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NEW YORK, 650 5TH AVE @ 52ND ST BOSTON, COPLEY PLACE Fashion
NEW YORK, 650 5TH AVE @ 52ND ST BOSTON, COPLEY PLACE Fashion. Beauty. Business. DEC 2015 No. 2 FOLLOW US FOLLOW SHOP AT LANDSEND.COM AT SHOP ’Tis the Season! The fashion insider’s holiday gift guide, wish lists, books, retailer picks and party style. (And the time Salvador Dalí threw a mink- lined bathtub through Bonwit’s window.) WE BELIEVE IN YOU Edward Nardoza EDITOR IN CHIEF Pete Born EXECUTIVE EDITOR, BEAUTY Bridget Foley EXECUTIVE EDITOR James Fallon EDITOR Robb Rice GROUP DESIGN DIRECTOR ’Tis the Season! 46 To shine brightest in the evening, dress up with the John B. Fairchild most festive of accoutrements. 1927 — 2015 MANAGING EDITOR Peter Sadera MANAGING EDITOR, Dianne M. Pogoda Billy Reid’s bow tie, FASHION/SPECIAL REPORTS $125, billyreid.com EXECUTIVE EDITOR, EUROPE Miles Socha DEPUTY MANAGING EDITOR Evan Clark Ben Sherman’s leather NEWS DIRECTOR Lisa Lockwood hip flask gift set, $20, DEPUTY EDITOR, DATA AND ANALYSIS Arthur Zaczkiewicz Ben Sherman New SITTINGS DIRECTOR Alex Badia H SENIOR EDITOR, RETAIL David Moin York SENIOR EDITOR, SPECIAL PROJECTS, Arthur Friedman TEXTILES & TRADE Cartier’s Rotonde de SENIOR EDITOR, FINANCIAL Vicki M. Young Cartier Chronograph BUREAU CHIEF, LONDON Samantha Conti watch, $9,050, Cartier BUREAU CHIEF, MILAN Luisa Zargani BUREAU CHIEF, LOS ANGELES Marcy Medina stores ASIAN EDITOR Amanda Kaiser BUREAU CHIEF, WASHINGTON Kristi Ellis Brooks Brothers knot ASSOCIATE EDITOR Jenny B. Fine stud set, $325, Brooks SENIOR EDITOR, SPECIALTY RETAIL Sharon Edelson Brothers stores and E SENIOR PRESTIGE MARKET Julie Naughton BEAUTY EDITOR brooksbrothers.com. SENIOR FASHION FEATURES EDITOR Jessica Iredale ACCESSORIES MARKET DIRECTOR Roxanne Robinson FASHION MARKET DIRECTOR Mayte Allende EYE EDITOR Taylor Harris MEN’S SENIOR EDITOR Jean E. -
Mitsuko Shitara.Pdf
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP MITSUKO SHITARA 1960’: Nova Iorque, Londres, Paris e São Paulo Mestrado em História São Paulo Abril de 2010 PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PUC-SP MITSUKO SHITARA 1960’: Nova Iorque, Londres, Paris e São Paulo Mestrado em História Dissertação de Mestrado apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título de Mestre em História, sob a orientação da Profa. Dra. Yvone Dias Avelino. São Paulo Abril de 2010 Banca Examinadora: ______________________________ ______________________________ ______________________________ Para Kanoe, com muita saudade. Agradecimentos No caminho percorrido entre o início da pesquisa e o depósito desta dissertação, pude contar com o auxílio precioso de diversas pessoas, que me estenderam a mão e emprestaram seus ombros, seus livros e seus conhecimentos, de formas tão diferentes, nos mais diferentes momentos, todos eles muito especiais e essenciais. Antes de mais nada, gostaria de deixar registrada minha eterna gratidão e admiração por Yvone Dias Avelino, que aceitou o desafio de orientar este trabalho. Ao longo dos anos, pude contar com sua compreensão, tolerância e paciência, sua imensa bondade e generosidade bem como a atenção e o jogo de cintura com que tratou minhas limitações de tempo. Quantas e quantas vezes incentivou-me nos momentos em que fraquejava, fortalecendo-me com seus ensinamentos. Sou-lhe eternamente devedora. Agradeço também a meus professores do programa de Mestrado da Pontifícia Universidade Católica de São Paulo (PUC-SP), que tiveram a capacidade de fazer uma ex-engenheira entender melhor o ofício de historiador e despertaram em mim um interesse mais profundo pela investigação histórica. -
Maude Adams and the Mormons
Brigham Young University BYU ScholarsArchive Faculty Publications 2013-1 Maude Adams and the Mormons J. Michael Hunter Brigham Young University - Provo, [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Mormon Studies Commons BYU ScholarsArchive Citation Hunter, J. Michael, "Maude Adams and the Mormons" (2013). Faculty Publications. 1391. https://scholarsarchive.byu.edu/facpub/1391 This Book Chapter is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Mormons and Popular Culture The Global Influence of an American Phenomenon Volume 1 Cinema, Television, Theater, Music, and Fashion J. Michael Hunter, Editor Q PRAEGER AN IMPRI NT OF ABC-CLIO, LLC Santa Barbara, Ca li fornia • Denver, Colorado • Oxford, England Copyright 2013 by ABC-CLIO, LLC All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Mormons and popular culture : the global influence of an American phenomenon I J. Michael Hunter, editor. p. cm. Includes bibliographical references and index. ISBN 978-0-313-39167-5 (alk. paper) - ISBN 978-0-313-39168-2 (ebook) 1. Church ofJesus Christ of Latter-day Saints-Influence. 2. Mormon Church Influence. 3. Popular culture-Religious aspects-Church ofJesus Christ of Latter-day Saints. -
Heritage and Innovation: Charles Frederick Worth, John Redfern, And
Heritage and Innovation: but despite his efforts to simplify women’s daytime clothes the usual effect was heavily Charles Frederick Worth, draped and fringed, and as stuffily claustro - phobic as the gewgaw-cluttered interiors John Redfern, and the associated with Victorian English taste”. Dawn of Modern Fashion The Kyoto Costume Institutes 2002 publi - cation of fashions from the 18 th through the Daniel James Cole 20 th Centuries includes a short, partially accurate biography Redfern but with erro - neous life dates that would have him opening his business around the age of 5. Recent scholarship creates a different pic - ture of both Worth and Redfern. Pivotal to the history of clothing, Redfern’s story is only recently being rediscovered, and only in the past few years has a proper explo - ration and assessment begun (primarily by the work of Susan North). North (2008) puts forward the thesis that in the late 19 th century, Redfern and Sons was of equal importance to the House of Worth. It is even possible to assert that Redfern, and his legacy, were actually of greater importance as shapers of 20 th Century styles. An exam - ination of Redfern and Redfern Ltd., in Charles Frederick Worth’s story has been comparison to their contemporaries, calls told often and is familiar to fashion schol - into question not only the preeminence of ars. But while Worth has enjoyed a place of Worth, but also aspects of the careers of Paul significance in fashion history, the story of Poiret and Gabrielle Chanel. his contemporary, John Redfern has been The following explores how Worth and ignored, or at best reduced to mere footnote Redfern, in different ways, shaped the tastes status. -
The 1962 Bear River Project, Utah An"D Idaho
Utah State University DigitalCommons@USU Library Faculty & Staff Publications Libraries 2004 "The Hardest Worked River In the World": The 1962 Bear River Project, Utah an"d Idaho Robert Parson Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/lib_pubs Part of the Library and Information Science Commons, and the United States History Commons Recommended Citation "The Hardest Worked River In the World: The 1962 Bear River Project, Utah and Idaho," Utah Historical Quarterly, vol. 72, no. 2, spring, 2004. This Article is brought to you for free and open access by the Libraries at DigitalCommons@USU. It has been accepted for inclusion in Library Faculty & Staff Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. UTAH HISTORICAL QUARTERLY SPRING 2004 • VOLUME 72 • NUMBER 2 UTAH HISTORICAL QUARTERLY (ISSN 0042-143X) EDITORIAL STAFF PHILIP F.NOTARIANNI, Editor ALLAN KENT POWELL, Managing Editor CRAIG FULLER, Associate Editor ADVISORY BOARD OF EDITORS NOEL A. CARMACK, Hyrum, 2006 LEE ANN KREUTZER, Salt Lake City,2006 STANFORD J. LAYTON, Salt Lake City,2006 ROBERT S. MCPHERSON, Blanding, 2004 MIRIAM B. MURPHY, Murray,2006 ANTONETTE CHAMBERS NOBLE, Cora,Wyoming, 2005 JANET BURTON SEEGMILLER, Cedar City,2005 JOHN SILLITO, Ogden, 2004 GARY TOPPING, Salt Lake City,2005 RONALD G.WATT,West Valley City,2004 Utah Historical Quarterly was established in 1928 to publish articles, documents, and reviews contributing to knowledge of Utah history. The Quarterly is published four times a year by the Utah State Historical Society, 300 Rio Grande, Salt Lake City, Utah 84101. Phone (801) 533-3500 for membership and publications information. -
Wild, Wearable, and Seaworthy
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1996 Wild, Wearable, and Seaworthy Frances Evelyn Davey College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Davey, Frances Evelyn, "Wild, Wearable, and Seaworthy" (1996). Dissertations, Theses, and Masters Projects. Paper 1539626019. https://dx.doi.org/doi:10.21220/s2-s5sn-7b20 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. WILD, WEARABLE AND SEEWORTHY A Thesis Presented to The Faculty of the Department of American Studies The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Frances E. Davey 1996 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Frances E. Davey Approved, August 1996 n '/h Barbar^ Carson E.7Grey Gundaker Colleen Callahan TABLE OF CONTENTS Page ACKNOWLEDGEMENTS . iv LIST OF F I G U R E S ........................................... V LIST OF ILLUSTRATIONS.................................. vii ABSTRACT ................................................. X INTRODUCTION ............................................ -
The Paris Seamstress
This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental. Copyright © 2018 by Natasha Lester Cover design by Faceout Cover copyright © 2018 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Forever Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 forever-romance.com twitter.com/foreverromance First published in March 2018 by Hachette Australia First American Edition: September 2018 Forever is an imprint of Grand Central Publishing. The Forever name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. Library of Congress Control Number: 2018940376 ISBN 978-1-5387-1477-5 (trade paperback) ISBN 978-1-5387-1475-1 -
1 a Dashing, Positively Smashing, Spectacle
A Dashing, Positively Smashing, Spectacle...: Female Spectators and Dress at Equestrian Events in the United States During the 1930s Dr Alison L Goodrum Introduction Little is known of the life of Miss Boopie Jenkins (see figures one and two) other than that she was part of an elite social set of wealthy, white, American men and women (note one) who enjoyed fulsome participation in a leisured lifestyle during the interwar years. Jenkins features in just a handful of black and white photographs held within the ‘Gerald B Webb Jr’ album collection (see note two), a photographic archive of the life and work of equestrian journalist and founder of the specialist newspaper (established 17th September 1937) The Chronicle of the Horse. These few glimpses of Jenkins captured in 1938 as a young woman of twenty-one years are instructive. They offer a visual entrée into the nuances of dress and dressing in – and for – a contemporary high class lifestyle, one punctuated by equestrian occasions both sporting and social. Amateur snapshots and family albums are endorsed by Taylor as being an ‘immensely useful...source of clothing detail’ (2002: 169-70) offering ‘significant tools in the dress historian’s search for the coded cultural meanings that lie within clothing’. The two photographs of Boopie Jenkins forwarded here are indeed richly encoded clothing texts. Both images are taken in the geographical setting of her home locale - Warrenton, Virginia - itself an area synonymous with equestrian activity of all kinds but particularly foxhunting and horse trialling. In figure one, Jenkins is positioned centre, following the action at the Warrenton Hunter Trials (see note three) from a makeshift vantage point: the back of a horse- drawn wagon. -
INTERWOVEN: Dress That Crosses Borders and Challenges Boundaries
INTERWOVEN: Dress that Crosses Borders and Challenges Boundaries International Conference of Dress Historians Friday, 27 October 2017 and Saturday, 28 October 2017 Conference Venue: The Art Workers’ Guild, 6 Queen Square London, WC1N 3AT, England Presented By: The Association of Dress Historians www.dresshistorians.org The border has emerged as a key conceptual device in recent political and social history. Join us as we consider the role of dress in transcending historical boundaries that operated to denote traditional divisions of gender, class, and nationality, among others. The Association of Dress Historians (ADH) is delighted to present its upcoming international conference, which features 62 separate paper presentations delivered over two exciting days of scholarship in dress history. Conference tickets are £30 for one day or £50 for two days. All conference tickets include tea and networking sessions, lunch, and a wine reception each day. Conference tickets can be purchased online at: https://tinyurl.com/ADHCONF. This conference programme includes the entire two–day presentation schedule, all 62 conference speakers’ paper abstracts and biographies, with an image that represents their conference presentation. Additionally, this programme includes the biographies of the 20 panel chairs and the five conference interns. In the interest of the environment, this conference programme will not be printed on paper. We advise reading it digitally. Also in the interest of the environment, at the end of the conference, please return your plastic name badge to the name badge table, so we can use them again. Thank you. The Association of Dress Historians is Registered Charity #1014876 of The Charity Commission for England and Wales. -
Bonnie Cashin Collection, 1943-2000 (Bulk 1950-1976)
Bonnie Cashin collection, 1943-2000 (bulk 1950-1976) Finding aid prepared by Celia Hartmann This finding aid was generated using Archivists' Toolkit on March 26, 2018 The Costume Institute's Irene Lewisohn Costume Reference Library The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Bonnie Cashin collection, 1943-2000 (bulk 1950-1976) Table of Contents Summary Information .......................................................................................................3 Biographical note.................................................................................................................4 Scope and Contents note.....................................................................................................4 Arrangement note................................................................................................................ 5 Administrative Information .............................................................................................. 5 Related Materials .............................................................................................................. 5 Controlled Access Headings............................................................................................... 6 Collection Inventory............................................................................................................7 Series I. Correspondence...............................................................................................7 Series -
Charles James Papers, 1704-1978 (Bulk 1960-1978)
Charles James papers, 1704-1978 (bulk 1960-1978) Finding aid prepared by Celia Hartmann and Caitlin McCarthy This finding aid was generated using Archivists' Toolkit on August 21, 2019 The Costume Institute's Irene Lewisohn Costume Reference Library The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY, 10028 [email protected] Charles James papers, 1704-1978 (bulk 1960-1978) Table of Contents Summary Information .......................................................................................................3 Biographical note.................................................................................................................4 Scope and Contents note.....................................................................................................6 Arrangement note................................................................................................................ 7 Administrative Information .............................................................................................. 8 Related Materials .............................................................................................................. 9 Controlled Access Headings............................................................................................... 9 Collection Inventory..........................................................................................................11 Series I. Business Ventures.........................................................................................11 -
Bathing Belle
BATHING BELLE Favourites from the Violet Rowe Swimwear Collection Take a step back in time and explore some of our favourite pieces from collector Violet Rowe’s remarkable collection of unique swimwear. Violet started curating her collection in 1957 at the age of 17 when she began work as a junior sales assistant in the fashion department at Myer Centre Ade- laide. The collection showcases the evolution of beach fashion and the iconic internation- al and national fashion labels and designers who rose to fame during the 1930s to 1960s. Though fashion fades, style is eternal. You can see the Violet Rowe Swimwear Collection in person at the Bay Discovery Centre museum. Keep watching our social media channels to stay updated on opening times: holdfast.sa.gov.au/BDC FB/Bay Discovery Centre Browse the entire Violet Rowe History Collection: www.holdfast.sa.gov.au/HistoryCentre View beachgoers at Glenelg Beach in the 1930s: https://youtu.be/Lvxc3_OmivE Strike a pose! Image Circa 1960. Holdfast Bay History Collection. Matching Swimsuit, Bathing Cap and Bathing Shoes Circa 1930 Blue woollen one piece swimsuit, manufactured by “Botany Seagull”. The piece has a high scoop neckline and a low cut back, a skirted front and back creating the illusion of a top and shorts. Manufactured in Melbourne, the Botany Knitting Mills designed “Seagull” and “Black Lance” beach and swimwear. The women’s bathing slippers with flower fabric and blue rubber were manufac- tured by “Dunlop” in Australia. The pattern varies slightly between the shoes. The fabric edge is scalloped at the front of the shoe where it meets the blue rubber.