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Annual Inventory Certification
04/19/2016 11:56 |TULSA COUNTY |P 1 6373jgat |ACTIVE ASSETS AS OF 04.15.16 |faloclst CUST CODE 003600 - 003650 DEPT TAG # SUB CLASS MANUF SERIAL # QTY ACQUIS DATE ACQUIS COST REPLACE COST REMARKS ROOM ASSET # DESCRIPTION CUSTODIAN EST LIFE CURR BOOK STATUS CAPITALIZE? ____________________________________________________________________________________________________________________________________ CUSTODIAN: 003600 SHERIFF'S DEPARTMENT 02500 01301050012 DESKS 01301050012 1 08/07/1990 848.90 848.90_________________ 0000053 STEELCASE DESK SHERIFF'S DEPAR 10 848.90 ACTIVE Y 02500 01301050013 DESKS 01301050013 1 08/07/1990 1,108.90 1,108.90_________________ 0000054 STEELCASE RETURN SHERIFF'S DEPAR 10 1,108.90 ACTIVE Y 02500 46112360018 COMPUTER EQUIPM SYS0310120130 1 05/02/2003 773.00 773.00_________________ 0005682 UPS SMART SU2200NET 2200VA 8 O SHERIFF'S DEPAR 8 773.00 ACTIVE Y 02500 46112360078 COMPUTER EQUIPM 1K2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005741 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005742 COMPUTER EQUIPM 4L2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005742 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 46112360081 COMPUTER EQUIPM 8J2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005744 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005747 COMPUTER EQUIPM 5K2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005747 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005748 COMPUTER -
Canon EOS 1D
C J C GETTING THE MOST FROM YOUR EOS-1 CLASS DIGITAL SLR TIPS AND TECHNIQUES: CAMERA HANDLING & MAXIMUM IMAGE QUALITY OVERVIEW Canon’s EOS-1 class digital SLRs (EOS-1D, EOS-1Ds, EOS-1D Mark II and EOS-1Ds Mark II) are clearly the company’s highest quality and most powerful digital SLRs to date. Thanks to their key attributes of EF Lens compatibility, Canon CMOS sensor technology and DIGIC/DIGIC II Image Processors, EOS-1 class digital SLRs produce images with exceptionally low noise, excellent detail and superb color. As with any professional camera system, there are numerous variables in camera operation, lens selection and image quality optimization that must be clearly understood and mastered by the user in order to achieve the best possible results. The purpose of this document is to identify the factors that affect the autofocus (AF) performance and image quality aspects of EOS-1 class digital SLRs, and provide tips and techniques on getting the most out of this powerful camera and lens system. We have intentionally provided detailed explanations to clarify the reasoning behind our recommendations, but at the beginning of the document there is also a brief summary of the main points for your convenience. Thank you for using Canon products! We want you to know that we sincerely appreciate your patronage. OVERVIEW 2 QUICK REFERENCE GUIDE Camera Operation Tips Select focusing points manually: Selecting the focusing point manually speeds up the autofocus system because the camera does not have to decide which focus point or points to use. Manual focusing point selection also allows you to control exactly where the camera is focusing. -
Minolta Electronic Auto-Exposure 35Mm Single Lens Reflex Cameras and CLE
Minolta Electronic Auto-Exposure 35mm Single Lens Reflex Cameras and CLE Minolta's X-series 35mm single lens user the creative choice of aperture and circuitry requires a shutter speed faster reflex cameras combine state-of-the-art shutter-priority automation, plus metered than 1/1000 second. These cameras allow photographic technology with Minolta's tra manual operation at the turn of a lever. The full manual control for employing sophisti ditional fine handling and human engineer photographer can select shutter-priority cated photo techniques. The silent elec ing to achieve precision instruments that operation to freeze action or control the tronic self-timer features a large red LED are totally responsive to creative photogra amount of blur for creative effect. Aperture signal which pulsates with increasing fre phy. Through-the-Iens metering coupled priority operation is not only useful for quency during its ten-second operating with advanced, electronically governed depth-of-field control , auto~exposure with cycle to indicate the approaching exposure. focal-plane shutters provide highly accu bellows, extension tubes and mirror lenses, The Motor Drive 1, designed exclusively rate automatic exposure control. All X but for the control of shutter speed as well . for the XG-M, provides single-frame and series cameras are compatible with the Full metered-manual exposure control continuous-run film advance up to 3.5 vast array of lenses and accessories that allows for special techniques. frames per second. Plus, auto winders and comprise the Minolta single lens reflex A vibration-free electromagnetic shutter "dedicated" automatic electronic flash units system. release triggers the quiet electronic shutter. -
Using Digital Still Cameras
Step-by-Step Using Digital Still Cameras GENERIC INSTRUCTIONS FOR DIGITAL CAMERAS Every make and model of digital camera has a distinctive way of taking pictures, storing them, and transferring those pictures to your computer. Here are a few of the most common instructions for digital cameras other than the Sony Mavica. 1. Most digital cameras use a type of removable media to store the pictures. For example, some Sony models use the memory stick, and other companies use Smart Media Cards and another common media is the MultiMedia Card. 2. Most digital cameras have an interface to connect the camera directly up with your computer either via Serial Bus, or USB (Universal Serial Bus). 3. If the camera does not have an interface to connect to the computer , or it has an interface that is not compatible and has removable media then you must have a reader to access your pictures. 4. Depending on the manufacturer of the digital camera, there are many programs that allow you to view your pictures and/or download them to your computer. You should read the manual that comes with the digital camera. Megapixel / Resolution / Size When using a digital camera, you will need to decide what quality picture you want. Most cameras allow you to change the resolution of the picture to a lower quality so that you can store more pictures on the camera media. Likewise you can increase the resolution for a better quality picture, but fewer photos can be stored. Megapixel: The term megapixel means 1,000,000+ pixels. -
An Analytical Study on the Modern History of Digital Photography Keywords
203 Amr Galal An analytical study on the modern history of digital photography Dr. Amr Mohamed Galal Lecturer in Faculty of mass Communication, MISR International University (MIU) Abstract: Keywords: Since its emergence more than thirty years ago, digital photography has undergone Digital Photography rapid transformations and developments. Digital technology has produced Image Sensor (CCD-CMOS) generations of personal computers, which turned all forms of technology into a digital one. Photography received a large share in this development in the making Image Storage (Digital of cameras, sensitive surfaces, image storage, image transfer, and image quality and Memory) clarity. This technology also allowed the photographer to record all his visuals with Playback System a high efficiency that keeps abreast of the age’s requirements and methods of communication. The final form of digital technology was not reached all of a Bayer Color Filter sudden; this development – in spite of its fast pace – has been subject to many LCD display pillars, all of which have contributed to reaching the modern traditional digital Digital Viewfinder. shape of the camera and granted the photographer capabilities he can use to produce images that fulfill their task. Reaching this end before digital technology was quite difficult and required several procedures to process sensitive film and paper material and many chemical processes. Nowadays, this process is done by pushing a few buttons. This research sheds light on these main foundations for the stages of digital development according to their chronological order, along with presenting scientists or production companies that have their own research laboratories which develop and enhance their products. -
COLOR MODE the Color Mode Controls Whether a Still Image Is Color Or Black and White As Well As the Color Space
INSTRUCTION MANUAL COLOR MODE The color mode controls whether a still image is color or black and white as well as the color space. The color mode is set in section 3 of the recording menu (p. 80). The live image on the monitors will reflect the selected color mode. For more on the color mode see page 102. Natural Color and Adobe RGB - Vivid Color - increases the reproduces the colors in the scene saturation of the colors in the faithfully. scene. Black & White - produces Solarization - produces a partial monochrome images. reversal of tones and colors in the image. 2 EXAMPLES BEFORE YOU BEGIN Thank you for purchasing this Konica Minolta digital camera. Please take the time to read through this instruction manual so you can enjoy all the features of your new camera. Check the packing list before using this product. If any items are missing, immediately contact your camera dealer. DiMAGE digital camera AV cable AVC-400 Lithium-ion battery NP-400 USB cable USB-500 Lithium-ion battery charger BC-400 Ferrite Core FRC-100 Neck strap NS-DG4000 DiMAGE Viewer CD-ROM Lens shade DLS-2 DiMAGE Viewer instruction manual Lens cap LF-1349 Camera instruction manual Accessory shoe cap SC-10 Warranty card This product is designed to work with accessories manufactured and distributed by Konica Minolta. Using accessories or equipment not endorsed by Konica Minolta may result in unsatisfactory performance or damage to the product and its accessories. Konica Minolta is a trademark of Konica Minolta Holdings, Inc. DiMAGE is a trademark of Konica Minolta Camera, Inc. -
Getting the Right Gear
Chapter 1 Getting the Right Gear In This Chapter ▶ Picking the right camera for the job ▶ Complementing your camera with accessories ports and action photography is like most things in Slife — if you want to be the best at it, you need to have the best gear. Luckily for you, lots of options are available when determining the best gear based on your level of experi- ence and expertise. In this chapter, I help you determine what you’re going to need — including what type of camera and any necessary accessories — based on what you plan on photographing and how comfortable you are behind the lens. The Internet contains a wealth of information, but nothing beats asking other photographers what they’re using. You can share in their camera jubilation or avoid the same pitfalls that they fell into by purchasing that “bargain” point-and-shoot camera that didn’t turn out to be such a bargain after all. ChoosingCOPYRIGHTED the Best Camera MATERIAL for the Job at Hand Whether you’ll be taking photographs at your daughter’s soccer game or trying to make a career out of sports photography, having the right camera for the situation will make all the difference. In the past, very few affordable cameras could capture action as well as the pro’s gear. However, today’s market is full of completely viable options, 003_9781118385302-ch01.indd3_9781118385302-ch01.indd 3 88/31/12/31/12 11:51:51 PMPM 4 Sports & Action Photography In A Day For Dummies from professional dSLRs (digital single-lens reflex), to compact point-and-shoots that you can take everywhere you go, to smartphones with surprisingly impressive cameras good for the candid shots on the go. -
Technologie Snímacích Čipů Digitálních Jednookých Zrdcadlovek
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra technických věd a informačních technologií Tomáš Kocián Technologie snímacích čip ů u digitálních jednookých zrcadlovek Bakalá řská práce Vedoucí práce: Mgr. Jan Kubrický Olomouc 2011 Prohlášení Prohlašuji, že jsem bakalá řskou práci Technologie snímacích čip ů u digitálních jednookých zrcadlovek vypracoval samostatn ě pod vedením Mgr. Jana Kubrického a uvedl v seznamu literatury všechny použité literární a odborné zdroje. V Olomouci dne 21. března 2012 Vlastnoru ční podpis autora Pod ěkování Velmi rád bych pod ěkoval vedoucímu své bakalá řské práce Mgr. Janu Kubrickému za cenné rady, p řipomínky a metodické vedení práce. Dále bych velice rád pod ěkoval Martinu Vachatovi a zam ěstnanc ům firmy Foto Škoda za zap ůjčení testovaných fotoaparát ů a pomoc při jejich testování. Anotace Bakalá řská práce se zabývá záznamem digitálního obrazu jednookou digitální zrcadlovkou. Popisuje dnes užívané technologie v této oblasti a zam ěř uje se na výslednou kvalitu fotografií v závislosti na použitém snímacím čipu. Práce se rovn ěž zabývá chybami v obraze, které p římo souvisí se snímacím čipem nebo obrazovým procesorem fotoaparátu a popisuje možnosti jak tyto fotoaparáty testovat. Výsledkem práce je pak srovnání výsledk ů test ů n ěkolika fotoaparát ů, které jsou dnes dostupné na trhu. Abstrakt This bachelor thesis deals with digital image recording by DSLR camera. Describes the technology used today in this area and focuses on the resulting image quality depending on the sensing chip. The work also deals with errors in the image, which is directly related to the sensing chip or image processor and describes ways to test these cameras. -
Digital Capture System
Digital Capture System October 21, 2011 OtoPet-USA A division of DermaZoo 8909 Iverleigh Court Potomac, MD 20854 Office: 301-365-0192/Fax: 301-983-2369 www.otopet-usa.com OtoPet-USA Digital Capture System 1.9 Manual Effective 10/19/11 Table of Contents Before using the image capture system ...........................................................................................4 Power sources...............................................................................................................................4 Precautions ...................................................................................................................................4 Operating environment recommendations ...................................................................................4 Back up recommendations ...........................................................................................................4 Care of digitizer equipment..........................................................................................................4 Care of floppy disks ..................................................................................................................4 Care of CD-ROMs ....................................................................................................................5 Care of the pointing device (track ball) ....................................................................................5 Care of the keyboard.................................................................................................................5 -
Owner's Manual
Turning ordinary moments into extraordinary pictures Owner’s Manual Revision 1.10 Copyright 2013 Cognisys, Inc. 1 Table of Contents 1. SAFETY INSTRUCTIONS .................................................................................................................................. 5 2. GETTING STARTED ......................................................................................................................................... 5 2.1 THE STOPSHOT CONTROLLER .............................................................................................................................. 5 2.2 GETTING FAMILIAR WITH STOPSHOT ..................................................................................................................... 6 2.3 CONNECTING STOPSHOT - BEAM SENSOR - (LASER OR IR)......................................................................................... 9 2.4 CONNECTING STOPSHOT – MULTIPLE FLASHES ..................................................................................................... 10 2.5 CONNECTING STOPSHOT – SHUTTER INTERFACE SWITCH ........................................................................................ 12 2.6 NAVIGATING STOPSHOT ................................................................................................................................... 13 3. DETAILED OPERATION ................................................................................................................................. 14 3.1 OVERVIEW .................................................................................................................................................... -
Megapixels and Sensors: Is Bigger Really Better? Seven Or Eight Megapixels Is the Current Standard on Most Point-And-Shoot Cameras
POINT & SHOOT DIGitAL CAMERAS B UYING Digital Cameras Digital Store & Mail Order Hours: Sunday: 10:00 am – 5:00 pm Monday - Thursday: 9:00 am – 7:00 pm Friday: 9:00 am – 1:00 pm EST, 2:00 pm DST Saturday: Closed 800-947-9950 212-444-6600 420 Ninth Avenue @ 34th Street New York, NY 10001 INTRODUCTION 4 TYPES OF CAMERA USERS 6 ENTRY LEVEL 8 ADVANCED 10 PRO 12 MEGAPIXELS 14 Digital Cameras bhphotovideo.com FEATURES & ACCESSORIES 16 Quick searches and live support help you get everything you want and exactly what you need. Create an account, make a wish KEY FEATURES 22 list, and sign up for our newsletter, all in our secure environment. Introduction Today’s point-and-shoot cameras are convenient, simple, and small enough to fit in the palm of your hand. Stash one in your jacket pocket and you won’t miss a moment. Advances in camera technology now enable image capture at faster speeds. Some have bells and whistles specifically tailored to the needs of photographers—from built-in waterproof casings to in-camera panorama stitching. Manufacturers offer several models, from simple to sophisticated, to meet a wide variety of picture-taking needs. But with all the digital cameras out there, how do you even begin to pick the one that’s right for you? First consider budget. Point-and-shoot cameras range from $79 on upwards to $800. A lower-priced camera might have all the basic features you need. Or, you might want to invest more for a camera with beefy manual controls. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar.