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bernard haitink conductor emeritus seiji ozawa music director laureate 2013–2014 Season | Week 7 andris nelsons music director designate season sponsors Table of Contents | Week 7 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 ruin and renewal: britten’s “war requiem” by thomas may 28 this week’s program Notes on the Program 30 The Program in Brief… 31 Maurice Ravel 35 Krzysztof Penderecki 43 Edward Elgar 57 To Read and Hear More… Guest Artists 61 Charles Dutoit 63 Gautier Capuçon 65 Daniel Müller-Schott 67 Arto Noras 68 sponsors and donors 80 future programs 82 symphony hall exit plan 84 symphony hall information the friday preview talk on november 1 is given by elizabeth seitz of the boston conservatory. program copyright ©2013 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO cellist Owen Young by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director designate bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 133rd season, 2013–2014 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chair • William F. Achtmeyer, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Stephen R. Weber, Vice-Chair David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Stephen B. Kay • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Robert J. Mayer, M.D. • Robert P. O’Block • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Arthur I. Segel • Roger T. Servison • Wendy Shattuck • Theresa M. Stone • Caroline Taylor • Roberta S. Weiner • Robert C. Winters life trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Nancy J. Fitzpatrick • Thelma E. Goldberg • Charles H. Jenkins, Jr. • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller† • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • Thomas G. Stemberg • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Stephen R. Weiner • Dr. Nicholas T. Zervas other officers of the corporation Mark Volpe, Managing Director • Thomas D. May, Chief Financial Officer • Bart Reidy, Clerk of the Board board of overseers of the boston symphony orchestra, inc. Susan Bredhoff Cohen, Co-Chair • Peter Palandjian, Co-Chair Noubar Afeyan • Peter C. Andersen • Diane M. Austin • Lloyd Axelrod, M.D. • Judith W. Barr • Lucille M. Batal • Linda J.L. Becker • Paul Berz • James L. Bildner • Mark G. Borden • Partha Bose • Karen Bressler • Anne F. Brooke • Stephen H. Brown • Gregory E. Bulger • Joanne M. Burke • Richard E. Cavanagh • Dr. Lawrence H. Cohn • Charles L. Cooney • Ronald A. Crutcher • William Curry, M.D. • James C. Curvey • Gene D. Dahmen • Michelle A. Dipp, M.D., Ph.D. • Dr. Ronald F. Dixon • Ronald M. Druker • Alan Dynner • Philip J. Edmundson • Ursula Ehret-Dichter • Joseph F. Fallon • Peter Fiedler • Steven S. Fischman • John F. Fish • Sanford Fisher • Jennifer Mugar Flaherty • Alexandra J. Fuchs • Robert Gallery • Levi A. Garraway • Cora H. Ginsberg • Robert R. Glauber • Stuart Hirshfield • Susan Hockfield • Lawrence S. Horn • Jill Hornor • Valerie Hyman • Everett L. Jassy • Stephen J. Jerome • Darlene Luccio Jordan, Esq. • week 7 trustees and overseers 3 photos by Michael J. Lutch Paul L. Joskow • Stephen R. Karp • John L. Klinck, Jr. • Peter E. Lacaillade • Charles Larkin • Joshua A. Lutzker • Jay Marks • Jeffrey E. Marshall • Robert D. Matthews, Jr. • Maureen Miskovic • Robert Mnookin • Paul M. Montrone • Sandra O. Moose • Robert J. Morrissey • Cecile Higginson Murphy • Joseph J. O’Donnell • Joseph Patton • Donald R. Peck • Steven R. Perles • Ann M. Philbin • Wendy Philbrick • Claudio Pincus • Lina S. Plantilla, M.D. • Irene Pollin • Jonathan Poorvu • Dr. John Thomas Potts, Jr. • William F. Pounds • Claire Pryor • James M. Rabb, M.D. • John Reed • Robert L. Reynolds • Robin S. Richman, M.D. • Dr. Carmichael Roberts • Graham Robinson • Susan Rothenberg • Joseph D. Roxe • Kenan Sahin • Malcolm S. Salter • Kurt W. Saraceno • Diana Scott • Donald L. Shapiro • Phillip A. Sharp, Ph.D. • Christopher Smallhorn • Michael B. Sporn, M.D. • Nicole Stata • Margery Steinberg • Patricia L. Tambone • Jean Tempel • Douglas Thomas • Mark D. Thompson • Albert Togut • Joseph M. Tucci • Robert A. Vogt • David C. Weinstein • Dr. Christoph Westphal • June K. Wu, M.D. • Patricia Plum Wylde • Dr. Michael Zinner • D. Brooks Zug overseers emeriti Helaine B. Allen • Marjorie Arons-Barron • Caroline Dwight Bain • Sandra Bakalar • George W. Berry • William T. Burgin • Mrs. Levin H. Campbell • Earle M. Chiles • Carol Feinberg Cohen • Mrs. James C. Collias • Ranny Cooper • Joan P. Curhan • Phyllis Curtin • Tamara P. Davis • Mrs. Miguel de Bragança • Paul F. Deninger • JoAnneWalton Dickinson • Phyllis Dohanian • Harriett Eckstein • George Elvin • John P. Eustis II • Pamela D. Everhart • Judy Moss Feingold • Richard Fennell • Myrna H. Freedman • Mrs. James Garivaltis • Dr. Arthur Gelb • Robert P. Gittens • Jordan Golding • Mark R. Goldweitz • Michael Halperson • John Hamill • Deborah M. Hauser • Carol Henderson • Mrs. Richard D. Hill • Marilyn Brachman Hoffman† • Roger Hunt • Lola Jaffe • Martin S. Kaplan • Mrs. S. Charles Kasdon† • Mrs. Gordon F. Kingsley • Robert I. Kleinberg • David I. Kosowsky • Robert K. Kraft • Farla H. Krentzman • Benjamin H. Lacy • Mrs. William D. Larkin • Robert J. Lepofsky • Edwin N. London • Frederick H. Lovejoy, Jr. • Diane H. Lupean • Mrs. Harry L. Marks • Joseph B. Martin, M.D. • Joseph C. McNay • Albert Merck • Dr. Martin C. Mihm, Jr. • John A. Perkins • May H. Pierce • Dr. Tina Young Poussaint • Daphne Brooks Prout • Robert E. Remis • John Ex Rodgers • Alan W. Rottenberg • Roger A. Saunders • Lynda Anne Schubert • L. Scott Singleton • Gilda Slifka • Samuel Thorne • Diana Osgood Tottenham • Paul M. Verrochi • James Westra • Mrs. Joan D. Wheeler • Margaret Williams-DeCelles • Richard Wurtman, M.D. † Deceased week 7 trustees and overseers 5 BSO News BSO “Insights,” October 23-November 9: “Britten’s ‘War Requiem’: Music and Pacifism” The first of the BSO’s two “Insights” series this season—“Britten’s War Requiem: Music and Pacifism,” October 23-November 9, in connection with the BSO’s upcoming performances of the War Requiem on November 7, 8, and 9—offers a variety of lectures and additional concerts presented by the BSO in collaboration with the New England Conservatory and the John F. Kennedy Library and Museum. For a complete listing of these events, which continue from November 3 through November 8, see page 24. BSO Community Chamber Concerts in November The BSO is happy to continue offering free Community Chamber Concerts in locations across Massachusetts during the 2013-14 season. These Sunday-afternoon concerts offer engaging chamber music performances by BSO musicians for communities limited in access to the BSO by either distance or economics; they are designed to build personal connections to the BSO and orchestral music, allowing community members to become more deeply engaged with the BSO. Each program lasts approximately one hour and is fol- lowed by a coffee-and-dessert reception for the audience and musicians. In November, the BSO hosts Community Chamber Concerts on November 3 at 3 p.m. at the JFK Presidential Library and Museum in Boston; on November 10 at 2:30 p.m. at Hibernian Hall in Roxbury; on November 17 at 3 p.m. at Cambridge Public Library; and on November 24 at 3 p.m. at First Church in Dedham. All of these concerts are free, but tickets are required and avail- able by calling SymphonyCharge at 1-888-266-1200. BSO 101—The Free Adult Education Series at Symphony Hall Again this year, BSO 101 offers informative sessions about upcoming BSO programming and behind-the-scenes activities at Symphony Hall. The two remaining sessions this fall take place on Tuesday, November 12 (“An Insider’s View” of the BSO library with principal librarian Marshall Burlingame) and Wednesday, November 20 (“Are You Listening?”: BSO Director of Program Publications Marc Mandel discusses “musical signposts” in works of Beethoven, Mozart, Bruckner, and Brahms). These sessions take place from 5:30-6:45 p.m. at Symphony Hall, and each is followed by a reception offering beverages and hors d’oeuvres. Admission to the BSO 101 sessions is free; please note, however, that as of this season, there is a nominal charge to attend the receptions. To reserve your place for the date or dates you’re planning to attend, please e-mail [email protected] or call (617) 638-9395. For further information, please visit bso.org. week 7 bso news 7 “Do You Hear What I Hear?”: A Series of New, Composer-Curated Prelude Concerts This season, in conjunction with its performances of newly commissioned works from Mark-Anthony Turnage, Marc Neikrug, and Bernard Rands, the BSO has teamed up with the New England Conservatory in creating Prelude Chamber Concerts curated by the com- posers themselves, to offer an intimate and revealing window into how these composers listen to music, and how what they hear informs their own compositional process. The concerts are prepared and presented by student artists at NEC, with each composer offering commentary on the chosen works in conversation with BSO Assistant Artistic Administrator Benjamin Schwartz. These free, hour-long concerts, all at 6 p.m., take place in Williams Hall at NEC prior to the initial BSO performances of the composers’ new symphonic works.
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    Krzysztof Penderecki's Cadenza for Viola Solo as a derivative of the Concerto for Viola and Orchestra: A numerical analysis and a performer's guide Item Type text; Dissertation-Reproduction (electronic) Authors Reiter, Erica Amelia, 1968- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 13:40:03 Link to Item http://hdl.handle.net/10150/289622 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ewriter face, while others may be from any type of computer printer. The quality of this reproductioii is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the origmal, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.
  • Boston Symphony Orchestra Concert Programs, Season 119

    Boston Symphony Orchestra Concert Programs, Season 119

    S E I J I O Z A W A MUSIC Dl R ECTO R * *r u u -- w la BQS TO N <_' M-Tiir—H i>— 'ts^c»»-- YMPHONY TESTRA IV 1* 3^ J >' . <i , ^ Yx 1QQQ-20U SEASON m 'JGV&V . iifUB96fsi\SBi1l Ju p-m .*;.•. • Bring your Steinway: ^iJn&f^&dB^i SH9B £99 ftU H r*i nl ^5 raj C$8 BB **CSv 1111tr/SBl Wft/i /7(w p/tfHS /row acre gated community atop I * 1 if* 2,100 to 5,000 square feet, prestigious Fisher Hill IBB 1 -4 8? bW3I |H -A> 1 «£[i you can bring your Concert Jointly marketed by Sotheby's • v* V . 1 wSi - 1 Grand to Longyear. International Realty and bbbbb^Bf 1 Hi Bfcg .••**-i *Djjy You 11 be enjoying full-service, Hammond Residential Real Estate. » < mnn^H tU EbbbbbbbI BBB BB r*2*». <* single-floor condominium living at Priced from $1,400,000. ill V BBl Pa ?f^tla( Efl^srvrf £SnA >»'i3 its absolute finest all harmoniously Call Hammond Real Estate at qkS mi nfit *lr SlSS ^« located on an extraordinary eight- 731-4644, ext 410. Kp '^.CyS (617) H 1 jUm£' TSW 1 ISIl J<*S uJme BEI jSbbbSHI BBj ttLZMt ' 1 t^ |PKJt£ rtw^ CTJspt flSj BJ '^**v£5 BBB^ttBl LONGYEAR rftrTh v*v-H>''^\1k f$Xsp •xJK ^8 bbbvAWIH * *» > H a/ Lr/sner Jiill S& BROOKLINE \ B^L^LH 1 • ,*/* ^*$£j Bh HflH fci/TE li PrEJj fSm SlawS a^ySwaNi fjySjji jjBJy >k''s *! {MR ^>»~#*5S$Z, • '.?-v.
  • Blázen Nebo Génius? Krzysztof Penderecki – a Freak Or a Genius?

    Blázen Nebo Génius? Krzysztof Penderecki – a Freak Or a Genius?

    Středoškolská odborná činnost Obor SOČ: 15. teorie kultury, umění a umělecké tvorby Krzysztof Penderecki – blázen nebo génius? Krzysztof Penderecki – a freak or a genius? Autor: David Šimeček Škola: Gymnázium J. V. Jirsíka, Fráni Šrámka 23, 371 46 České Budějovice Konzultant: Mgr. Olga Thamová České Budějovice 2013 Prohlášení Prohlašuji, že jsem předloženou práci vypracoval samostatně, použil jsem podklady (literaturu, SW) uvedené v přiloženém seznamu a postup při zpracování a dalším nakládání s prací je v souladu se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon) v platném znění. V ………… dne …………………… podpis:…………….………………………. Poděkování Děkuji vedoucí mojí práce paní Mgr. Olze Thámové za konzultace a poskytnutou literaturu, dále pak paní Mgr. Petře Nové a paní Evě Mezerové za přínosné prameny a připomínky k mé práci. Anotace Tato práce se zabývá současným polským autorem klasické hudby Krzysztofem Pendereckim. V úvodních kapitolách se zaměřuje na jeho pozici v polské poválečné hudbě a popisuje jeho život. Zbytek práce je zaměřen zejména na jeho dílo – najdeme zde rozbor zřejmě nejznámější skladby Tren, různé zajímavosti jako např. způsob notace tohoto autora, nástrojové obsazení jeho orchestrů nebo použití jeho hudby ve filmu. Závěr práce tvoří dotazník, který byl vyplněn studenty našeho gymnázia. Klíčová slova: Penderecki, polská hudba, Tren, obsazení orchestru Obsah 1. Úvod .........................................................................................................................