Representation of Solar Deities in Major Global Mythologies the Neolithic (New Stone Age)
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Celtic Solar Goddesses: from Goddess of the Sun to Queen of Heaven
CELTIC SOLAR GODDESSES: FROM GODDESS OF THE SUN TO QUEEN OF HEAVEN by Hayley J. Arrington A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Women’s Spirituality Institute of Transpersonal Psychology Palo Alto, California June 8, 2012 I certify that I have read and approved the content and presentation of this thesis: ________________________________________________ __________________ Judy Grahn, Ph.D., Committee Chairperson Date ________________________________________________ __________________ Marguerite Rigoglioso, Ph.D., Committee Member Date Copyright © Hayley Jane Arrington 2012 All Rights Reserved Formatted according to the Publication Manual of the American Psychological Association, 6th Edition ii Abstract Celtic Solar Goddesses: From Goddess of the Sun to Queen of Heaven by Hayley J. Arrington Utilizing a feminist hermeneutical inquiry, my research through three Celtic goddesses—Aine, Grian, and Brigit—shows that the sun was revered as feminine in Celtic tradition. Additionally, I argue that through the introduction and assimilation of Christianity into the British Isles, the Virgin Mary assumed the same characteristics as the earlier Celtic solar deities. The lands generally referred to as Celtic lands include Cornwall in Britain, Scotland, Ireland, Wales, and Brittany in France; however, I will be limiting my research to the British Isles. I am examining these three goddesses in particular, in relation to their status as solar deities, using the etymologies of their names to link them to the sun and its manifestation on earth: fire. Given that they share the same attributes, I illustrate how solar goddesses can be equated with goddesses of sovereignty. Furthermore, I examine the figure of St. -
Ancient Egyptians Believed in an Afterlife
Note To the Teacher This kit is designed to help your students learn more about Ancient Egypt by viewing images from the Walters Art Museum collection. The scope ranges from the Middle Kingdom (Dynasties ca. 2061-1640 BCE) through the Ptolemaic Period (332-30 BCE). You will find ten images of objects from Ancient Egypt. In addition to the images, there is a timeline, essays about the museum objects; lesson plans for elementary, middle grades and high school, and bibliographies with resources to assist you in your class presentation. Resources include: a vocabulary list, books for you and your students, websites, videos and other art tools. TRK Borrowing Policy Please… 1. Return this kit in person or by mail on or by its due date. A valid credit card number is required to borrow Teacher Resource Kits. A $25.00 fee will be charged for kits that are returned up to one month late. Borrowers will be assessed the pur- chase cost of kits borrowed if materials are returned more than one month late. The box the TRK was sent in can be reused for its return. 2. Keep your TRK intact and in working order. You are responsible for the contents of this kit while it is in your possession. If any item is miss- ing or damaged, please contact the Department of School Programs at 410.547.9000, ext. 298, as soon as possible. 3. Fill out the TRK Evaluation so that kits can be improved with your input and student feedback. Please return the Teacher Resource Kit to: Department of School Programs Division of Education and Public Programs The Walters Art Museum 600 North Charles Street Baltimore, MD 21201-5185 Copyright Statement Materials contained in this Education kit are not to be reproduced or transmitted in any format, other than for educational use, without specific advance written permission from the Walters Art Museum. -
ANTI U ITA T IS
Q ANTI uITATIS S E R jOURNAL OF ANCIENT HISTORY CCentroentro ddee HHistóriaistória dede AAlém-Marlém-Mar VOLUME 2 2011 Universidade Nova de Lisboa Fundação para a Ciência e a Tecnologia FFaculdadeaculdade ddee CCiênciasiências SSociaisociais e HHumanasumanas MINISTÉRIO DA CIÊNCIA, TECNOLOGIA E ENSINO SUPERIOR UUniversidadeniversidade ddosos AAçoresçores 2 ISSN 1647-5852 2011 Journal of Ancient history Volume 2 Res Antiquitatis. Journal of Ancient History Volume 2 / 2011 Price: € 12 Published by Centro de História de Além-Mar Universidade Nova de Lisboa / Universidade dos Açores [email protected] +351 21 790 8300 (ext. 1551) Sponsored by ISSN 1647-5852 Legal ref. code 308682/10 Copies: 250 Printed in Portugal by Papiro-Relevo, Lda. R. Bartolomeu Dias, n.º 5 R/C 2855-416 VALE DE MILHAÇOS Cover design: Marcel L. Paiva do Monte Editor Advisory Board Francisco Caramelo – Universidade Nova Jean-Claude Margueron – École Pratique de Lisboa des Hautes Études José Augusto Ramos – Universidade de Lisboa Assistant Editor Luís Filipe Thomaz – Universidade Católica Marcel L. Paiva Monte – Universidade Nova Portuguesa de Lisboa Maria Helena Trindade Lopes – Universidade Nova de Lisboa Editorial Board José Ribeiro Ferreira – Universidade de Coimbra António Ramos dos Santos – Universidade Francolino Gonçalves – École Biblique de Lisboa et Archéologique Française de Jérusalem José das Candeias Sales – Universidade Aberta Jack Sasson – Vanderbilt University Zoltán Biedermann – University of London Michel Hulin – Université Paris Sorbonne Juan Luis Montero -
The Solar Deities of Bronze Age Ana- Tolia
113 BOEKBESPREKINGEN — HETTITOLOGIE 114 HETTITOLOGIE STEITLER, C. W. — The Solar Deities of Bronze Age Ana- tolia. Studies in the Texts of the Early Hittite Kingdom. (Studien zu den Boğazköy-Texten, 62). Verlag Otto Harrassowitz, Wiesbaden, 2017. (24,5 cm, XX, 605). ISBN 978-3-447-10798-3. ISSN 0585-5853. € 98,-. The book under review is a revised edition of Charles Steitler’s dissertation dedicated to the solar deities of Anato- lia in the period of the Early Hittite kingdom. Chronological limits of the research are clearly outlined in the first pages in which the author states that he will mostly deal with Old and Middle Hittite historical periods and related texts. Empire sources from the fourteenth and thirteenth centuries BCE, 115 BIBLIOTHECA ORIENTALIS LXXVII N° 1-2, januari-april 2020 116 when quoted, are used as a comparison and orientation (p. 6). goddess in light of the quantity of various religious texts and In addition, several NH copies of older texts are a source for a few OH historical texts. Chapter 5 takes into consideration this book inasmuch as Hittites copied and conserved older the existence of a male solar deity already in the OH period, manuscripts until the LH period. In those cases, it is, of showing how several cultural layers may have merged during course, more difficult to evaluate the grade of possible inter- a long span of time that goes back to the Old Assyrian period. ventions or insertions of the late copyists, but Steitler is in Our knowledge of the Anatolian religion in this period is this respect always careful and methodologically precise. -
Solaris 1: Sunspots Untangled
SOLARIS 1: SUNSPOTS UNTANGLED Sunspots are planet-sized tangled vortices of gas on the surface of the sun which normally occur in pairs and are associated with strong magnetic activity.They appear as dark spots because they block the rising heat from the sun's interior, which is several thousand degrees hotter. Their dark centre is known as the “umbra” meaning “shadow”, surrounded by a lighter rim called the “penumbra” or “partial shadow”. Sunspots typically last just a few weeks then decay. Because sunspots are the most easily observed of all solar features, they serve as the storm warnings of the solar system. Where there are sunspots there are likely to be solar flares - mass eruptions of solar energy which produce bursts of radiation and charged particles that escape into space and frequently hit the earth. A solar flare in January 2005 released the highest concentration of protons ever directly measured, taking only 15 minutes after observation to reach the earth. While the radiation takes only minutes to get here, the charged particles take a number of hours. These outbursts of solar energy are mostly blocked by the earth’s magnetosphere, the protective cocoon of magnetic field which normally shields us from the sun's magnetic field and other energetic particles of the solar wind. In conditions such as fog, haze or viewing the sun at sunset it is possible to observe sunspots with the naked eye, but looking at the sun directly is a very dangerous thing to do. Powerful ultraviolet radiation severely burns and permanently damages the eyes, so careful attention to safety precautions when using optical devices is essential. -
Linguistic Evidence for the Indo-European Pantheon
Krzysztof T. Witczak, Idaliana Kaczor Linguistic evidence for the Indo-European pantheon Collectanea Philologica 2, 265-278 1995 COLLECTANEA PHILOLOGICA II in honorem Annae Mariae Komornicka Łódź 1995 Krzysztof T. WITCZAK, Idaliana KACZOR Łódź, Poland LINGUISTIC EVIDENCE FOR THE INDO-EUROPEAN PANTHEON* I. GENERAL FEATURES OF THE INDO-EUROPEAN RELIGION (A) The Indo-European religion is polytheistic, i. e. it connects plurality of worships and cults peculiar to any group and any place. (B) It is a pagan or rustic religion, which reflects some variety of the common people. (C) It is plural and various. This religion is by nature broad-minded, being far from propagating its own faith. Any group preserves jealously its own deities, beliefs, rites and religious formules. In a sense this religion can be determined as esoteric and initiatory. It has mythes and symbols, but it knows no dogma. (D) It is a religion of work, but not of faith. The traditional rites and duties of their own social standing are engagements essential to confessors, but the affection does not figure prominently in their faith. (E) This religion is political for the sake of its frames, which are frames of different ethnic units. It is also a religion of commanders rather than that of priests. (F) It is highly tolerant and its confessors are devoid of any fanaticism, but both „superstition” and individual magic are despicable, thougt sometimes they are practised. (G) Indo-European deities are comprehended as personal beings, whose nature cannot be precisely determined. According to peoples and epochs their nature lies less or more near the human nature, as it can be recognized from theonyms. -
Sun Lore of All Ages
Su n L o re O f A l l A ge s A Co l l e c t i o n o f M yth s a n d L e ge n d s Concerning the Sun and Its Wo r ship illiam T ler l M W O cott A . y ? Aut hor of A Fi B ‘ eld oo k of t he St ars St ar Lore ot AiEfi s } etc . , g ; La x Del , L a x D i a l With 30 F all - p age Ill ustra tions a nd Severa l Drawings ’ P . P n G . u t am s So ns N ew Y ork and London (t he finickerbochet p ress 1 9 1 4 Su n L o re O f A l l ‘ A C o l l e c t i o n O f M y t h s a n d L e ge n d smm Concerning the Su n an d Its Worship i li l r l W l am Ty e O cott , A . M . Author of A Field B ook of the Stars Star Lore Of All A es , g , “ Lex D c i , La x D i e t With 30 F ull - p age Ill ustra tions a nd Severa l Drawings m’ n G . P . Pu tna s So s New Y ork and London (the finicket bocket Dress 1 9 1 4 ‘ Efifl-l- Z A OPYRIGHT 1 1 C , 9 4 B Y WILLIAM TYLER OLCO TT ” - ot h t he h atchet backer p ress , new m In t ro du c t i o n IN the compil ation Of the volume S tar Lore of All A es a a r a a g , we lth Of inte esting m teri l pertaining t o the mythology and folk - lore Of the sun and oo was o m n disc vered , which seemed a a ara o worth coll ting in sep te v lume . -
An Investigation Into the Exchange of Artistic Motifs Between the Aegean, Egypt, and the Near East In
THE AEGEAN AND THE EAST An Investigation into the Exchange of Artistic Motifs - between the Aegean, Egypt, and the Near East in the Bronze Age by J.L. CROWLEY B.A.(Hons.) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy UNIVERSITY OF TASMANIA HOBART 1977 THE AEGEAN AND THE EAST VOLUME I TEXT VOLUME II PLATES This thesis contains no material which has been accepted for the award of any other degree or diploma in any university nor does it include any copy or paraphrase of material previously published or written by another person except when due reference is made in the text. Signed: Date: THE AEGEAN AND THE EAST TABLE OF CONTENTS VOLUME I TEXT VOLUME II PLATES THE AEGEAN AND THE EAST VOLUME I TEXT Content6 Page ACKNOWLEDGEMENTS (1) LIBRARY ABSTRACT - Summary of the Thesis (ii) ABBREVIATIONS (iv) Intnoduction 1. INTRODUCTION AND CHRONOLOGY 1 Pala I The Moti64 2. MOTIFS COMMON TO THE AEGEAN AND THE EAST Heraldic Poses 15 Antithetical Group 23 Mirror Reverse 27 Contest Scenes, Struggling Hero, and Master of Animals 30 Mistress of Animals 35 Sphinx 41 Griffin 47 Dragons and Crocodiles 55 Thoueris and the Minoan Genius 59 Sacred Tree, Sacred Pillar 65 Palm, Palmette 72 Papyrus, Lotus 76 Rosette 83 Quatrefoil 89 Scale Pattern 92 Guilloche, Linked Circles, Quirk 95 Spiral 100 Flying Gallop 107 Page 3. OTHER MOTIFS IN EASTERN OR AEGEAN ART Smiting Figure, Pharaoh and Weather God 113 Star Disk in Crescent 116 Winged Sun Disk 119 Scale Mountain 120 Duel 121 ' Bull Sports 124 Fish, Dolphin, Octopus, Nautilus 126 Tricurved Arch 128 Rocky Landscape, Glen 129 Marbling, Colour Waves 130 4. -
Evidence for the Indo-European Origin of Two Ancient Chinese Deities
SINO-PLATONIC PAPERS Number 118 June, 2002 The Spider’s Web. Goddesses of Light and Loom: Examining the Evidence for the Indo-European Origin of Two Ancient Chinese Deities by Justine T. Snow Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. -
Slavic Pagan World
Slavic Pagan World 1 Slavic Pagan World Compilation by Garry Green Welcome to Slavic Pagan World: Slavic Pagan Beliefs, Gods, Myths, Recipes, Magic, Spells, Divinations, Remedies, Songs. 2 Table of Content Slavic Pagan Beliefs 5 Slavic neighbors. 5 Dualism & The Origins of Slavic Belief 6 The Elements 6 Totems 7 Creation Myths 8 The World Tree. 10 Origin of Witchcraft - a story 11 Slavic pagan calendar and festivals 11 A small dictionary of slavic pagan gods & goddesses 15 Slavic Ritual Recipes 20 An Ancient Slavic Herbal 23 Slavic Magick & Folk Medicine 29 Divinations 34 Remedies 39 Slavic Pagan Holidays 45 Slavic Gods & Goddesses 58 Slavic Pagan Songs 82 Organised pagan cult in Kievan Rus' 89 Introduction 89 Selected deities and concepts in slavic religion 92 Personification and anthropomorphisation 108 "Core" concepts and gods in slavonic cosmology 110 3 Evolution of the eastern slavic beliefs 111 Foreign influence on slavic religion 112 Conclusion 119 Pagan ages in Poland 120 Polish Supernatural Spirits 120 Polish Folk Magic 125 Polish Pagan Pantheon 131 4 Slavic Pagan Beliefs The Slavic peoples are not a "race". Like the Romance and Germanic peoples, they are related by area and culture, not so much by blood. Today there are thirteen different Slavic groups divided into three blocs, Eastern, Southern and Western. These include the Russians, Poles, Czechs, Ukrainians, Byelorussians, Serbians,Croatians, Macedonians, Slovenians, Bulgarians, Kashubians, Albanians and Slovakians. Although the Lithuanians, Estonians and Latvians are of Baltic tribes, we are including some of their customs as they are similar to those of their Slavic neighbors. Slavic Runes were called "Runitsa", "Cherty y Rezy" ("Strokes and Cuts") and later, "Vlesovitsa". -
The Divine Appearance of Härn
The divine appearance of Härn THE DIVINE APPEARANCE OF HÄRN Determining the identity of a Bronze Age metal hoard Magdalena This article aims to investigate the mysterious divinity Härn on the basis of a Bronze Age metal hoard from Forsgren Härnevi in Uppland. The premise is that this hoard rep- resents a cultural category that reflects a divine concept that must be investigated in order to understand the meaning behind the deposition. Through mythological parallels, Härn’s characteristics will be explored as well as the relation between the sun and fertility across time and space. It is suggested that Härn originally was a sun goddess emanating from the Bronze Age and related to the Norse goddesses Njärd and Freyja. Key words: Härnevi, metal hoard, Bronze Age, com- parative mythology, folklore, sun, fertility INTRODUCTION How is it possible to obtain knowledge about the characteristics of an unknown divinity such as Härn who only occurs in a few Swedish place names? The name Härnevi had attracted interest for a long time (Grau 1754; Ekblom 1872), but it was not until Hans Hildebrand (1899:6) drew attention to the sacral meaning of the second part of the place name that discussions started as to which divinity *Härn referred to; compound place names with -vi are usually theophoric. Magnus Olsen suggested in 1908 that Härn was related to one of Freyja’s second names, Hørn, mentioned in Snorre’s Edda. Nevertheless, it was Hans Sperber’s (1912) suggestion that Härn is derived from an old word for Current Swedish Archaeology, Vol 18, 2010 105 Magdalena Forsgren flax which drew the greatest support. -
Yahweh's Winged Form in the Psalms ORBIS BIBLICUS ET ORIENTALIS
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2010 Yahweh’s Winged Form in the Psalms: Exploring Congruent Iconography and Texts LeMon, Joel M Abstract: The striking image of the winged Yahweh occurs in six psalms (e. g., Ps 17:8 “Hide me in the shadow of your wings”). Scholars have disagreed on the background, meaning, and significance of the image arguing that it: (1) likens the Israelite deity to a bird; (2) alludes to the winged sun disk; (3) draws from general Egyptian symbolism for protection; (4) evokes images of winged goddesses; or (5) refers to winged cherubim in the temple and/or on the ark of the covenant. These divergent proposals signal a need for clearer methods of interpreting biblical imagery in light of visual-artistic material from the ancient Near East. This volume refines iconographic methodologies by treating the image of the winged Yahweh as one among a constellation of literary images in each psalm. Since the portrayals of Yahweh in each psalm have distinct contours, one finds several congruencies in Syro-Palenstinian iconographic material. The congruent iconographic motifs for Yahweh’s winged form include (1) the winged sun disk (in multiple form and variations), (2) the Horus falcon, (3) winged suckling goddesses, and (4) winged deities in combat. No single image stands behind the portrayals of Yahweh. In fact, even within a single psalm, more than one iconographic trope can provide congruency with the literary imagery and inform the interpretation of the text. Thus, the winged Yahweh in the Psalms provides an example of a ‘multistable’ literary image, one which simultaneously evokes multiple iconographical motifs.