano Contributor: Adrienne Baumann Layout: Tomáš Haman Maps: Courtesy of Regione Lombardia, Touring Editore, Expo 2015 Cover photo © TownHouse Hotels Sales & Circulation Manager: Roberta Greco (mob. +39 344 082 93 44, [email protected]) Naviglio Grande © Comune di Milano Special Thanks Mariasole and Valentina IN YOUR POCKET TV Copyright Notice & Editor’s Note In Your Pocket goes into the movie business... Kind of... Text and photos (unless otherwise stated) © IYP Italia S.r.l. 2015. All rights reserved. No part of this publication may be Over the past few months we have gradually been reproduced in any form without written permission from the putting together some extensive video guides to In Your Pocket In Your Pocket copyright owner. The brand name is used under various cities, using our own editors, license from UAB In Your Pocket (Bernardinu 9-4, Vilnius, writers and local researchers as presenters. -
Dicionário Da Idade Média
DICIONÁRIO DA IDADE MÉDIA http://groups-beta.google.com/group/digitalsource Um mapa do mundo conhecido, tendo por centro a cidade de Jerusalém, de um saltério inglês do início do século XIII (British Library, Londres). DICIONÁRIO DA IDADE MÉDIA Organizado por HENRY R. LOYN Professor Emérito de História Medieval, Universidade de Londres Com 250 ilustrações Tradução: ÁLVARO CABRAL Licenciado em Ciências Históricas e Filosóficas, Faculdade de Letras da Universidade Clássica de Lisboa Revisão Técnica: HILÁRIO FRANCO JUNIOR Professor de História Medieval, Universidade de São Paulo Jorge Zahar Editor Rio de Janeiro Título original: The Middle Ages - A Concise Encyclopaedia Tradução autorizada da primeira edição inglesa publicada em 1989 por Thames and Hudson Ltd., de Londres, Inglaterra Copyright © 1989 Thames and Hudson Ltd., London Copyright © 1990 da edição em língua portuguesa: Jorge Zahar Editor Ltda. rua México 31 sobreloja 20031-144 Rio de Janeiro, RJ tel.: (21) 240-0226 / fax: (21) 262-5123 e-mail: [email protected] Todos os direitos reservados. A reprodução não-autorizada desta publicação, no todo ou em parte, constitui violação do Copyright. (Lei 5.988) Ilustração da capa: Pierre Salmon, Réponses à Charles VI et Lamentation au Roi, 1409 (Paris, Biblioteca Nacional) CIP-Brasil. Catalogação-na-fonte Sindicato Nacional dos Editores de Livros, RJ. D541 Dicionário da Idade Média / organizado por Henry R. Loyn; tradução, Álvaro Cabral; revisão técnica, Hilário Franco Júnior. — Rio de Janeiro: Jorge Zahar Ed., 1997: il. Tradução de: The Middle Ages: a concise encyclopaedia ISBN: 85-7110-151-5 1. Idade Média - Dicionários. I. Loyn, H.R. 2. (Henry Royston). CDD — 940.1403 97-1721 CDU — 940 (038) APRESENTAÇÃO À EDIÇÃO BRASILEIRA: BREVE PANORAMA MEDIEVAL FRANKLIN DE OLIVEIRA A grande maioria dos brasileiros continua prisioneira do preconceito forjado pelos historiadores liberais do século XIX, que definiam a Idade Média como um “período de trevas”. -
A Cultural History of Tarot
A Cultural History of Tarot ii A CULTURAL HISTORY OF TAROT Helen Farley is Lecturer in Studies in Religion and Esotericism at the University of Queensland. She is editor of the international journal Khthónios: A Journal for the Study of Religion and has written widely on a variety of topics and subjects, including ritual, divination, esotericism and magic. CONTENTS iii A Cultural History of Tarot From Entertainment to Esotericism HELEN FARLEY Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © Helen Farley, 2009 The right of Helen Farley to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN 978 1 84885 053 8 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Printed and bound in Great Britain by CPI Antony Rowe, Chippenham from camera-ready copy edited and supplied by the author CONTENTS v Contents -
ERBA CASTLE* * Building Totally Or Partially in Ruins
ERBA CASTLE* * building totally or partially in ruins You can find this point of interest in Erba - Path 1 - Stage 4 DESCRIPTION (Silvia Fasana) Erba castle was probably built between the 10th and 11th century, in a strategic position to control the Pian d'Erba and the Brianza lakes. The first owners were the Ghibelline family of the De Herba or Erba, who later transferred it to the Parravicinis of Parravicino. The people of Erba Castle had an important moment of glory in 1160 during the Battle of Tassera between Frederick Barbarossa and the Milanese. It was when the fortunes of the battle were becoming favourable to the imperial forces and their allies that the inhabitants of Erba and Orsenigo, rebelling against their masters Parravicini, rushed to the rescue of the Milanese, offering their decisive contribution and forcing Barbarossa to flee. Historian Angelo Bassi from Erba wrote: «For this aid, Milan granted Erba the citizenship of Milan, an honour subsequently renewed by all governments that ruled Milan until the French invasion of 1796; for this reason Erba preserves the coat of arms and flag of the Municipality of Milan, i.e. a red cross on a white background». During the battles between the Torriani and Visconti families, in 1278 the castle was besieged and temporarily conquered by Cassone della Torre, who had laid siege to the castle as revenge against the people of Erba castle who had became allies with his opponent, Archbishop Ottone Visconti, in the Battle of Desio in 1277. In 1404 Giovanni da Carcano, an ally of the Viscontis, held prisoner in the castle two members of the Rusca family, Franchino and Ottone, until the peace between Milan and Como was concluded; a few years later, in 1407, when the castle was taken by leader Pandolfo Malatesta, Giovanni Visconti ordered it to be besieged by another famous man of arms of the time, Facino Cane. -
Galvano Fiamma, Francesco Petrarca E I Cavalli Dei
Immagini del Medioevo 17x24 ok_Layout 1 03/04/13 11.13 Pagina 199 GALVANO FIAMMA , F RANCESCO PETRARCA EICAVALLI DEI VISCONTI GRAZIANO ALFREDO VERGANI Banco di prova privilegiato per lo sviluppo del linguaggio rinascimentale quattrocentesco, il tema del monumento equestre ha avuto in Italia una notevole fortuna già nel Trecento, in relazione con il maturare delle istituzioni signorili e con il diffondersi di una nuova sensibilità, intrisa di contenuti cavallereschi e proto umanistici. Esemplare è il caso di Verona con il celebre complesso delle arche scaligere, su cui sfilano, in una parata cerimoniale tra cielo e terra, le statue a cavallo di Cangrande, Mastino e Cansignorio della Scala 1. Un altro caso è Milano, dove risulterebbero essere stati realizzati nel Trecento i monumenti equestri di almeno due Visconti, signori della città: Azzone e Bernabò. Il condizionale è d’obbligo, poiché mentre quello di Bernabò, sistemato sopra il suo sarcofago, fa ancora mostra di sé in una sala del Castello Sforzesco (figg. 1-2) – dove giunse nel 1898 dalla ex chiesa di Santa Maria di Brera, sede del Museo Patrio Archeologico, pro - venendo da quella di San Giovanni in Conca, per la quale era stato creato 2 –, del monumento equestre di Azzone non resta invece traccia alcuna ed è mia opinio - ne che l’unica fonte che lo ricordi non fornisca elementi sufficienti a comprovar - ne l’effettiva realizzazione. La fonte in questione è l’ Opusculum de rebus gestis ab Azone, Luchino et Johan - ne Vicecomitibus di Galvano Fiamma, amico e familiare dell’arcivescovo Giovan - ni Visconti, la cui redazione va fissata entro il 1342-43 3. -
Andrea Gamberini, Università Di Milano the Emotions of the State. a Survey of the Visconti Chancery Language (Mid 14TH- Mid 15TH Centuries)
Andrea Gamberini, Università di Milano The Emotions of the State. A Survey of the Visconti Chancery Language (Mid 14TH- Mid 15TH Centuries) Although emotions as a field of historical research have come to the fore since the late 1990s, the interest aroused by this subject among the scholars of the Italian Renaissance state has been limited, at least so far. Apart from an important study on Lombard factions by Marco Gentile, and the very recent insight of Isabella Lazzarini into the Florentine diplomatic records, nothing else has been published. 1 On these grounds I have decided to take up some suggestions coming from scholars of other periods of the Middle Ages, and to analyze the case-study of the duchy of Milan from the angle of the relationship between politics and emotions. 2 Unlike Isabella Lazzarini, I am not going to predominantly focus on diplomatic records, which also, of course, represent an extraordinary source for the duchy of Milan but I am more interested in probing into the relations between governors and governed; between the duke and his subjects. In order to appreciate the distinctive features of the latter, it is probably necessary to take the former as a starting point, to have a term of comparison. Therefore let us have a very quick look at the language of diplomatic practice and its emotional register. Since the beginning of their rise to power, the Visconti deployed emotionality in their diplomatic correspondences. Politics was, and still is, the art of persuading, so it is hardly surprising that foreign affairs were edged by the Visconti’s chancellors within the framework of friendship/enmity, love/hatred or happiness/sadness.