Marsh's Free Museum

Total Page:16

File Type:pdf, Size:1020Kb

Marsh's Free Museum September 2021 • vol 22 • issue 271 rsh’s Free Museum Ma ! 100 Years of Weird and Wonderful HIPFiSH THIS OCTOBER P18 MONTHLYalternative press serving the lower columbia pacific region Interact with a Terra Obscura Psychopomp new poetry at the Earth & Ocean Festival Mary Lou McAuley p16 Sept 16-19 immersive beach theatre, land art installation, sky art, raku, fire dancing, galleries and more— COMEBACK: connecting art and Sage’s POETRY VENUE. Yay! environmental stewardship p7 Salon Sensibilities p8 Since 1987 finnware Dedicated to Nordic style and quality. Visit our Portland Location at finnware.com • 503.325.5720 Nordia House 1116 Commercial St., Astoria OR • Open 11am - 4pm Mon - Sat Imogen Gallery contemporary works 240 11th street, astoria, or • 5 0 3 . 4 6 8 . 0 6 2 0 mon – sat 12 to 5pm, sun 12 to 4, closed tue/wed • imogengallery.com Belly Dance A Artisan Crafts • Stationery • Ceramics with Celestine Jewelry • Cards • Arts Jessamyn Gypsy’s Durham Whimsy HERBAL Hair Cutting APOTHECARY Color Services Monday—Thursday : 11—5 Spring into Spring Brow Waxing Friday & Saturday : 11—6 with a new look! & Coloring Sunday : 11—2 503.468.0308 at Salon Stellar, 2921 Marine Dr. Astoria CAll for an appt. 503.791.7285 1296 Duane St. Astoria Enter into the Visit Downtown Astoria Gypsy's Caravan on the 2nd Saturday of every month for art, music, • exotic teas and herbs We offer weekly classes and general merriment! • unique fair-trade imports by local artists, NEW HOURS: workshops by nationally Wednesdays, 7pm to 8:15pm Food and refreshments will not • nutritional remedies at the AAMC, $10 drop-in 12 noon to 8pm be served. Participants are • natural body care known artists, studios and 342 10th St (2nd Floor). encouraged to follow social Presented by distancing guidelines and to & aromatherapy meeting space, Your first class is free! the Astoria Downtown please wear masks. 2 classrooms and a large * All genders, ages, and Historic District Relax, Explore, Enjoy! levels are welcome. Association gallery showing fine *Coin belts, zills, 503.338.4871 art and crafts. veils, & music are 503.338.4871 AstoriaArtLoft.com provided. Hrs:Hrs: Tue Tue -- Sat 11am 11am to 5pm- 6pm closedclosed sunsun - -mon mon Hrs: 10am to 4pm, Tue - Sat [email protected] For private lessons, performances: Aug astoriaartsandmovement.com 11391130 Commercial St. St. astoriadowntown.com 106 Third Street, Astoria Or. 97103 503.325.4442 503.791.5657 14 Astoria, OROR 97103 97103 SEPT 21 hipfishmonthly.com 2 A Special LIVE Event Series presented by Coast Community Radio and HIPFiSHmonthly an Intimate venue presented by HIPFISH KALA PERFORMANCE SPACE 1017 Marine Drive in Astoria 503.338.4878 First Person: Authors Talk welcomes Deborah Reed Sept 24 FIRST PERSON: AUTHORS TALK is an interview show featuring Swan features conversation about all things writerly. Each month, Host Heath- a 93-year-old er Hirschi interviews a local writer live on the KALA stage, with titular charac- questions from the audience and a few surprises. In September, ter, artist Violet we welcome Fall with guest Deborah Reed, novelist and owner Swan. For nearly of Cloud & Leaf Bookstore in Manzanita. A few years ago, Reed a century, Violet bought the well-loved bookstore and is now a vibrant contribu- has lived and Now serving: Herbal Elixirs tor to the Coast’s literary community. painted on the Oregon Coast, “translating tragedy and hard- Reed is the author of seven novels, including most recently, ship into art,” and now Violet reckons with secrets about to be Pale Morning Light with Violet Swan and The Days When Birds revealed. An intergenerational novel, Pale Morning Light with cen Come Back, both published al S t B Violet Swan explores Violet’s life as art, including her escape n len by Houghton Mifflin Harcourt. so d from rural Georgia at fourteen during World War II. Violet’s life, r in She taught novel writing at “inspired by nothing more than the way she imagined it to be, e g the Hellenic American Univer- would turn out to be her greatest masterpiece.” P sity in Athens, Greece, and Deborah Reed’s other recent novel, The Days When Birds the UCLA extension program Come Back, also is inspired by the Oregon coast. June, recently Essential Middle in Los Angeles. Reed also was divorced and sober, returns to the coast of her youth and must Oil Bar Eastern the co-director of the Black decide what to do with her late grandparents’ home, “a place Delights Forest Writing Seminars at haunted by memories of her childhood”. She meets Jameson, Albert-Ludwig University in who begins renovating the cedar shingled house. Drawn to Herbal Vintage Freiburg, Germany. She now each other, June and Jameson circle close but both are fear- splits her time between the ful, gripped by their pasts. The Days When Birds Come Back, Apothecary Instruments Oregon coast and Berlin. like June’s house itself, is “a graceful testament to endurance, 1428 Commercial St. Astoria, OR Reed’s complex character- rebuilding, and the possibilities of coming home”. ization and well-paced story- Thursday—Monday : 11—5 • 503.468.0795 lines create engrossing tales Please join us for a conversation with the talented Deborah that examine the nuances of Reed on Friday, September 24. Doors open at 7:30, show at daily life, art and memory. 8pm Tickets: $15 Available at the door and online at www. a KALA production Pale Morning Light with Violet brownpapertickets.com. Friday, Sept 24, 7:30pm Storyteller Social Tickets: $15 Will Hornyak irst authors talk Mostly Grimm: Tales from Distance the Darkest Side of the p Brother’s Collected Stories Seating Oct 22 KALA shows will comply with social distance seat- e A favorite guest artist at KALA, Will’s last ing of tables 6ft. apart. r scheduled performance in March 2020 was The room is ventilated, in MASTER STORYTELLER WILL HORNYAK celebrates postponed due to Covid-19. KALA hopes to addition to ceiling fans. the Celtic New Year of Samhain with stories from s be welcoming back his treasured storytelling Our capacity is limited. All the darkest side of the Brothers Grimm (among oth- powers, more than a year and half later. shows in August and early ers) along with poems, songs and lore in honor of A New o September have been the “thin times” of the year. For mature audiences, “Storyteller par excellence....Will Hornyak Monthly postponed. age 14 and older. takes listeners across a spiritual threshold... Series! n We will monitor the ulti- About the Storyteller: From Irish myths and Rus- transports audiences young and old into an mate safety of producing sian fairytales to Mexican folktales and Oregon tall amazing world of imagination.” a lively conversation all things writerly tales, Will Hornyak weaves a wide web of oral tradi- The Oregonian events at this time, as we tions into thoughtful, engaging and well crafted move forward. First Person Host HEATHER HIRSCHI “Warmth, wit, wisdom....Will Hornyak is a performances. Will has performed throughout We ask that our attend- perennial favorite. ” Rebecca Hom Director welcomes Guest Author DEBORAH REED the United States and been a featured teller at the ees provide vaccination Forest Storytelling Festival National Storytelling Festival in Jonesborough, Ten- cards, and maintain mask nessee. He lives in Milwaukie, Oregon but resides Friday, October 22, 7:30pm. Doors open safety while moving about Vac Cards Required. Socially Distanced Table Seating. Limited Capacity. in the venue. Stay safe, mostly in his imagination where facts rarely intrude 7pm. $15. www.brownpapertickets.com. Tickets On Sale : www.brownpapertickets.com upon a good story. Tickets on sale Oct 1, 2021. stay well, stay tuned. Doors open 7:30, Show at 8pm KALA 1017 Marine Drive Astoria 503.338.4878 COCKTAILS! 3 SEPT 21 hipfishmonthly.com f hf RUSSIAN GOLD MEDALISTS RETURN TO ASTORIA outside the box FUTILE INTERVENTIONS STEPHEN BERK SOME FORTY-SIX YEARS AGO, together with most Americans, militant Islam in the states along its southern border. Vladimir I watched U.S. diplomatic personnel and some of their South Putin warned George W. Bush against going into Afghanistan fol- Vietnamese allies struggling to board a helicopter on the roof of lowing the 9-11-01 attacks on the World Trade Center, which were the American embassy. They were abandoning Saigon as it fell to attributed to Osama Bin Laden and his militant Islamist organiza- communist North Vietnam and its South Vietnamese allies in the tion, al Qaeda. Afghanistan is a country of high mountains, mak- National Liberation Front. The Vietnam War (1955-75) was the lon- ing it very difficult for a foreign army to invade and carry on war. gest military conflict growing out of the Cold War between Ameri- Bush not only sent troops to Afghanistan, but also Iraq, where can capitalism and its proxies, and Russian (Soviet) communism his father, George H.W. Bush had previously sent troops to fight and its proxies. After Vietnam reunified under the communists, its Iraqi leader Saddam Hussein, who had invaded Kuwait. The elder LOWER COLUMBIA government and economic system evolved from the Soviet model Bush had removed Hussein from Kuwait, and the second president to a state combining features of socialist government with those of Bush ultimately killed him. But Hussein’s Iraq had never been the POETRY COMPETITION a market economy. From 1989-91, as the Soviet Union fell apart, problem. The U.S. faced twenty years of stiff Afghani resistance Russia and its neighbors in Eastern Europe also adopted the chief from the militantly Islamist Taliban while training the Afghan army Open in features of market capitalism. to counter the Taliban. After twenty years of fighting the Taliban The almost half century of Cold War was supposedly won by and training the Afghan army, U.S.
Recommended publications
  • Received by NSD/FARA Registration Unit 12/07/2020 9:54:33 AM
    Received by NSD/FARA Registration Unit 12/07/2020 9:54:33 AM Friday 12/04/20 This material is distributed by Ghebi LLC on behalf of Federal State Unitary Enterprise Rossiya Segodnya International Information Agency, and additional information is on file with the Department of Justice, Washington, District of Columbia. ‘Stand Our Ground’: US Lawmakers Call to Resist Chinese Communist Party’s ‘Quest to Exert Dominance’ by Morgan Artvukhina Top US intelligence officials have sounded the alarm in recent days about the supreme danger posed by China and the Communist Party of China to the United States. While their rhetoric casts the US as a victim of China’s unfair rise, in reality the US’ climb to world leadership was helped by its own sabotage of Chinese development. In a joint statement on Friday. Senate Select Committee on Intelligence acting Chairman Marco Rubio (R-FL) and Vice Chairman Mark Warner (D-VA) said they agree with US Director of National Intelligence John Ratcliffe “that China poses the greatest national security threat to the United States. Our intelligence is clear: the Chinese Communist Party will stop at nothing to exert its global dominance.” The day prior, Ratcliffe penned an op-ed in the Wall Street Journal in which he argued that “the People’s Republic of China poses the greatest threat to America today, and the greatest threat to democracy and freedom world-wide since World War II.” Ratcliffe claimed “Beijing intends to dominate the US and the rest of the planet economically, militarily and technologically” through a vast espionage plan to steal intellectual property from the US, replicate the technology, then edge those same firms out of the market - a strategy he called “rob, replicate and replace.” Ratcliffe’s article isn’t limited to attacking the Communist Party of China, however: he also warns of the dangers “Chinese nationals” pose to intellectual property and to “research and development secrets,” noting the FBI is “frequently arresting” them.
    [Show full text]
  • Shared Histories Make Bernalillo a Bumpy Crossroads of Culture
    SANDOVAL PLACITAS PRSRT-STD U.S. Postage Paid BERNALILLO Placitas, NM Permit #3 CORRALES SANDOVAL Postal Customer or Current Resident COUNTY ECRWSS NEW MEXICO SignA N INDEPENDENT PLOCALO NEWSPAPERSt S INCE 1988 • VOL. 32 / NO .4 • APRIL 2021 • FREE IVEN Signpost among winners in D ILL communications contest —B ~SIGNPOST STAFF You hold in your hand (or screen) an award-winning publication. The New Mexico Press Women, during its annual conference on March 13, honored Signpost Editor/Cre- ative Director Barb Belknap with a first-place award in the category of Publication Regularly Edited by Entrant. The category is open to newspapers, magazine, newslet- ters (nonprofit, government or educational), and newslet- ters (corporate or for profit). The judge described the Signpost as employing smart design, style, and consistent use of color. That gives the paper a strong and polished brand lending to its credibility, he or she said. “Great content and lively writing,” the judge wrote. “I enjoy the clever mix of fun features with hard news, business news, and watchdog government coverage along with practical community ‘news you can use.’” The state award advances Belknap to the National Federation of Press Women annual competition. When she won the same state award in 2000, the Signpost Visitors at Coronado State Historic Site line up to enter the reconstructed kiva of Kuaua Pueblo placed second in the national contest. during a 2015 event marking the site’s 75th anniversary. To commemorate the event, Placitas graphic designer and Signpost contributor Gary Priester created a special emblem as part of his series of elements in the Signpost flag on page one.
    [Show full text]
  • The Rainmaker
    THE RAINMAKER PRESS HIGHLIGHTS REVIEWS 'Rainmaker' sprinkled with wry delights | UTSanDiego.com http://www.utsandiego.com/news/2013/jul/19/old-globe-rainmaker-theate... 'Rainmaker' sprinkled with wry delights Old Globe's revival of Nash play buoyed by strong cast, direction By James Hebert (/staff/james-hebert/) 2:03 p.m. July 19, 2013 (/photos/2013/jul/19/1063712/) Gbenga Akinnagbe (left) and Danielle Skraastad in the Old Globe Theatre's "The Rainmaker." — Jim Cox If a hard rain’s a-gonna fall on the parched Texas town where the Old Globe’s latest show is set, the method for coaxing it — which apparently involves table salt, tied-up mules and “good ol’ Nebraska cuss words” — seems about as coherent as a Bob Dylan lyric. But then, it’s likewise a little hard to figure the alchemy behind director Maria Mileaf’s staging of “The Rainmaker,” the 1954 play by N. Richard Nash about stifled lives thirsting for some passion and purpose. The play is a gentle kind of fairy tale that can be folksy to a fault, and its ideas of female fulfillment risk leaving a modern playgoer feeling wilted. And yet this turns out to be a seriously charming show — one that’s shot through with humor and humanity and an inspired balance between the sobering realities of the time and place (a drought-stricken farm during the 1930s) and the story’s more fanciful elements. That contrast is crucial, because at heart “The Rainmaker” is all about finding beauty and amazement in the seemingly ordinary. and believing dreams can bloom from the cracked earth.
    [Show full text]
  • Screendollars Newsletter 2021-04-26.Pdf
    Monday, April 26, 2021 | No. 165 One of the things moviegoers like most about going to theatres is seeing films on the Big Screen, "the way they were meant to be seen." What people don't realize is that when films started in the mid-1890s, there were neither screens nor projectors. The very short films of that era were meant to be seen individually by looking into peep show machines in arcades. Those Kinetoscope devices were one of many inventions from Thomas Edison's factory in West Orange, NJ. Since Edison was monetizing his Kinetoscopes quite well, he had no interest in developing a machine to project film images on walls. Others, however, saw a big future in showing films to groups of people. Peep show owners, in fact, were very vocal in pressing Edison to devise a Film projection to large audiences was much more way to show life size images on arcade walls. This led to the Vitascope profitable than viewing through individual kiosks, since projection system, developed by Washington, DC inventor Thomas Armat, fewer machines were needed in proportion to the but then marketed by Edison's organization as if it were his own invention. number of viewers - Click to Play The first public Vitascope screening took place April 23, 1896 at Koster & Biel's Music Hall, a vaudeville house in New York's Herald Square at 34th Street near Broadway, the site today of Macy's. It would have premiered three days earlier, but it took longer than expected to install the machinery. That first night audience was dazzled by film images projected on a 20 foot canvas screen set within a gilded frame.
    [Show full text]
  • Matrix Mortgage Global Google Review
    Matrix Mortgage Global Google Review Dionis is lated: she lengthens coercively and urbanised her hire. Unreflective Moise vintages that hasn't rightens dextrally and plagiarize perilously. Intercollegiate Ender rescheduling, his Orissa sipping crenellated accurately. In this post book'll review an average industry conversion rates and provide tips. LLC Global Express capital Mortgage Corp Global Express Securities Inc. Matrix mortgage global logo design 4hourslogocom. It assumed customer. Joe biden presidency, they may enter their context of an executive noticed that he has two paths the matrix global company of. Values of eg Linux Kernel or Physical Review citation. Tomas alberto clarke bethancourt, many shares not consider these people of. This mortgage google hangouts chat and reviews on the image processing the yext knowledge network, mortgages allows you want. With a marble of top global real estate investors service provid- ers and developers. New play will appear as a global center supporting innovation at the intersections. Apogee Enterprises Apollo Education Group Apollo Global Management. We are champions of vast Compare Canada's best mortgage rates credit cards insurance quotes and banking & investment products Shop and situation today. 'The meeting will be more opportunity for luxury two leaders to loose joint efforts in. When environments are not currently in the marketplace for programs the listed all. It permits that mortgages simultaneously face layoffs how global review helpful with matrix mortgage and. Inflation leads and matrix global google revoked corporate research or matrix review the few years logically differ between the quadrant. Matrix Growth Market Share Matrix to know your product portfolio. Google Assistant and Siri now too believe you yet complete way to quiet your.
    [Show full text]
  • THE RAINMAKER: Know-The-Show Guide
    The Shakespeare Theatre of New Jersey 2019 THE RAINMAKER: Know-the-Show Guide The Rainmaker by N. Richard Nash Directed by Bonnie J. Monte Know-the-Show Audience Guide researched and written by the Education Department of Artwork by Scott McKowen The Shakespeare Theatre of New Jersey 2019 THE RAINMAKER: Know-the-Show Guide In this Guide – The Rainmaker: Director’s Notes ............................................................................................... 2 – The Life of N. Richard Nash ...................................................................................................... 4 – The Selected Writings of N. Richard Nash ................................................................................. 6 – The Rainmaker: A Short Synopsis .............................................................................................. 7 – Who’s Who in the Play ............................................................................................................. 8 – A Dream of Rain (and Con Men) ............................................................................................... 9 – Commentary & Criticism ........................................................................................................ 10 – In This Production ................................................................................................................... 11 – Explore Online ....................................................................................................................... 12 – Famous Adaptations
    [Show full text]
  • Indigenism and Feminism in the Prose Fiction of Rosario Castellanos. George Alexander St
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1981 Indigenism and Feminism in the Prose Fiction of Rosario Castellanos. George Alexander st. john Robinson Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Robinson, George Alexander st. john, "Indigenism and Feminism in the Prose Fiction of Rosario Castellanos." (1981). LSU Historical Dissertations and Theses. 3616. https://digitalcommons.lsu.edu/gradschool_disstheses/3616 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy.
    [Show full text]
  • Machismo(S): a Cultural History, 1928 – 1984
    Machismo(s): A Cultural History, 1928 – 1984 by Erik Morales A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in The University of Michigan 2015 Doctoral Committee: Associate Professor Anthony P. Mora, Chair Associate Professor Maria E. Cotera Associate Professor Kristin A. Hass Professor Regina Morantz-Sanchez © Erik Morales 2015 For my family and in memory of my father, Jose H. Morales. ii Acknowledgements This seven-year project was shaped and made possible by the generous support of many. The Horace H. Rackham School of Graduate Studies at the University of Michigan provided me with several awards: the Rackham Merit Fellowship, a Predoctoral Fellowship, a Travel Grant, and a One-Term Dissertation Fellowship. The Department of American Culture granted me a Summer Writing Residency Award. The Social Science Research Council, through the Mellon Mays Graduate Initiatives Program, provided me with a Dissertation Completion Grant. These funds allowed me to research, write, and record the rare material I needed for this dissertation. I am indebted to my dissertation committee. Their guidance on the direction of my research was vital in setting goals and producing chapter frameworks. A big thank you to the chair of my committee, Anthony Mora, who patiently and generously read, then re-read each chapter draft. Kristin Hass provided countless moments of moral support and kept me in mind for funding and networking opportunities. Regina Morantz-Sanchez steered me into the fields of Jewish and Asian American masculinity, influencing the ways I examined the sources I collected. Lastly, Maria Cotera provided me with substantial recommendations to help me complete the final revision.
    [Show full text]
  • El Cuento Chicano
    El Cuento Chicano Identitätsfindung in den zeitgenössischen Chicano-Kurzgeschichten auf Spanisch Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität Bonn verlegt von Dr. Laura Ruth Carro-Klingholz aus Mexiko Bonn 2005 1. Berichterstatter: Prof. Dr. Wolf-Dieter Lange 2. Berichterstatter: PD. Dr. Kian-Harald Karimi Tag der mündlichen Prüfung: 04. Mai 2005 Diese Dissertation wurde mit LATEX 2" in Times-Roman und Helvetia- Bold gesetzt. Sie wurde mit Genehmigung der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität im Jahr 2005 auf dem Hochschulschriftenserver der Universitäts- und Landesbibliothek Bonn http://hss.ulb.uni-bonn.de/diss_online elektronisch publiziert. Inhaltsverzeichnis Vorwort . xi Einleitung . xiii I. Heterogenität und Einheit: Geschichte und Literatur der Chicanos 1. Die geschichtlichen Hintergründe der Chicanos . 3 1.1. Die Hispanisierung des Gebietes und das angelsächsische Volk . 3 1.2. 1848: Die neue Grenze zwischen den USA und Mexiko . 10 1.3. Der Südwesten als blühende, multikulturelle Region . 15 1.4. Movimiento chicano oder Brown Power der 60er und 70er Jahre . 24 1.5. Die 80er und 90er Jahre: Die Kolonie der Chicanos . 28 2. Die Literatur der Chicanos . 37 2.1. Literatur des Südwestens auf Spanisch . 37 2.2. Identitätssuche: Zwischen mythischer Vergangenheit und Zukunft . 50 2.3. Die Chicanesca-Literatur, ein Exkurs . 55 2.4. Frauenperspektive und -literatur: Das Malinche-Paradigma 57 v Inhaltsverzeichnis II. Sprache, Erzählverfahren und Stil als Instrumente zur Charakterisierung der Chicano-Identität 3. Die Sprache der Chicanos . 71 3.1. Sprachvarietäten des Spanischen auf dem Chicano-Gebiet 73 3.2. Die englische Sprache . 89 3.3. Heteroglossie . 102 4.
    [Show full text]
  • Pepe Zúñiga and Mexico City's Rebel Generation
    Portrait of a Young Painter Portrait of a Young Painter Pepe Zúñiga and Mexico City’s Rebel Generation Mary Kay Vaughan Duke University Press Durham and London 2015 © 2015 Duke University Press All rights reserved Designed by Chris Crochetière Typeset in Minion and Meta type by BW&A Books, Inc. Library of Congress Cataloging-in-Publication Data Vaughan, Mary K., 1942– Portrait of a young painter : Pepe Zúñiga and Mexico City’s rebel generation / Mary Kay Vaughan. pages cm Includes bibliographical references and index. isbn 978-0-8223-5765-0 (hardcover : alk. paper) isbn 978-0-8223-5781-0 (pbk. : alk. paper) isbn 978-0-8223-7612-5 (e-book) 1. Zúñiga, José, 1937– 2. Painters—Mexico—Biography. 3. Art—Political aspects—Mexico. I. Title. nd259.z787v38 2014 759.972—dc23 [B] 2014030835 Unless otherwise noted, all photographs in this book are from the personal collection of José “Pepe” Zúñiga and are used by permission. Title page photograph: Pepe in 1952. Cover art: Pepe Zúñiga, Autoretrato, 1968. Photograph: Juan Miranda Salgado. For Pepe Zúñiga, of course. Contents Acknowledgments ix Introduction 1 1 Lupe’s Voice 29 2 Enchanting City / Magical Radio 44 3 Pepe at School and with God, the Virgin, and the Saints 58 4 My Father, My Teacher 78 5 The Zúñiga Family as a Radionovela 98 6 “How Difficult Is Adolescence!” 127 7 “Five Pesos, Two Pencils, and an Eraser!” 145 8 Exuberant Interlude: Painting at the Museo de Antropología 173 9 Private Struggle / Public Protest: 1965–1972 184 10 Subjectivity and the Public Sphere: The Mature Art of José “Pepe” Zúñiga 212 Notes 241 Bibliography 259 Index 279 Acknowledgments In May 1970, when the United States bombed Cambodia, students at the University of Wisconsin went wild with angry frustration.
    [Show full text]
  • Slight Rebound Looks Shaky Turning on and Off When No One Was Home, She Told Stars and Stripes on Wednesday
    NFL FACES NATION Steelers posing Kristin Chenoweth Zeta delivers another big problems for OK with non-witch blow to Southeast in opposing QBs role in new movie record hurricane season Back page Page 14 Page 10 3 killed, others hurt by knife-wielding attacker in French church » Page 7 Volume 79, No. 140 ©SS 2020 CONTINGENCY EDITION FRIDAY, OCTOBER 30, 2020 stripes.com Free to Deployed Areas Club shares VIRUS OUTBREAK paranormal experiences at Yokota BY ERICA EARL Stars and Stripes YOKOTA AIR BASE, Japan — Strange things started happening the day Alicia Adachi moved into her on-base home, a garden unit on Yokota’s west side, in 2012. She said she would sometimes find the bed in her spare bedroom inexplicably stripped of its sheets and blankets. She heard loud crashes in her kitchen in the mid- dle of the night but found nothing broken or misplaced. Sometimes, Adachi said, she’d wake up to find all her kitchen cabinets wide open when they were shut the night before. The series of bizarre events led her to seek confirmation among others with shared experiences, and eventually to start up the Yo- kota Ghost Hunter Club, which has more than 900 members on Facebook. The club encourages sharing written accounts, videos, electronic voice phenomenon and photo evidence of the spiritual ELAINE THOMPSON/AP realm and the paranormal. Early this month, for example, University of Washington research coordinator Rhoshni Prabhu holds up a swab after testing a passenger at a free COVID testing site in Staff Sgt. Breanna Adams of the Seattle on Oct.
    [Show full text]
  • The Angus Site: a Late Prehistoric Settlement Along the Rio Bonito, Lincoln County, New Mexico
    THE ANGUS SITE: A LATE PREHISTORIC SETTLEMENT ALONG THE RIO BONITO, LINCOLN COUNTY, NEW MEXICO DOROTHY A. ZAMORA YVONNE R. OAKES MUSEUM OF NEW MEXICO OFFICE OF ARCHAEOLOGICAL STUDIES ARCHAEOLOGY NOTES 276 2000 MUSEUM OF NEW MEXICO OFFICE OF ARCHAEOLOGICAL STUDIES THE ANGUS SITE: A LATE PREHISTORIC SETTLEMENT ALONG THE RIO BONITO, LINCOLN COUNTY, NEW MEXICO by Dorothy A. Zamora and Yvonne R. Oakes Contributions by Nancy J. Akins Susan Moga Phil Alldritt James Quaranta David V. Hill Mollie S. Toll Richard G. Holloway Sonya O. Urban Pamela J. McBride C. Dean Wilson Submitted by Timothy D. Maxwell Principal Investigator ARCHAEOLOGY NOTES 276 SANTA FE 2000 NEW MEXICO ADMINISTRATIVE SUMMARY This report details the results of excavations carried out on two sites located in the Sierra Blanca region of south-central New Mexico. Both sites are within NMSHTD right-of-way acquired from privates sources. The Angus site (LA 3334) was partially excavated in 1956 by Stewart Peckham of the Laboratory of Anthropology, Museum of New Mexico, because of road construction activities at the intersection of NM 37 and 48 at Angus, near Ruidoso, in Lincoln County, New Mexico. In 1997, proposed reconstruction of the bridge over NM 48 was the impetus for further testing at the site because the existing right-of-way had not been fully excavated in 1956. The testing program (Zamora 1998) revealed evidence of buried cultural deposits and several utilized surfaces. The Little Creek site (LA 111747) seemed to represent a small lithic and ceramic scatter. The site was tested and also contained subsurface artifacts but no cultural features were located.
    [Show full text]