Vampire Bestiary MOUNTAIN of the CANNIBAL GOD
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Hexenfurcht in Afrika Annäherungen an Ein Sperriges Thema
Hexenfurcht missionsakademie an der universität hamburg academy of mission at the university of hamburg in Afrika Annäherungen an ein sperriges Thema THEOLOGISCHE IMPULSE DER MISSIONSAKADEMIE10 THEOLOGISCHE IMPULSE DER MISSIONSAKADEMIE (TIMA) ISSN 2196-4742 Herausgeber: Missionsakademie an der Universität Hamburg Rupertistr. 67 | 22609 Hamburg | Tel. (040) 823 161-0 www.missionsakademie.de | [email protected] Umschlag: EMW/Martin Keiper Redaktion dieser Ausgabe: Werner Kahl (verantwortlich) Hamburg, April 2015 Die Texte der Reihe TIMA stehen auf der Website www.missionsakademie.de als PDF-Dateien zum Download bereit. Die Rechte an den Texten liegen bei den Autorinnen und Autoren. Hexenfurcht in Afrika Annäherungen an ein sperriges Thema THEOLOGISCHE IMPULSE DER MISSIONSAKADEMIE10 Vorwort Für viele Menschen in – und aus – Afrika sind Hexenvorstellungen selbstver- ständlich. Nach dem im sub-saharischen verbreiteten Weltwissen gilt weithin: Das menschliche Leben ist eingebettet in eine spirituelle Welt, die sich als freundlich oder feindlich erweist. Sie wird beeinflusst durch Riten und Gebete, damit – das je eigene – Leben gelingen kann. Hexerei wird bekämpft, und Geister werden ausgetrieben, um Menschen vor Unheil und Krankheit zu schützen und sie aus den Klauen feindlicher Mächte zu retten. In der kirchlichen Partnerschaftsarbeit sorgen konträre Weltbilder und disparate Erfahrungen von Wirklichkeit für z.T. erhebliche Irritationen. Aufgrund von Migrationsbewegungen sind afrikanische Hexenvorstellungen seit einigen Jahren auch in Europa anzutreffen. Insofern ist die wissenschaftliche Beschäftigung mit dieser Problematik entwicklungspolitisch, gesellschaftlich und kirchlich relevant – nicht zuletzt auch als kritische Anfrage an den Westen nach der Existenz des Bösen. Der vorliegende Band dokumentiert deutsch- und englischsprachige Beiträge einer Konsultation der Missionsakademie zu „Hexenfurcht in Afrika – exotisch oder aktuell?“ aus dem Jahr 2014. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Saladdays 26 Web.Pdf
26 11/01/16 16:03 THEHEATHROWPRESTIGE WITH TOMMY FYNN \ THE HEATHROW PRESTIGE \ TREBOUX PHOTO DCSHOES.COM DC_HEATHROW-240x225+5.indd 1 One mag two Covers WHAT’S HOT Pete Rock Obey x Everlast (House Of Pain) Rigablood Rigablood Editor In Chief/Founder - Andrea Rigano Art Director - Antonello Mantarro [email protected] Advertising - Silvia Rapisarda [email protected] Photographers Luca Benedet, Arianna Carotta, Alessio Fanciulli Oxilia, Steen Kevett, Alex Luise, Luca Pagetti, Enrico Rizzato, Alex Ruffini, Alberto Scattolin, Milan Tykal, Federico Tognoli Artwork Wondee Contributors Francesco Banci, Milo Bandini, Piero Beninato, Marco Capelli, Matteo Cavanna, Cristiano Crepaldi, Fabrizio De Guidi, Kristina Kokesova, Max Mameli, Marco Mantegazza, Max Mbassadò, Simone Meneguzzo, Turi Messineo, Angelo Mora (donas), Eros Pasi, Marco Pasini, Davide Perletti, Sayko, SECSE, Alexandra Romano, Tina Tonelli, Marco ‘X-Man’ Xodo Stampa Tipografia Nuova Jolly - Viale Industria 28 35030 Rubano (PD) Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, N. 1221 del 04/03/2010. Born To Lose, Live To Win // Ian Fraser "Lemmy" Kilmister (1945 – 2015) // ph. Rigablood Get in touch www.saladdaysmag.com [email protected] 06 Mick Jones 60 Face Your Enemy facebook.com/saladdaysmag 10 Pete Rock - The Soul Survivor 66 Part One - New York Graffiti twitter.com/SaladDays_it 16 Enko4 70 2MD Instagram - @saladdaysmagazine Don’t Sweat The Tecnique 76 James Kerr aka Scorpion Dagger saladdaysmag.tumblr.com 26 30 Iron Reagan 82 #lostinbudapestbmx - The Full Story L’editore è a disposizione di tutti gli interessati nel 34 Tattoo In The Hood 86 American Nightmare collaborarecon testi immagini. Tutti i contenuti di que- 40 Ornamental Conifer 88 August Burn Red sta pubblicazione sono soggetti a copyright, é vietata 44 Tutti I Colori Del Buio 92 This Is Barber Life la riproduzione anche parziale di testi, documenti e foto senza l’autorizzazione dell’editore. -
Hoodoo People
HOODOO PEOPLE AFURAKANU/AFURAITKAITNUT (AFRICANS) IN NORTH AMERICA AKAN CUSTODIANS OF HOODOO FROM ANCIENT HOODOO/UDUNU LAND (KHANIT/NUBIA) ODWIRAFO KWESI RA NEHEM PTAH AKHAN 1 Afurakanu/Afuraitkaitnut (Africans~Black People) in North america brought our Hoodoo religion and culture with us in our blood-circles from Afuraka/Afuraitkait (Africa) during the Mmusuo Kese (Great Perversity/Enslavement Era). This is an unbroken tradition which is not only intergenerational, but transcarnational. This means that it was and is informed by the Abosom and our Nananom Nsamanfo, Akan terms for Deities/Divine Spirit-Forces that animate Creation and our Spiritually Cultivated Ancestresses and Ancestors. It is through the Abosom (Deities) that our Ancestral Religious traditions are established. This is true of all Afurakanu/Afuraitkaitnut (Africans) wherever we are in the world. When the Abosom first possessed our Ancestresses and Ancestors via ritual and communicated the Divine Order of Creation directly to them, our religious practice was established. When those first Ancestresses and Ancestors preserved what they were taught by the Abosom and transferred that tradition via protocols to their posterity without profanation, our religious practice was/is perpetuated. Our knowledge of Nyamewaa-Nyame Nhyehyee, The Mother and Father Supreme Being’s Order (Divine Order), our role in the Divine Order and the means by which we can ritually incorporate Divine Law and ritually restore Divine Balance to our lives is replenished in every generation as the Abosom and Nananom Nsamanfo continue to communicate with us via spirit-possession and spirit-communication. Ancestral Spirit possession includes communication with our ancient Afurakani/Afuraitkaitnit (African) Ancestresses and Ancestors up to our recently transitioned Ancestresses and Ancestors of good character. -
Between the Buried & Me Cradle of Filth Kissing Candice Jungle Rot August Burns Red Thy Art Is Murder Wilson
BETWEEN THE BURIED CRADLE OF FILTH KISSING CANDICE JUNGLE ROT & ME HAMMER OF THE WITCHES BLIND UNTIL WE BURN ORDER SHALL PREVAIL COMA ECLIPTIC NUCLEAR BLAST VICTORY VICTORY METAL BLADE Unquestionably one of the greatest and most “Pretty, ugly, gross, bloody, pissed, catchy, Shots’ firing overhead, out of breath, thankful When tasked with explaining Between the influential British metal bands of all time, heavy.” These are the words spewed from to be alive, an exhausted, courageous soldier Buried and Me’s previous effort, The Paral- CRADLE OF FILTH have cast a commanding Kissing Candice frontman Joey Simpson takes cover in a nearby trench. Overcome with lax II: Future Sequence, Decibel Magazine and macabre shadow across the metal scene when describing the bands impending album, tragedy, the cadet looks down to carefully re- claimed that the album “offers more substance for nearly a quarter of a century. Armed with Blind Until We Burn – one of the most blood- move his worn down combat boots to discover than most bands put forth in entire careers.” their trademark cross-pollinated assault that drenched doses of violence that has been put his feet numb and blue, knocking him back Where does a burgeoning progressive act go taps into myriad strands of sonic extremity to ears. Distinct themes of angry defiance and with an overwhelming smell of decay and gan- from there? The answer is found in their sev- and morbid opulence, they have steadily con- horror-laced hysteria snake throughout the grene. This phenomenon is known as “jungle enth full-length album, Coma Ecliptic. -
August Burns Red: Dynamik Des Modernen Metal
August Burns Red: Dynamik des modernen Metal Tournee zum achten Album „Phantom Anthem“ Neue Nuancen, mehr Härte, mehr Technik & mehr Emotion Im November/Dezember zehn Deutschland-Shows Ein beeindruckendes Beispiel für das innovative Entwicklungspotenzial harter Musik sind August Burns Red aus Lancaster/Pennsylvania. Sie hoben Metalcore – eine Verbindung von Metal-Riffs mit der Intensität des Hardcore – auf eine neue Ebene. Ihr drittes Album „Constellations“ (2009) schaffte es auch ohne Hitsingle in die Top 30 der Billboard Charts, der 2011 veröffentlichte Nachfolger „Leveler“ stieg bis auf Platz 11 in den USA und erzielte hohe Notierungen in England und Skandinavien. Seit ihrem 2013 erschienen Werk „Rescue & Restore“ gehören August Burns Red in den USA nun endgültig zu den Top-10-Kandidaten, und auch ihr aktuelles achtes Album „Phantom Anthem“, das für die Band viele neue Klang-Nuancen und stilistische Verdichtungen bereit hielt, platzierte sich international hoch in den Charts. Nun kommen August Burns Red zwischen dem 14. November und 16. Dezember für zehn Konzerte nach Deutschland, mit Stationen in München, Karlsruhe, Frankfurt, Bochum, Hamburg, Berlin, Dresden, Schweinfurt, Köln und Saarbrücken. In den letzten Jahren tauchten zahlreiche Bands auf, die die Idee von harter Musik weiterentwickeln. August Burns Red haben sich die Variabilität in Tempo, Lautstärke und Komplexität von ihren Vorbildern abgeschaut und virtuos umgesetzt. Zum einen gelingt es ihnen, den Intellekt des Metalcore mit einem intensiven Gefühl purer Leidenschaft zu verbinden. Zum anderen sorgt ihre Verankerung im christlichen Glauben für Aufrichtigkeit und Authentizität. Hier stehen fünf junge Männer auf der Bühne, die auch wirklich meinen, was sie singen und spielen. Diesen Eindruck vermitteln August Burns Red seit ihrer Gründung im Jahr 2003, als sie noch gemeinsam die Schulbank drückten. -
Titre Construit 1Er Responsable Série Edith Piaf
Titre construit 1er responsable Série Edith Piaf (1963-2003) (20) : Volume 20 : Carnegie Hall 1956-1957 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (19) : Volume 19 : Carnegie Hall 1956 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (18) : Volume 18 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (17) : Volume 17 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Léo chante Ferré (16) : Léo chante l'espoir Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (16) : Volume 16 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Intégrale 1965-1995 (16) : Disque 16 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Léo chante Ferré (15) : Léo chante Et ... basta ! Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (15) : Volume 15 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] L'Intégrale (15) : Les Marquises Brel, Jacques L'Intégrale / Jacques Brel [Universal Music France S.a] Intégrale 1965-1995 (15) : Disque 15 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] L'Intégrale studio de Claude Nougaro (14) : Embarquement immédiat Nougaro, Claude L'Intégrale studio de Claude Nougaro / Claude Nougaro [Mercury France] Intégrale 1965-1995 (14) : Disque 14 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Edith Piaf (1963-2003) -
Magic, Explanations, and Evil on the Origins and Design of Witches and Sorcerers
This is an accepted manuscript. Please cite as: Singh, M. (forthcoming) Magic, explanations, and evil: On the origins and design of witches and sorcerers. Current Anthropology. Magic, explanations, and evil On the origins and design of witches and sorcerers Manvir Singh Department of Human Evolutionary Biology, Harvard University 13 March 2020 Abstract In nearly every documented society, people believe that some misfortunes are caused by malicious group mates using magic or supernatural powers. Here I report cross-cultural patterns in these beliefs and propose a theory to explain them. Using the newly-created Mystical Harm Survey, I show that several conceptions of malicious mystical practitioners recur around the world, including sorcerers (who use learned spells), possessors of the evil eye (who transmit injury through their stares and words), and witches (who possess superpowers, pose existential threats, and engage in morally abhorrent acts). I argue that these beliefs develop from three cultural selective processes: a selection for intuitive magic, a selection for plausible explanations of impactful misfortune, and a selection for demonizing myths that justify mistreatment. Separately, these selective schemes produce traditions as diverse as shamanism, conspiracy theories, and campaigns against heretics – but around the world, they jointly give rise to the odious and feared witch. I use the tripartite theory to explain the forms of beliefs in mystical harm and outline ten predictions for how shifting conditions should affect those conceptions. Societally-corrosive beliefs can persist when they are intuitively appealing or they serve some believers’ agendas. ON THE ORIGINS AND DESIGN OF WITCHES AND SORCERERS “I fear them more than anything else,” said Don Talayesva1 about witches. -
Jamaica Witchcraft
PSYCHIC PHENOMENA OF JAMAICA BY JOSEPH J. WILLIAMS, S.J. Ph.D. (Ethnol.), Litt.D. Professor of Cultural Anthropology, Boston College Graduate School FELLOW of The Royal Anthropological Institute; The Royal Geographical Society; The American Geographical Society; The Royal Society of Arts. MEMBER of Congrès International des Sciences Anthropologiques et Ethnologiques; International Institute of African Languages and Cultures; American Association for the Advancement of Science; American Council of Learned Societies; American Anthropological Association; American Ethnological Society; Catholic Anthropological Conference; American Folklore Society; African Society; etc. AUTHOR of "Voodoos and Obeahs," "Hebrewisms of West Africa," "Whence the 'Black Irish' of Jamaica?" "Whisperings of the Caribbean," etc. THE DIAL PRESS NEW YORK ORIGINALLY PUBLISHED IN 1934 Psychic Phenomena Of Jamaica By Joseph J. Williams. This web edition created and published by Global Grey 2013. GLOBAL GREY NOTHING BUT E-BOOKS TABLE OF CONTENTS INTRODUCTION-WEIRD HAPPENINGS CHAPTER I: ASHANTI CULTURAL INFLUENCE IN JAMAICA CHAPTER II: JAMAICA WITCHCRAFT CHAPTER III: APPLIED MAGIC CHAPTER IV: POPULAR BELIEF IN GHOSTS CHAPTER V: FUNERAL CUSTOMS CHAPTER VI: POLTERGEIST CHAPTER VII: CONCLUSIONS DOCUMENTATION BIBLIOGRAPHY 1 Psychic Phenomena Of Jamaica By Joseph J. Williams INTRODUCTION - WEIRD HAPPENINGS EARLY in December, 1906, I first visited Jamaica, where I planned staying a couple of months. On January 14th, the day of the disastrous earthquake, I was returning from the north side of the island, driving by way of Mount Diabolo, and I arrived at the Ewarton Railway Station about an hour before the starting time of the train that was to carry me back to Kingston. The day was unusually tropical for that season of the year in Jamaica, with a cloudless sky, and what was really strange, at a time when the Trade Winds should have been at their height, not a breath of air was stirring. -
Compact Discs and Dvds - Popular, Jazz, Ethno Recent Releases - Spring 2016
Compact Discs and DVDs - Popular, Jazz, Ethno Recent Releases - Spring 2016 Compact Discs 300 Entertainment Highly Suspect. Mister Asylum. 1 sound disc $13.98 300 Entertainment ©2015 TZZE 549128 2 857561005599 Contents: Mister Asylum -- Lost -- Lydia -- Bath Salts -- 23 / Sasha Dobson -- Mom -- Bloodfeather -- F*** Me Up -- Vanity -- Claudeland. Parental Advisory: Explicit Content. Grammy Nominee 2016: Best Rock Album. http://www.tfront.com/p-390736-mister-asylum.aspx Wap, Fetty. Fetty Wap. 1 sound disc $18.98 300 Entertainment ©2015 TZZE 552469 2 814908020226 Contents: Trap Queen -- How We Do Things -- 679 -- Jugg -- Trap Luv -- I Wonder -- Again -- My Way -- Time -- Boomin -- RGF Island -- D.A.M -- No Days Off -- I'm Straight -- Couple Bands -- Rock My Chain -- Rewind. http://www.tfront.com/p-393642-fetty-wap.aspx 429 Records Kidjo, Angelique. Sings. 1 sound disc $15.98 429 Records ©2015 FOTN 16042 2 795041604224 Contents: Malaika -- Ominira -- Kelele -- Fifa -- Otishe -- Bahia -- Petitie Fleur -- Samba Pa Ti -- Mamae -- Naima -- Loloye. Grammy Nominee 2016: Best World Music Album http://www.tfront.com/p-395928-sings.aspx Skaggs, Boz. Fool To Care. 1 sound disc $15.98 429 Records ©2015 FOTN 16032 2 795041603227 Contents: Rich Woman -- I M a Fool to Care -- Hell to Pay -- Small Town Talk -- Last Tango on 16th Street -- There S a Storm a Comin -- I M So Proud -- I Want to See You -- High Blood Pressure -- Full of Fire -- Love Don't Love Nobody -- Whispering Pines. http://www.tfront.com/p-387144-fool-to-care.aspx 4ad Records Beirut. No No No. 1 sound disc $14.98 4ad Records ©2015 FOUR 73525 2 652637352528 Contents: Gibralter -- No No No -- At Once -- August Holland -- As Needed -- Perth -- Pacheco -- Fener -- So Allowed. -
Jamaican Folk Religion, 1919-1929
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/71099 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Shadow worlds and “superstitions”: an analysis of Martha Warren Beckwith’s writings on Jamaican folk religion, 1919-1929 by Hilary Ruth Sparkes A thesis submitted in partial fulfilment of the requirements for the degree of PhD in History University of Warwick, Department of History February 2015 Contents Acknowledgements and Declaration and Inclusion of Material from a Prior i Thesis Abstract ii Introduction 1 i.) Martha Warren Beckwith in the academic scholarship 5 ii.) Her methodology 7 iii.) Secondary literature 16 iv.) My methodology 19 v.) My terminology 26 vi.) Chapter plan 28 Chapter 1: Jamaica: folk culture, race and identity 32 i.) Jamaica as it was 33 ii.) Growing radicalisation 39 iii.) Religion and resistance 45 iv.) The black middle classes 47 v.) Evolution of a national identity 49 vi.) Jamaica and the United States 53 vii.) Race and anthropology in the United States 57 viii.) Folk culture and national identity 65 Chapter 2: Obeah: ‘religion of the shadow world’ 73 Obeah and Obeah lore 73 i.) Obeah: questions of etymology and origins 74 ii.) Obeah practice 78 iii.)