Proposals for Joint Medical School
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Warwick Program
PRESIDENTIAL VISIT 14 DECEMBER 2000 PROGRAMME FOR THE PRESIDENTIAL VISIT Music by the University of Warwick Chamber Choir, conductor Colin Touchin Welcome from the Vice-Chancellor of the University of Warwick, Sir Brian Follett Speech by the Prime Minister, the Rt Hon Tony Blair, MP Speech by President William J Clinton INTRODUCTION 16,869 students (8,995 undergraduates, 6,439 postgraduates) Programmes in Humanities, Science, Medicine and Social Sciences, many with an interdisciplinary focus Founded less than 40 years ago,Warwick has postgraduate programmes. Its lively modern campus The University of Warwick is contemporary,energetic developed rapidly to become one of the UK’s most is home to some 16,000 students from over and forward looking,deeply committed to its highly respected universities. Currently ranked fourth 100 different countries,some 40% of whom are students,its impressive research agenda,and the among UK universities for the quality of its research, postgraduates. With its Arts Centre,its Science Park, wider community at home and abroad. and with the excellence of its teaching confirmed its new Medical School (in partnership with in the National Teaching Quality Assessment, the University of Leicester) and its commitment to Warwick has consistently been placed in the Top Ten lifelong learning,it has successfully balanced its in the UK universities’ league tables. It attracts high strong international and national reputation with quality students on both its undergraduate and local and community relevance. The Cybersphere - a 3D virtual environment developed by Warwick Manufacturing Group in collaboration with VR Systems UK GLOBALISATION The Centre for the Study of Globalisation and orders. -
The Guide 2010/2011
the guide 2010/2011 www.warwicksu.com WELCOME TO YOUR UNION On behalf of everyone here at your Students’ Union, I would like to give CONTENTS you the warmest possible welcome to Warwick! 3 Y o u r U n i o n i s t h e h e a r t o f c a m p u s , a n d Welcome aims to not only make sure you have the best experience possible, but to Representation 4 give you opportunities to try things you’ve never even thought of before. There are numerous ways to get Democracy 6 involved, with an endless number of sports clubs, societies, student-run 10 W e l c o m e t o W a r w i c k S t u d e n t s ’ U n i o n a n d y o u r events and officer positions. Your Union definitive guide to what we do, how we do it and Alongside these opportunities, the why you should get involved. The opportunities Union is great for excellent food, drink Welfare 12 for participation are staggering, from clubs and a n d e n t e r t a i n m e n t . C o m e h a v e a b e e r s o c i e t i e s t o d e m o c r a c y a n d v o l u n t e e r i n g , and burger at the Dirty Duck or the best Campaigns 14 campaigning and representation to training hot chocolate on campus at Curiositea. -
Student Guide to Music Education
STUDENT GUIDE TO MUSIC EDUCATION 2016–17 622308 ISBN 9781910622308 781910 9> SGME1617_001_Cover.indd 1 01/08/2016 16:53:08 My ISM is Ed Scolding Composer ISM member since 2011 Students all the benefi ts of full membership for £12 Join our growing membership @ISM_music of professional musicians. facebook.com/ISMusicians Make us your ISM. ism.org SGME2016.indd 2 02/08/2016 17:17:19 Contents Higher education choices 6 TEACHER TRAINING/CPD Career options for music graduates 8 Teacher training 60 Postgraduate qualifications 10 LISTINGS Teacher Training Courses 62 CONSERVATOIRES INSET Courses 63 Choosing a conservatoire 14 Specialist Courses 65 Studying abroad 18 LISTINGS SUMMER SCHOOLS & Conservatoires 20 SHORT COURSES UK summer schools 76 UNIVERSITIES LISTINGS Choosing a university 37 Summer Schools and Short Courses 80 Studying at universities without music degrees 41 SCHOLARSHIPS & GRANTS Running your own group 42 Financial support 88 LISTINGS LISTINGS Universities 44 Scholarships, Grants and Universities without Degree Courses Private Funding Bodies 90 in Music 49 FURTHER & HIGHER EDUCATION LISTINGS Further and Higher Education Colleges 52 Editor Alex Stevens Editorial assistant Rebecca Pizzey Designer Hal Bannister First published in 2016 in Great Britain by Rhinegold Publishing Ltd has used its best Rhinegold Publishing Ltd, Rhinegold House, efforts in collecting and preparing material for Directories manager Ana Peralta 20 Rugby Street, inclusion in the Student Guide to Music Listings administrator London WC1N 3QZ (tel: 020 7333 1733) Education 2016–17. It does not assume, and Daniella Onuoha hereby disclaims, any liability to any party for © Rhinegold Publishing 2015 loss or damage caused by errors or omissions in Contributors Toby Deller, Hannah Doan, the Student Guide to Music Education 2016–17, Andrew Green, Glyn Môn Hughes, ISBN 978-1-910622-30-8 whether such errors or omissions result from Sarah Lambie, Johanna McWeeney, negligence, accident or any other cause. -
Download a Copy of the Martin Family and the University of Warwick
The contribution of private giving to a University’s success Contents 5 Introduction 6 The Martin Family 8 The University of Warwick 11 The Martin Contribution 12 The Warwick Arts Centre 16 The Arts Centre Programme 17 The Mead Gallery 17 The Arts Centre Cinema 18 The Helen Martin Studio 19 The Music Centre 20 The Coull Quartet 20 Student Drama 22 The American Dimension 27 The Jack Martin Residences 28 The Modern Records Centre 31 Sports Facilities 31 The Coventry Athletics Track 32 The Sports Pavilion 32 The Tennis Centre 35 Helen Martin: A Memoir 36 Conclusion J10-3753 cover.indd 2 The Martin Family and the University of Warwick 3753 Martin Book V2.indd 3 10/11/2010 15:49 THe MARTIn FAMIly AnD THe UnIveRSITy oF WARWICk 4 3753 Martin Book V2.indd 4 10/11/2010 15:49 THe MARTIn FAMIly AnD THe UnIveRSITy oF WARWICk he importance of private gifts to American universities Introduction is well documented and there are many examples such as Tthe Rockefeller giving to the University of Chicago or Senator Stanford’s to Stanford where a single source of private support played a critical role in an institution’s initial development. In Britain the record of private giving, at least in the post-war years, has been very much less significant. Although nuffield, Wolfson and Robinson donations founded oxbridge colleges, universities outside oxbridge other than east Anglia, which had Sainsbury’s support for its Sainsbury Centre, can boast nothing like the level of philanthropic gifts that remain an important element in the lives of many comparable American universities. -
Review 2017 - 2018 Starting the Transformation
REVIEW 2017 - 2018 STARTING THE TRANSFORMATION Family Day 2018 © George Archer WARWICK 20:20 PROJECT: THE TRANSFORMATION BEGINS Each year we are overwhelmed by the generosity of our supporters and the affection people have for what we do. Whilst we have been able to work with the best and most entertaining artists from around the world, it is our supporters that have enabled us to commission new artists and encourage young people to engage with the arts. Over the last twelve months, gifts from individuals, companies, trusts and foundations have given us the opportunity to: • Introduce young people to world class, live classical music • Teach young people creative computer programming in a fun environment • Teach people to understand contemporary art and raise their confidence enough to interact with it • Realise our dream of making our venue bigger, better and more sustainable, whilst also embracing new technologies ready for our exciting Warwick 20:20 Project Thank you to all those who support us to do more. warwickartscentre.co.uk/support-us Warwick 20:20 Project is made possible by: The Wilsdon Family Peter Stormonth Darling Charitable Trust 29th May 1961 Charitable Trust Mi:Lab Project Mi:Lab Project Mead Gallery Creative Space 02 Family Day 2018 © George Archer CONTENTS Introduction from the Vice-Chancellor Page 04 Introduction from the Chair of the Shadow Board Page 05 Warwick 20:20 Project Page 06 Artistic Programme Page 07 Highlights of the year 2017 – 2018 Pages 08 – 13 Creative Learning Activity & Family Day Pages 14 – 15 Student Engagement Pages 16 - 17 Financial Performance 2017 – 2018 Pages 18 - 19 Live Events in 2017 – 2018 Pages 20 – 21 Exhibitions in 2017 – 2018 Page 22 Film Screenings in 2017 – 2018 Page 23 Board Membership & Supporters 2017 – 2018 Page 24 03 INTRODUCTION Welcome to Warwick Arts Centre’s Annual Report for 2017 - 2018. -
Notes by Christopher Redgate
new music for a new oboe | vol. 2 Edward Cowie (b. 1943) The Colours of Dark Light 29:28 1 Michael Berry: Sonic Portrait 7:34 2 Random Ph(r)ases 7:09 3 Tracking a Phase Singularity 6:39 4 The Colours of Dark Light 8:04 Christopher Redgate (oboe, cor anglais, lupophon) Coull Quartet Paul Archbold (b. 1964) 5 Zechstein 6:36 Christopher Redgate (oboe) Sam Hayden (b. 1968) surface/tension 12:30 6 I 4:56 7 II 3:54 8 III 3:38 Christopher Redgate (oboe) Stephen Robbings (piano) Dorothy Ker (b. 1965) 9 Clepsydra 15:18 Christopher Redgate (oboe) Christopher Fox (b. 1955) 10 Unlocking the Grid 16:27 Christopher Redgate (oboe) Paul Archbold (electronics) Total duration 80:31 new music for a new oboe – notes by Christopher Redgate New Music for a New Oboe volume 2 presents a number of works written for the Howarth-Redgate oboe, adding to those already recorded on New Music for a New Oboe volume 1 (Métier msv 28529). In addition to the recently developed Howarth-Redgate oboe, both recordings also include the lupophon, a recently designed bass oboe. Information about the two new instruments can be found on my website www.21stcenturyoboe.com. Central to the development of a repertoire for the Howarth-Redgate oboe has been collaborative work with composers. The rather arcane knowledge the composer must deal with when writing for the contemporary oboe, and especially a new instrument, is best done in collaboration. Working in this way, however, benefits both composer and oboist, as the composers all contribute to the development of the knowledge of the instrument and challenge the oboist to develop both the sound world and their own technique. -
Colin Cruise
AAH ASSOCIATION OF ART HISTORIANS BULLETIN For information on advertising, membership and distribution contact: AAH Administrator, Claire Da vies, 70 Cowcross Street, London EC1M 6EJ 94 Tel: 020 7490 3211; Fax: 020 7490 3277; <[email protected]> Editor: Jannet King, 48 Stafford Road, Brighton BN1 5PF <[email protected]> FEB 07 CHAIR'S ANNUAL REPORT Colin Cruise he recent policy announcement, released by the T Victoria and Albert Museum, London, authorising the free reproduction in scholarly publications of images available via its download system, is the best news art historians have had for years. It will be welcomed, in particular, by authors, who have groaned under the financial burden of reproduction costs. Under the new policy, images available through the museum's 'Search the Collections' service will be available for download in hi-resolution format, and used free of charge, at up to A5 size, in scholarly journals, student theses, private study and research, critical editorial use, charity, society and trust newsletters, and for print runs of up to 4,000 in academic or educational books. The new policy, including the terms and conditions and other information, is outlined in full on page 39 of this issue of Bulletin, and there will be updates on the V&A website in due course. My thanks go to Andrea Stern, m Head of V&A Images, for clarification of the Museum's new policy. ^^^^^^^^^ ^J^^^^ Following the highly successful forum on the subject of copyright and reproduction costs held at the Courtauld Institute in June 2005, the AAH and the Courtauld Institute have jointly campaigned for freer access to reproduction of museum-held material. -
The Frick Collection Concert Listings Book
THE FRICK COLLECTION CONCERTS The Frick Collection Concerts - Ralph Kirkpatrick Ensemble Coolidge Quartet Roth Quartet Gordon Quartet Friends of Ancient Instruments - Coolidge Quartet Stradivarius Quartet Kolisch Quartet Pessl-Blaisdell Ensemble Artur Schnabel Adolfo Betti Ensemble Primrose Quartet Webster Aitken Barrère Trio Curtis String Quartet / Emma Boynet - Stradivarius Quartet Ralph Kirkpatrick Ensemble Stradivarius Quartet Budapest String Quartet Budapest String Quartet Sanromá-Burgin-Bedetti Trio Kolisch Quartet Ruggiero Ricci Frank Sheridan Busch Quartet Griller Quartet Webster Aitken Musical Art Quartet - Coolidge Quartet Roth Quartet Busch Quartet Curtis String Quartet Artur Schnabel - Coolidge Quartet Webster Aitken Roth Quartet Budapest String Quartet Webster Aitken Helen & Karl Ulrich Schnabel Budapest String Quartet Stradivarius Quartet Stradivarius Quartet Boston Woodwind Ensemble Jesús Maria Sanromá Gregor Piatigorsky Kolisch Quartet (Valentin Pavlovsky) Musical Art Quartet Roth Quartet Beveridge Webster Names in parentheses are those of accompanists. Their first names appear only once. - Artur Schnabel Bronislaw Huberman (Roubakine) Webster Aitken (two recitals) Robert Casadesus Gregor Piatigorsky (Pavlovsky) Busch Ensemble Curtis String Quartet - Roth Quartet Wanda Landowska Jesús Maria Sanromá Artur Schnabel Albert Spalding (André Benoist) Budapest String Quartet Marcel Hubert (Harold Dart) Bronislaw Huberman Claudio Arrau (Boris Roubakine) Alexander Schneider/ Jesús Maria Sanromá Ralph Kirkpatrick Stradivarius Quartet -
Performance Calendar
PERFORMANCE CALENDAR TERM 1 2017 Tues 10 Oct 7:30pm, Butterworth Hall FREE CONCERT ANOTHER OPENIN', ANOTHER SHOW! Brass Society, Chorus, DrumSoc, Music Theatre Warwick, Symphony Orchestra, Wind Orchestra MUSIC CENTRE Thur 12 Oct 1.10pm, Helen Martin Studio www.warwick.ac.uk/musiccentre FREE LUNCHTIME CONCERT ARNOLD PIANO QUARTET Music Centre Event Thur 12 Oct 7.15pm, Helen Martin Studio MUSIC CENTRE in COULL QUARTET CONCERT CITY OF LIGHT WESTWOOD 2017/18 Coull Quartet, University of Warwick Quartet-in- Residence Sat 14 Oct 7.30pm, Cryfield Sports Pavilion WARWICK FOLK CEILIDH PERFORMANCE Warwick Folk www.warwickartscentre.co.uk Sun 15 Oct 3pm, Lib 2 CALENDAR MTW WEEKEND SHOW Music Theatre Warwick Sat 21 Oct 12pm-3pm, Piazza MTW OPEN DAY PERFORMANCE Music Theatre Warwick Sat 21 Oct daytime, Piazza SAXOPHONE GROUP OPEN DAY PERFORMANCE FEELING SAXY OPEN DAY PERFORMANCE Wind Orchestra Wed 1 Nov lunchtime, Piazza Sun 19 Nov 4pm, Butterworth Hall Fri 1 Dec 7.30pm, Butterworth Hall MARKET DAY LIVE MUSIC WIND ORCHESTRA FESTIVE GALA CHAMBER CHOIR CAROLS BY CANDLELIGHT SMALL BAND/WIND ORCHESTRA GROUPS JOURNEY & CELEBRATION ILLUMINA PERFORMANCE Wind Orchestra, Flute Choir, Clarinet Choir, Feeling Saxy Chamber Choir Big Band, Wind Orchestra Thur 23 Nov 1.10pm, Helen Martin Studio Fri 1 Dec 7.30pm, Cryfield Sports Pavilion Thur 2 Nov 1.10pm, Helen Martin Studio FREE LUNCHTIME CONCERT WARWICK FOLK CEILIDH FREE LUNCHTIME CONCERT DAVID LE PAGE & FRIENDS Warwick Folk DAVID GORDON TRIO Music Centre Event Music Centre Event Sun 3 Dec 4pm, Butterworth Hall -
Treasures from the New World
Treasures from the New World Chamber music by Amy Beach (1867-1944), SOMMCD 0609 Henrique Oswald (1852-1931) and Marlos Nobre (b.1939) Clélia Iruzun piano Treasures from the New World Coull Quartet – Roger Coulla, Philip Gallaway violin, Jonathan Barritt viola, Nicholas Roberts cello AMY BEACH Piano Quintet in F-sharp minor, Op.67 [29:21] 1 Adagio 9:45 2 Adagio espressivo 9:29 3 Allegro agitato 10:09 HENRIQUE OSWALD Piano Quintet in C major, Op.18 [26:52] 4 Allegro moderato 8:02 5 Scherzo 4:01 6 Molto adagio 7:19 7 Molto allegro 7:30 8 MARLOS NOBRE Poema XXI, Op.94 No.21* 3:54 9 AMY BEACH Romance for Violin and Pianoa 6:32 Total duration: 66:46 *First recording Recorded at Turner Sims, Southampton on April 8 & 9, 2019 TURNER Recording Producer: Siva Oke Recording Engineer: Oscar Torres SIMS Southampton Front cover: The Black Brook, c.1908. John Singer Sargent (1856-1925) Piano Quintets by Clélia Iruzun piano Photo © Tate Design: Andrew Giles Booklet Editor: Michael Quinn Amy Beach & Coull Quartet © & 2020 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND DDD Made in the EU Henrique Oswald Includes a First Recording to annual recitals, focusing her career instead on composition. Dr. Beach was 24 Treasures from the New World years Amy’s senior, and his death in 1910 allowed her to pursue a broader career his programme presents two piano quintets, both late Romantic works by as a performer. She spent the following years in Europe, performing mainly in T composers from the Americas. -
Miguel De BEISTEGUI, Professor. Department
CURRICULUM VITAE Full Name and Title: Miguel de BEISTEGUI, Professor. Department: Philosophy, The University of Warwick Title of current appointment: Professor Career History: Lecturer 1 April 1995 – 31 January 2007 Reader 1 February 2007 – 30 September 2008 Professor 1 October 2008 – Present Education/Qualifications: • BA (Licence) in Philosophy, Université de Paris IV-Sorbonne. • MA (Maîtrise) in Philosophy, Université de Paris I-Sorbonne. • Ph.D., Loyola University of Chicago. • Post-doctoral Fellowship (C.N.R.S., France), Hegel-Archiv, Bochum, Germany. Editorial Activities: • Member of the Editorial Board of New Heidegger Research (Rowman & Littlefield International), Philosophical Projections (Rowman & Littlefield International), the Journal of Speculative Philosophy and Subjectivity • Referee for the following journals and University Press: Journal of Speculative Philosophy, Research in Phenomenology, Deleuze Studies, Journal of the British Society of Phenomenology, Notre Dame Philosophy Review, Cambridge University Press, Yale University Press, Columbia University Press, The University of Chicago Press, MIT Press, SUNY Press, Edinburgh University Press, Continuum. Visiting Professorships: • Università degli Studi di Milano, Italy, 2004-2007 • Lev Chestov Visiting Professor, The Institute of Philosophy of the Academy of Sciences, Moscow, Russia, 13-22 March 2013. • The New School for Social Research, August-December 2014. • Gadamer Visiting Professor, Boston College, September 2015. Other Activities/Marks of Esteem • Member of the -
Annual Report 2013
GROSSBRITANNIEN-ZENTRUM Centre for British Studies ANNUAL REPORT 2013 The British Ambassador, Simon McDonald CMG, and the GREAT Britain MINI, on the Occasion of his Lecture at Humboldt-Universität (see also last page). WHAT IS THE CENTRE FOR BRITISH STUDIES? The Centre for British Studies at Berlin’s Humboldt-Uni- versität is a unique academic institution offering inter- disciplinary postgraduate study in English in the capital of Germany. We were founded in 1995 after the fall of the Berlin Wall and German re-unification in recognition of the UK’s im- portant role in Germany and Berlin after World War ll and during the Cold War. We offer: • An interdisciplinary international Master’s degree in British Studies • Disciplinary and interdisciplinary research opportunities in subjects relating to the UK • A forum for a range of public debates, lectures and events on topical British and academic issues Our popular Master’s course lasts between 1.5 and 2 years and includes a 3- to 6-month placement in the UK. Our course aims to provide students with a good general overview of Britain past and present while offering a range of options to study in more depth. Our students are drawn from all over the world giving the Centre a stimulating international atmosphere. Annual Report 2013 CONTENTS The Centre in 2013 2 The Master in British Studies 4 Course Description 4 M.B.S. Students 8 Teaching 12 Further Activities 16 Spotlight: Student Project 18 Work Placements 20 M.B.S. Theses 22 Alumni 24 Spotlight: Alumni Dinner 26 Teaching at other Faculties