An Analytical Study on the Modern History of Digital Photography Keywords
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Xerox Confidentcolor Technology Putting Exacting Control in Your Hands
Xerox FreeFlow® The future-thinking Print Server ConfidentColor Technology print server. Brochure It anticipates your needs. With the FreeFlow Print Server, you’re positioned to not only better meet your customers’ demands today, but to accommodate whatever applications you need to print tomorrow. Add promotional messages to transactional documents. Consolidate your data center and print shop. Expand your color-critical applications. Move files around the world. It’s an investment that allows you to evolve and grow. PDF/X support for graphic arts Color management for applications. transactional applications. With one button, the FreeFlow Print Server If you’re a transactional printer, this is the assures that a PDF/X file runs as intended. So print server for you. It supports color profiles when a customer embeds color-management in an IPDS data stream with AFP Color settings in a file using Adobe® publishing Management—so you can print color with applications, you can run that file with less time confidence. Images and other content can be in prepress and with consistent color. Files can incorporated from a variety of sources and reliably be sent to multiple locations and multiple appropriately rendered for accurate results. And printers with predictable results. when you’re ready to expand into TransPromo applications, it’s ready, too. Xerox ConfidentColor Technology Find out more Putting exacting control To learn more about the FreeFlow Print Server and ConfidentColor Technology, contact your Xerox sales representative or call 1-800-ASK-XEROX. Or visit us online at www.xerox.com/freeflow. in your hands. © 2009 Xerox Corporation. All rights reserved. -
Annual Inventory Certification
04/19/2016 11:56 |TULSA COUNTY |P 1 6373jgat |ACTIVE ASSETS AS OF 04.15.16 |faloclst CUST CODE 003600 - 003650 DEPT TAG # SUB CLASS MANUF SERIAL # QTY ACQUIS DATE ACQUIS COST REPLACE COST REMARKS ROOM ASSET # DESCRIPTION CUSTODIAN EST LIFE CURR BOOK STATUS CAPITALIZE? ____________________________________________________________________________________________________________________________________ CUSTODIAN: 003600 SHERIFF'S DEPARTMENT 02500 01301050012 DESKS 01301050012 1 08/07/1990 848.90 848.90_________________ 0000053 STEELCASE DESK SHERIFF'S DEPAR 10 848.90 ACTIVE Y 02500 01301050013 DESKS 01301050013 1 08/07/1990 1,108.90 1,108.90_________________ 0000054 STEELCASE RETURN SHERIFF'S DEPAR 10 1,108.90 ACTIVE Y 02500 46112360018 COMPUTER EQUIPM SYS0310120130 1 05/02/2003 773.00 773.00_________________ 0005682 UPS SMART SU2200NET 2200VA 8 O SHERIFF'S DEPAR 8 773.00 ACTIVE Y 02500 46112360078 COMPUTER EQUIPM 1K2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005741 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005742 COMPUTER EQUIPM 4L2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005742 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 46112360081 COMPUTER EQUIPM 8J2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005744 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005747 COMPUTER EQUIPM 5K2N6G1 1 05/01/2008 1,239.62 1,239.62_________________ 0005747 PC, OPTIPLEX 755 SFF DUO CORE SHERIFF'S DEPAR 8 1,239.62 ACTIVE Y 02500 0005748 COMPUTER -
1.1 Introduction to the Digital Systems
1.1 Introduction to the digital systems PHO 130 F Digital Photography Prof. Lorenzo Guasti How a DSLR work and why we call a camera “reflex” The heart of all digital cameras is of course the digital imaging sensor. It is the component that converts the light coming from the subject you are photographing into an electronic signal, and ultimately into the digital photograph that you can view or print PHO 130 F Digital Photography Prof. Lorenzo Guasti Although they all perform the same task and operate in broadly the same way, there are in fact th- ree different types of sensor in common use today. The first one is the CCD, or Charge Coupled Device. CCDs have been around since the 1960s, and have become very advanced, however they can be slower to operate than other types of sensor. The main alternative to CCD is the CMOS, or Complimentary Metal-Oxide Semiconductor sen- sor. The main proponent of this technology being Canon, which uses it in its EOS range of digital SLR cameras. CMOS sensors have some of the signal processing transistors mounted alongside the sensor cell, so they operate more quickly and can be cheaper to make. A third but less common type of sensor is the revolutionary Foveon X3, which offers a number of advantages over conventional sensors but is so far only found in Sigma’s range of digital SLRs and its forthcoming DP1 compact camera. I’ll explain the X3 sensor after I’ve explained how the other two types work. PHO 130 F Digital Photography Prof. -
Diy Photography & Jr: Photographic Stickers
1 DIY PHOTOGRAPHY & JR: PHOTOGRAPHIC STICKERS For grade levels 3-12 Developed by: PEITER GRIGA The world now contains more photographs than bricks, and they are, astonishingly, all different. - John Szarkowski Are images the spine and rib cage of our society or are we so saturated in photography that we forget the underlying messages we ‘read’ from images? Are we protected/ supported by images or flooded by them? JR’s work elaborates on the idea of how we value images by demonstrating our likenesses and differences. This dichotomy is so great in his work; JR can eliminate himself as the artist, becoming the egoless ‘guide.’ As part of his Inside Out Project he allows people from all around the world to send him pictures they take of themselves, which he then prints out a poster sized image and returns to the image maker, who then selects a location and hangs the work in a public space. In a traditional sense, he hands the artistic power over to the participant and only controls the printing and specs for the images. The CAC participated in the Inside Out Project as early as 2011, but most recently through installations in Fountain Square, Rabbit Hash, KY, Findlay Market, and inside the CAC Lobby. The power of the image and the location of the image are vital aspects of JR’s site-specific work. Building upon these two factors is the material used to place the image in the public space. His materials usually include wheat paste, paper, and a large scale digitally printed image. -
Digital Photography: the Influence of CCD Pixel-Size on Imaging
IS&T’s 1999 PICS Conference IS&T's 1999 PICS Conference Digital Photography: The Influence of CCD Pixel Size on Imaging Performance Rodney Shaw Hewlett-Packard Research Laboratories Palo Alto, California 94304 Abstract with the question of enlargement, since this is a well-known factor in both analog and digital photography, and can be dealt As digital photography becomes increasingly competitive with with in a separate, well-established manner. traditional analog systems, questions of both comparative and The question here is the applicability of a similar global ultimate performance become of great practical relevance. In set of photographic performance parameters for any given particular the questions of camera speed and of the image digital sensor array, taking into account the complicating ex- sharpness and noise properties are of interest, especially from istence of a grid with a fixed pixel size. However to address the possibility of an opening up of new desirable areas of this question we can take the silver-halide analogy further by photographic performance with new digital technologies. considering the case where a conventional negative image is Clearly the camera format (array size, number of pixels) plays scanned as input to a digital system, which is in fact an in- a prominent role in defining overall photographic perfor- creasingly commonplace activity. In doing so the scanning mance, but it is less clear how the absolute pixel dimensions system implies placing over the film a virtual grid much akin define individual photographic parameters. This present study to the physical grid of sensor arrays. The choice of the grid uses a previously published end-to-end signal-to-noise ratio size is not seen as interfering with the global photographic model to investigate the influence of pixel size on various exposure properties, though clearly it will impose its own reso- aspects of imaging performance. -
Using Digital Still Cameras
Step-by-Step Using Digital Still Cameras GENERIC INSTRUCTIONS FOR DIGITAL CAMERAS Every make and model of digital camera has a distinctive way of taking pictures, storing them, and transferring those pictures to your computer. Here are a few of the most common instructions for digital cameras other than the Sony Mavica. 1. Most digital cameras use a type of removable media to store the pictures. For example, some Sony models use the memory stick, and other companies use Smart Media Cards and another common media is the MultiMedia Card. 2. Most digital cameras have an interface to connect the camera directly up with your computer either via Serial Bus, or USB (Universal Serial Bus). 3. If the camera does not have an interface to connect to the computer , or it has an interface that is not compatible and has removable media then you must have a reader to access your pictures. 4. Depending on the manufacturer of the digital camera, there are many programs that allow you to view your pictures and/or download them to your computer. You should read the manual that comes with the digital camera. Megapixel / Resolution / Size When using a digital camera, you will need to decide what quality picture you want. Most cameras allow you to change the resolution of the picture to a lower quality so that you can store more pictures on the camera media. Likewise you can increase the resolution for a better quality picture, but fewer photos can be stored. Megapixel: The term megapixel means 1,000,000+ pixels. -
Making the Transition from Film to Digital
TECHNICAL PAPER Making the Transition from Film to Digital TABLE OF CONTENTS Photography became a reality in the 1840s. During this time, images were recorded on 2 Making the transition film that used particles of silver salts embedded in a physical substrate, such as acetate 2 The difference between grain or gelatin. The grains of silver turned dark when exposed to light, and then a chemical and pixels fixer made that change more or less permanent. Cameras remained pretty much the 3 Exposure considerations same over the years with features such as a lens, a light-tight chamber to hold the film, 3 This won’t hurt a bit and an aperture and shutter mechanism to control exposure. 3 High-bit images But the early 1990s brought a dramatic change with the advent of digital technology. 4 Why would you want to use a Instead of using grains of silver embedded in gelatin, digital photography uses silicon to high-bit image? record images as numbers. Computers process the images, rather than optical enlargers 5 About raw files and tanks of often toxic chemicals. Chemically-developed wet printing processes have 5 Saving a raw file given way to prints made with inkjet printers, which squirt microscopic droplets of ink onto paper to create photographs. 5 Saving a JPEG file 6 Pros and cons 6 Reasons to shoot JPEG 6 Reasons to shoot raw 8 Raw converters 9 Reading histograms 10 About color balance 11 Noise reduction 11 Sharpening 11 It’s in the cards 12 A matter of black and white 12 Conclusion Snafellnesjokull Glacier Remnant. -
Evolution of Photography: Film to Digital
University of North Georgia Nighthawks Open Institutional Repository Honors Theses Honors Program Fall 10-2-2018 Evolution of Photography: Film to Digital Charlotte McDonnold University of North Georgia, [email protected] Follow this and additional works at: https://digitalcommons.northgeorgia.edu/honors_theses Part of the Art and Design Commons, and the Fine Arts Commons Recommended Citation McDonnold, Charlotte, "Evolution of Photography: Film to Digital" (2018). Honors Theses. 63. https://digitalcommons.northgeorgia.edu/honors_theses/63 This Thesis is brought to you for free and open access by the Honors Program at Nighthawks Open Institutional Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of Nighthawks Open Institutional Repository. Evolution of Photography: Film to Digital A Thesis Submitted to the Faculty of the University of North Georgia In Partial Fulfillment Of the Requirements for the Degree Bachelor of Art in Studio Art, Photography and Graphic Design With Honors Charlotte McDonnold Fall 2018 EVOLUTION OF PHOTOGRAPHY 2 Acknowledgements I would like thank my thesis panel, Dr. Stephen Smith, Paul Dunlap, Christopher Dant, and Dr. Nancy Dalman. Without their support and guidance, this project would not have been possible. I would also like to thank my Honors Research Class from spring 2017. They provided great advice and were willing to listen to me talk about photography for an entire semester. A special thanks to my family and friends for reading over drafts, offering support, and advice throughout this project. EVOLUTION OF PHOTOGRAPHY 3 Abstract Due to the ever changing advancements in technology, photography is a constantly growing field. What was once an art form solely used by professionals is now accessible to every consumer in the world. -
Technologie Snímacích Čipů Digitálních Jednookých Zrdcadlovek
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra technických věd a informačních technologií Tomáš Kocián Technologie snímacích čip ů u digitálních jednookých zrcadlovek Bakalá řská práce Vedoucí práce: Mgr. Jan Kubrický Olomouc 2011 Prohlášení Prohlašuji, že jsem bakalá řskou práci Technologie snímacích čip ů u digitálních jednookých zrcadlovek vypracoval samostatn ě pod vedením Mgr. Jana Kubrického a uvedl v seznamu literatury všechny použité literární a odborné zdroje. V Olomouci dne 21. března 2012 Vlastnoru ční podpis autora Pod ěkování Velmi rád bych pod ěkoval vedoucímu své bakalá řské práce Mgr. Janu Kubrickému za cenné rady, p řipomínky a metodické vedení práce. Dále bych velice rád pod ěkoval Martinu Vachatovi a zam ěstnanc ům firmy Foto Škoda za zap ůjčení testovaných fotoaparát ů a pomoc při jejich testování. Anotace Bakalá řská práce se zabývá záznamem digitálního obrazu jednookou digitální zrcadlovkou. Popisuje dnes užívané technologie v této oblasti a zam ěř uje se na výslednou kvalitu fotografií v závislosti na použitém snímacím čipu. Práce se rovn ěž zabývá chybami v obraze, které p římo souvisí se snímacím čipem nebo obrazovým procesorem fotoaparátu a popisuje možnosti jak tyto fotoaparáty testovat. Výsledkem práce je pak srovnání výsledk ů test ů n ěkolika fotoaparát ů, které jsou dnes dostupné na trhu. Abstrakt This bachelor thesis deals with digital image recording by DSLR camera. Describes the technology used today in this area and focuses on the resulting image quality depending on the sensing chip. The work also deals with errors in the image, which is directly related to the sensing chip or image processor and describes ways to test these cameras. -
Intro to Digital Photography.Pdf
ABSTRACT Learn and master the basic features of your camera to gain better control of your photos. Individualized chapters on each of the cameras basic functions as well as cheat sheets you can download and print for use while shooting. Neuberger, Lawrence INTRO TO DGMA 3303 Digital Photography DIGITAL PHOTOGRAPHY Mastering the Basics Table of Contents Camera Controls ............................................................................................................................. 7 Camera Controls ......................................................................................................................... 7 Image Sensor .............................................................................................................................. 8 Camera Lens .............................................................................................................................. 8 Camera Modes ............................................................................................................................ 9 Built-in Flash ............................................................................................................................. 11 Viewing System ........................................................................................................................ 11 Image File Formats ....................................................................................................................... 13 File Compression ...................................................................................................................... -
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Digital Capture System October 21, 2011 OtoPet-USA A division of DermaZoo 8909 Iverleigh Court Potomac, MD 20854 Office: 301-365-0192/Fax: 301-983-2369 www.otopet-usa.com OtoPet-USA Digital Capture System 1.9 Manual Effective 10/19/11 Table of Contents Before using the image capture system ...........................................................................................4 Power sources...............................................................................................................................4 Precautions ...................................................................................................................................4 Operating environment recommendations ...................................................................................4 Back up recommendations ...........................................................................................................4 Care of digitizer equipment..........................................................................................................4 Care of floppy disks ..................................................................................................................4 Care of CD-ROMs ....................................................................................................................5 Care of the pointing device (track ball) ....................................................................................5 Care of the keyboard.................................................................................................................5 -
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Art and Art History 1 ART AND ART HISTORY art.as.miami.edu Dept. Codes: ART, ARH Educational Objectives The Department of Art and Art History provides facilities and instruction to serve the needs of the general student. The program fosters participation and appreciation in the visual arts for students with specialized interests and abilities preparing for careers in the production and interpretation of art and art history. Degree Programs The Department of Art and Art History offers two undergraduate degrees: • The Bachelor of Arts, with tracks in: • Art (General Study) • Art History • Studio Art • The Bachelor of Fine Arts in Studio Art, which allows for primary and secondary concentrations in: • Painting • Sculpture • Printmaking • Photography/Digital Imaging • Graphic Design/Multimedia • Ceramics The B.A. requires a minimum of 36 credit hours in the department with a grade of C or higher. The B. A. major is also required to have a minor outside the department. Minor requirements are specified by each department and are listed in the Bulletin. The B.F.A. requires a minimum of 72 credit hours in the department, a grade of C or higher in each course, a group exhibition and at least a 3.0 average in departmental courses. The B.F.A. major is not required to have a minor outside the department. Writing within the Discipline To satisfy the College of Arts and Sciences writing requirement in the discipline, students whose first major is art or art history must take at least one of the following courses for a writing credit: ARH 343: Modern Art, and/or ARH 344: Contemporary Art.