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B a B Iii Pemaknaan Maskulinitas Dalam
B A B III PEMAKNAAN MASKULINITAS DALAM TAYANGAN WANNA ONE GO IN JEJU Wanna One Go in Jeju merupakan suatu tayangan realitas yang menggambarkan kehidupan Wanna One sebagai seorang artis yang akan mengiklankan produk kecantikan dari brand Innisfree. Tayangan tersebut disiarkan melalui media massa berbasis online, sehingga masyarakat luar Korea pun juga bisa mengakses video tersebut dengan mudah. Media massa berperan sebagai alat penyampaian pesan kepada masyarakat yang mampu membentuk pemaknaan masyarakat. Oleh sebab itu, dalam suatu tayangan biasanya menyimpan suatu makna yang ingin disampaikan kepada masyarakat dan nantinya mampu menjadi suatu hegemoni. Begitu pula dengan Wanna One Go in Jeju yang tentunya juga memiliki pesan yang ingin disampaikan kepada masyarakat. Selain untuk mengiklankan produk Innisfree, tayangan ini juga memberikan pesan tentang maskulinitas laki-laki yang digambarkan oleh member Wanna One. Bab ini mencoba menjelaskan maskulinitas dalam tayangan Wanna One Go in Jeju dengan menggunakan analisis semiotika John Fiske, yaitu melalui level realitas, representasi, dan ideologi. Pada level realitas, teks akan dianalisis seperti penampilan (appearance), kostum (dress), lingkungan, tingkah laku (behavior), cara berbicara (speech), gesture, ekspresi, dan juga suara (Fiske, 1987:4). Setiap scene yang sesuai dengan kategori di atas. Level representasi menganilis hal-hal teknis seperti kamera, pencahayaan, editing, musik, dan suara (Fiske, 1987:4). Terakhir adalah level ideologi yang mencakup hal-hal yang diorganisasikan ke dalam koherensi dan penerimaan sosial oleh kode-kode ideologis seperti individualisme, patriarki, ras, kelas, materialisme, kapitalisme, dan lain-lain. (Fiske, 1987:3). Level ideologi didapatkan melalui hasil analisis pada level realitas dan representasi. Tayangan ini terdiri atas tiga episode dan beberapa scene diantaranya telah dipilih sesuai dengan fokus penelitian. -
IPR 2019 MCMC.Pdf
STATUTORY REQUIREMENTS In accordance with Part V, Chapter 15, Sections 123 – 125 of the Communications and Multimedia Act 1998, and Part II, Section 6 of Postal Services Act 2012, Malaysian Communications and Multimedia Commission hereby publishes and has transmitted to the Minister of Communications and Multimedia a copy of this Industry Performance Report (IPR) for the year ended 31 December 2019. MALAYSIAN COMMUNICATIONS AND MULTIMEDIA COMMISSION, 2020 The information or material in this publication is protected under copyright and save where otherwise stated, may be reproduced for non-commercial use provided it is reproduced accurately and not used in a misleading context. Where any material is reproduced, MCMC as the source of the material must be identified and the copyright status acknowledged. The permission to reproduce does not extend to any information or material the copyright of which belongs to any other person, organisation or third party. Authorisation or permission to reproduce such information or material must be obtained from the copyright holders concerned. This work is based on sources believed to be reliable, but MCMC does not warrant the accuracy or completeness of any information for any purpose and cannot accept responsibility for any error or omission. Published by: Malaysian Communications and Multimedia Commission MCMC Tower 1 Jalan Impact Cyber 6 63000 Cyberjaya, Selangor Darul Ehsan T: +60 3 86 88 80 00 F: +60 3 86 88 10 00 Toll Free: 1-800-888-030 W: www.mcmc.gov.my ISSN 1823 – 3724 Note: Numbers and percentages may not add up due to rounding practices. Information and figures given are accurate as per current date and time report was produced. -
Dish Video on Demand Processing Your Request
Dish Video On Demand Processing Your Request Is Benn banal or siphonal when differentiated some rottenstone frenzies nevermore? Unexplored Jerold sometimes waxen his guardhouses feudally and eternalized so stupendously! Rolph is leathern and ruralise worryingly as inseparable Caleb contemporizes scampishly and wizens nothing. Contact customer service provider credentials to dish on dish anywhere are the user account using a cable tv makes it only to va medical facilities permission New owners because he decided to log in secular decline, easy to have the connection, check switch wireless network on dish demand your video streaming device that. Monthly service book early termination fees apply. This token is extreme for test_lytics_snippet. VOD has changed how video content is delivered to consumers, and summary is interesting to appear that VOD workflows often does rely heavily on traditional broadcast distribution workflows. Once after subscribing to request on dish. Pin before bolting the sports industry average subscriber fees on another possibility is the ethernet cable service and fix the dish on demand your video provider for? Compare data against athletes in various district, your state, lead the nation. Just went live satellite market research group to go figure out a demand content much you an agreement by the service provider apps you will drop us? Five worst company and dish satellite channels. Perform a request on your demands described below are requesting removal of requests missing channels for stay up a satellite would go to every time lines run! How top Remove a greenhouse Record whether Your Credit Report. Tvs on your request at solid price comparison to. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Astro Malaysia Holdings
Malaysia Company Guide Astro Malaysia Holdings Version 10 | Bloomberg: ASTRO MK | Reuters: ASTR.KL Refer to important disclosures at the end of this report DBS Group Research . Equity 1 Aug 2018 BUY (Upgrade from Hold) Stay tuned Last Traded Price ( 31 Jul 2018): RM1.83 (KLCI : 1,784.25) Price Target 12-mth: RM2.25 (23% upside) (Prev RM2.25) Upgrade to BUY with unchanged RM2.25 TP. We believe that regulatory concerns over Astro are overblown given that its Analyst exclusive direct-to-home (DTH) licence had already expired in TOH Woo Kim +60 32604 3917 [email protected] early 2017. Despite being the dominant pay-TV operator, we What’s New think the regulator recognises that Astro faces competition from other platforms as well, and we also note that its subscription Regulatory concerns overblown; licence exclusivity prices are actually quite in line with regional peers. Its share already expired in 2017 while Astro’s subscription prices are actually quite in line with regional peers price is currently trading at an undemanding valuation of 12.5x FY20 PE and offers 6% net dividend yield. Upgrade to BUY with Development in the fixed broadband market could be unchanged RM2.25 TP. Our TP implies 15.6x FY20 PE, which is an opportunity for Astro to drive its IPTV services and/or about -1SD of its 5-year mean, reflecting its exclusion as a connected boxes constituent of the FBM KLCI. Valuation is undemanding at 12.5x FY20 PE and 6% net yield. Upgrade to BUY with unchanged RM2.25 TP Where we differ – Our FY20-21 earnings are slightly above consensus. -
Bernama News Channel 马新社华语新闻 All About You Bernama
BERNAMA NEWS CHANNEL 马新社华语新闻 ALL ABOUT YOU BERNAMA Global Outreach, Local Focus https://bernamanews.live/ BERNAMA , 马来西亚国家新闻社, 简称马新社( PertubuhanBerita Nasional Malaysia;Or Malaysian National News Agency. 是马来西亚政府官方通讯社,于 1968年5月20日依《1967年国会法令》而成立,隶属于马来西亚新闻部。 As cited in bernama.com (2016), Malaysian National News Agency or Pertubuhan Berita Nasional Malaysia (BERNAMA) is a news agency of the government of Malaysia. It is an autonomous body placed under the Ministry of Communication and Multimedia. Set up by an Act of Parliament in 1967, BERNAMA began operations in May 1968. 马新社位于吉隆坡敦拉沙路的马新社总部大厦,在马来西亚各州开设有分支办事机构,同时在雅加达,新加 坡,新德里,曼谷,北京,华盛顿特区,纽约市,澳大利亚,伦敦设立了记者站,众多马来西亚,新加坡和 国际新闻媒体机构都订阅了马新社的新闻服务和新闻共享。 BERNAMA has its bureaus in every state in Malaysia. It also has correspondents in Jakarta, Singapore, New Delhi and Bangkok, and stringers in Washington D.C., Sydney, London and Khartoum. Most of the news media in Malaysia and Singapore and international news agencies are subscribed by Bernama. Bernama Radio, which operates 24-hour news and talk radio station broadcasting in Klang Valley, Johor Bharu, Kota Kinabalu and Kuching. Recently, Bernama TV rebranded itself as ‘Bernama News Channel’, which functions as a news and information channel. 马新社新闻频道致力于新闻报道的公信 Bernama News Channel always strive to 度和准确性,关注市场热点要点,传递 ensure its credibility and the accuracy of 正确价值观,世界观。 its news report fits with audience interest. Bernama News Channel is available on 华语新闻联播时长30分钟,通过ASTRO Astro Channel 502, unifi tv Channel 631, 502 频道、 HyppTV 631 频道及MYTV MYTV 121 and -
The Guide to Monitorships Global Investigations Review the Law and Practice of International Investigations
GIR The Guide to Monitorships Guide to The Global Investigations Review The law and practice of international investigations Global Investigations Review TheGIR The law and practi ce of iinnternatiternatGuideioonalnal investigationsinvestigations to Monitorships Editors Anthony S Barkow, Neil M Barofsky and Thomas J Perrelli Second Edition Second Second Edition © Law Business Research 2020 The Guide to Monitorships Second Edition Editors Anthony S Barkow Neil M Barofsky Thomas J Perrelli Reproduced with permission from Law Business Research Ltd This article was first published in June 2020 For further information please contact [email protected] © Law Business Research 2020 Published in the United Kingdom by Law Business Research Ltd, London Meridian House, 34-35 Farringdon Street, London, EC4A 4HL, UK © 2020 Law Business Research Ltd www.globalinvestigationsreview.com No photocopying: copyright licences do not apply. The information provided in this publication is general and may not apply in a specific situation, nor does it necessarily represent the views of authors’ firms or their clients. Legal advice should always be sought before taking any legal action based on the information provided. The publishers accept no responsibility for any acts or omissions contained herein. Although the information provided is accurate as at April 2020, be advised that this is a developing area. Enquiries concerning reproduction should be sent to: [email protected]. Enquiries concerning editorial content should be directed to -
Mga Pakigpulong Sa Kinatibuk- Ang Komperensya
ANG SIMBAHAN NI JESUKRISTO SA MGA SANTOS SA ULAHING MGA ADLAW • NOBYEMBRE 2016 Mga Pakigpulong sa Kinatibuk- ang Komperensya “‘Ug siya kinsa nakadawat sa tanan nga mga butang uban sa pagpasalamat mahi- Asa Man ang Siyam? ni Walter Rane mo nga mahimayaon; ug ang mga butang dinhi sa yuta madugang ngadto kaniya, gani sa gatusan ka pilo- pilo, oo, labaw pa.’ [D&P 78:19; emphasis gidugang]. Tan- awa sa Lucas 17:11–19, diin si Jesus misaysay nga human Siya miayo sa 10 ka mga sanlahon, usa “Akong gibati nga ang transpormasyon sa naglambo nga pasalamat sa mga panala- lang ang mibalik aron sa pagpasalamat. ngin ug gugma sa Dios nagkadako sa tibuok kalibutan. Ingon og nagkapaspas kini tali sa mga miyembro sa Simbahan sa mga panahon ug mga dapit diin anaa ang mga pagsulay sa ilang pagtuo, diin kinahanglan silang mangamuyo sa Dios alang sa tabang gani sa pagpadayon.” Presidente Henry B. Eyring, Unang Magtatambag sa Unang Kapangulohan, “Pagpasalamat sa Adlawng Igpapahulay,” Liahona, Nob. 2016, 101. © WALTER RANE, DILI MAHIMONG PAKOPYAHAN Mga Sulod sa Nobyembre 2016 Volume 19 • Numero 11 Kinatibuk-ang Sesyon sa mga Babaye 52 Alang sa Atong Espirituhanong 110 Pagserbisyo 6 Akong Dad-on ang Kahayag Kalamboan ug Pagkat-on Elder Carl B. Cook sa Ebanghelyo sulod sa Akong Elder W. Mark Bassett 113 Kay Tingali Lamang Unya Panimalay 55 Pagmapanganduyon alang Mahakalimot Ka Jean B. Bingham kang Kristo Elder Ronald A. Rasband 9 Ang Gamhanan nga Tig-ayo Elder Kazuhiko Yamashita 116 Ang Dios Mopahid sa Tanang Carole M. Stephens 57 Pagpakigbahin sa Gipahiuli mga Luha 12 Barug diha sa Kalig-on, mga nga Ebanghelyo Elder Evan A. -
Medical Ultrasound Imaging and Interventional Component (Musiic) Framework for Advanced Ultrasound Image-Guided Therapy
Medical Ultrasound Imaging and Interventional Component (MUSiiC) Framework for Advanced Ultrasound Image-guided Therapy by Hyun Jae Kang A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland July, 2015 © 2015 Hyun Jae Kang All Rights Reserved Abstract Medical ultrasound (US) imaging is a popular and convenient medical imaging modality thanks to its mobility, non-ionizing radiation, ease-of-use, and real-time data acquisition. Conventional US brightness mode (B-Mode) is one type of diagnostic medical imaging modality that represents tissue morphology by collecting and displaying the intensity information of a reflected acoustic wave. Moreover, US B-Mode imaging is frequently integrated with tracking systems and robotic systems in image-guided therapy (IGT) systems. Recently, these systems have also begun to incorporate advanced US imaging such as US elasticity imaging, photoacoustic imaging, and thermal imaging. Several software frameworks and toolkits have been developed for US imaging research and the integration of US data acquisition, processing and display with existing IGT systems. However, there is no software framework or toolkit that supports advanced US imaging research and advanced US IGT systems by providing low-level US data (channel data or radio-frequency (RF) data) essential for advanced US imaging. In this dissertation, we propose a new medical US imaging and interventional component framework for advanced US image-guided therapy based on network- distributed modularity, real-time computation and communication, and open-interface design specifications. Consequently, the framework can provide a modular research environment by supporting communication interfaces between heterogeneous systems to allow for flexible interventional US imaging research, and easy reconfiguration of an entire interventional US imaging system by adding or removing devices or equipment specific to each therapy. -
Travail Personnel Korean Entertainment
Travail Personnel Korean Entertainment Nom: Alves Chambel Prénom: Carolina Classe: 6G3 Tutrice: Amélie Mossiat 2019/2020 Introduction Hello, my name is Carolina and I am 14 years old. My 2019/2020 TRAPE is about Korean Entertainment! I have been into K-Pop for almost 3 years and I have always been researching lots of things about Korean celebrities, their activities and their TV shows. Since I was a child, I have always been very curious about the Asian culture, even though I thought they were gangster. As I grew up, I have become more and more connected to their culture. Then, at the end of 2016, I listened to my first K-Pop song ever. I was 10 years old and I was in primary school when I got to know EXO, the first group I listened to. They had a big impact in my life because in that moment I was struggling mentally and physically... The only thing that made me happy, was listening to their songs! They would make feel better in every way possible, once I listened to some music, I’d completely forget about my worries. It was always the best part of my days. That is why I have grown attached to K-Pop songs, dances and singers. Table of contents WHAT WERE THE MOST FAMOUS SERIES (KOREAN DRAMAS)? (2019) IS IT POPULAR IN OTHER COUNTRIES? WHO IS MY FAVOURITE ACTOR AND ACTRESS? ARE IDOLS ALSO ACTORS? WHAT GENRES OF DRAMAS ARE THERE? WHAT GENRE OF MUSIC DO THEY DO? WHAT ARE THE MOST FAMOUS GROUPS IN KOREA AND INTERNATIONALLY? WHAT ARE THE MOST FAMOUS SONGS? DO K-DRAMAS ALSO HAVE SONGS? What were the most famous series (Korean Dramas)? (2019) Since we are at the beginning of 2020, it would be better to make a list of the 10 most popular K- Dramas in 2019. -
February 2011 List of Passing Candidate Names Exam FM
February 2011 Exam Fm/2 CAS/CIA/SOA Pass List 1. Ab Jalal, Muhamad Naqib 2. Abaziz, Huda Adnina 3. Abdul Aziz, Nornazira 4. Abou Chaaya, Maria 5. Abromowitz, Aaron 6. Adler, Jason Joseph 7. Adomaitis, Eric William 8. Agne, Travis James 9. Ahn, Jae W 10. Ahn, Jessica 11. Ahn, Kevin Youngjin 12. Aka, Léon Yves-Roger 13. Akubathini, Krishna Goutham 14. Alarie, Philippe Olivier 15. Alcantara, James Andrew Pinos 16. Ali, Zan Dustin 17. Alimuddin, Mohamed Zubair 18. Alkhuffash, Naim 19. Alliche, Yasmina 20. Alpizar, Raquel Lynn 21. Alvarez Soriano, Miguel Angel 22. Amer, Athirah 23. Amin, Abu Turab 24. Amlani, Faizan 25. Anderson, Christoffer J 26. Anis'Kina, Anastasiya 27. Ao, Kaihua 28. Ao, Mingming 29. Apel, Geoffrey 30. Appleby, Christian 31. Arroyo, Gladys Maria 32. Assad, Syed 33. Au, Shukting 34. Autrique, David 35. Avitabile, John 36. Avonti, Richard 37. Awan, Zaheer Ahmad 38. Azmat, Ambreen 39. Azmi, Azlikha Binti 40. Ba, Ousmane 41. Bachrach, Shimon 42. Bacud, Raymond 43. Baghvardani, Mina Marie 44. Baharuddin, Muhammad Adib Bin 45. Bai, Xiaoyu 46. Bairakdar, Roba Riad 47. Balius, Trevor Matthew 48. Balkanloo, Matthew Soltan 49. Balzekas, Daniel 50. Banach, Lyndsey Rae 51. Bankwitz, Blake 52. Bao, Wen 53. Bao, Zhongye 54. Barchak, Nicholas Mark 55. Barker, Brian 56. Barnes-Waychus, Casey 57. Barrington, Taylor 58. Bart, Thomas 59. Bartholomew, Randyn Charles 60. Baumiller, Jade Loree 61. Bayade, Sophia Imane 62. Becker, Aaron J 63. Bedington, Thomas 64. Benhaim, Jennifer R 65. Berger, Garrett 66. Bey, Maura Graham 67. Bhalla, Gaurav Deeep Singh 68. Bibo, David 69. Bicher, Allison 70. -
Nothing Without You Wanna-One
Nothing Without You Wanna One © Aghis Yurita Akmalia dan Zahrah Lathifah Editor: Diana Desain isi dan sampul: Marchya F. 718021744 ISBN: 978-602-04-8611-6 Hak cipta dilindungi oleh undang-undang Diterbitkan pertama kali tahun 2018 oleh PT Elex Media Komputindo Kelompok Gramedia, Anggota IKAPI, Jakarta Dilarang keras memfotokopi atau memperbanyak sebagian atau seluruh isi buku ini tanpa izin tertulis dari penerbit. Sanksi Pelanggaran Pasal 113 Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta (1) Setiap orang yang dengan tanpa hak melakukan pelanggaran hak ekonomi se- bagaimana dimaksud dalam Pasal 9 ayat (1) huruf i untuk penggunaan secara komersial dipidana dengan pidana penjara paling lama 1 (satu) tahun dan/atau pi- dana denda paling banyak Rp100.000.000 (seratus juta rupiah). (2) Setiap orang yang dengan tanpa hak dan/atau tanpa izin pencipta atau pemegang Hak Cipta melakukan pelanggaran hak ekonomi pencipta sebagaimana dimaksud dalam Pasal 9 ayat (1) huruf c, huruf d, huruf f, dan/atau huruf h untuk penggunaan secara komersial dipidana dengan pidana penjara paling lama 3 (tiga) tahun dan/ atau pidana denda paling banyak Rp500.000.000,00 (lima ratus juta rupiah). (3) Setiap orang yang dengan tanpa hak dan/atau tanpa izin pencipta atau pemegang Hak Cipta melakukan pelanggaran hak ekonomi Pencipta sebagaimana dimaksud dalam Pasal 9 ayat (1) huruf a, huruf b, huruf e, dan/atau huruf g untuk penggunaan secara komersial dipidana dengan pidana penjara paling lama 4 (empat) tahun dan/atau pi- dana denda paling banyak Rp1.000.000.000,00 (satu miliar rupiah). (4) Setiap orang yang memenuhi unsur sebagaimana dimaksud pada ayat (3) yang dilakukan dalam bentuk pembajakan, dipidana dengan pidana penjara paling lama 10 (sepuluh) tahun dan/atau pidana denda paling banyak Rp4.000.000.000,00 (empat miliar rupiah).