Pool Pilot® Digital Nano/Nano+

Total Page:16

File Type:pdf, Size:1020Kb

Pool Pilot® Digital Nano/Nano+ Pool Pilot® Digital Nano/Nano+ Digital Nano Models: 75041A, 75041A-xx Manifolds: PPM1, PPM1M Cell: PPC1 Digital Nano+ Models: 75043A, 75043A-xx Manifolds: PPM2, PPM2M Cells: PPC1 or PPC2 Owner’s Manual: Installation / Operation This manual covers the installation and operation of the Digital Nano/Nano+ Chlorine Generators Important! Read This Manual and Product Labels Before Installing or Operating This Equipment INSTALLER: THIS DOCUMENT IS PURCHASER’S PROPERTY AND IS TO REMAIN WITH THE EQUIPMENT OWNER LTP0086 Rev4 05/11/2017 Page i TABLE OF CONTENTS SECTION 1 - FACTORY CONTACT INFORMATION........................................................................................... 1 SECTION 2 - SAFETY INFORMATION ................................................................................................................ 1 SECTION 3 - OWNER QUICK START & RUN ..................................................................................................... 4 3.1 How Your Digital Nano/Nano+ Works ............................................................................................................ 4 3.2 Optional 863A Expansion Board Additional Features .................................................................................... 4 3.3 Owner/Operator Control Buttons, CHECK SYSTEM LED, and Audio Alarm ................................................. 5 3.3.1 UP and DOWN Arrows ................................................................................................................. 5 3.3.2 The BOOST Button ...................................................................................................................... 5 3.3.3 MENU and SELECT Button ......................................................................................................... 5 3.3.4 CHECK SYSTEM Light and Audio Alarm .................................................................................... 6 3.4 Normal Display Modes .................................................................................................................................... 6 3.4.1 Purifier Mode ................................................................................................................................ 6 3.5 Water Balance and Chemistry Recommendations ......................................................................................... 7 SECTION 4 - SPECIFICATION AND APPROVALS ............................................................................................. 8 4.1 Specifications .................................................................................................................................................. 8 4.2 Manifold Pressure Drop Versus Flow ............................................................................................................. 9 4.3 Agency Approvals ........................................................................................................................................... 9 SECTION 5 - FEATURES .................................................................................................................................... 10 5.1 Patented Temperature Compensation .......................................................................................................... 10 5.2 Water Manifolds Assemblies - Available Options ......................................................................................... 10 5.2.1 Automatic-Flow Bypass Manifold Assembly (models PPM1, PPM1M and PPM2, PPM2M)..... 11 5.2.2 CoPilot® Manifold Assembly ....................................................................................................... 11 5.3 Automatically Reduce Chlorine Output When Pool Cover Closes ............................................................... 12 SECTION 6 - MAINTENANCE ............................................................................................................................. 12 6.1 Fuse Location and Ratings ........................................................................................................................... 12 6.2 Removing / Inspecting / Cleaning Tri-Sensor ............................................................................................... 13 6.2.1 Tri-sensor Assembly Overview .................................................................................................. 13 6.2.2 Inspect Tri-sensor....................................................................................................................... 13 6.2.3 Cleaning Tri-sensor/Salt Sensor ................................................................................................ 14 6.2.4 Test Tri-sensor Flow Switch ....................................................................................................... 14 6.3 Servicing the Cell .......................................................................................................................................... 15 6.3.1 Removal ..................................................................................................................................... 15 6.3.2 Visual Inspection ........................................................................................................................ 16 6.3.3 Manual Cleaning ........................................................................................................................ 16 6.3.4 Installing ..................................................................................................................................... 16 6.4 Winterizing .................................................................................................................................................... 17 6.4.1 Digital Nano/Nano+ Control Unit and Manifold Assembly ......................................................... 17 6.5 Spring Start-up .............................................................................................................................................. 17 6.5.1 Digital Nano/Nano+ .................................................................................................................... 17 SECTION 7 - PROGRAMMING ........................................................................................................................... 18 7.1 Control Panel ................................................................................................................................................ 18 7.1.1 Button Overview ......................................................................................................................... 18 7.1.2 MENU Button ............................................................................................................................. 18 7.1.3 Display Overview........................................................................................................................ 18 7.2 Menus ........................................................................................................................................................... 19 7.3 Basic Operational Programming ................................................................................................................... 20 7.3.1 Adjusting the Chlorine Output % ................................................................................................ 20 7.3.2 Boost or Super Boost ................................................................................................................. 20 Page ii TABLE OF CONTENTS 7.3.3 Chlorine Mode ............................................................................................................................ 21 7.3.4 Chlorine % Adjustment Procedure ............................................................................................. 21 7.4 Test Pool Pilot (Diagnostic Menu) ................................................................................................................ 22 7.5 View Setup .................................................................................................................................................... 22 7.6 Review of Installer, Owner, & Maintenance Menu Programming ................................................................. 23 7.6.1 Set Pool Volume ......................................................................................................................... 23 7.6.2 Calibrate Salt .............................................................................................................................. 23 7.6.3 Select Language ........................................................................................................................ 23 7.6.4 Calibrate Temperature ............................................................................................................... 23 7.6.5 Select Units ................................................................................................................................ 24 7.6.6 Set Temperature Unit ................................................................................................................. 24 7.6.7 Display Temperature .................................................................................................................. 24 7.6.8 Set 12/24 Hour Clock (Optional Feature w/ 863A Expansion Board) ........................................ 24 7.6.9 Set Time of Day (Optional Feature w/ 863A Expansion Board) ................................................ 25 7.6.10 Set Purifier
Recommended publications
  • Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
    Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman.
    [Show full text]
  • Manual Pilot ONE Flasher, En
    Pilot ONE® Flasher V1.5.0 Manual MANUAL 2 Pilot ONE® Flasher Errors and omissions excepted. V1.5.0en/28.04.16//16.04 MANUAL Pilot ONE® Flasher V1.5.0en/28.04.16//16.04 Errors and omissions excepted. Pilot ONE® Flasher 3 MANUAL 4 Pilot ONE® Flasher Errors and omissions excepted. V1.5.0en/28.04.16//16.04 MANUAL Table of contents V1.5.0en/28.04.16//16.04 1 Application .................................................................................. 7 2 Installation | Deinstallation ......................................................... 8 3 Downloading the Pilot ONE® firmware ...................................... 10 3.1 Expert Mode ................................................................................................ 10 3.2 Overview ..................................................................................................... 11 4 Flashing Pilot ONE® .................................................................... 12 4.1 Pilot ONE® Flash Mode ................................................................................. 12 4.2 Flashing with USB flash drive ........................................................................ 13 4.2.1 Unzipping the firmware .................................................................................. 13 4.2.2 Flashing on the Pilot ONE® .............................................................................. 14 4.3 Flashing with a PC ........................................................................................ 15 4.3.1 USB driver activation ......................................................................................
    [Show full text]
  • Smallville: the Guardian Volume 1, Season 11 Pdf, Epub, Ebook
    SMALLVILLE: THE GUARDIAN VOLUME 1, SEASON 11 PDF, EPUB, EBOOK Pere Perez,Bryan Q. Miller | 144 pages | 30 Apr 2013 | DC Comics | 9781401238247 | English | United States Smallville: The Guardian Volume 1, Season 11 PDF Book During takeoff, Lois tells Clark that she has a bad feeling about the Guardian platforms, but Clark claims it might be a good thing, as Superman can't be everywhere at once; Lois, however, isn't convinced. Chasing The Dream by Ashlee Winston. Shelve Spider-Man: Life Story. Emil asks Terri to come into the operating room as her husband wants her, but is kicked out by Lex's security guards. The writing doesn't feel remotely like Smallville to me. Lex explains that the country needs to defend itself just as the Russians have now done by placing the Korolyov in orbit, that Lane needs to push through contracts with the Secretary of Defense to get the LexCorp Guardian orbital weapons platforms built. Lois is written as a parody of herself, and Clark seems very off. Jul 11, M. Oliver and Chloe are starting a new life, moving to another city, though Chloe and Oliver are continuing their lives as The Watchtower and Green Arrow. That's a kind 4 stars. Hank then makes a passionate quote about piloting and how it helps him appreciate what he has on Earth, then says Lex has given him a greater purpose, allowing him to pilot the Guardian platforms into space. A continuation of the series that meant so much to me, and BQM was the writer! Share: Share on Facebook opens in a new tab Share on Twitter opens in a new tab Share on Linkedin opens in a new tab Share on email opens in a new tab Comment: Comments count: 0.
    [Show full text]
  • The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
    PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities.
    [Show full text]
  • Slide 2 (Titre) : “My Name Is Arthur GAUTIER, and I’M with Anh-Toan NGUYEN”
    Arrow Slide 2 (Titre) : “My name is Arthur GAUTIER, and I’m with Anh-Toan NGUYEN”. “Most of you should have recognized this opening, it’s from Arrow, season 2. But let us introduce this show to you” Slide 3 (Introduction) : “Arrow, or Green Arrow, is a hero from the DC Comics Universe. DC Comics is one of the biggest American comic book publisher. It’s the publishing unit of DC Entertainment, a company of Warner Bros. Its major, longtime competitor is Marvel Comics. More than a 100 authors have contributed to DC Comics comics, creating more than 20 superheroes such as Batman, Superman, Wonder Woman or Green Arrow. Arrow is inspired by the Green Arrow comics, started by Mort Weisinger and George Papp in 1941. Green Arrow is the DC archer, in opposition with Hawkeye, the Marvel archer.” Slide 4 (The Broadcast) : “Arrow is broadcasted since October 2012 in the USA on the “The CW” channel. In France, the show is broadcasted since December 2013 on “Canal+ Family” and since the 8th of October 2014 on “TF1”. At this moment, 53 episodes are out, and the 54th is coming tonight. The 2 first seasons contains 23 episodes, the 3rd which is currently broadcasted (once a week, on Wednesday night) contains 7 episodes. Let’s move on to the audience of the show. The most seen episode was the pilot episode, seen by 4.14 million viewers (only in the USA). The first season was viewed by 3.68 million people (USA only) and second by 3.28 million. The show is mainly shoted in Vancouver but we can also see shots of Bruxelles.
    [Show full text]
  • Superhuman, Transhuman, Post/Human: Mapping the Production and Reception of the Posthuman Body
    Superhuman, Transhuman, Post/Human: Mapping the Production and Reception of the Posthuman Body Scott Jeffery Thesis submitted for the Degree of Doctor of Philosophy School of Applied Social Science, University of Stirling, Scotland, UK September 2013 Declaration I declare that none of the work contained within this thesis has been submitted for any other degree at any other university. The contents found within this thesis have been composed by the candidate Scott Jeffery. ACKNOWLEDGEMENTS Thank you, first of all, to my supervisors Dr Ian McIntosh and Dr Sharon Wright for their support and patience. To my brother, for allowing to me to turn several of his kitchens into offices. And to R and R. For everything. ABSTRACT The figure of the cyborg, or more latterly, the posthuman body has been an increasingly familiar presence in a number of academic disciplines. The majority of such studies have focused on popular culture, particularly the depiction of the posthuman in science-fiction, fantasy and horror. To date however, few studies have focused on the posthuman and the comic book superhero, despite their evident corporeality, and none have questioned comics’ readers about their responses to the posthuman body. This thesis presents a cultural history of the posthuman body in superhero comics along with the findings from twenty-five, two-hour interviews with readers. By way of literature reviews this thesis first provides a new typography of the posthuman, presenting it not as a stable bounded subject but as what Deleuze and Guattari (1987) describe as a ‘rhizome’. Within the rhizome of the posthuman body are several discursive plateaus that this thesis names Superhumanism (the representation of posthuman bodies in popular culture), Post/Humanism (a critical-theoretical stance that questions the assumptions of Humanism) and Transhumanism (the philosophy and practice of human enhancement with technology).
    [Show full text]
  • Collective of Heroes: Arrow's Move Toward a Posthuman Superhero Fantasy
    St. Cloud State University theRepository at St. Cloud State Culminating Projects in English Department of English 12-2016 Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy Alyssa G. Kilbourn St. Cloud State University Follow this and additional works at: https://repository.stcloudstate.edu/engl_etds Recommended Citation Kilbourn, Alyssa G., "Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy" (2016). Culminating Projects in English. 73. https://repository.stcloudstate.edu/engl_etds/73 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in English by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Collective of Heroes: Arrow’s Move Toward a Posthuman Superhero Fantasy by Alyssa Grace Kilbourn A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the degree of Master of Arts in Rhetoric and Writing December, 2016 Thesis Committee: James Heiman, Chairperson Matthew Barton Jennifer Tuder 2 Abstract Since 9/11, superheroes have become a popular medium for storytelling, so much so that popular culture is inundated with the narratives. More recently, the superhero narrative has moved from cinema to television, which allows for the narratives to address more pressing cultural concerns in a more immediate fashion. Furthermore, millions of viewers perpetuate the televised narratives because they resonate with the values and stories in the shows. Through Fantasy Theme Analysis, this project examines the audience values within the Arrow’s superhero fantasy and the influence of posthumanism on the show’s superhero fantasy.
    [Show full text]
  • Flash Season Zero Pdf, Epub, Ebook
    FLASH SEASON ZERO PDF, EPUB, EBOOK Phil Hester,Marcus To,Andrew Kreisberg | 264 pages | 29 Sep 2015 | DC Comics | 9781401257712 | English | United States Flash Season Zero PDF Book With the commencement of production on the series' second season, former Arrow and Ugly Betty writer Gabrielle Stanton was promoted to executive producer and showrunner; after having served as consulting producer and writer on the first season's finale "Fast Enough". He believes he dreamt the whole experience, until he finds the bullet that shot him on the ground. Retrieved June 22, June 26, The Flash's team-up with the Arrow came in the midst of a story that saw King Shark becoming a reluctant member of the Arrowverse's Suicide Squad. Jan 18, Angel Gutierrez rated it really liked it. Javascript is not enabled in your browser. Nordyke, Kimberly; Forstadt, Jillian March 23, Black Star - 10 Pages 5. Kreisberg stated, "Barry will [already] be the Flash, he will have his team, everyone will be in that world, and we'll [ sic ] introducing a new set of villains that we won't be seeing on the TV show. Archived from the original on August 29, Archived from the original on January 1, It was because he was introduced in this comic, and again they actually took the time to show character development which I loved! Retrieved August 26, Retrieved April 30, Characters Seasons 1 2 3 Episodes. Retrieved October 20, There was nothing in this book I did not like. Further information: List of The Flash episodes. Production website. Retrieved February 9, Business Insider.
    [Show full text]
  • Chris Willshire Offline Editor- Avid, Premiere, After Effects • 626.833.4303
    Chris Willshire Offline Editor- Avid, Premiere, After Effects •www.zootloop.com• 626.833.4303 SELECTED CREDITS HGTV Fixer to Fabulous Rustic Rehab Flip or Flop A Sale of Two Cities House Hunters/House Hunters Renovation/House Hunters International/Tiny House Hunters West End Salvage Motor City Rehab Summer Showdown Designer Profile Promos Designers’ Challenge (winner of 2003 Telly Award)/ Landscapers’ Challenge My House is Worth What? ("Brilliant TV”-Time Magazine, June 2007) Homes Across America (winner of 2004 Telly Award) Secrets That Sell (includes Pilot)/ ReDesign (includes Pilot) Warner Bros/Studio West Pictures “The Flash”- Season 3 Docu-short “Villain School: The Flash Rogues”. Digital 2016 Warner Bros/Amity Pictures “Supernatural”---Season 15 Docu-short “The Winchester Mythology: Midwestern Heaors”. S15 DVD, iTunes. 2021 Arrowverse’s “Crisis on Infinite Earths”—Characters in Crisis: Anti-Monitor. Digital 2019 Arrowverse’s “Crisis on Infinite Earths”—Characters in Crisis: Pariah. Digital 2019 “Black Lightning”- Season 1 YouTube/Social Media Trailer/Test. 2018 “Supernatural” – Season 13 Docu-short “The Winchester Mythology: Nature vs. Nurture”. Season 13 DVD, iTunes. “Villain School: Deathstroke” docu-short for the animated feature “Teen Titans: The Judas Contract”. Digital 2017 “Arrow”—Season 5 Docu-short “Allied Invasion Complex: Arrow”. Digital Release, late 2016. “Supernatural”- “A World of Hunters: Season 12 Sneak Peek”. iTunes. “Supernatural”- Season 12 Docu-short “The Winchester Mythology: Mary Winchester”. iTunes. “Supernatural”-Season 11 Docu-short “The Winchester Mythology: Shedding Light on The Darkness”. Season 11 DVD. Sizzles “Supernatural” (CW/Warner Bros/Amity Pictures))—Season 14 Sizzle Reel recut Home Sweet Home (Rachel Urso Real Estate) Various for RIVR Media: Murder Business (True Crime) 2 Flippin’ Moms, Our House, The Pettways.
    [Show full text]
  • PILOT ,.. Written By- Alfred Gough & Miles Millar First Draft December 20, 2000
    PILOT _,.. written by- Alfred Gough & Miles Millar r First Draft December 20, 2000 I "Smallville" PROLOGUE j/0*-. FADE IN: EXT. SPACE - DAY TITLE ON SCREEN: 12 YEARS AGO. An endless black tapestry, dusted with stars, reaches into eternity. Then out of the SILENCE A METEOR SHOWER streaks past. The last fragments of a dead planet hurling through space. Cradled in the center of the maelstrom is a TINY METALLIC CRAFT. A lifeboat from a faraway world, carrying the only survivor of a million-year-old civilization. Its surface shimmers like quicksilver. As the craft hurtles past a familiar yellow sun, its final destination is revealed -- EARTH. SMASH CUT TO: A SEA OF CORNFIELDS stretching as far as the eye can see. The vast golden quilt CREAKS as it sways in time to the soft PERCUSSION of insects. Suddenly, a RUMBLE echoes and a HELICOPTER shoots overhead. Its rotors furiously whip the rows of corn, disrupting the timeless pastoral tranquility. The words "LUTHOR CORP" glint on the craft's metal skin. As the chopper ROARS over the narrow ribbon of blacktop that dissects the field, THE CAMERA STAYS ON the sign that's planted by the roadside. "WELCOME TO SMALLVILLE, KANSAS, POP. 25,001. CREAMED CORN CAPITAL OF THE WORLD!" INT. HELICOPTER - DAY LIONEL LUTHOR /•**- sits in the back, reading The Daily Planet. He's in his 50s, a self-made man who tries to mask his street-brawler roots with Saville Row suits. He lowers the paper, turns to his only son, NINE-YEAR-OLD LEX LUTHOR who is beside him, gripping his seat white-knuckle tight.
    [Show full text]
  • Lost Vs Arrow: Transmedia Strategies to Create a Connected Audience
    Lost vs Arrow: transmedia strategies to create a connected audience MA Thesis Television and Cross-Media Culture Michella Wessels, 10003156 Jonckerhof 4, Nijmegen 0622900630 [email protected] First Reader: Toni Pape Second Reader: Sudeep Dasgupta 25-6-’15, Universiteit van Amsterdam 22.691 words Index 1. Introduction_________________________________________________________________3 2. Strategies to create an connected audience________________________________________6 2.1. The connected audience_______________________________________________ 8 2.2. Transmedia strategies_________________________________________________12 2.3. Social media strategies as transmedia strategies____________________________16 3. Lost: the narrative strategies for fan engagement___________________________________22 3.1. Narrative mysteries and gaps___________________________________________24 3.2. Non-chronological narration___________________________________________ 28 3.3. Cliffhangers_________________________________________________________32 3.4. Parallel realities and possible worlds_____________________________________ 33 4. Arrow: the (online) strategies for fan engagement __________________________________37 4.1. The narrative strategies _______________________________________________ 37 4.2. The online strategies _________________________________________________ 41 4.3. Connected through Facebook___________________________________________43 4.3.1. Activating fan creativity__________________________________________ 44 4.3.2. Connecting with the
    [Show full text]
  • Atx Television Festival 2019 Coverage
    ATX TELEVISION FESTIVAL 2019 COVERAGE Pre-Festival Coverage Pre-Fest Announcements 2019 Initial Line Up ● Austin Chronicle - ATX Television Festival Adds the Guilds ​ ● Deadline - Austin’s ATX Television Festival Announces First Panels For 2019 Event ​ ● KEYE / We Are Austin - Reunions, premieres, panels and more! ATX Television Fest returns for 8th season in ​ Austin ● The Hollywood Reporter - Hollywood Guild Presidents, 'Vida' Writers Set for 2019 ATX Television Festival ​ ● Variety - Blumhouse Television, ‘Vida,’ Guild Presidents Panel Among 2019 ATX Television Festival Lineup ​ Southwest Airlines Pitch Competition ● Deadline - ATX Television Festival Teams With Southwest Airlines For Pitch Competition ​ ‘Tremors’ Pilot Preview ● Bloody Disgusting - Clips from Never-Seen “Tremors” Pilot Starring Kevin Bacon Will Screen at the ATX ​ Television Festival! ● IndieWire - ‘Tremors’: Unaired TV Pilot to Air Footage as Part of New ATX 2019 Lineup ​ ● SYFY Wire - DEVELOPMENT: DC SUPER HERO GIRLS POWERS UP; FROZEN 2 ICES A RECORD; MORE ​ ‘GREEK’ Cast Reunion/’Atypical’/’Perpetual Grace’ Panel ● Deadline - ‘Greek’ Reunion, ‘Atypical’, ‘Perpetual Grace’ Panels Set At ATX TV Fest ​ ● Entertainment Weekly - ATX Television Festival to reunite the cast of Greek ​ ● IMDb - ‘Greek’ Reunion, ‘Atypical’, ‘Perpetual Grace’ Panels Set At ATX TV Fest ​ ● NY Post/Page Six - The cast of ‘Greek’ to reunite at ATX TV Festival ​ ● The Hollywood Reporter - ATX TV Festival: Full Guide to Season 8 Programming (So Far) ​ ● TVLine - TVLine Items: Wynonna Earp Future
    [Show full text]