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INCORPORATING MUSICAL AMERICA SEPTEMBER 1966 75(4 HAG H FI ED E LITV C fFF col` LIBRARY 16,, s1001 :Iry Imo P Should you risk buying second -hand stereo equipment? r The new IooK in stereo cabinetr Eat& Record preview: exclusive listing of bM0! r Alt) Xf13lS lÿ b))3ä3b cUzz new fall releases daa l l 1103 ,I 1 l öll 1 b9 ttus symbols; our dented in performance, the new 700 -T is :e. The best. But the truly modest in cost. Only $499.50.* s anyone who loves Fisher reliability and solid status included. is that extraordinary. Technical Specifications Input Sensitivities (at 1 kHz, for rated power at 4 ohms) tuner of radar -like A. Amplifier Section Phono (low) 3.5 mV Music Power (1HF) Phono (high) 10 mV »pally powerful stereo 4 ohms 120 watts Tape Head 2.5 mV 8 ohms 90 watts Auxiliary (low) 200 mV ) and a complete Harmonic Distortion (1 kHz) (high) 400 mV At rated output 0.8% the 700 -T is equal to 3 db below rated output 0.3% B. Tuner Section 1M Distortion (60:7000/4:1) Usable Sensitivity (1HF) 1.8 µV it. Now or in At rated output 0.8% Harmonic Distortion 3 db below rated output 0.3% (100% mod. and 400 Hz) 0.4% Frequency Response Stereo Separation (400 Hz) 40 db Amplifier 10- 70,000 Hz+0, -1 db Signal -to -Noise Ratio transistors, including Hum and Noise (100% mod.) 70 db Field Effect Volume Control (min.) -80 db Selectivity (alternate channel) 50 db Phono Input (6 mV ref.) -55 db Capture ratio (at 1 mV) 2.0 db resp. rej. (100 M Hz) db ' is the most advanced Aux. Input (400 mV ref.) -65 db Spurious 90 signed to date. 4nd totally unprece- The Fisher 700 -T 1194011 - -- OW -. MAIN MIAOW 1111 I Iti1li R .1 YivtSS.OP. Sti.tS T solid -state receiver ever made. CIRCLE 25 ON READER -SERVICE CARD o, We don't design stl a purpose is performanc PLACE new 700 -T will impres 4¢ STAMP music. Its performanc( HERE With an FM- sterec sensitivity, an excepti( amplifier (120 watts! stereo control center, FISHER RADIO CORPORATION any musical assignmei- 11 -35 45th Road the future. Long Island City, N. Y. 11101 Utilizing 22 silicon an exclusive group of V Transistors, the 700 -1 É z solid -state receiver de; J Ovl..F.S .NO C.N.Oi.N.[SiOENTMO Fi9NE...' Totally solid state . ...Ift' ... 41/11MYl+ I STEREO BEACON R A N S I S T O R f M- M P X R _, .0\1 2 3 . S 88909294 96 98100102 . O O is O O .. ..I .. , , ., . ,...'F,I.,.i..,1...,. 11,.,,, ,.... O 0 70 So 40 Io r*! ...n-.+.. ro S 'ME - BASS - TREb New! The most extraordinar: ,.)111.1.1.10. .1 wf :lawn .u,ß1.A..4e.11an _i..,i. J11k1...4111 JIu. :,L .. ya t).naa. « Y 1 Sord st u. CIRCLE 25 ON READER -SERVICE CARD SEPTEMBER 196o The total performance cartridge. ar New Pickering V -15/3 Micro-Magnetic"' cartridge featuring Dustamatic' stylus and Dynamic Coupling. Now, Pickering offers you total performance from all your records with the newly designed V -15/3 cartridge. The exclusive Pickering V -15 Micro -Magnetic cartridge assures you of the finest in natural sound, while the famous patented V- Guard Floating Stylus provides the ultimate in record protection. And now, there's a new dimension in the V -15 line. The extremely functional Dustamatic brush assembly for cleaning records as you play them, and an entirely new moving system with Dynamic Coupling of stylus to record groove for positive tracking. There's a Pickering for every installation, from conventional record changers to the most advanced turntable /tone arm systems. That's total performance. Clean records for clean sound. For free literature on the Pickering V -15/3, plus information on how to choose the correct "application engineered" cartridge for your system, write to Pickering & Co., Plainview, L. I., New York. For those who can [ hear the difference. Pickering CIRCLE 65 ON READER -SERVICE CARD HIGH FIDELITY MAGAZINE HIGH FIDELITY Music and Musicians 20 Notes from Our Correspondents: London, Paris, New York 34 Switzerland -A Musical Tour Through the Cantons Peter G. Davis 60 The Great Rubinstein Road Show Milton Goldin 63 Record Preview: exclusive listing of new fall releases Sound Reproduction 39 News and Views: Video tape keeps coming 44 Equipment in the News 55 Stereo Cabinets and the Unwary Buyer: an editorial 56 The New Look in Stereo Cabinetry 68 Should You Risk Buying Second -Hand Stereo Equipment? Leonard Marcus 75 Equipment Reports Fisher R-200 -B Multi -band Tuner James B. Lansing Lancer 101 Speaker Systems Miracord 40H Automatic Turntable Acoustech XI -AS Amplifier (kit) C/M Laboratories CC-1 Preamp -Control 77 A New Measurement for Turntables Reviews of Recordings 48 Jazz 52 Folk Music 83 Feature Record Reviews Wagner: Lohengrin (Amara, Gorr, Kónya, et al.: Boston Chorus Pro Musica, Boston Symphony Orchestra, Leinsdorf, cond.) Chopin: Nocturnes (complete) (Ivan Moravec; Tamás Vásáry) Elgar: Concerto for Violin and Orchestra, in B minor, Op. 61 (Yehudi Menuhin; New Philharmonia Orchestra, Boult, cond.; London Symphony Orchestra, Elgar, cond.) 87 Other Classical Reviews 116 Repeat Performance 119 The Lighter Side 125 The Tape Deck musical america. NI A-2 Nlephisto's Musings MA -16 Winston -Salem: The Music -Making NIA -4 Artist Life: Who's Doing What Moravians Shirley Fleming MA -18 Doyle J. Soria Cincinnati: Opera at the Zoo Arthur Darack MA -7 Orchestras U.S.A.: The Season's Forecast MA -20 Aldeburgh / Glyndebourne: Festivals in MA -11 Here and There England Edward Greenfield MA -22 Holland: Schat's Labyrinth; MA -12 The Musical Whirl Rotterdam's New Hall Everett Helm MA -14 At Caramoor: Curlew River, Escorial MA -23 Spoleto: Menotti's Superb New Pelléas Conrad L. Osborne William Weaver SEPTEMBER 1966 VOLUME 16 NUMBER 9 Published vl Great Barrington, Mass. 01230, by The Billboard Pubhse :og Co. Copyr.yht r9 1966 by The Billboard Publishing Co. The design and contents of Nigh Fidelity Magazine are fully protected by copyright and must not be reproduced i n a n n e r . Second -class postage paid at Great Barrington a d at additional mailing office, Authorized as second class mail by the Post Office Department, Ottawa, and for payment a o/ postage in cash. High Fidelity Musical America Edition published monthly except December when it is published semi monthly. Subscription Anywhere on Earth 39. National and other Editions published monthly. Subscription Anywhere on Earth $7. Intend in the"Reader's Guide to Periodical Liters. tun." Change of address notices and undelivered spin ;Form 3579) should be addressed to High Fidelity, Subscription Department, 2160 Penmen Street, Cincinnati, Ohio 43214. NOW -AT A NEW LOW PRICE! HIGH FIDELITY imp The 1961 Version of the ROBERTS 110X Cover Photo: Bernard Lawrence CROSS ® FIELD Roland Gelatt Editor in Chief STEREO Joan Griffiths Executive Editor Norman Eisenberg TAPE Audio Editor Sue Severn Managing Editor Peter G. Davis Assistant Editor Shirley Fleming Managing Editor - Musical America Section Leonard Marcus Special Projects Editor Roy Lindstrom Art Director Roy McMullen European Editor Nathan Broder R. D. Darrell Alfred Frankenstein Only the Exclusive ROBERTS Conrad L. Osborne CROSS ®FIELD records an Contributing Editors extra octave in the high fre- Claire N. Eddings quency spectrum even at - Director of Advertising Sales the new Long Play Speed of Tomorrow - 17/8 IPS. Walter F. Grueninger Only the Exclusive Circulation Director ROBERTS CROSS®FIELD Warren B. Syer captures the high fre- Publisher quencies that conventional recorders never hear, and cannot reproduce. A D V E R T I S I N G The ROBERTS 770X is a full - Main Office: Claire N. Eddings, The Publishing featured professional -type recorder House, Great Barrington, Mass. 01230. Tele- for the home, offering 4 speed options, 2 methods of adding phone: 413- 528 -1300 New York: 165 W. 46th St., New York, N. Y. sound, and automatic shut -off connection for your high fidelity 10036. Telephone: 212 -757 -2300. Louis J. amplifier and turntable ... PLUS unequalled performance ...at Didona, Seymour Resnick, Andrew Sponberger a new, low 1967 price ... Less than $399.95 Chicago: Taylor /Friedman, 333 N. Michigan Ave., Suite 314, Chicago, Ill. 60601. Tele- See ... and hear this exciting recorder demonstrated at your phone: 312- 332 -7683 Los Angeles: The Billboard Publishing Co., 9000 Roberts dealer ...or write us for further information. Sunset Blvd., Suite 710, Los Angeles, Calif. AIM Ai 90069. Telephone: 213 -273 -1555. Pete Heine, Dick Blase London: 15 Hanover Square, London W.I. Park Andre de Vekey ROB E RTS 5922 Bowcroft St., Los Angeles, California 90016 Telephone: Hyde 3659. Tokyo: Japan Trade Service, Ltd., 2- 1 -40S, a division of Rheem Manufacturing with over 75 plants around the world 3 -Chome Otsuka, Bunkyo -ku, Tokyo, Japon. Telephone: 944 -0805. Kanii Suzuki CIRCLE 70 ON READER -SERVICE CARD 4 HIGH FIDELITY MAGAZINE WHO SAYS ALL RECORD CLUBS ARE ALIKE? NOW COMPARE Record Club of America gives you All Labels...at 331/3°%d savings... and often THE "BIG 4" up to 75%... AND DOESN'T FORCE YOU TO BUY EVEN A SINGLE RECORD RECORD CLUBS cLUe B CLUE C 1CL1eb 6a.eruv ,e6 ia,66een^ e6 'ueeo9 p^ 'AUDI RECORD CLUB OF AMERICA 966 r.w,curseroarr, 1966, 16 1966 CAN YOU CHOOSE FROM ALL LABELS Choose any LP. any label Mono and Stereo I 300 ddferent manufacturers including CAPITOL. COLUMBIA,COLUMBIA. INCLUDING LATEST RELEASES? NO NO NO'YES RCA VICTOR. ANGEL. VOX.
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  • Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974

    Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974

    BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THURSDAY A6 FRIDAY-SATURDAY 22 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN SIDNEY STONEMAN JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN MRS HARRIS FAHNESTOCK JOHN T. NOONAN ALLEN G. BARRY HAROLD D. HODGKINSON MRS JAMES H. PERKINS MRS JOHN M. BRADLEY E. MORTON JENNINGS JR IRVING W. RABB RICHARD P. CHAPMAN EDWARD M. KENNEDY PAUL C. REARDON ABRAM T. COLLIER EDWARD G. MURRAY MRS GEORGE LEE SARGENT ARCHIE C EPPS III JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT HENRY A. LAUGHLIN PALFREY PERKINS FRANCIS W. HATCH EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager PAUL BRONSTEIN JOHN H. CURTIS MARY H. SMITH Business Manager Public Relations Director Assistant to the Manager FORRESTER C. SMITH DANIEL R. GUSTIN RICHARD C. WHITE Development Director Administrator of Assistant to Educational Affairs the Manager DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood HARRY NEVILLE Program Editor Copyright © 1974 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS ^H jgfism SPRING LINES" Outline your approach to spring. In greater detail with our hand- somely tailored, single breasted, navy wool worsted coat. Subtly smart with yoked de- tail at front and back. Elegantly fluid with back panel. A refined spring line worth wearing. $150. Coats. Boston Chestnut Hill Northshore Shopping Center South Shore PlazaBurlington Mall Wellesley BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC.
  • Integrated Balance Sheet 2019

    Integrated Balance Sheet 2019

    Integrated balance sheet 2019 2019 was a unique year for the Accademia. 2019 marked the 15th year anniversary of M Antonio Pappano’s appointment as musical director to the Accademia. It was important to celebrate this anniversary since it is thanks to Mr. Pappano’s patient and passionate work with the orchestra, Mr. Visco and his choir, as well as his great collaboration with all of the Academia’s different ensembles ‐ in particular with the artistic direction‐ and his constant and productive dialogue with the administration/presidency, that the artistic ensembles were able to achieve a growth of international level. Visiting the world capitals from the several tours that were organized, using new technology that allowed the Accademia to reach new audiences( for instance thanks to the PappanoinWeb), and carrying out an in depth repertoire analysis, ranging from classical to contemporary music, were all strategies that created new opportunities for the Accademia to develop culturally, grow the admiration of members, partners and journalists, and mature artistically. The Accademia will always have immense gratitude and admiration towards Mr. Pappano, since without him all of this would not have been possible. On this note, the new symphonic season has the mark of the musical director, launching it with his signature phrase “Caro Pubblico!” In fact, it is this very greeting that Mr. Pappano usually uses to welcome audiences, ready to witness a new performance, within a new stylistic framework that seeks to touch their heart/feelings; just a few words used to accompany the audience into a new musical journey. In the new symphonic season, this kind of greeting will be used at start of every performance, either by Mr.