20 Questions: Larry Joe Taylor
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Tour Schedule 2011
Tour Schedule 2011 1/1/2011 Bon Voyage Party Galveston, TX Galveston Island Hilton Resort 1/2/2011 LJT's 11th Annual Coastin' & Cruisin' Galveston, TX 1/3/2011 LJT's 11th Annual Coastin' & Cruisin' At Sea featuring… 1/4/2011 LJT's 11th Annual Coastin' & Cruisin' At Sea Larry Joe Taylor Band, Mike McClure 1/5/2011 LJT's 11th Annual Coastin' & Cruisin' Nassau, BS Band, Richard Leigh, Keith Sykes, 1/6/2011 LJT's 11th Annual Coastin' & Cruisin' Freeport, BS Dave Perez & John Garza of Tejas 1/7/2011 LJT's 11th Annual Coastin' & Cruisin' Key West, FL Brothers, John Frinzi, Joe Forlini, 1/8/2011 LJT's 11th Annual Coastin' & Cruisin' At Sea Van Darien, and friends! 1/9/2011 LJT's 11th Annual Coastin' & Cruisin' Galveston, TX 1/17/2011 KKCN 103.1 FM San Angelo, TX Texas Music Festival Radio Tour 1/17/2011 KCUB 98.3 FM Stephenville, TX Texas Music Festival Radio Tour 1/17/2011 KRVF 106.9 FM Corsicana, TX Texas Music Festival Radio Tour 1/17/2011 KACQ 101.9 FM Lampasas, TX Texas Music Festival Radio Tour 1/17/2011 KITX 95.5 FM Hugo, OK Texas Music Festival Radio Tour 1/17/2011 KJDL 105.3 FM Lubbock, TX Texas Music Festival Radio Tour 1/17/2011 KBCY 99.7 FM Abilene, TX Texas Music Festival Radio Tour 1/20/2011 Private Party Dallas, TX w/ Richard Leigh 1/21/2011 The Ranch 95.9 FM Fort Worth, TX Texas Music Festival Radio Tour 2/3/2011 Private Party at Melody Mountain Ranch 2/12/2011 Valentine's Dinner Theater Stephenville, TX w/ Richard Leigh & Davin James "Up Close and Personal" 2/18/2011 League City, TX w/ Kelly McGuire Butler's Courtyard 2/19/2011 Third Coast Theater Port Aransas, TX w/ Richard Leigh 3/4/2011 KBCY 99.7 FM Live Abilene, TX w/ David Allan Coe, Outlaws & Legends Music Fest Stoney LaRue, Tommy Alverson, 3/5/2011 Abilene, TX @ Joe Allen's Lytle Bend Ranch Matt Martindale, Gary P. -
Crazy Ex Girlfriend
CRAZY EX-GIRLFRIEND Pilot Episode "West Covina" Written by Rachel Bloom and Aline Brosh McKenna CW Rewrite May 6, 2015 ACT 1 OVER BLACK WE HEAR THE STRAINS OF A SHOW TUNE FADE IN INT. AUDITORIUM -- CAMP CANYON GROVE -- DAY The theater of a summer camp. Hand painted sets, vintage costumes. A row of 16-year-olds perform “I’m In Love With A Wonderful Guy” from South Pacific. CAMP CHORUS FLATLY I'LL STAND ON MY LITTLE FLAT FEET AND SAY/ LOVE IS A GRAND AND A BEAUTIFUL THING!/ I'M NOT ASHAMED TO REVEAL/ THE WORLD FAMOUS FEELIN' I FEEL... We focus on a girl in the chorus: REBECCA BUNCH, 16, awkward, not quite grown into her skin. She is very enthusiastic about her small role. Rebecca throws a look into the wings. ANGLE ON: A jocky Asian teenager working backstage. This is JOSH CHAN, also 16. Rebecca winks. Josh gives a half-smile and a little bro wave. CAMP CHORUS (CONT’D) ...I’M AS CORNY AS KANSAS IN AUGUST/HIGH AS A FLAG ON THE FOURTH OF JULY... Rebecca looks for someone else, this time in the audience. We move across a row of eager parents snapping photos to find one woman, arms folded, judgmental, annoyed to be there. This is Rebecca’s mother, JANICE BUNCH, 30’s, ex-housewife, now divorced, living in an apartment, keeps busy by being bitter. Rebecca makes eye contact with her. Smiles. Janice’s expression does not change. GIRL PLAYING NELLIE IF YOU’LL EXCUSE AN EXPRESSION I USE/I’M IN LOVE/ I’M IN LOVE, I’M IN LOVE (etc).. -
1/28/2008 10:56 AM Greetings
1/28/2008 10:56 AM Greetings: This is the last update before we announce the awards on Feb. 15th. If your name is incorrect, or you are in the wrong category, please let us know so we might correct it. If you see someone in a list that does not belong, please share your opinion with us as well. This is a list of your votes, your thoughts, how you feel regarding the music industry in Oklahoma. This list will be opened up to make changes one time before we publish for the final time so before Feb. 14th let us know. On this date we will make final corrections and publish the winners… if all holds together. This year saw many more votes and we are anxious as you to know the final results… Respectfully, Stan Moffat Payne County Line Promotions, LLC Stillwater, OK. 1001 HALL OF FAME: Artist: All American Rejects Bob Childers Cody Canada Cross Canadian Ragweed Don Wood Garth Brooks Johnny Lee Merle Haggard Mike Barham Mike McClure Randy Crouch Ray Wylie Hubbard Scott Evans Stoney LaRue Texas Jack Tom Skinner Travis Linville Wanda Watson Wayne Coyne 1002 HALL OF FAME: Blues Artists: Big Daddy and the Blueskickers D C Miner Dustin Pittsley Jeff Parker Jeff Beguin Kevin Phariss Band Leon Russell The Wanda Watson Band Wanda Watson Wes Jeans Zen Okies 1003 HALL OF FAME: Female Country Artists: Camille Harp Jocelyn Rowland Miss Amy Monica Taylor Reba McEntire Shawna Russell Susan Herndon Wanda Watson 1004 HALL OF FAME: Male Country Artists: Bob Childers Brandon Jenkins Cross Canadian Ragweed Garth Brooks Jason Boland Merle Haggard Mike McClure Randy -
Curators Approve $13 Fee Increase, New Media Degree
University of Missouri, St. Louis IRL @ UMSL Current (2000s) Student Newspapers 1-29-2007 Current, January 29, 2007 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2000s Recommended Citation University of Missouri-St. Louis, "Current, January 29, 2007" (2007). Current (2000s). 311. https://irl.umsl.edu/current2000s/311 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2000s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. THE Ul\'l-ST. LOOIS SINCE 1966 STU DENT NEWSPAPER January 29, 2007 www.thecurrentonline.com YOU 'l\IL '10. ISSllE 12l):; INSIDE System President 213 Green Committee Elson HB to Curators approve Floyd looks at recycling (front) and • Board efforts on campus Chairman mcrease Don The SGA Green Walsworth Committee met last week listen on intellectual to discuss ways to make $13 fee increase, at the the campus more Board of Curators environmentally friendly. meeting. diversity at See page 3 newmedi a degree llniversities By JASON GRANGER News Editor Perceived liberalism on Missouri's college campuses has prompted Rep. Jane Cunningham, R-86 district, to introduce legislation designed to promote intellectual "diversity." House Bill 213, also known as the Q&A with Curator "Emily Brooker Intellectual Diversity Act," is co-sponsored by David Wasinger Marilyn Ruestman, R-131 district. The bill calls for Missouri's universi The Currentspoke with ties and colleges to try and balance Curator David Wasinger their political, ideological and reli last week to get a better gious perspectives by hiring more idea of who he really is. -
Bonfire Country Song List
BONFIRE COUNTRY SONG LIST ALL ABOUT TONIGHT - BLAKE SHELTON ALL THAT MATTERS TO ME - ORIGINAL AMARILLO BY MORNING - GEORGE STRAIT AN EMPTY GLASS - GARY STEWART ANGEL - SHAGGY BRASS MONKEY - BEASTIE BOYS BREAK MY HEART - RECKLESS KELLY BROWN EYED GIRL - VAN MORRISON BUD LIGHT TAKE ME AWAY - ORIGINAL CENTERFOLD - J. GEILS BAND CHICKEN DANCE - TRADITIONAL COTTON EYED JOE - TRADITIONAL COWBOY RIDES AWAY - GEORGE STRAIT DANCE HER HOME - CODY JOHNSON BAND DID IT FOR THE GIRL - GREG BATES DRINKIN' MY BABY GOODBYE - CHARLIE DANIELS BAND DRUNK LAST NIGHT - ELI YOUNG BAND DRUNK ON YOU - LUKE BRYAN EVERY ROSE HAS IT'S THORN - POISON FAMILY TRADITION - HANK WILLIAMS JR FOLSOM PRISON BLUES - JOHNNY CASH FOOL HEARTED MEMORY - GEORGE STRAIT FRAULEIN - TRADITIONAL GETTING YOU HOME (THE BLACK DRESS SONG) - CHRIS YOUNG GIVE IT ALL WE GOT TONIGHT - GEORGE STRAIT GOOD DIRECTIONS - BILLY CURRINGTON HONKY TONK WOMAN - ROLLING STONES HURT SO GOOD - JOHN MELLENCAMP IN COLOR - JAMEY JOHNSON INTERSTATE - RANDY ROGERS BAND KEEP YOUR HANDS TO YOURSELF - GEORGIA SATELLITES KISS ME IN THE DARK - RANDY ROGERS BAND LET ME DOWN EASY - BILLY CURRINGTON LITTLE TOO LATE - ZANE WILLIAMS LOOKING FOR LOVE - JOHNNY LEE LOOSE, LOUD & CRAZY - KEVIN FOWLER MARGARITAVILLE - JIMMY BUFFETT MIAMI, MY AMY - KEITH WHITLEY MONEY FOR NOTHING - DIRE STRAITS MY GIRL - TEMPTATIONS MY HOMETOWN - CHARLIE ROBISON NEON - CHRIS YOUNG NEON MOON - BROOKS & DUNN NOCKENUT ROAD - ORIGINAL NO ONE LEFT TO BLAME - JASON BOLAND & THE STRAGGLERS QUARTERS - BART CROW BAND REDNECK GIRL - BELLAMY BROTHERS -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Texas Music Chart Top 100 Songs of 2015 Rank/Spins Song Title Artist 1
Texas Music Chart Top 100 Songs of 2015 Rank/Spins Song Title Artist 1. 23563 Life Comes At You Fast Bart Crow 2. 23018 My Bed Sunny Sweeney 3. 22165 Backroad Song Granger Smith 4. 22150 Smile That Smile Curtis Grimes 5. 22145 While I Was Away Pat Green 6. 21407 Before Somebody Gets Hurt Kevin Fowler 7. 21378 Bob Wills Is Still The King Asleep At The Wheel 8. 21241 Sticks and Stones William Clark Green 9. 21199 Talk About The Weather Rich O'Toole 10. 20737 Let It Rain James Lann 11. 20441 Freight Train Aaron Watson 12. 19899 Smile On Mine Jon Wolfe 13. 19898 Long Road to Nowhere Micky & the Motorcars 14. 19583 Livin' The Good Life Matt Kimbrow 15. 19265 Where the Gringos Don't Go Roger Creager 16. 19083 Shelter from the Rain Whiskey Myers 17. 19059 Easy Cody Canada and the Departed 18. 18804 Old With You Cory Morrow 19. 18690 Girls I Date Mike Ryan 20. 18068 Long Shot Sam Riggs 21. 18048 Jayton and Jill Zane Williams 22. 18025 Undone The Statesboro Revue 23. 17796 Loves Done Got Me Mario Flores 24. 17755 Highway Josh Ward 25. 17570 Wasting No More Whiskey Mike Ryan 26. 17532 You Dream I'll Drive Josh Grider 27. 17515 Standards Randy Rogers & Wade Bowen 28. 17147 Phone Calls TJ Broscoff 29. 17118 West Texas Rain Wade Bowen 30. 16853 Loser Casey Donahew Band 31. 16834 Aviator Stoney LaRue 32. 16705 Real Cool Hand Reckless Kelly 33. 16681 Lady Bug Randy Rogers & Wade Bowen 34. 16498 Sun Shines on a Dreamer Wade Bowen 35. -
Songs for Waiters: a Lyrical Play in Two Acts
SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment for the Requirements for The Degree of Master of Arts in English By Andrew Eberly Dayton, Ohio May, 2012 SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. APPROVED BY: ___________________ Albino Carillo, M.F.A. Faculty Advisor ____________________ John P. McCombe, Ph.D. Faculty Reader ____________________ Andrew Slade, Ph.D. Faculty Reader ii ABSTRACT SONGS FOR WAITERS: A LYRICAL PLAY IN TWO ACTS Name: Eberly, Andrew M. University of Dayton Advisor: Albino Carillo, M.F.A. Through the creative mediums of lyrical poetry, monologues, and traditional dramatic scenes, Songs for Waiters concerns an owner and two employees at an urban bar/restaurant. Through their work, their interactions with the public and each other, and reflecting on their own lives, the three men unpack contemporary debates on work, violence, and sexuality. The use of lyrical poetry introduces the possibility of these portions of the play being put to music in a performance setting, as the play is written to be workshopped and performed live in the future. iii TABLE OF CONTENTS ABSTRACT……………………………………………………………….…………..…iii ACT I…………………………………………………………………………...…………1 ACT II……………………………………………………………………………………35 iv ACT I The play begins with no actors onstage. The set consists of café tables upstage right and left and a bar upstage center. The décor is that of a classic bar with some history. The bar is George’s—known for good food. It’s independent, casual, eclectic, open late, and located on High Street in Columbus, Ohio. -
Fall 2009 Arrowhead Newsletter
Arrowhead • Fall 2009 1 Arrowhead Fall 2009 • Vol. 16 • No. 4 The Newsletter of the Employees & Alumni Association of the National Park Service Published By Eastern National FROM THE DIRECTOR Port Chicago Naval Magazine s I write this A column, my first as National N MEM Added to Park System Park Service direc- tor, I am remember- he National Park System has gained cisco, hurled debris in the air, obliterat- resume loading ships for the war effort. ing my confirmation ed both ships and killed everyone at the just a few weeks Ta new park: Port Chicago Naval Many refused to continue their work ago. Although I Magazine National Memorial in Con- waterfront. To this day, because of the without safety training, and the U.S. accepted this re- cord, Calif. With President Obama’s tragedy, ignition sources for bombs and Navy charged 50 of these men with sponsibility humbled by its impor- signing of the Defense Authorization guns are loaded separately on carriers. “conspiring to make mutiny.” They tance and excited about the Act, on Oct. 28 Port Chicago became The disaster caused the greatest loss of were tried, convicted and imprisoned. possibilities, something happened the 392nd unit of a system fondly life on the home front during World War After the war, they were released, grant- that has happened countless referred to as “America’s best idea.” II. Three-hundred-twenty men died, and ed clemency, allowed to complete their times throughout my career—when “The addition of Port Chicago demon- almost 400 others were injured. Of the military service and given honorable dis- I thought it couldn’t get any strates a commitment to make America’s 320 killed, 202 were African Americans. -
John Fullbright: All the Way from Okemah, Oklahoma
John Fullbright All The Way from Okemah, Oklahoma Alliance in Memphis one time and asked him to sit in on violin. It was another of those moments where we finished playing and looked at each other and said: ‘that kind of has to happen on the album.’ Plus he’s Fats. He is the ‘Fat Man.’” The drum stool was occupied by Giovanni Carnuccio III. “He’s also in the Turnpike Troubadours. I played with him several times in McClure’s studio. McClure would use him for a number of bands. It was a perfect fit.” When I put it to John that he’d chosen musicians with whom he already enjoyed a working relationship, he replied: “Absolutely.” Rounding out the coterie of session players was organist, John Knudson and solo recording artist, Jess Klein. “She drove up from Austin. She’s the only other harmony voice on the album. I just love her to death. I think she’s a really fantastic John Fullbright performs during CD release party at songwriter.” Waterloo Records, N. Lamar, Austin, Tx. on May 22, 2012 On Tuesday February 17, the eve of the 2009 Folk Alliance Conference, John Fullbright performed at ohn Fullbright’s sophomore recording and studio debut Greg Johnson’s listening room, The Blue Door in Oklahoma FROM THE GROUND UP released Stateside early May, was City. I’ll let John relate what occurred next: “We recorded recorded at 115 Recording Studio in Norman, Oklahoma; my performance the night before Folk Alliance began. Travis a facility owned and operated by Wes Sharon. -
WOW HALL NOTES G VOL
K k JANUARY 2014 KWOW HALL NOTES g VOL. 26 #1 H WOWHALL.ORGk cohesion comes from the brothers wields a powerful voice that can having spent the last two years on both stir and soothe, whether she the road with new full-time mem- is singing traditional gospel, blues ber Jano Rix, a drummer and ace- standards or her own heartfelt in-the-hole multi-instrumentalist, compositions. A gifted musician whereas they relied on session on both mandolin and drums, and musician-friends to fill out previ- a founding member of the roots ous albums. Jano’s additional band Ollabelle (with whom she harmonies give credence to the old has recorded three CDs), Helm has trope that while two family mem- also performed live with scores of bers often harmonize preternatu- notable musicians like Warren rally, it takes a third, non-related Haynes, The Wood Brothers, and singer for the sound to really shine. Donald Fagen, and her distinctive The Muse marks another mile- voice can be heard on recordings stone for The Wood Brothers: it’s by artists ranging from Mercury the first full-length they’ve record- Rev to Marc Cohn. ed at Southern Ground Studios in Amy’s lengthy resume is high- Nashville. The choice of location lighted by many years of singing was practical, given Nashville’s and playing alongside her father, rich history and network of musi- with whom she conceived, cians, but also symbolic: The launched and perfected the Mid- Wood Brothers are now officially a night Rambles -- intimate perfor- Nashville-based band, with Oliver mances held since 2004 at his home having relocated in 2012, and Chris and studio in Woodstock, N.Y.