IA Annual Report 05 06 Final.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Galileo in Rome Galileo in Rome
Galileo in Rome Galileo in Rome The Rise and Fall of a Troublesome Genius William R. Shea and Mariano Artigas Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Taipei Tokyo Toronto Copyright © 2003 by Oxford University Press, Inc. First published by Oxford University Press, Inc., 2003 198 Madison Avenue, New York, New York 10016 www.oup.com Issued as an Oxford University Press paperback, 2004 ISBN 0-19-517758-4 (pbk) Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. The Library of Congress has catalogued the cloth edition as follows: Artigas, Mariano. Galileo in Rome : the rise and fall of a troublesome genius / Mariano Artigas and William R. Shea. p. cm. Includes bibliographical references and index. ISBN 0-19-516598-5 1. Galilei, Galileo, 1564-1642—Journeys—Italy—Rome. 2. Religion and science—History—16th century. 3. Astronomers—Italy—Biography. I. Shea, William R. II. Title. QB36.G2 A69 2003 520'.92—dc21 2003004247 Book design by planettheo.com 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper CONTENTS ACKNO W L E D G E M E N T S vii I N TRO D U C TIO N ix CHA P TER O N E Job Hunting and the Path -
Gfk Italia CERTIFICAZIONI ALBUM Fisici E Digitali Relative Alla Settimana 47 Del 2019 LEGENDA New Award
GfK Italia CERTIFICAZIONI ALBUM fisici e digitali relative alla settimana 47 del 2019 LEGENDA New Award Settimana di Titolo Artista Etichetta Distributore Release Date Certificazione premiazione ZERONOVETOUR PRESENTE RENATO ZERO TATTICA RECORD SERVICE 2009/03/20 DIAMANTE 19/2010 TRACKS 2 VASCO ROSSI CAPITOL UNIVERSAL MUSIC 2009/11/27 DIAMANTE 40/2010 ARRIVEDERCI, MOSTRO! LIGABUE WARNER BROS WMI 2010/05/11 DIAMANTE 42/2010 VIVERE O NIENTE VASCO ROSSI CAPITOL UNIVERSAL MUSIC 2011/03/29 DIAMANTE 19/2011 VIVA I ROMANTICI MODA' ULTRASUONI ARTIST FIRST 2011/02/16 DIAMANTE 32/2011 ORA JOVANOTTI UNIVERSAL UNIVERSAL MUSIC 2011/01/24 DIAMANTE 46/2011 21 ADELE BB (XL REC.) SELF 2011/01/25 8 PLATINO 52/2013 L'AMORE È UNA COSA SEMPLICE TIZIANO FERRO CAPITOL UNIVERSAL MUSIC 2011/11/28 8 PLATINO 52/2013 TZN-THE BEST OF TIZIANO FERRO TIZIANO FERRO CAPITOL UNIVERSAL MUSIC 2014/11/25 8 PLATINO 15/2017 MONDOVISIONE LIGABUE ZOO APERTO WMI 2013/11/26 7 PLATINO 18/2015 LE MIGLIORI MINACELENTANO CLAN CELENTANO SRL - PDU MUSIC SONY MUSIC ENTERTAINMENT 2016/11/11 7 PLATINO 12/2018 INEDITO LAURA PAUSINI ATLANTIC WMI 2011/11/11 6 PLATINO 52/2013 BACKUP 1987-2012 IL BEST JOVANOTTI UNIVERSAL UNIVERSAL MUSIC 2012/11/27 6 PLATINO 18/2015 SONO INNOCENTE VASCO ROSSI CAPITOL UNIVERSAL MUSIC 2014/11/04 6 PLATINO 39/2015 CHRISTMAS MICHAEL BUBLE' WARNER BROS WMI 2011/10/25 6 PLATINO 51/2016 ÷ ED SHEERAN ATLANTIC WMI 2017/03/03 6 PLATINO 44/2019 CHOCABECK ZUCCHERO UNIVERSAL UNIVERSAL MUSIC 2010/10/28 5 PLATINO 52/2013 ALI E RADICI EROS RAMAZZOTTI RCA ITALIANA SONY MUSIC ENTERTAINMENT 2009/05/22 5 PLATINO 52/2013 NOI EROS RAMAZZOTTI UNIVERSAL UNIVERSAL MUSIC 2012/11/13 5 PLATINO 12/2015 LORENZO 2015 CC. -
Immortal Words: the Language and Style of the Contemporary Italian Undead-Romance Novel
Immortal Words: the Language and Style of the Contemporary Italian Undead-Romance Novel by Christina Vani A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Italian Studies University of Toronto © Copyright by Christina Vani 2018 Immortal Words: the Language and Style of the Contemporary Italian Undead-Romance Novel Christina Vani Doctor of Philosophy Department of Italian Studies University of Toronto 2018 Abstract This thesis explores the language and style of six “undead romances” by four contemporary Italian women authors. I begin by defining the undead romance, trace its roots across horror and romance genres, and examine the subgenres under the horror-romance umbrella. The Trilogia di Mirta-Luna by Chiara Palazzolo features a 19-year-old sentient zombie as the protagonist: upon waking from death, Mirta-Luna searches the Subasio region for her love… but also for human flesh. These novels present a unique interpretation of the contemporary “vampire romance” subgenre, as they employ a style influenced by Palazzolo’s American and British literary idols, including Cormac McCarthy’s dialogic style, but they also contain significant lexical traces of the Cannibali and their contemporaries. The final three works from the A cena col vampiro series are Moonlight rainbow by Violet Folgorata, Raining stars by Michaela Dooley, and Porcaccia, un vampiro! by Giusy De Nicolo. The first two are fan-fiction works inspired by Stephenie Meyer’s Twilight Saga, while the last is an original queer vampire romance. These novels exhibit linguistic and stylistic traits in stark contrast with the Trilogia’s, though Porcaccia has more in common with Mirta-Luna than first meets the eye. -
Poetry and the Visual in 1950S and 1960S Italian Experimental Writers
The Photographic Eye: Poetry and the Visual in 1950s and 1960s Italian Experimental Writers Elena Carletti Faculty of Arts and Social Sciences The University of Sydney A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy 2020 This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. I acknowledge that this thesis has been read and proofread by Dr. Nina Seja. I acknowledge that parts of the analysis on Amelia Rosselli, contained in Chapter Four, have been used in the following publication: Carletti, Elena. “Photography and ‘Spazi metrici.’” In Deconstructing the Model in 20th and 20st-Century Italian Experimental Writings, edited by Beppe Cavatorta and Federica Santini, 82– 101. Newcastle upon Tyne: Cambridge Scholars Publishing, 2019. Abstract This PhD thesis argues that, in the 1950s and 1960s, several Italian experimental writers developed photographic and cinematic modes of writing with the aim to innovate poetic form and content. By adopting an interdisciplinary framework, which intersects literary studies with visual and intermedial studies, this thesis analyses the works of Antonio Porta, Amelia Rosselli, and Edoardo Sanguineti. These authors were particularly sensitive to photographic and cinematic media, which inspired their poetics. Antonio Porta’s poetry, for instance, develops in dialogue with the photographic culture of the time, and makes references to the photographs of crime news. -
Orchestra Del Teatro Petruzzelli Pinchas Steinberg Emanuele Arciuli
ORCHESTRA DEL TEATRO PETRUZZELLI PINCHAS STEINBERG direttore EMANUELE ARCIULI pianoforte Pizzetti | Beethoven FONDATORI PARTNERS CONSIGLIO DI INDIRIZZO Presidente Sovrintendente Antonio Decaro Direttore artistico Massimo Biscardi Vice Presidente Corrado Petrocelli Consiglieri Direttore stabile Sara Allegretta Giampaolo Bisanti Michele Bollettieri Vito Mormando Maestro del coro Matteo Pertosa Fabrizio Cassi COLLEGIO REVISORI DEI CONTI Presidente Anna Luisa Carra 2 3 Membri effettivi Sergio Lafortezza Rosa Valicenti SPONSOR TECNICO FONDATORI Ministero per i Beni e le Attività Culturali e per il Turismo Regione Puglia Comune di Bari Città Metropolitana di Bari PER UN TEATRO DA TUTELARE. Costruzioni Barozzi Altamura [ Bari ] - Italy ORCHESTRA PROGRAMMA DEL TEATRO PETRUZZELLI Ildebrando Pizzetti [1880 - 1968] Canti della stagione alta, concerto per pianoforte e orchestra I. Mosso e fervente, ma largamente spaziato PINCHAS STEINBERG II. Adagio direttore III. Rondò: Allegro EMANUELE ARCIULI pianoforte Ludwig van Beethoven [1770 - 1827] Sinfonia n. 5, in do minore, op. 67 I. Allegro con brio 10 II. Andante con moto 11 III. Allegro IV. Allegro - Presto TEATRO PETRUZZELLI trasmissione in streaming giovedì 3 dicembre 2020 ore 20.30 LA MUSICA DEL DESTINO E L’ «ALTA » STAGIONE DEL CUORE di Livio Costarella Ildebrando Pizzetti, Canti della stagione alta, Concerto per pianoforte e orchestra (1930) Tensione creativa, vigore intellettuale, coerenza musicale. E un’invenzione melodica di grande freschezza e spontaneità. Con queste caratteristiche che hanno sempre permeato la sua produzione, ad Ildebrando Pizzetti (1880-1968) si deve una stagione felice della musica italiana che ha abbracciato quasi un secolo di vita, nel delicato passaggio dal diciannovesimo al ventesimo secolo. Come accaduto a compositori del calibro di Nino Rota, anche dell’autore emiliano si è troppo spesso parlato di «caso isolato», allorché non aveva abbracciato la dodecafonia, né le avanguardie più estreme, per non parlare della «musique concrète» o elettronica. -
1 Galileo Galilei (1564–1642)
1 Galileo Galilei (1564–1642) Introduction The playwright Bertolt Brecht labored for two decades over his anti–Third Reich play Leben des Galilei. The seventh scene is set on March 5, 1616, just as the Inquisition has censured the Coper nican texts positing the heliocentric model of the universe. Galileo learns of this event during a conversation with several cardinals at a dinner party in Rome. Brecht dramatically captures the heart of Galileo’s religious faith: Barberini: He’s [i.e., Galileo is] really dreadful. In all innocence he accuses God of the juiciest boners in astronomy! I suppose God didn’t work hard enough at His astronomy before He wrote Holy Scripture? My dear friend! Bellarmine: Don’t you think it likely that the Creator knows more about His creation than any of His creatures? Galileo: But, gentlemen, after all we can misinterpret not only the movements of the heavenly bodies, but the Bible as well. 4 - CHAPTER 1 Bellarmine: But wouldn’t you say that after all the interpreta tion of the Bible is the business of the Holy Church? (Galileo is silent.)1 Galileo is silent because in fact he believes that the business of biblical interpretation, in the hands of fallible humans, can prove to be highly fallible. He is silent because he does not believe the Bible is meant to be read literally, and biblical literalism has been hardening into a new position within some circles of the Counter- reformation Catholic Church following the Council of Trent. Far from being a biblical literalist, Galileo believed that the Bible was intentionally simplified by the Church so that lay people could access its meaning. -
Table of Contents
SWEDEN COUNTRY READER TABLE OF CONTENTS George L. West 1942-1943 Vice Consul, Stockholm C. Gray Bream 1944-1945 Vice Consul, Stockholm Norman V. Schute 1947-1952 Assistant Attaché, Stockholm Robert F. Woodward 1950-1952 Counselor of Embassy, Stockholm Paul F. Du Vivier 1950-1954 Commercial Attaché, Stockholm Roy T. Haverkamp 1955-1957 General Services Officer, Stockholm Harvey F. Nelson, Jr. 1956-1958 Analyst, Scandinavian Affairs, Bureau of Intelligence and Research, Washington, DC J. Howard Garnish 1957-1958 Public Affairs Officer, USIS, Stockholm Virginia Hamill Biddle 1959-1961 Consular Assistant, Stockholm Harvey F. Nelson, Jr. 1959-1961 Office Director, Sweden, Finland and Iceland, Washington, DC Edward L. Peck 1959-1961 Junior Officer, Goteborg William H. Littlewood 1960-1965 Science Attaché, Stockholm William B. Cobb, Jr. 1962-1965 Commercial Attaché, Stockholm Isabel Cumming 1964-1966 Director, USIS, Stockholm Theodore Wilkinson 1964-1966 Consular Officer, Stockholm William Bodde, Jr. 1967-1970 Political Officer, Stockholm Richard J. Smith 1968-1971 Commercial Officer, US Trade Center, Stockholm C. Arthur Borg 1968-1971 Political Counselor, Stockholm 1 Haven N. Webb 1969-1971 Analyst, Western Europe, Bureau of Intelligence and Research, Washington, DC Patrick E. Nieburg 1969-1972 Public Affairs Officer, USIS, Stockholm Gerald Michael Bache 1969-1973 Economic Officer, Stockholm Eric Fleisher 1969-1974 Desk Officer, Scandinavian Countries, USIA, Washington, DC William Bodde, Jr. 1970-1972 Desk Officer, Sweden, Washington, DC Arthur Joseph Olsen 1971-1974 Political Counselor, Stockholm John P. Owens 1972-1974 Desk Officer, Sweden, Washington, DC James O’Brien Howard 1972-1977 Agricultural Officer, US Department of Agriculture, Stockholm John P. Owens 1974-1976 Political Officer, Stockholm Eric Fleisher 1974-1977 Press Attaché, USIS, Stockholm David S. -
Kazdan Pak Dissertation
UCLA UCLA Electronic Theses and Dissertations Title Italy's Primary Teachers: The Feminization of the Italian Teaching Profession, 1859-1911 Permalink https://escholarship.org/uc/item/7fh45860 Author Pak, Julie Kazdan Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Italy’s Primary Teachers: The Feminization of the Italian Teaching Profession, 1859-1911 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Julie Kazdan Pak 2012 © Copyright by Julie Kazdan Pak 2012 ABSTRACT OF THE DISSERTATION Italy’s Primary Teachers: The Feminization of the Italian Teaching Profession, 1859-1911 by Julie Kazdan Pak Doctor of Philosophy in History University of California, Los Angeles, 2012 Professor Geoffrey Symcox, Chair This dissertation concerns the feminization of the Italian teaching profession between the introduction of pre-Unification schooling in 1859 and the nationalization of that system in 1911. By feminization, this dissertation refers both to the gradual assumption of the majority of elementary teaching positions by women and to a transformation in the nature of the position itself. Through an examination of educational periodicals, school records, government inquests, and accounts by teachers and pedagogical theorists, it argues that rather than the unintended consequence of economic constraints or shifting labor patterns, feminization was fundamentally connected to larger processes of centralization and modernization in the Italian school system. Following an introductory chapter outlining the major national, religious, and gender debates of ii the Unification era, the second chapter of the dissertation argues that the figure of the female elementary teacher became embroiled in the contest between local and national interests, furthering the drive toward centralization. -
Classifica Album Close
Radio UnYdea - Un Ydea di Radio - Classifica Album close SitiAllaRadio.it : Pubblicità a basso costo Advertising ● Home ● iRadio ● The Night ● Area Riservata ● Staff ● Contatti mercoledì 21 gennaio 2009 Password dimenticata? Nessun account? Registrati ● Dj Set http://www.radiounydea.it/index.php?option=com_newsfeeds&task=view&feedid=20&Itemid=105 (1 of 12)21/01/2009 19.16.37 Radio UnYdea - Un Ydea di Radio - Classifica Album ● Palinsesto ● Classifiche ❍ Classifica Singoli ❍ Classifica Album ❍ Dance Charts ❍ House Charts ❍ Hip Hop Charts ● Interviste ● Stagione Lirica 2007/2008 ● C'eravamo anche noi... ● News ● Oroscopo ● iPhone Club http://www.radiounydea.it/index.php?option=com_newsfeeds&task=view&feedid=20&Itemid=105 (2 of 12)21/01/2009 19.16.37 Radio UnYdea - Un Ydea di Radio - Classifica Album Thanks to: http://www.radiounydea.it/index.php?option=com_newsfeeds&task=view&feedid=20&Itemid=105 (3 of 12)21/01/2009 19.16.37 Radio UnYdea - Un Ydea di Radio - Classifica Album http://www.radiounydea.it/index.php?option=com_newsfeeds&task=view&feedid=20&Itemid=105 (4 of 12)21/01/2009 19.16.37 Radio UnYdea - Un Ydea di Radio - Classifica Album SitiAllaRadio.it : Pubblicità a basso costo http://www.radiounydea.it/index.php?option=com_newsfeeds&task=view&feedid=20&Itemid=105 (5 of 12)21/01/2009 19.16.37 Radio UnYdea - Un Ydea di Radio - Classifica Album Banca Monte Parma è una delle più antiche banche del mondo. Fu fondata nel 1488. Banca Monte Parma offre una gamma completa di prodotti e servizi ed opera in maniera capillare con oltre 60 sportelli su tutta la provincia di Parma e città limitrofe come Piacenza e Reggio Emilia. -
EMANUELE ARCIULI Century
ITALY / MUSIC languorous theme, Round Midnight seems to spring WORLD PREMIERE from Monk's creative heart and soul. The piece became both the dramatic and musical thematic material for a moody, blues tinged film (starring jazz great Dexter Gordon) by the French director Bertrand Tavernier in the late 1980s. John Adams China Gates Judd Greenstein First Ballade George Crumb Eine Kleine Mitternachtmusik Talib Rasul Hakim Sound Gone Frederic Rzewski Winnsboro Cotton Mill Blues Few pianists possess the incredible technique to encompass Thelonious Monk’s futurist musical visions. Arciuli is definitely an artist for the 21st EMANUELE ARCIULI century. ROUND MIDNIGHT His CD releases have earned numerous awards—and a Italian virtuoso, Emanuele Arciuli has long Grammy nomination—and in 2011 his genius was established himself as one of the most original and recognised with the most important Italian critic’s interesting performers on today’s classical music prize, the Permio Franco Abbiati follows in the scene. His repertoire ranges from Bach to footsteps of Mauizio Pollini, Radu Lupu and Zubin contemporary music, with a strong affinity for Mehta. composers from the United States. Melbourne Recital Centre, Elisabeth Murdoch Hall His affinity with American music has made him a Thu 19 Oct 8pm leading interpreter of John Adams, George Crumb and 1 hr, no interval Chick Corea. A Reserve $69 / $59 B Reserve $59 / $49 In an exclusive for Melbourne Festival, he offers us the Under 30s $30 opportunity of exploring two of his landmark commissions paying tribute to the famous theme by www.festival.melbourne Thelonius Monk’s Round Midnight, reimagined as Melbourne Recital Centre 03 9699 3333 suites. -
Recensione Radio WNTI Newyork
'Round Midnight Variations Emanuele Arciuli, Pianist Thursday, November 14, 2002 at 8:00 P.M. American Piano Series Miller Theatre at Columbia University 2960 Broadway at 116th Street N.Y., N.Y. ______________________________________________________ What a fabulous idea! Commission a multitude of composers to write a variation(s) on the Thelonius Monk classic 'Round Midnight. Once the works arrive on delivery the challenge then becomes arranging the disparate works into a working order that will convey emotional verisimilitude and heft. Mr. Arciuli's arrangement of the works offers just those characteristics in plenty. The premise is to go through the hours of the day ruminating on the musical possibilities and richness of the song in all of it's variational and harmonic fullness. That it works so well is homage not just to the genius of Mr. Monk but to the fertile talents of Italian pianist Emanuele Arciuli. The first part of the program was a harbinger of the evening's showpiece. It featured three world premieres and two American premieres as well as composer George Crumb's extended opus, Eine Kleine Mitternachtmusik. The evening began with a suite entitled ...........Waiting for Monk. First up, Eric Reed's Variation (World Premiere and the first of two Miller commissions), offered a cool series of harmonics with some dissonant voicings although not too cool. This was followed by Uri Caine's Variation (World premiere) embodied by disparate juxtapositioning of rapid arpeggiated runs offset by stabbing angular chords. A virtuosic piece expertly played by Mr. Arciuli. Alberto Barbero's The Monk and Me (American premiere), is part of a larger work and wraps itself up in a study of the harmonic fourth, a standard of jazz repertory. -
Galileo Galilei, Various Writings1
1 Primary Source 8.4 GALILEO GALILEI, VARIOUS WRITINGS1 Galileo Galilei (1564–1642) was an Italian scientist who, having improved the telescope, perceived the mountains of the Moon, sunspots, the stars of the Milky Way, and four moons of Jupiter (the first planetary satellite discovered since prehistoric times) and confirmed the phases of Venus—much of which undermined the Aristotelian conception of an incorruptible and perfect celestial realm. Galileo’s discoveries inspired him to embrace the Copernican heliocentric system. The Roman Inquisition investigated his assertions and writings in 1616 and concluded that the Copernican theory could be propounded as a hypothesis but not as established fact. In 1632, after his friend and staunch supporter, Cardinal Maffeo Barberini, became Pope Urban VIII, he publicly, though in a rather veiled way, advocated heliocentrism in Dialogue Concerning the Two Chief World Systems, which seemed to ridicule the pope. The Inquisition found him “suspect of heresy,” demanded his repudiation of the heliocentric theory, and placed him under house arrest in his Tuscan villa for the rest of his life. He then went on to conduct experiments in physics and to publish important works on kinematics. For the text online, click here. TO KEPLER (1597)2 I count myself happy, in the search after truth, to have so great an ally as yourself, and one who is so great a friend of the truth itself. It is really pitiful that there are so few who seek truth, and who do not pursue a perverse method of philosophizing. But this is not the place to mourn over the miseries of our times, but to congratulate you on your splendid discoveries in conformation of truth.