2120 For all the drama, the humor, and the beauty you see on stage, there are thousands of hours of rehearsal, hundreds of pointe shoes, along with 20 some injuries and heartbreak.

And to what end?

To dazzle, to intrigue, to present something that makes your eyes well and your throat choke up. To leave you in wonder and delight. To allow you to feel emotions that linger long after the curtain has closed. 21DRACULA NINE SINATRA SONGS For a dancer, all the pain and triumph is then worth it. ROMEO + JULIET COME, EXPLORE YOUR EMOTIONS. RODEO CHOREOGRAPHIC FESTIVAL THE LITTLE MERMAID SUBCRIBE TODAY! BOXOFFICE.BALLETWEST.ORG ∙ 801-869-6920

FIRST SOLOIST KATLYN ADDISON & PRINCIPAL ARTIST ADRIAN FRY | PHOTO BY BEAU PEARSON, STYLIZED BY ALEX MOYA OCT 23 24 28 29 30 31

DRACULA SEDUCTION AT FIRST BITE

DEMI-SOLOIST EMILY NEALE & PRINCIPAL REX TITLON | PHOTO BY BEAU PEARSON OCT 23 24 DRACULA 28 29 30 31

Enter a world of gothic grandeur in this lavish neo- Romantic production. Ben Stevenson’s Dracula is an immersive melodrama that unfolds with awe-inspiring theatrics, vampire brides, stunning sets, and exploding chandeliers. The iconic tale is told with drama and sweeping choreography that “Dracula is spectacle of an order adds layers of artistry and entertainment to every ballet audiences seldom see element of the production. today... exquisitely beautiful and atmospheric.” —The New York Times

Choreography Ben Stevenson Music Franz Liszt, in an arrangement by John Lanchbery Scenic design Thomas Boyd Dracula is a killer introduction for new patrons to ballet— it has enormous sets, exciting special effects, and Costume design Judanna Lynn doesn’t stray far from the Bram Stoker novel. But, it also has intricate and beautiful choreography any ballet lover Lighting will appreciate. Timothy Hunter Premiere Ben Stevenson first choreographedDracula in 1997, while March 13, 1997 serving as ’s Artistic Director. Since then it Wortham Center has been performed around the world to critical acclaim. Houston, Texas

A true extravaganza, Dracula is a three-act ballet that is recommended for ages nine and up. SUBCRIBE TODAY! BOXOFFICE.BALLETWEST.ORG 801-869-6920 20 ABOVE: ARTISTS OF BALLET WEST. NEXT PAGE, LEFT: FIRST SOLOIST CHRISTOPHER SELLARS. RIGHT: ARTISTS OF BALLET WEST. PHOTOGRAPHY BY LUKE ISLEY. 21 NOV 6 7 NINE 12 14 SINATRA SONGS THREE MODERN MASTERWORKS

NINE SINATRA SONGSTM © PERFORMED BY DEMI-SOLOIST GABRIELLE SALVATTO & ARTIST DOMINIC BALLARD PHOTO BY BEAU PEARSON NOV 6 7 NINE SINATRA 12 14 SONGS

FIRST SOLOIST ALEXANDER MACFARLAN & SOLOIST JORDAN VEIT NINE SINATRA SONGS PHOTO BY LUKE ISLEY One of Twyla Tharp’s most popular works, Nine Sinatra Songs ALMOST TANGO PRINCIPAL ARTISTS EMILY ADAMS & CHASE O'CONNELL | PHOTO BY BEAU PEARSON presents glamorous portraits Set in a crowded dance hall, Almost of seven couples that trace the Tango presents the rich cultural roots and passionate style of the Argentinian RETURN TO A STRANGE LAND arc of romantic relationships. After the great choreographer John Cranko’s premature dance. Fonte is a master of creating The dancers swing, swirl, tango, death during a U.S. tour, Jiří Kylián and the Stuttgart relationships on stage that tell deeply and cha-cha through a glittering Ballet described their arrival home without their mentor emotional stories: “He is a storyteller ballroom, all while being serenaded as a “return to a strange land.” The rumination became first, and a brilliant choreographer by the "Chairman of the Board." the title of Kylián’s tribute to his mentor featuring six second,” said the Deseret News. As with dancers and a stage strewn with fallen leaves. The heart- Choreography his Carmina Burana, Rite of Spring, or Fox rending work is set to a solo piano written by Czech Twyla Tharp on the Doorstep, Almost Tango speaks to composer Leoš Janáček. Music the soul with both joy and heartache. Frank Sinatra Choreography Choreography Jiří Kylián Scenic Design Nicolo Fonte Name Music Music Leoš Janáček Costume Design Laurie Anderson, Karl Jenkins, and Oscar de la Renta Thomas Oboe Lee Scenic Design Jiří Kylián Lighting Scenic Design Jennifer Tipton Michael Andrew Currey Costume Design Jiří Kylián Premiere Costume Design October 15, 1982 David Heuvel after Nicolo Fonte & Mark Lighting Design Twyla Tharp Dance Zappone Jiří Kylián Queen Elizabeth Theatre Vancouver, Canada Lighting Design Ron Vodicka SUBCRIBE TODAY! Premiere April 11, 2002 BOXOFFICE.BALLETWEST.ORG NINE SINATRA SONGSTM © TWYLA THARP PERFORMED BY NORTHWEST BALLET: LESLIE RAUSCH & JOSHUA GRANT Originally commissioned by Pacific 801-869-6920 20 PHOTO BY ANGELA STERLING Northwest Ballet 21 DEC 11 12 13 16 17 18 19 20 21 22 23 24 26

THE GEORGE S. AND DOLORES DORÉ ECCLES FOUNDATION PRESENTS WILLAM CHRISTENSEN’S THE NUTCRACKER AMERICA'S FIRST NUTCRACKER

FIRST SOLOIST SAYAKA OHTAKI | PHOTO BY BEAU PEARSON THE GEORGE S. AND DOLORES DORÉ ECCLES FOUNDATION PRESENTS WILLAM CHRISTENSEN’S DEC 11 12 THE 13 16 17 18 19 20 21 22 23 24 26 NUTCRACKER

Whether you’ve witnessed it once or a hundred times, the magic of The Nutcracker never fades. Bask in the glow of a holiday tradition that has brought joy to millions. Amplify your family’s festive cheer with Clara’s timeless story, Tchaikovsky’s unforgettable score, and Willam Christensen’s iconic choreography.

Utah Premiere 1955, Kingsbury Hall Choreography Willam Christensen Costumes David Heuvel Scenic Design John Wayne Cook Additional Scenic Design Dick and Belinda Bird Music Peter Ilyich Tchaikovsky More than three quarters of a century old, The Nutcracker still looks as fresh and relevant as it did the day it opened. Today, it is World Premiere as emblematic of the holidays as Christmas trees or fruitcake. 1944, War Memorial Opera House , California Year after year, dancers trace the same steps and perform The Nutcracker for up to 30 performances. They relish the opportunity to be in front of large audiences filled with both fresh eyes and eyes filled with nostalgia. “I love being part of The Nutcracker, it never gets old to me,” said Soloist Jenna Rae SUBCRIBE TODAY! Herrera. “I always imagine that this might be someone’s first BOXOFFICE.BALLETWEST.ORG performance. So, every time I’m on stage, I give 100 percent.” 801-869-6920 20 SPREAD: ARTISTS OF BALLET WEST | PHOTOGRAPHY BY BEAU PEARSON. 21 FEB 12 13 ROMEO + 14 18 19 20 JULIET THE WORLD’S MOST FAMOUS LOVE STORY

PRINCIPAL ARTISTS BECKANNE SISK & CHASE O'CONNELL | PHOTO BY BEAU PEARSON FEB 12 13 14 18 19 20 “Parting is such sweet ROMEO + JULIET sorrow that I shall say goodnight till it be morrow.” A sweeping and energetic version of one of the most famous stories in history, ’s Romeo and Juliet captures William Shakespeare’s humor, drama, Though now lost to history, and heartache. His Romeo and Juliet is carried by Willam Christensen Sergei Prokofiev's dramatic score that tells the Bard’s choreographed the first full-length Romeo and Juliet story about two star-crossed lovers, caught in their in America in 1938 for his families’ feuds. struggling ensemble at the time, the .

Premiere 1976, San Francisco Ballet Premiere 1988, Ballet West Capitol Theatre Choreography Michael Smuin Music Sergei Prokofiev Scenic design William Pitkin JANE WOOD & ROBERT ARBOGAST | PHOTOGRAPHY BY ROLF KAY. Costume design David Heuvel Lighting Michael Smuin’s Romeo and Juliet is a national treasure M. Kay Barrell that premiered at the San Francisco Ballet in 1976 and at Ballet West in 1988.

Smuin was an early student of Ballet West founder, Willam Christensen. He became a with Theatre and eventually founded his own company, Smuin Ballet. Smuin starred in many films, winning both a SUBCRIBE TODAY! Tony and a Emmy. He died suddenly in his studio in 2007, surrounded by his dancers. BOXOFFICE.BALLETWEST.ORG 801-869-6920 20 ARTISTS OF BALLET WEST. PHOTOGRAPHY BY ROLF KAY. 21 APR 9 10 RODEO 15 17 UTAH PREMIERES BY AMERICAN ICONS

SOLOIST JENNA RAE HERRERA | PHOTO BY BEAU PEARSON APR 9 10 RODEO 15 17

RODEO (THE COURTING AT BURNT RANCH) With its world famous score by Aaron Copland, Rodeo (pronounced Ro-day- OSAKA MASLOVA & JERMEL JOHNSON IN GLASS PIECES. PHOTO BY ALEXANDER IZILIAV. COURTESY OF oh) is ’s most beloved ballet. A touching story of a misfit tomboy who doesn’t quite fit into her community, but still in search of GLASS PIECES BELLES-LETTRES love. The ballet is both robust and Created near the end of his career, has become a worldwide tender, and received 22 curtain calls Glass Pieces showcases Jerome phenomenon, choreographing around after de Mille danced the leading Robbins' expansive scope and the world for stage and film. He is role on opening night in 1942. Rodeo streamlined style. The ballet now ’s Resident is an optimistic celebration of the captures the pulsating heartbeat of Choreographer, a Tony Award-winner American character. metropolitan life with its charged for his choreography in the Broadway choreography, concluding in a finale revival of , and was tapped Choreography that propels the corps de ballet across by Steven Spielberg to choreograph Agnes de Mille the stage at an electrifying pace. the film adaptation ofWest Side Story. Music An amorous ballet with nine dancers, Aaron Copland Choreography Belles-Lettres was choreographed for Scenic Design NYCB's 2014 Fall Gala. Oliver Smith Music Choreography Costume Design Justin Peck Santo Loquasto Scenic Design Jerome Robbins and Ronald Bates Music Lighting design (Production Design) Cesar Franck Thomas R. Skelton Costumes Costumes Premiere Ben Benson Mary Katrantzou October 16, 1942 Ballet Russe de Monte Carlo Lighting Lighting Metropolitan Opera House, Ronald Bates Mark Stanley New York City, New York Premiere Premiere SUBCRIBE TODAY! May 12, 1983, September 23, 2014 BOXOFFICE.BALLETWEST.ORG New York City Ballet New York City Ballet 801-869-6920 New York City Ballet State Theater, David H. Koch Theater, 20 THE IN AGNES DEMILLE'S RODEO | PHOTOGRAPHY BY FRANK ATURA New York City, New York New York City, New York 21 MAY 6 7 8

CHOREOGRAPHIC FESTIVAL THE FUTURE OF BALLET

ARTIST OLIVIA GUSTI & SOLOIST HADRIEL DINIZ | PHOTO BY BEAU PEARSON MAY 6 7 8

Throughout Artistic Director CHOREOGRAPHIC Adam Sklute’s tenure at Ballet West, he has created opportunities for dancers to experiment with choreography. FESTIVAL From his first iteration, the Innovation series, to the Choreographic Festival, Once again, audiences will see dancers and choreographers exploring ballet and dance from diverse perspectives has been exploring their art form in intriguing and cutting-edge new his enduring initiative. creations. This year, choreographers from within Ballet West will create new works alongside ’s Former Artistic Director continues to ask dancers, Resident Choreographer Sophie Laplane, whose ballets “What is dancing? What is have been seen around the world and called “gorgeously dance?” Sometimes a dancer humanistic” by The Telegraph. will have an answer, but usually he gently informs, “Dance is moving through space in time.” With that simple and broad explanation, the Choreographic Festival is the laboratory to see the future of dance.

The only boundary in dance is the human form, the limitations of which all athletes endeavor to stretch, expand, and broaden-- just as the Choreographic Festival challenges choreographers to do with this limitless art form.

SUBCRIBE TODAY! BOXOFFICE.BALLETWEST.ORG 801-869-6920 20 ABOVE: ARTISTS OF BALLET WEST. PHOTOGRAPHY BY BEAU PEARSON. NEXT PAGE, TOP: ARTISTS OF BALLET WEST. BOTTOM: SOLOIST KATIE CRITCHLOW & DEMI-SOLOIST EMILY NEALE PHOTOGRAPHY BY BEAU PEARSON 21 FAMILY CLASSICS: PRESENTED BY BALLET WEST II & BALLET WEST ACADEMY STUDENTS APR 23 24 THE LITTLE MERMAID ENCHANTMENT FOR THE WHOLE FAMILY

BALLET WEST ACADEMY TRAINEE ELLA SCHULTZE & STUDENT DAISY | PHOTO BY BEAU PEARSON FAMILY CLASSICS: PRESENTED BY BALLET WEST II & BALLET WEST ACADEMY STUDENTS APR 23 24 ¡EN ESPAÑOL! THE LITTLE Acompáñanos el 24 de abril a las 5 pm, donde se narrará La Pequeña Sirenita completamente MERMAID en español.

Join Ballet West II dancers and students from the Frederick Q. Lawson Ballet West Academy for the return of a family adventure under the sea. Dive into Hans Christian Andersen’s watery world, complete with a brave mermaid, a prince in search of true love, and a devious sea witch.

Now in its tenth year, the Family Classics Series is a beloved institution at Ballet West. The productions highlight the capabilities of the production staff, who design and build sets and costumes that are just as opulent and detailed as productions created for the main company.

Artistic Director Adam Sklute’s vision— to provide an opportunity for pre-professional dancers to be the Premiere stars on the Capitol Theatre stage— 2012, Capitol Theatre has been a success. Dancers of Ballet Choreography West II and students of the Ballet Pamela Robinson Harris West Academy are more prepared and Peggy Dolkas than ever to move into professional Costumes careers: in the last two years, David Heuvel the Academy’s pre-professional division had a 100% placement. And Scenic Design audiences have responded positively Michael Andrew Currey as well, with families returning to Music enjoy these fairy tales year after year. Léo Delibes 20 ABOVE & TOP RIGHT: ARTISTS OF BALLET WEST. BOTTOM RIGHT: ARTIST KAZLYN NIELSEN & FORMER ARTIST LOGAN MARTIN | PHOTOGRAPHY BY BEAU PEARSON 21 THE MUSIC OF THE SEASON

In a season of dynamic and diverse composers, Music Director Jared Oaks shares a few works he is most excited to explore.

FIRST SOLOIST KATLYN ADDISON & DEMI-SOLOIST JOSHUA WHITEHEAD WITH NUTCRACKER CAST | PHOTO BY BEAU PEARSON

BALLET WEST ORCHESTRA | PHOTO BY KATE TAYLOR, QUINCE AND MULBERRY STUDIOS 6 REASONS TO SUBSCRIBE ROMEO + JULIET RODEO DRACULA Subscription packages are designed to suit any budget “This devastatingly beautiful “The chance to conduct Aaron “Our musically rich and fulfilling or schedule. score was written after Sergei Copland’s Rodeo (1942) is a season begins with Franz Prokofiev’s return to Soviet dream! This one-act ballet Liszt (1811-1886). And what Russia. Commissioned by culminates in the thrilling better music to tell the story the Bolshoi Theatre, it was treatment of an early folk tune, of Dracula than Liszt, one 1 4 6 premiered at the Mahen which was played by a Kentucky of the original rock stars, Theatre in Brno in 1938. This fiddler and recorded by Alan whose virtuosic abilities KEEP YOUR SEATS TICKET INSURANCE FREE EXCHANGES work is our largest and most Lomax in 1937. The movement is were considered flamboyant, Retain your favorite Lost ticket? Receive Exchange tickets to sweeping orchestral offering called ‘Hoe-Down,’ and it is one supernatural, and even seats when you renew. replacement tickets another night of the of the season, yet there of those pieces that became a demonic. The substantial at no charge. same production without are moments of delicate, part of pop culture (so you know piano solo part, accompanied additional fees (with 48 crystalline textures. What I find the piece, even if you do not by orchestra, will be a rich 2 hours notice). special about this piece is the think you’ve heard it before). experience for the listeners.” 5 dramatic emotional arc, the I also think it is important that PRIORITY SEATING journey—it gets me every time.” we are reviving the original Be first to select the ADDITIONAL CAST Agnes de Mille choreography. As best seats. AT 1/2 PRICE Anna Kisselgoff wrote in 1983, Return to Dracula, 'Rather than resembling a period 3 Nine Sinatra Songs, SUBCRIBE TODAY! piece from a more innocent Romeo + Juliet, and time, it charms and reaches into Rodeo at half the BOXOFFICE.BALLETWEST.ORG emotions that have no period.’” SAVE MONEY Save up to 40% off single ticket price. 801-869-6920 single tickets. BALLET WEST FOR MOVEMENT MENTOR CHILDREN Students with special Ballet West II performs at needs receive weekly elementary schools across in-school dance and the state, from Panguitch movement instruction, to Provo. with student leaders serving as mentors.

FIRST LOOK Students gain a deeper SENIOR STEPS understanding of a Guided ballet classes held production through pre- at senior centers stimulate presentation activities and both the mind and body. intermission discussions. BALLET WEST ACADEMY FORWARD STEPS With four campuses Healthy modes of self- across Utah, the Frederick expression are taught in Quinney Lawson Ballet dance classes offered at West Academy attracts correctional facilities more than 1,200 students GET INVOLVED and treatment centers from every state in the across Utah. nation and many foreign SUPPORT THE NEXT ALIGN YOUR BUSINESS WITH JOIN THE PARTY countries. Alums from GENERATION OF ARTISTS BALLET WEST Ballet West hosts special the program dance for Donate to support the Ballet Business leaders can make events throughout the I CAN DO the most prestigious West Academy Scholarship a difference through their year—some mainstays (see This six-month residency companies around Fund and ensure access to investment in the arts and below), plus more to be added BALLET WEST IN offered at Wasatch Front the globe. Online high-caliber ballet instruction community engagement by throughout the season. Stay schools teaches fifth- classes available at for promising students. joining the Corporate Council. tuned at balletwest.org/events. YOUR COMMUNITY grade students both balletwestacademy.org. the discipline and joy of dancing. Stretching with senior citizens, teaching incarcerated women, giving performance opportunities to children STUDENT IN-THEATRE MARK YOUR CALENDAR with special needs—Ballet West’s PRESENTATION education and outreach programs bring Students attend a magic to communities throughout free production at the Utah year round. Funded by generous Janet Quinney Lawson foundations, corporations, individuals, Capitol Theatre. and government agencies, these programs allow community members FALL BEER + BALLET NUTCRACKER TEAS SPRING BEER + BALLET SPRING SOIRÉE For more information, please contact Peter Christie, Director to experience live ballet regardless of FRI, NOV 13, 2020 TBD, DEC 2020 FRI, APR 2, 2021 FRI, APR 16, 2021 financial or geographic barriers. of Education & Community Outreach, at 801-869-6911 or [email protected].

To make a donation in support of Ballet West’s community To make a donation, call 801-869-6963 or email [email protected]. education and outreach programs, please call 801-869-6963 For information about Corporate Council and upcoming events, call 801-869-6917 or email [email protected]. or email [email protected]. PLAY A LEADING ENCORE SOCIETY ROLE AT PLANNED GIVING PROGRAM BALLET WEST

JOIN THE HERITAGE CLUB OR BECOME A MEMBER!

PRINCIPAL ARTIST AROLYN WILLIAMS & ARTIST LUCAS HORNS | PHOTO BY BEAU PEARSON

HERITAGE CLUB MEMBERSHIP

Join the Heritage Club with a donation of $1,000* Become a Member with a donation of and above, and receive: $75 and above, and receive priority ticket access, special discounts, and more. • VIP access to Ballet West’s donor lounge and Director’s Pointe pre-performance For more information, please contact the conversations Membership Department at 801-869-6964 PRINCIPAL ARTISTS BECKANNE SISK & CHASE O’CONNELL | PHOTO BY KATE TAYLOR QUINCE & MULBERRY STUDIOS • Invitations to in-studio rehearsals with or [email protected]. the main company and special events with Create a lasting legacy at Ballet West with a company artists • Invitations to travel with Ballet West on tour planned gift, which can include: “We believe this • Complimentary performance tickets and Company has given parking passes • Irrevocable bequests • Charitable gift annuities • And much more! us a better quality of Monthly payment plans available. • Retirement plans • Charitable remainder trusts Visit balletwest.org/support for a full list of • Life insurance • Real estate life here in Utah and For more information, please contact Nicole Levy, will do the same for Individual Giving Manager, at 801-869-6963 or Membership and Heritage Club benefits. [email protected]. future generations.” Visit balletwest.org/events for exclusive Membership and Heritage Club opportunities. —KENT & MARTHA DIFIORE *Beginning August 1, 2020, the minimum Heritage Please contact Sarah West, Chief Development Officer, ENCORE SOCIETY MEMBERS Club donation will increase to $1,500. at 801-869-6936 or [email protected]. All inquiries are confidential. CHOREOGRAPH YOUR YOUR SEASON PERFECT PACKAGE TODAY AT A GLANCE 1. PICK A PACKAGES 2. PICK A SECTION GRAND ORCH. 1 / ORCH. 2 / ORCH. 3 / ORCH. 4 / MEZZ. 4 / ORCH. 5 / 20 TIER MEZZ. 1 MEZZ. 2 MEZZ. 3 BALCONY MEZZ. 5 BEST COMPLETE VALUE! $600* $570* $337 $253 $206 $156 ARTIST OLIVIA GUSTI & SOLOIST HADRIEL DINIZ | PHOTO BY BEAU PEARSON Dracula, Nine Sinatra Songs, The Nutcracker, 21 Romeo + Juliet, Rodeo, Choreographic Festival OCT DRACULA FEB ROMEO + JULIET NUTCRACKER $559* $529* $296 $212 $165 $115 Dracula, Nine Sinatra Songs, The Nutcracker, SUN MON TUES WED THURS FRI SAT SUN MON TUES WED THURS FRI SAT Romeo + Juliet, Rodeo 18 19 20 21 22 23 24 7 8 9 10 11 12 13 7:30PM 2PM 7:30PM 2PM 7:30PM 7:30PM FESTIVAL $499* $479* $265 $197 $165 $125 Dracula, Nine Sinatra Songs, Romeo + Juliet, Rodeo, 25 26 27 28 29 30 31 14 15 16 17 18 19 20 7:30PM 7:30PM 7:30PM 2PM 2PM 7:30PM 7:30PM 2PM Choreographic Festival 7:30PM ESSENTIAL $458* $438* $224 $156 $124 $84 Dracula, Nine Sinatra Songs, Romeo + Juliet, Rodeo NOV NINE SINATRA SONGS APR RODEO / THE LITTLE MERMAID Add on The Little Mermaid to any package for $29 SUN MON TUES WED THURS FRI SAT SUN MON TUES WED THURS FRI SAT 1 2 3 4 5 6 7 4 5 6 7 8 9 10 BALCONY 7:30PM 7:30PM 7:30PM 7:30PM

8 9 10 11 12 13 14 11 12 13 14 15 16 17 3. PICK A DAY 7:30PM 2PM 7:30PM 2PM MEZZANINE 7:30PM 7:30PM 1st Friday Evening 2nd Saturday Matinee 18 19 20 21 22 23 24 1st Saturday Evening 2nd Saturday Evening 7PM 12PM Thursday Evening GRAND TIER DEC THE NUTCRACKER 5PM 4. PLACE YOUR ORDER SUN MON TUES WED THURS FRI SAT MAY CHOREOGRAPHIC FESTIVAL 6 7 8 9 10 11 12 7PM 2PM 801-869-6920 7PM SUN MON TUES WED THURS FRI SAT BOXOFFICE.BALLETWEST.ORG ORCHESTRA 13 14 15 16 17 18 19 2 3 4 5 6 7 8 12PM 7PM 7PM 2PM 2PM 7:30PM 7:30PM 2PM 5PM 7PM 7PM 7:30PM PLEASE NOTE: PERFORMANCE DATES, REPERTOIRE, AND PRICING ARE SUBJECT 20 21 22 23 24 25 26 9 10 11 12 13 14 15 TO CHANGE WITHOUT NOTICE. SEATING IS SUBJECT TO AVAILABILITY. 12PM 7PM 2PM 2PM 12PM 2PM STAGE 5PM 7PM 7PM 7PM

EN ESPAÑOL *If your subscription seats are in Grand Tier, Orchestra 1, or Mezzanine 1, the listed price includes the cost of a Storyteller Membership ($150 annually, per subscription seat). You may choose to deduct this amount ($150 x qty. of seats) from your order total if you will be renewing at, or are currently at, the Storyteller Membership level or higher, or at any Heritage Club level. Please call 801-869-6919 with questions. NON-PROFIT ORGANIZATION US POSTAGE PAID PERMIT NO 1831

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FRONT: FIRST SOLOIST ALLISON DEBONA. BACK: SOLOIST JORDAN VEIT | PHOTOS BY BEAU PEARSON BOOKLET DESIGN BY ALEX MOYA