Paper Quiz: Questions and Answers

Total Page：16

File Type：pdf, Size：1020Kb

kupidonia.com Paper Quiz: questions and answers Paper Quiz: questions and answers - 1 / 4 kupidonia.com 1. Where was the pulp papermaking process developed? China Germany Korea 2. When was the pulp papermaking process developed? 6th century CE 4th century CE 2nd century CE 3. Who is traditionally regarded as the inventor of paper and the papermaking process? Cao Cao Cai Lun Sun Tzu 4. Which country leads the production of pulp and paper? United States China Greece 5. Who invented a process for removing printing inks from recycled paper? Carl Daniel Ekman Justus Claproth Paper Quiz: questions and answers - 2 / 4 kupidonia.com F. G. Keller 6. Paper made from chemical pulps are also known as: Wood-free papers Pulp-free paper Tree-free paper 7. What is the dominant method to make pulp from wood? Soda process Kraft process Sulfite process 8. What is the cooking chemical used in soda pulping? Sulfuric acid Chlorine Sodium hydroxide 9. What does a sheet of A0 measure? 1189 x 841 mm 594 x 841 mm 420 x 594 mm 10. What is washi? Traditional Frech paper Traditional Japanese paper Traditional Egyptian paper Paper Quiz: questions and answers - 3 / 4 kupidonia.com Paper Quiz: questions and answers Right answers 1. Where was the pulp papermaking process developed? China 2. When was the pulp papermaking process developed? 2nd century CE 3. Who is traditionally regarded as the inventor of paper and the papermaking process? Cai Lun 4. Which country leads the production of pulp and paper? China 5. Who invented a process for removing printing inks from recycled paper? Justus Claproth 6. Paper made from chemical pulps are also known as: Wood-free papers 7. What is the dominant method to make pulp from wood? Kraft process 8. What is the cooking chemical used in soda pulping? Sodium hydroxide 9. What does a sheet of A0 measure? 1189 x 841 mm 10. What is washi? Traditional Japanese paper Paper Quiz: questions and answers - 4 / 4 Powered by TCPDF (www.tcpdf.org).

Copy Link

Recommended publications

Download Article
Advances in Social Science, Education and Humanities Research, volume 369 2nd International Conference on Humanities Education and Social Sciences (ICHESS 2019) Research on Design Strategy of Handmade Paper Products under the Concept of Cultural Consumption Shuyi Li1,a, Zhou Zhong2,b,*, Xiaopeng Peng3,c 1,2Guangdong University of Technology, Guangzhou 510090, China 3Zhongkai College of Agricultural Engineering, Guangzhou 510225, China [email protected], [email protected], [email protected] *Corresponding author Keywords: handmade paper, product design, cultural consumption, cultural heritage. Abstract. Handmade paper products are the carrier of disseminating folk culture. This article puts the design of handmade paper products under the context of cultural consumption concept, integrates modern design ideas, deeply analyzes market demand, and explores new ideas of product design.In the trend of cultural consumption, designers must dig deeply into the artistic characteristics of handmade paper, so that their products can be recognized by the society, establish cultural brands and integrate into the cultural life of the public. The design of handmade paper products needs emotional experience to get people's cultural resonance, and needs to guide people to better understand the cultural spirit behind handmade paper, so as to better inherit and develop traditional culture. 1. Introduction Traditional Chinese Arts and Crafts has a long history, among which the folk papermaking occupies an important historical position. The appearance of handmade paper can be traced back to the Western Han Dynasty. Later, after the improvement of Cai Lun of the Eastern Han Dynasty, a relatively stable papermaking method was formed. With the development of the times, the emergence of mechanization has changed the production mode of paper.
[Show full text]
Download Article
Advances in Social Science, Education and Humanities Research, volume 124 International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017) Inheritance and Industrial Development of Traditional Handcraft Paper Making Process in Beizhang Village, Chang’an Shaanxi Yuan Shao School of Fine Arts Shaanxi Normal University Xi’an, China Abstract—China’s paper making technique has been transmitted to other countries in Asia, Africa, Europe and leading around the world, which has witnessed the America, reaching every corner around the world. development of over two-thousand years since Han and Tang dynasties. The handcraft paper making process in Beizhang II. PAPER MAKING IN BEIZHANG VILLAGE, CHANG’AN Village, Changan, Shaanxi, a remains of the ancient paper making, is in a trend of being forgotten during the evolvement of historic culture and economic development. For the A. Historic Source of Paper Making in Beizhang Village intangible cultural heritages which are gradually disappearing North regions are sources of handcraft paper making in in China, the optimal method to inherit is to industrialize. China, which were cores of paper making in history and Based on the status quo and paper making process in Beizhang replaced by south regions in Song and Yuan dynasties. Village, the article compares the paper making industries Beizhang Village, Chang’an District, Xi’an, Shaanxi between the region and other regions in the country and raises Province is located at Xinglong Town, Chang’an District, at feasible suggestions for the industrialization of handcraft the foot of Qinling Mountains. The paper making records in paper making in Shaanxi. The industrialized development is Beizhang Village can be traced back to East Han Dynasty, expected to improve the understanding of the public to the which can be seen from the remains of Baqiao paper, till handcraft paper making, expand the publicity and increase the now, there is a ballad about paper making by Cai Lun economic benefits so as to continue the handcraft paper spreading in Beizhang Village.
[Show full text]
Portada Tesis Copia.Psd
EL PAPEL EN EL GEIDŌ Enseñanza, praxis y creación desde la mirada de Oriente TESIS DOCTORAL María Carolina Larrea Jorquera Directora: Dra. Marina Pastor Aguilar UNIVERSITAT POLITÈCNICA DE VALÈNCIA FACULTAT DE BELLES ARTS DE SANT CARLES DOCTORADO EN ARTE: PRODUCCIÓN E INVESTIGACIÓN Valencia, Junio 2015 2 A mis cuchisobrinos: Mi dulce Pablo, mi Fruni Fru, Emilia cuchi y a Ema pomonita. 3 4 Agradecimientos Mi más sincera gratitud a quienes a lo largo de estos años me han apoyado, aguantado y tendido una mano de diferentes maneras en el desarrollo y conclusión de esta tesis. Primero agradecer a mi profesor y mentor Timothy Barrett, por enseñarme con tanta generosidad el oficio y arte del papel tradicional hecho a mano japonés y europeo, y por compartir sus experiencias como aprendiz en nuestros trayectos hacia Oakdale. A Claudia Lira por hablarme del camino, a Sukey Hughes por compartir sus vivencias como aprendiz y su percepción del oficio, a Hiroko Karuno por mostrarme con dedicación el arte del shifu, a Paul Denhoed y Maki Yamashita por guiarme y recibirme amablemente en su casa, a Rina Aoki por su buen humor, hospitalidad y amistad, a Lauren Pearlman por socorrerme en el idioma japonés, a Clara Ruiz por abrirme las puertas de su casa, por su amistad y buena cocina, a Nati Garrido por ayudarme a cuidar de mi salud y que no me falte el deporte, a Miguel A. por llenarme el corazón de sonrisas y lágrimas que valen la pena atesorar, Clara Castillo, Alfredo Llorens y Ana Sánchez Montabes, por su amistad y cariño, a José Borge por enseñarme que Word tiene muchas más herramientas, a Marina Pastor por sus consejos en la mejor manera de mostrar la información, a mi familia y a mis amigos chilenos y valencianos que con su buena energía me han dado mucha fuerza para terminar este trabajo.
[Show full text]
Wryly Noted-Books About Books John D
Against the Grain Volume 29 | Issue 6 Article 22 December 2017 Wryly Noted-Books About Books John D. Riley Gabriel Books, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Riley, John D. (2017) "Wryly Noted-Books About Books," Against the Grain: Vol. 29: Iss. 6, Article 22. DOI: https://doi.org/10.7771/2380-176X.7886 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Wryly Noted — Books About Books Column Editor: John D. Riley (Against the Grain Contributor and Owner, Gabriel Books) <[email protected]> https://www.facebook.com/Gabriel-Books-121098841238921/ Paper: Paging Through History by Mark Kurlansky. (ISBN: 978-0-393-23961-4, thanks to the development of an ingenious W. W. Norton, New York 2016.) device: a water-powered drop hammer.” An- other Fabriano invention was the wire mold for laying paper. “Fine wire mesh laid paper came his book is not only a history of paper, ample room to wander into Aztec paper making to define European paper. Another pivotal but equally, of written language, draw- or artisan one vat fine paper making in Japan. innovation in Fabriano was the watermark. Ting, and printing. It is about the cultural Another trademark of Kurlansky’s is a Now the paper maker could ‘sign’ his work.” and historical impact of paper and how it has pointed sense of humor. When some groups The smell from paper mills has always been central to our history for thousands of advocated switching to more electronic formats been pungent, due to the use of old, dirty rags years.
[Show full text]
Four Great Inventions of China Many of the Greatest Inventions in Human History Were First Made in China
History Topic of the Month Four Great Inventions of China Many of the greatest inventions in human history were first made in China. By the 13th century, China was an innovative and exciting place to live. Travellers from Europe discovered things there that were beyond imagination in Europe. When the explorer Marco Polo arrived in China, he encountered a Contributer: © Patrick Guenette / 123rf country vastly different from his home of Venice. In his book, The Travels of Marco Polo, Polo describes cities Cai Lun (AD c.57 – 121), was a Chinese courtier official. He is believed to with broad, straight and clean streets (very different from his be the inventor of paper and the home in Venice) where even the poorest people could wash papermaking process, discovering in great bath houses at least three time a week (again very techniques that created paper as we different from hygiene in Europe). would recognise it today. China celebrates four particular innovations as “the Four Great Inventions” — they were even featured as a part of the opening ceremony for the 2008 Beijing Olympic Games. So, what were these four great inventions? Writing it all down: Paper The first of the great inventions was something we all use almost every day: paper. Many different materials had been used for writing things down, like bamboo, wood (both hard to store and write on) or silk and cloth (much more expensive). Types of paper have been found in archaeological records dating back thousands of years, but it was very difficult to make. It wasn’t until AD c.105 that a quick and easy way of making paper was invented.
[Show full text]
Handmade Paper: a Review of Its History, Craft, and Science
REVIEW ARTICLE bioresources.com HANDMADE PAPER: A REVIEW OF ITS HISTORY, CRAFT, AND SCIENCE Martin A. Hubbe a* and Cindy Bowden b For over 2000 years the manual craft of papermaking has been practiced all over the world utilizing a variety of techniques. This review describes the evolution of hand papermaking and its cultural significance. Paper’s evolution has been shaped by the structure and chemical composition of the fibers. Almost every aspect of modern papermaking technology has been foreshadowed by traditional practices. Such practices were passed down for many generations within families of papermakers. The main sources of cellulosic fiber evolved as the ancient craft migrated from its birthplace in China to Korea and Japan, the Islamic world, and then to Europe and America. Though most paper made today comes from automated, continuous production systems, handmade paper has enjoyed a resurgence, both as a traditional craft and as an art-form. In addition, traditional papermaking methods can provide insights to help in modern applications involving cellulosic fibers. Keywords: Handmade paper; History; Handcraft; Science; Cellulosic fibers Contact information: a: Department of Forest Biomaterials; North Carolina State University; Campus Box 8005; Raleigh, NC 27695-8005 USA; b: Robert C. Williams American Museum of Papermaking, Inst. of Paper Science and Technology, Mail Code 0620, Georgia Tech., Atlanta, GA 30332-0620; *Corresponding author: [email protected] INTRODUCTION Whenever people engage their hands and minds to make paper, there is a continuing opportunity for evolution of the craft. Each maker adopts or selectively omits parts of the methods that have been passed down to them, sometimes inventing new techniques.
[Show full text]
A Brief History of Paper Manufacturing
Preservation and Care of Philatelic Materials Subsidiary Page 1 A Brief History of Paper Manufacturing Since the focal points of our hobby of philately and postal history are stamps and covers and, although perhaps to somewhat of a lesser extent books, it is worthwhile to consider at least a little of the history of paper. The term paper comes from papyrus, a water plant which was used by the ancient Egyptians to make a type of writing paper. The Egyptians crisscrossed thin strips of papyrus stalks and pressed layers of the crossed strips into sheets. Beginning about 200 B.C., parchment paper gradually replaced papyrus as the most commonly used writing material until the introduction of paper from the Middle East in the A.D. 1200's; and by the 1400's in Europe at about the same time printing was being developed, paper had largely replaced parchment. The Chinese, as early as the second century B.C. used paper. Paper is considered to have been invented in China in 105 A. D. by Ts'ai Lun (sometimes referred to as Cai Lun), who served in the court of Emperor He Di in Hunan. Ts'ai Lun and the paper-production process he invented were featured on two 1962 stamps from People's Republic of China, as shown in Figure 1. Figure 1. The inventor of paper making, Ts'ai Lun, at left, and a depiction of his process, right, on two 1962 stamps issued by People's Republic of China. Stamps courtesy of Dr. Jason H. Manchester. Originally, the Chinese made paper from such diverse materials as mulberry, assorted inner barks of various plants, bamboo, fish nets, hemp, and rags.
[Show full text]
The Discovery of Silk Route: Cultural and Technology Communication Between China, Korea and Japan
GEOGRAFIA Online TM Malaysia Journal of Society and Space 12 issue 13 (135-144) 135 © 2016, ISSN 2180-2491 The discovery of Silk Route: Cultural and technology communication between China, Korea and Japan Teh, Pek Yen 1, Goh, Hong Ching 2 1Asia-Europe Institute, University of Malaya, Kuala Lumpur, Malaysia, Centre for Tourism, Hospitality and Culinary Management, Sunway University Business School, Malaysia. 2Department of Urban and Regional Planning. Faculty of Built Environment. University of Malaya, Kuala Lumpur, Malaysia; Spatial Environmental Governance for Sustainability Research (UMSERGE), University of Malaya, Kuala Lumpur, Malaysia Correspondence: Goh, Hong Ching (Email: [email protected]) Abstract One of the earliest civilizations took place in Asia, particularly the East Asian region. As a main result of war, historical travel, such as trading and pilgrimage, influenced the daily life of most people in the region. The Han Dynasty was traced back as the most significant period that triggered travelling activities during the discovery of the Silk Road. Since then, travelling facilities were developed, which consequently led to the increased inter- region movement of people and merchants. This study explores the historical development of travels in Eastern Asia, with a particular focus on the expansion of the Silk Road throughout several dynastic periods of China, as well as its influence on peninsular Korea and Japan. This study concludes that the Silk Road is an important channel for the exchange of tangible and intangible elements between China, Japan, and peninsular Korea as a sinicization process, particularly in the exchange of food, papermaking, and printing technology. An increased understanding of Asia’s travel history helps to assess the travelling patterns in the region by revisiting the influence of tourists’ socio-demographic factors to include the cultural background with historical elements .
[Show full text]
Llibre Iphpetit 1
SPECIAL EDITION IPH Office / Geschäftsstelle / Bureau IPH Secretary / Secretariat / Secrétaire Alphonse Radermecker, Hochstrasse, 87; B-4700 Eupen Rheinisches Industriemuseum Belgium / Belgien / Belgique - www.paperhistory.org Dr. Sabine Schachtner Alte Dombach Editor / Herausgeber / Éditeur D-51465 Bergisch Gladbach Museu Molí Paperer de Capellades Pau Casals, s/n - 08786 Capellades (Barcelona) Spain Membre’s subscription to IPH CONGRESS BOOK. Annual subscription (2008): 25 E Appications for membership should be made to Secretary. Bezug des IPH-Kongressbuchs für Mitglieder mit Mitgliederbeitrag inbegriffen. Jahresbeitrag (2008): 25 E Mitgliedschaftsanmeldungen an das Sekretariat. Abonnement du LIVRE DES CONGRÈS IPH pour membres compris dans la cotisation. Cotisation anualle (2008): 25 E Demandes d’admission auprés du Secrétariat. This volume is sold to non-members by the IPH Secretary. Price to non-members: 50 E + postage. Verkauf des Bandes an Nichtmitglieder durch das Sekretariat IPH. Preis für Nichtmitglieder:: 50 E + Porto. Vente de ce volume aux non-membres par le Secrétariat IPH. Prix pour non-membres: 50 E + post. Extract may be quoted with due acknowledgement to the IPH Congress Book. Abdruck auszugsweise unter Angabe der Herkunft gestattet. Reproduction par extraits permis avec indication de l’origine. © Copyright by IPH and the authors 2006 IPH CONGRESS BOOK IPH-KONGRESSBUCH Vol. 16-2006 LIVRE DES CONGRÈS IPH ISSN 1815-669X The IPH and the Editor accept no responsability for any of the opinions expressed by, or for the information provided by the authors of the following contributions. Die IPH und der Herausgeber übernehmen keinerlei Verantwortung für die von den Autoren der folgenden Beiträge geäußerten Meinungen oden mitgeteilten Informationen. L’Association IPH et l’éditeur décinent toute responsabilité des opinions ou informations émises par les auteurs des articles suivants.
[Show full text]
Analysis of the Ancient Papermaking Technology from Qiliang Village, Shaanxi Province
2020 International Conference on Big Data Application & Economic Management (ICBDEM 2020) Analysis of the Ancient Papermaking Technology from Qiliang Village, Shaanxi Province Qi Gao1, *, Dayong Jiang2, Xiangwu Meng3 1Weifang University, Weifang of Shandong Province, China, 261000 2Engineering University of Pap, Xi’an of Shaanxi Province, China, 710000 3Lanzhou University of Technology, Lanzhou of Gansu Province, China, 730000 Keywords: papermaking culture; Qiliang ancient papermaking; Cailun-paper; inheritance and innovation Abstract: Papermaking is one of the four great inventions in China. The ancient papermaking technology from Qiliang Village (also named as "Cailun-Paper") has over a thousand-year history and its own characteristics. In 2011, Qiliang Ancient Papermaking Technology was enlisted in the National Intangible Cultural Heritage Catalogue. This study systematically summarizes the origin, development and current status of Qiliang Ancient Papermaking Technology in chronicle order; In addition, it records and analyses the raw materials, tools and technological process of Qiliang Ancient Papermaking Technology; In the end, this study tries to evaluate the future value and explore the modern inheritance and innovation utilization of Qiliang Ancient Papermaking Technology 1. Introduction Located in the northeastern region of Zhouzhi County, Shaanxi Province and to the south of Qinling Mountains, Qiliang Village has advantages in its superior geographical location [1]. Since the Han Dynasty, Qiliang Village has specialized in the production of handmade paper. Until now, Qiliang Village Ancient Papermaking Technology has a history of around 2000 years. The handmade paper of Qiliang Village is also named as Cailun Paper (or Hemp Paper) because its papermaking technology is originated from Cailun Papermaking Technology. Qiliang handmade paper has excellent quality.
[Show full text]
Cultural Study on Traditional Chinese Papermaking: Problem Awareness and Research Review
Cultural Study on traditional Chinese Papermaking: Problem Awareness and Research Review Estudo cultural sobre fabricação de papel tradicional na China: reflexão sobre o tema e revisão das pesquisas Zhuang Liu 1 Chongqing University of Arts and Sciences (Shapingba District, Chongqing Shi, China) [email protected] Yanhua Chen 2 Chongqing University of Arts and Sciences (Shapingba District, Chongqing Shi, China) Recebido: 02.04.2021 Aprovado: 12.04.2021 ABSTRACT Papermaking is one of the outstanding creations of the Chinese nation, from the “Cai Lun’s Technique” of the Eastern Han Dynasty to the “Four Great Inventions” of modern times and further to the present academic hotspot of “intangible cultural heritage”. The naming and expression of this object reflect the cultural cognition and interpretation of papermaking in different periods of time. It is important to note that, in the context of the intercommunication between Eastern and Western discourses, the study of papermaking is not only about the exploration of the scientific value of a traditional technique, but also is the re-examination of the communication and dissemination of cultures and technologies between the East and the West, in order to form a new understanding of “Sinicized Europe”. KEYWORDS: papermaking; Chinese history; ethnography of objects; Communication RESUMO Fazer papel é uma das mais importantes invenções da cultura chinesa, inicia com a Dinastia Han Oriental com a Técnica de Cai Lun, perdura em tempos modernos titulada como uma das Quatro Grandes Invenções; e atualmente, objeto de estudo acadêmico, encontra-se Património Cultural Imaterial da Humanidade. Investigar as nomenclaturas e terminologias ligadas ao processo de fabricação do papel propicia a identificação de Como citar este artigo: LIU, Zhuang; CHEN, Yanhua.
[Show full text]
The Changes of Chinese Painting Tools and the Combination of Water
Journal of Literature and Art Studies, April 2021, Vol. 11, No. 4, 237-241 doi: 10.17265/2159-5836/2021.04.005 D DAVID PUBLISHING The Changes of Chinese Painting Tools and the Combination of Water WANG Kuo Beijing International Studies University, Beijing, China The evolution of tools plays a very important role in promoting the development of a kind of painting and can even shape the development. In the process of the development of Chinese painting, the emergence and improvement of writing brush and xuan paper have directly led to the reform of the categories and methods of Chinese painting. During this period, the relationship between Chinese painting art and the medium of water is getting closer and closer. The uncontrollability of water also provides more possibilities for the uniqueness and changeable pen and ink effect of Chinese painting. It can be said that without the unique tools and medium of Chinese painting, the art of Chinese painting may lose its most important support. Keywords: Chinese painting, tools, writing brush, xuan paper, medium, water The basic tools of Chinese painting are writing brush and xuan paper. Like other things, these tools are constantly improved, changed and enriched in the development process of history, so as to adapt to the requirements of the times and the convenience of users. In the reform and development of Chinese painting tools, the role of water in painting is becoming more and more prominent, which makes the meaning of water far beyond medium itself and becomes the soul of Chinese painting art. The Development of Brush and the Combination of Water The brush used in Chinese painting is different from other kinds of pen and it is more powerful in writing and variability.
[Show full text]