DOCSLIB.ORG

Production Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Production Guide CINE MAG PRODUCTION GUIDE Sloan asst dir. Tim Eaton conlinuity Ann McGibbon Lp. Anne Dansereau, LITTLE PICTURE WITH NELVANA LTa BIG IDEAS he following is a list of films in production (actually before Peter Briemonis, Kenneth Gordan, Ken (416) 863-0091 the cameras) and in negotiation in Canada. Needless to say, Lemere, Sandy Kyser A series of five feature films: all Can* T DRATS* dian low budget. the films which are still in the project stage are subject to Animated feature in production since changes. A third category, In Pre-production, will be used to NATIONAL FILM BOARD Feb. 1, 1980. p. Patrick L. Loubert, Mi­ THE RESORT indicate films which are in active pre-production, having set a chael Hirsh d. Clive A. Smith p. man. date for the beginning of principal photography and being OF CANADA Rory King Dale Cox designer Frank (514) 333-3333 Nissan d.o.p. Lenora Hume ed. Scott FLASHPOINT engaged in casting and crewing). Films are listed by the name of LaBarge sp. eff. (EASE) : Keith Ingham A COOP the company which initiated the project or with which the tech. sup. Dennis Brown unit d. Greg A documentary on the Eskimos to be Duffell, Ken Stephenson. MacTAGGARTS WAR project is popularly associated. This is not necessarily the name shot in three parts ending in March : p. of the production company. Where the two companies are Jean Dansereau d. Maurice Bulbulian LIVE, LOVE, LAUGH different the name of the production company, if known, is also cam. Roger Rochat asst cam. Serge RSL FILMS LTa given. In instances where a producer has asked us not to list a Lafortune sd. Claude Chevalier. (514) 931-7155 TWO KINDS OF TERRIBLf project or to withhold certain credits due to ongoing negotiations, NUNS PARADISE we have respected his request Principal photography began on March A one hour documentary. Shooting be­ 22. All exteriors to be filmed in Israel, p. gan early this Sept and should end on CORPORATION " Robert Lanlos, Stephen J. Roth, c<»-p. April 1981. With a budget of $350,000. p. Please telephone additions and up-dates information to: Wendy Green a.d. Jim Kaufmannd.o.p. IMAGE M & M Signe Johansson exec. p. Kathleen Adam Greenberg script sup. Monique Cinema Canada (416) 366-0355 or (514) 272-5354. Shannon research Holly Dressel, Eliza­ (514) 878-1474 Champagne p.acc Manon Bougie-Bo- beth Schwartzbaum tL Margaret We&- yer ed. Howard Terrill asst'l ed. Rick NIGHTMARE Film credit abbreviations cott cam. Suzann Trow cam. asst Wallace d. se. Stuart Glllard art d. Principal photography to begin in sum­ d. director aftsL d. assistant director sc script adapt adaptation dial dialogue Bonnie Andrukaitus sd. Ingrid Cusel Claude Bonniere cost des. Mary Jane mer 1981 in Georgia and Montreal, Esti­ pli./dop. photography sp. ph. efx. special photographic effects ed. editor sup. ed. elec RogerMartin loc buss. man. Eva McCarty music Paul Hofferi unit pub. mated budget: $6.5 millions, p^ Rene supervising editor sd. sound sd. ed. sound editor sd. rec. sound recording p. des. Zebrowski production designer art d. art director set dec set decorator m. music cost Lana Iny. Malo d. Jean-Claude Lord sc Jean- costumes Lp. leading players exec p. executive producer p. producer assoc. p. Claude Lord, Jean Saivy, Jamie Brown, associate producer line p. line producer p. sup. production supervisor p. man. LE PATRIMOINE based on a story by Joseph Hayes Lp. production manager p.c. production company dist distributor An asterisk (') fol­ REUGIEUX 89816 CANADA LTa Richard Gere. lowing the film's title indicates financial participation by the Canadian Film A documentary in eight half-hour seg­ (416) 445-7492 Development Corporation. ments on religious art in Quebec Shoot­ IMAGE THE SOUND CRAWLEY FILMS ing all around Quebec from January 18 Shooting begins Feb. 8 in Toronto on this (613) 728-3513 to end of March. Estimated budget of 90 min. feature about jazz and the peo­ $320,000. Co-financed by Radio-Canada THE STRANGE ONE* ple who make it. co-p. Ron Mann and and NFB. p. Jean Dansereau sc Michel Special effects photography has begun. Bill Smith d. Ron Mann art d. Sandy Lessard d. Francois Brault asst d. Vvan Location filming in Toronto, Ireland, Kybartasd.o.p. Robert Fresco creative FEATURES IN PRODUCTION Provostcam. FranpoisBrauItassL cam. Scotland on a budget of $4 million. consultant Emile De Anionio. Sepharin Bouchard sd. Jos Champagne Shooting begin in June 1981 p.c Craw­ and Yves Gendron light Maurice De ley Films Production p. Budge Crawley CANAMEDIA INTERNATIONAL CINEMA Ernsted. exec p. F.G.Townsend assoc p. [wild­ life unit) William H. Carrick sc Barry PRODUCTIONS LTD. CORPORATION Lane, adapted from a novel by Fred (416) 968-1970 (514) 284-9354 Bosworth sThe Strange Ones d.o.p. Ro­ bert Ryan ph. Robert Ryan, Patrick Ca­ THE CANADIAN CAPER . QUEST FOR FIRE Began shooting on March 9. A two-hour rey sp. effects ph. Patrick Carey, Ro­ A co-production^between Canada and T\' drama in coproduction with CBS, bert Ryan. France. Estimated Budget S9.S million. PROJECTS IN NEGOTIATION scheduled for a24 day shoot. Budget$2.4 Shooting began on Oct. 21 in Scotland million. lATSEcrewp. Les Harrisco.-p. million film to shot in spring 1981 in and Kenya, and stopped at (he end of Bob Iveson exec p. Stanley Rubin line ASA PRODUCTION INa Toronto with a ACFC crew. p. David DRACULA SUPERSTAR Dec. 1980. They will start shooting again p. Rob Iveson ed. Kent-Pepler Produc­ Koyle p. man. Jason Paikowsky d., sc. in Canada in April '81 in Ontario p.c. (514) 288-4011 PRODUCTION INC. tions d. Lamont Johnson d.o.p. Bert Boon Collins Lp. Eddie Benton, Tony Cinetrail Inc. p. John Kemeny, Denis Crupi, Marilyn Slaley. (514) 861-5278 Dunk art d. Carol Spiers p. man. Sally HIT AND" RUN* Heroux, Claude Leger p. man. Matthew Dundas. To begin principal photography in DRACULA SUPERSTAR Vibert p. coor. Barbara Shrier compt Montreal on a $5 millions budget on To be shot in 1981 in Montreal withaS3.5 Leslie Kemeny p. accL Micheline Bonin June 1981 p. Joseph F, Beaubien, Nicole aM. FILM ca INa million budget. p.c Dracula Superstar assL to p. Anne Burke unit man. Peter M. Boisverl p. man Lyse Lafontaine d. Production p. Peter Lebensold, Richard HEAVY METAL Bray p. sec Angela Heald sc. Gerald (514) 844-1300 Robin Spry sc Douglas Bowie, Arthur Lightstone, James Kaufman. Brach, from the story by Rosny-Aisne d. ANIMATION Ca INa Fuller, Spry, based on the book by Tom BREAK AWAY Jean-Jacques Annaud a.d. Peter Bray, (514) 842-2517 Alderman. To be done in 1981. p. Bruce Mallen ass. Charles Braive d.o.p. Claude Agoslini p. Carol Klein exec p Michael Gilbert. FILIAL PRODUCTIONS IN& HEAVY METAL light John Berrie 1 st cam. Al Smith 1 st Photography began in the middle of cam. grip Carlo Campana 2nd cam. ASTRAL BELLEVUE PATHE (416) 535-2867 October 1980 in Montreal, Ottawa and Keith Wood focus puller George Bot- (514) 748-6541 BRUCE A RAYMOND PAUL HTDRN London, England on this animated fea­ tos 2nd cam. loader Christophe Bon- ROLLING STONE PRODUCTIONS A documentary to be shot in England, ture made up of 10 shorts stories taken niere2n^l camp, grip Andre Ouellette Egypt, India, China, L.A., Victoria on a p. Harold Greenberg exec in charge (416) 485-3406 from Heavy Metal magazine. Budget $7.3 gaffer Maris Jansen elect. Frieder $400,000 budget, p. Alan Lane, Phil Des- of prod. Don Camlody. million. Production by Michael Mills Hochheim sd. mix. Claude Hazanavi- WANTED : CARL DURAND jardins d. Phil Desjardins d.o.p. Marc Productions Ltd. Boxcar Films Ltd., .At­ cius boom Denis Dupont art d. Guy To begin in May 1981 in Alberta with a S4 Champion sc Alan Lane, Phil Desja^ • kinson Film Arts Ltd. (Ottawa), Halas &, Comtois props Enrico Campana, Ga- CAPTURED tniliion budget p. Bruce A. Raymond sc. dins exec p. K.C. Vallis p.inan. Ann Batchelor (England!, p. Ivan Reitman reth Wilson ward master John Hay Shot in 1981. p. Harold Greenberg d. Ted R. John Hugh. O'Brien asst ph. Joan Hutton ed. Ralph exec p. Len Mogel asso. p., p. man. ward mistress Renee April ward asst Kotcheff. Brunges sd. Shibly Samaan pub. Ruth Peter Lebensold p. sup. Christine La- Blanche Boileau make-up Lyne Des- Batey (416) 463-6181 mus. Paul Horn and rocque arL d. Michael Gross sc diaL, marais, Michele Burke, Joan Isaacson, CANAMERE FILMS LTa others. adapt. Len Blum, Daniel Goldberg d. Suzanne Benoit, Marie-Josee Lafontaine SKETCfTUFE (519) 453-0164 p. Harold Greenberg d. Stan Daniels. Gerry Potterton ed. Janice Brown aud. sp. effx. asst Neil Truffonnovitch DEATH TO ed. Peter Thillaye aud. mix Austin and const, man. Claude Simard carpen­ THE DONNELLYS FILM FIVE INa ' JoeCrimaldimus. Elmer Bernstein. Bob ters Jos Girard, Jean-Guy Proulx, NOP- MIRI (416) 595-0015 Ezrin voices August Schellenberg, John mand Richer, Richard Boucher cast To begin in 1981 exec. p. Roger A. A co-production between Astral Belle- Leblanc sc adapted by Maridon Miller. Stocker. Joseph Golland. Andree Champagne pub. David Novek vue Pathe and Miri Sunshine Produc­ THE BIRDS OF PREY* and Associates stills Takashi Seida ed. tion, schedule for 1981 in Israel To begin shooting in 1981 p., d. Daryl Ian McBride ed. assf s. Sidonie Kerr, Dulie BC. Clive Exton ph. Billy Williams Glenn Berman stunt coord. Jerome CINAK LTEE p.de«ign Trevor Williams pub. Rain- L&L Tiberghien. BIP PRODUCTIONS (514) 248-3295 say (4161 960-5433.
Load more

Recommended publications
  • From Matieland to Mother City: Landscape, Identity and Place in Feature Films Set in the Cape Province, 1947-1989.”
    “FROM MATIELAND TO MOTHER CITY: LANDSCAPE, IDENTITY AND PLACE IN FEATURE FILMS SET IN THE CAPE PROVINCE, 1947-1989.” EUSTACIA JEANNE RILEY Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in the Department of Historical Studies UNIVERSITY OF CAPE TOWN December 2012 Supervisor: Vivian Bickford-Smith Table of Contents Abstract v Acknowledgements vii Introduction 1 1 The Cape apartheid landscape on film 4 2 Significance and literature review 9 3 Methodology 16 3.1 Films as primary sources 16 3.2 A critical visual methodology 19 4 Thesis structure and chapter outline 21 Chapter 1: Foundational Cape landscapes in Afrikaans feature films, 1947- 1958 25 Introduction 25 Context 27 1 Afrikaner nationalism and identity in the rural Cape: Simon Beyers, Hans die Skipper and Matieland 32 1.1 Simon Beyers (1947) 34 1.2 Hans die Skipper (1953) 41 1.3 Matieland (1955) 52 2 The Mother City as a scenic metropolitan destination and military hub: Fratse in die Vloot 60 Conclusion 66 Chapter 2: Mother city/metropolis: representations of the Cape Town land- and cityscape in feature films of the 1960s 69 Introduction 69 Context 70 1 Picturesque Cape Town 76 1.1 The exotic picturesque 87 1.2 The anti-picturesque 90 1.3 A picturesque for Afrikaners 94 2 Metropolis of Tomorrow 97 2.1 Cold War modernity 102 i Conclusion 108 Chapter 3: "Just a bowl of cherries”: representations of landscape and Afrikaner identity in feature films made in the Cape Province in the 1970s 111 Introduction 111 Context 112 1 A brief survey of 1970s film landscapes 118 2 Picturesque
    [Show full text]
  • Australian Radio Series
    Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language.
    [Show full text]
  • Vision, Desire and Economies of Transgression in the Films of Jess Franco
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation.
    [Show full text]
  • THE MYTH of 'TERRIBLE TURK' and 'LUSTFUL TURK' Nevs
    THE WESTERN IMAGE OF TURKS FROM THE MIDDLE AGES TO THE 21ST CENTURY: THE MYTH OF ‘TERRIBLE TURK’ AND ‘LUSTFUL TURK’ Nevsal Olcen Tiryakioglu A thesis submitted in partial fulfillment of the requirements of Nottingham Trent University for the degree of Doctor of Philosophy December 2015 Copyright Statement This work is the intellectual property of the author. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed in the owner(s) of the Intellectual Property Rights. i Abstract The Western image of Turks is identified with two distinctive stereotypes: ‘Terrible Turk’ and ‘Lustful Turk.’ These stereotypical images are deeply rooted in the history of the Ottoman Empire and its encounters with Christian Europe. Because of their fear of being dominated by Islam, European Christians defined the Turks as the wicked ‘Other’ against their perfect ‘Self.’ Since the beginning of Crusades, the Western image of Turks is associated with cruelty, barbarity, murderousness, immorality, and sexual perversion. These characteristics still appear in cinematic representations of Turks. In Western films such as Lawrence of Arabia and Midnight Express, the portrayals of Turks echo the stereotypes of ‘terrible Turk’ and ‘lustful Turk.’ This thesis argues that these stereotypes have transformed into a myth and continued to exist uniformly in Western contemporary cinema. The thesis attempts to ascertain the uniformity and consistency of the cinematic image of Turks and determine the associations between this image and the myths of ‘terrible Turk’ and ‘lustful Turk.’ To achieve this goal, this thesis examines the trajectory of the Turkish image in Western discourse between the 11th and 21st centuries.
    [Show full text]
  • Register of Entertainers, Actors and Others Who Have Performed in Apartheid South Africa
    Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1988_10 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Entertainers, Actors And Others Who Have Performed in Apartheid South Africa Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 11/88 Author/Creator United Nations Centre against Apartheid Publisher United Nations, New York Date 1988-08-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1981 - 1988 Source Northwestern University Libraries Description INTRODUCTION. REGISTER OF ENTERTAINERS, ACTORS AND OTHERS WHO HAVE PERFORMED IN APARTHEID SOUTH AFRICA SINCE JANUARY 1981.
    [Show full text]
  • Programa Programme
    PATROCINADOR PRINCIPAL ISSN 2183-3443 8-13 SET 2015 CINEMA SÃO JORGE CINEMATECA JÚNIOR PATROCINADOR PRINCIPAL PROGRAMA PROGRAMME ÍNDICE CONTENTS » INTRODUÇÃO p.5 » 03. RETRO RICHARD STANLEY p.55 INTRODUCTION RICHARD STANLEY RETRO Hardware » 01. SERVIÇO DE QUARTO p.7 Dust Devil ROOM SERVICE Assassination Classroom » 04. SESSÕES ESPECIAIS p.59 Der Bunker SPECIAL SCREENINGS Burying The Ex Eugenie Coin Locker Girl Roar Cop Car The Rocky Horror Picture Show Cub Teen Wolf The Editor Everly » 05. QUARTO PERDIDO Extinction LUSOXPLOITATION p.65 Ghost Theater LOST ROOM - LUSOXPLOITATION Goddess of Love A Caçada do Malhadeiro Green Room Sinal Vermelho The Hallow » 06. PRÉMIO MOV MOTELx p.69 Howl MELHOR CURTA Hyena DE TERROR PORTUGUESA 2015 I Am Here MOV MOTELx AWARD I Stay With You BEST PORTUGUESE HORROR SHORT FILM 2015 The Invitation Ju-On: The Final Curse » 07. CURTAS INTERNACIONAIS p.74 Knock Knock INTERNATIONAL SHORT FILMS Night Fare » 08. micro CURTAS p.79 Nina Forever micro SHORTS No Tears for the Dead Office » 09. LOBO MAU p.81 Purgatory BIG BAD WOLF Road Games Monster House Scherzo Diabolico Hotel Transylvania Shrew’s Nest » 10. EVENTOS p.86 Sun Choke EVENTS The Swimmers Tag » 11. FESTAS p.94 Tales of Halloween PARTIES Turbo Kid » The Visit 12. WARM-UP p.95 We Are Still Here » INFORMAÇÕES p.97 What We Do In The Shadows INFORMATION Yakuza Apocalypse » FICHA TÉCNICA p.99 » 02. DOC TERROR p.47 CREDITS DOC HORROR Dark Star: HR Giger World » AGRADECIMENTOS p.100 Lost Soul: The Doomed Journey ACKNOWLEDGMENTS of Richard Stanley’s Island of Dr.
    [Show full text]
  • Johnnycv 03-04-19
    Curriculum Vitae: Johnny Breedt SCOPE OF WORK: YEAR COMPANY/LOCATION PRODUCTION TITLE LEAD CAST POSITION 2018 Sergio Film/Netflix – Sergio – Feature Wagner Moura, Ana Production Jordan, Thailand, Rio De Director: Greg Barker De Armas, Garret Designer Janeiro Producers: Daniel Dreifuss, Brent Dillahunt Travers, Stephen Marinaccio, Wagner Moura D.O.P. Adrian Teijido Shonda Rhimes/ABC - For The People – TV Series Hope Davis, Ben Production Disney (Season 1) Shenkman Designer 2017 Shonda Rhimes/ABC - For the People – Pilot and TV Series Hope Davis, Ben Production Disney – Los Angeles, (Season 1) Shenkman Designer NYC 2016 Lotus Films Replicas Keanu Reeves, John Production San Juan - Puerto Rico Director: Jeffrey Nachmanoff Ortiz, Thomas Designer Producers: Keanu Reeves, James Middleditch, Emjay Dodson, Stephen Hamel, Lorenzo Di Anthony, Alice Eve, Bonaventura, Erik Howsam Nyasha Hatendi D.O.P: Checco Varese 2015\16 ABC - Disney, Of Kings & Prophets-TV Series Ray Winstone, Olly Production Moonlighting Films, Director: Michael Offer Rix, Simone Kessel Designer Advantage Entertainment Producers: Sara Fischer, Jason Cape Town, Northern Reed, Chris Brancato, Tina Grewal, Cape - South Africa Duane Clark, Vlokkie Gordon, Genevieve Hofmeyer 2014 E One, Raindog Films, Eye In The Sky Helen Mirren, Aaron Production Moonlighting Films Director: Gavin Hood Paul, Alan Rickman Designer Cape Town, Northern Producer/s: David Lancaster, Ged Cape - South Africa Doherty, Colin Firth D.O.P: Haris Zambarloukos 2013 VideoVision The Art Direction of Mandela-Long Author and Cape Town - South Africa Walk To Freedom (Book Publication) Creator 2012 VideoVision, HWC Mandela-Long Walk To Freedom Idris Elba, Naomi Production Cape Town, Joburg - Director: Justin Chadwick Harris, Terry Pheto Designer South Africa Producer/s: Harvey Weinstein, Anant Singh D.O.P: Lol Crawley 2011 VideoVision, HWC Mandela-Long Walk To Freedom Research Cape Town-South Africa Phase 20th Century Fox Chronicle Dane De Haan, Alex Supervising Cape Town, Joburg - Director: Josh Trank Russell, Michael B.
    [Show full text]
  • John Exshaw.3
    Page 27 JESS FRANCO, or THE MISFORTUNES OF VIRTUE John Exshaw El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters) Francisco Goya y Lucientes, Los Caprichos, plate 43, (1797­1798) In his book, Jess Franco: El sexo del horror, the Spanish film historian Carlos Aguilar closes a chapter with the following remark: “It is really true that, in his own way, Jesus Franco represents a damn peculiar case . .” (1) That Jess Franco can produce such a perplexed (and exasperated) response in a compatriot who was, after all, engaged in writing a book­length biographical and critical overview goes some way to illustrate the difficulties encountered in trying to come to grips with Jesús Franco Manera, a director whose staggering output of something like 180 films in forty­five years contrives to make words like ‘maverick’, ‘obsessive’, ‘enigma’, or even ‘deranged’, seem sadly inadequate. Some might question whether it is worth “coming to grips” with Franco at all. His detractors are legion, and, despite the publication of three serious studies (2) and a veritable host of admiring magazine articles, it is fair to say that Franco and his films still fly well below the radar of respectable critical attention; considered, when considered at all, to be beneath both notice and contempt. In part, of course, this attitude is simply a hangover from what might be termed ‘La Plus longue nuit des auteurs’, the Cahiers du Cinéma­inspired revolution which, having done sterling work in elevating the importance of the Seventh Art, then proceeded, like an earlier French Revolution, to overstay its welcome, descending into a kind of intellectual Terror in which certain directors of genre films were elevated to the Pantheon (particularly if they laboured in the more obscure depths of the Hollywood system) while others (mainly European) were simply ignored.
    [Show full text]
  • 2012 (Mit Nachträgen Und Korrekturen Für Die Jahre 1998 – 2011)
    Wilbert Ubbens Kommunikationshistorische Aufsätze in Zeitschriften des Jahres 2012 (mit Nachträgen und Korrekturen für die Jahre 1998 – 2011) (Unvollständig veröffentlicht in JbKG 15 (2013) S. 243-337) 10.2. Einzelne Personen Aberg, Anders Wilhelm: Art is born on the border of taboo: Vilgot Sjöman in Hollywood. In: Journal of Scandinavian cinema 1 (2011) 2, S. 159-162. [Über den Filmregisseur Sjöman (1924 – 2006) und sein Buch über Hollywood 1961] Agde, Günter: Zwischen Mahlsteinen. Der Regisseur Günter Stahnke und sein Film ›Der Frühling braucht Zeit‹ (1965). In: Filmblatt 17 (2012) 48, S. 33-45. [Stahnke (geb. 1928)] Alexandre Herzen (1812 – 1870). Son époque, sa postérité. Ed. Korine Amacher, Michel Mervaud. In: Revue des études slaves 83 (2012) 1, S. 9-250. [Themenheft mit 13 Beiträgen zum Philosophen, Schriftsteller und Publizisten Aleksandr Ivanovic Gercen, hier nicht einzeln verzeichnet] Alfonso García, María del Carmen: Llamas y rescoldos nacionales: ›Con la vida hicieron fuego‹, novela de Jesús Evaristo Casariego (1953) y película de Ana Mariscal (1957). In: Arbor: Ciencia, pensiamento y cultura 188 (2012) 758, S. 1087-1106. [Über den Film von Mariscal (1923 – 1995)] Alilunas, Peter: »They can’t do this to us!«: Alan Alda as (anti)feminist signifier. In: Camera obscura 26 (2011) 78, S. 35-61. [Über den Schauspieler Alda (geb. 1936) in den 1970er Jahren] Allen, Julie: Tea with Goebbels and Hitler: Asta Nielsen in Nazi Germany. In: Journal of Scandinavian cinema 2 (2012) 3, S. 333-342. [Über die Filmschauspielerin Nielsen (1881 – 1972)] Allen, Julie K.: Where does »die Asta« belong? The role of national identity in Asta Nielsen’s German and Danish reception in the early 1920s.
    [Show full text]
  • Title Category Producer Run Time Rating This Ain't Prettyville-Chonda
    Video Title Category Producer Run Time Rating this ain't Prettyville-Chonda Pie Family No Whining Productions 90 PG 48 Angels Family Northern Ireland Film 90 min. NR 6 Family Adventure-The Gift, etc Family Echo Bridge Home Entertainme 0:30 G 6 Family Movies-The Wild Stallio Family Echo Bridge Home Entertainme 0:30 G 6 Family Movies-Thicker Than W Family Echo Bridge Home Entertainme G 8-Track Guy in an iPod World Family Swanberg Ministries G A Charlie Brown Christmas Children United Feature Syndicate Not Rated A Christmas Snow Family Trost Moving Pictures 111 min. NR A Christmas Without Snow Family Korty, John 96 min. G A Fruitcake Christmas- Hermie a Children Tommy Nelson 60 Min, G A Song from the Heart Family CBS 90 min. NR A Vow To Cherish Family World Wide Pictures Abe and the Amazing Promise-V Children Big Idea Inc. 53 G ACC Voice of Truth DVD Special Music Marty Collins Ace of Hearts Family Readers Digest Family Films 100 G Address Unknown Family Feature Films For Families Amazing Grace Family Apted, Michael 118 min. PG Amish Grace Family Larry A. Thompson Organization 89 min. PG An Easter Carol Children Big Idea 0:49 G An Old-Fashioned Thanksgiving Family Muse Entertainment 88 min. NR Andy Griffth Family Leisure Entertainment G Sunday, October 4, 2015 Page 1 of 15 Title Category Producer Run Time Rating Another Perfect Stranger Family Hughes, Gina M. 96 G Antioch Christian Church 2005 C Family Antioch Christian Church G Antioch Christian Church 2006 C Family Antioch Christian Church G Antioch Christian Church 2007 C Family Antioch Christian Church G Antioch Christian Church Christ Family Antioch Christian Church Christ Family Are You My Neighbor?-Veggie T Children Big Idea 31 min.
    [Show full text]
  • Thesis Hum 2012 Riley Ej.Pdf
    The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the University ofof Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University “FROM MATIELAND TO MOTHER CITY: LANDSCAPE, IDENTITY AND PLACE IN FEATURE FILMS SET IN THE CAPE PROVINCE, 1947-1989.” EUSTACIA JEANNE RILEY Thesis Presented for the Degree of DOCTOR OF PHILOSOPHYTown in the Department of Historical Studies UNIVERSITY OF CAPE TOWN Cape December 2012 of Supervisor: Vivian Bickford-Smith University Town Cape of University Table of Contents Abstract v Acknowledgements vii Introduction 1 1 The Cape apartheid landscape on film 4 2 Significance and literature review 9 3 Methodology 16 3.1 Films as primary sources 16 3.2 A critical visual methodology 19 4 Thesis structure and chapter outline 21 Chapter 1: Foundational Cape landscapes in Afrikaans feature films, 1947- 1958 Town 25 Introduction 25 Context 27 1 Afrikaner nationalism and identityCape in the rural Cape: Simon Beyers, Hans die Skipper and Matieland 32 1.1 Simon Beyers (1947) of 34 1.2 Hans die Skipper (1953) 41 1.3 Matieland (1955) 52 2 The Mother City as a scenic metropolitan destination and military hub: Fratse in die Vloot 60 ConclusionUniversity 66 Chapter 2: Mother city/metropolis: representations of the Cape Town land- and cityscape in feature films of the 1960s
    [Show full text]
  • To Download The
    AFM PRODUCTPRODUCT GUIDEGUIDE EXHIBITORS AT AFM: Follows the story of a high2001 school cheer- WHISPERS FROM A SHALLOW DEATH CULT leader whose parents, friends and lovers GRAVE Martial Arts (85 minutes) think she is drifting toward becoming a les- Drama (90 minutes) Language: English bian. She is sent to a camp with other girls Language: English Director: Leo Fong and boys whose parents want them to Director: Ted Newsom Producer: Philip R. Cable A AAA become straight. Producer: Trudi Keck Cast: Leo Fong, Lorin Taylor Cast: Michelle Baurer, Trudi Keck Delivery Status: Available October 1, 2001 KILLER INSTINCT Delivery Status: Available Now Horror Thriller Budget: $250,000 A PLUS Budget: $200,000 For three decades assassins continually hunt Director: Ken Barbet The true story of a bikini model and her the man who ruined their plans for global ENTERTAINMENT Producer: Tony DiDio shocking murder which made headlines A Plus Entertainment, 15030 Ventura conquest. Exec. Producer: Denis Shusterman throughout the world. STAR FORCE Blvd., Suite 762, Sherman Oaks, CA THE NASA COLLECTION 91403 USA. Tel: 818.994.9831. Fax: Cast: Corbin Bernsen, Dee Wallace Stone, Sci-Fi, Action (85 minutes) Paige Moss Documentary (80 short films, 15 - 30 min- Language: English 818.994.9837. E-mail: utes each) [email protected]. Delivery Status: Completed Director: Mervin Fulton In the tradition of Scream and the US box Language: English At AFM: Emilio Ferrari (President), Gregg Director: Various Producer: Philip R. Cable Ratinoff (Vice-President of Worldwide office
    [Show full text]