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Doctor Who Party
The Annual DoctorCostume ComparisonWho Gallery Party Tim Harrison, Sr. as the 4th Doctor and Eric Stein as Captain Jack Harkness Jim Martin as the 9th Doctor Sarah Gilbertson as Raffalo (The End of the World) Esther Harrison as Harriet Jones (The Christmas Invasion) Karen Martin as Rose Tyler Jesse Stein as the 10th Doctor Katie Grzebin as Novice Hame (New Earth) Timothy Harrison, Jr. as the 10th Doctor and Lindsay Harrison as Rose Tyler (Tooth and Claw) JoLynn Graubart as Martha Jones and Matt Graubart as a Weeping Angel (Blink) Andrew Gilbertson as Prof. Yana (Utopia) Kayleigh Bickings as Lady Christina (Planet of the Dead) Joe Harrison as a Whifferdill (taking the form of Joe Harrison) (DWM: Voyager) 4, 9, 10, and everyone’s favorite Canine Computer... A bowl of Adipose... No substitute for a sonic blaster, but the 9th and 10th are fans... HOME 2010 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 1st Doctor Hayley as a Dalek Camryn Bickings as ...Koquillion? (The Rescue) Timothy Harrison, Jr. as the 5th Doctor Jim Martin as the 9th Doctor Esther Harrison as Sarah Jane Smith BJ Johnson as a Weeping Angel (Blink) Sarah Gilbertson as Lucy Saxon (Last of the Time Lords) Katie Grzebin as Jenny (The Doctor’s Daughter) Karen Martin as the Visionary (The End of Time) Eric Stein as the post-regeneration 11th Doctor (The Eleventh Hour) Joe Harrison as the 11th Doctor Lindsay Harrison as Liz 10 (The Beast Below) JoLynn Graubart as Amy Pond and Matt Graubart as Rory the Roman (The Pandorica Opens) HOME 2009 2011 The Annual DoctorCostume ComparisonWho Gallery Party Andrew Gilbertson as the 2nd Doctor Joe Harrison as Jamie McCrimmon Timothy Harrison, Jr. -
Diary of the Doctor Who Role-Playing Games, Issue
HISTORICAL ISSUE The fanzine devoted to Doctor Who Gaming „COWPENS‰ ADVENTURE MODULE - „THE „THE COLD RUSH‰ ADVENTURE MODULE - ISSUE # 9 BUILDING A BETTER MAP - FOOD FOR „A NIGHT TO REMEMBER„ ADVENTURE MODULE FIRST TIME DOCTOR WHO ROLE-PLAYING LIGHTNING BUG‰ ADVENTURE MODULE „IN THE AFTER GLOW‰ ADVENTURE MODULE and MORE... GAMING - HISTORICAL ADVENTURES 1 EDITOR’S NOTES CONTENTS Welcome to this month’s issue of DDWRPG. This is our “Historical Issue” focusing on playing games that EDITOR’S NOTES 2 have an element of real history in them—whether a full REVIEW: Eleventh Doctor Sonic Screwdriver 3 historical or a pseudo historical that also has some sci‐fi Cubicle 7 Product Update 3 elements in it. DWAiTS Forum Updated 4 To fit this theme were are presenting to you, not TARDIS Lands at Graduation 4 our usual two, but a full five different modules featuring Food at Role‐Playing Gatherings 5 historical adventures that can be played. To show how MODULE: “The Cold Rush” 10 broad the idea of a “historical” can be, we present two Historical Not Just Pseudo‐Historical Adventures 11 pure historical adventures, two pseudo historical (that MODULE: “Cowpens” 12 feature alien involvement), and one historical adventure MODULE: “The Lightning Bug” 16 that takes place in another sci‐fi universe (as we present Better Building Maps Build Better Games 21 a crossover adventure into the universe of Firefly)! Arti‐ Neg/Dip Critical Failures 24 cles on cosplay and fake historical photography round out REVIEW: Doctor Who Insider 25 our features, as well as documenting the first‐time gam‐ MODULE: “A Night To Remember” 26 ing experience for some of the new players in the A Dilemma of Titanic Proportions 33 DDWRPG team’s own campaign. -
Doctor Who's Feminine Mystique
Doctor Who’s Feminine Mystique: Examining the Politics of Gender in Doctor Who By Alyssa Franke Professor Sarah Houser, Department of Government, School of Public Affairs Professor Kimberly Cowell-Meyers, Department of Government, School of Public Affairs University Honors in Political Science American University Spring 2014 Abstract In The Feminine Mystique, Betty Friedan examined how fictional stories in women’s magazines helped craft a societal idea of femininity. Inspired by her work and the interplay between popular culture and gender norms, this paper examines the gender politics of Doctor Who and asks whether it subverts traditional gender stereotypes or whether it has a feminine mystique of its own. When Doctor Who returned to our TV screens in 2005, a new generation of women was given a new set of companions to look up to as role models and inspirations. Strong and clever, socially and sexually assertive, these women seemed to reject traditional stereotypical representations of femininity in favor of a new representation of femininity. But for all Doctor Who has done to subvert traditional gender stereotypes and provide a progressive representation of femininity, its story lines occasionally reproduce regressive discourses about the role of women that reinforce traditional gender stereotypes and ideologies about femininity. This paper explores how gender is represented and how norms are constructed through plot lines that punish and reward certain behaviors or choices by examining the narratives of the women Doctor Who’s titular protagonist interacts with. Ultimately, this paper finds that the show has in recent years promoted traits more in line with emphasized femininity, and that the narratives of the female companion’s have promoted and encouraged their return to domestic roles. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
Julia Franco First Year Seminar Science Fiction Tuesday 9:30-10:45
Julia Franco First Year Seminar Science Fiction Tuesday 9:30-10:45/ Friday 9:30-12:15 Allegories in Time and Space1 On November 23rd 1963, the BBC launched their new TV show Doctor Who. They did not anticipate the cultural phenomenon.what would grow out of their low budget show with cheesy special effects. British children were enchanted by William Hartnal’s Doctor and his companions: Ian, Barbara and Susan, and gleefully scared by the fearsome salt shakers of doom: The Daleks. The stories were anywhere from 4 to 12 parts, each around 25 minutes and were serialized weekly. But lying beneath the light hearted self resolving stories ran deeper elements reflecting attitudes towards history and current events. Deeply rooted in the series was the allegory to World War II. The Daleks take the place of the Nazis and the Time Lords therefore fill the opposing role of the Alliance. At many points, the story reads as if it is a future history of what would have happen if the Nazis had won World War II. This tapped into the subconscious fears of the nation as the war was still fresh in the minds of the parents of Britain. But also tied into the contemporary fears of the Cold War and the Soviet threat. These allegorical elements along with the characters in Doctor Who, such as the Daleks and the Time Lords, that correspond to actual historical events and people make the show what it is today: timeless and timely. The Daleks would not exist if not for one man- Terry Nation. -
Reading Aloud - Doctor Who
Reading aloud - Doctor Who These are lines from a Doctor Who episode, ‘The Time of Angels’. The Doctor’s companion Amy believes her hand has been turned to stone and she can’t move. They are in danger from terrifying aliens called the Weeping Angels. Read the lines aloud. The DOCTOR is examining AMY, flashing a torch in her eyes. DOCTOR: You looked into the eyes of an Angel, didn't you? AMY: I couldn't stop myself. I tried. DOCTOR: Listen. It's messing with your head. Your hand is not made of stone. AMY: It is. Look at it! DOCTOR: It's in your mind. I promise you. You can move that hand. You can let go. AMY: I can't, OK? I've tried and I can't. It's stone. The torchlight begins to flicker. DOCTOR: The Angel is gonna come and it's gonna turn this light off, and then there's nothing I can do to stop it. So do it, concentrate, move your hand! AMY: I can't. DOCTOR: Then we're both going to die. AMY: You're not going to die. DOCTOR: They'll kill the lights. The light flickers off and the Angels move closer. [Continued on next page] © BBC 2012 AMY: You've got to go, you know you have. You've got all that stuff with River and that's all got to happen. You know you can't die here! DOCTOR: Time can be re-written, it doesn't work like that. The light flickers again. AMY turns to look at the Angels. -
THE NOTION of COMMITMENT in SELECTED WORKS of Mal SHE MAPONY A
THE NOTION OF COMMITMENT IN SELECTED WORKS OF MAl SHE MAPONY A THESIS Submitted in Fulfilment of the Requirement for the Degree of MASTER OF ARTS In the Drama Department of Rhodes University BY MABITLE MOOROSI DECEMBER 1997 SUPERVISOR: PROFESSOR GARY GORDON l ABSTRACT This study is a critical analysis of selected works of the playwright Maishe Maponya namely, The Hungry Earth, Jika and Gangsters. The main thrust of the analysis of the thesis is centred on questions around what 'Commitment' might mean in literature and drama. This concept has appeared in many names and guises. In theatre, it has assumed names like Theatre of Commitment, Theatre of the Dispossessed, Theatre ofthe Oppressed, Theatre ofResistance, as well as Theatre ofRadicalization (Bentley 1968; Boal 1974; Mda 1985; Maponya 1992). These names came into existence as a result of a concerted effort to refrain from the use of the traditional conventional theatre, which does not appear to address itself to societal problems - the preoccupation of Theatre of Commitment. Chapter One is principally concerned with the concept of Commitment and its implications in art and literature, more specifically in theatre. Further, the following interacting elements in South African theatre are highlighted: censorship, banning, detention and other restrictions, as well as DET education and religious institutions. Finally, Maponya is introduced, with his political inclinations and his views on art, together with the issue of theatricality in his plays. Chapter two initiates the proposed critical analysis with a focus on The Hungry Earth. The focus is on Theatre of Commitment and the background events that inspired Maponya's response. -
Doctor Who Episode Data, 2005-20
Episode Information BBC IMDB Series # Title Date Year XMAS AI Chart Rating # User-Raters 1 1 Rose 3/26/2005 2005 0 76 7 7.5 7,027 1 2 The End of the World 4/2/2005 2005 0 76 19 7.6 6,136 1 3 The Unquiet Dead 4/9/2005 2005 0 80 15 7.6 7,578 1 4 Aliens of London 4/16/2005 2005 0 82 18 7.0 5,516 1 5 World War III 4/23/2005 2005 0 81 20 7.0 5,327 1 6 Dalek 4/30/2005 2005 0 84 14 8.7 6,065 1 7 The Long Game 5/7/2005 2005 0 81 17 7.1 5,253 1 8 Father's Day 5/14/2005 2005 0 83 17 8.4 5,839 1 9 The Empty Child 5/21/2005 2005 0 84 21 9.2 7,138 1 10 The Doctor Dances 5/28/2005 2005 0 85 18 9.1 6,547 1 11 Boom Town 6/4/2005 2005 0 82 18 7.1 5,013 1 12 Bad Wolf 6/11/2005 2005 0 86 19 8.7 5,727 1 13 The Parting of the Ways 6/18/2005 2005 0 89 17 9.1 6,196 2 0 The Christmas Invasion 12/25/2005 2005 1 84 9 8.1 5,692 2 1 New Earth 4/15/2006 2006 0 85 9 7.4 5,281 2 2 Tooth and Claw 4/22/2006 2006 0 83 10 7.8 5,418 2 3 School Reunion 4/29/2006 2006 0 85 12 8.3 5,795 2 4 The Girl in the Fireplace 5/6/2006 2006 0 84 13 9.3 9,064 2 5 Rise of the Cybermen 5/13/2006 2006 0 86 6 7.8 5,050 2 6 The Age of Steel 5/20/2006 2006 0 86 15 7.9 4,994 2 7 The Idiot's Lantern 5/27/2006 2006 0 84 18 6.7 5,175 2 8 The Impossible Planet 6/3/2006 2006 0 85 18 8.7 5,817 2 9 The Satan Pit 6/10/2006 2006 0 86 19 8.8 6,027 2 10 Love & Monsters 6/17/2006 2006 0 76 15 6.1 6,150 2 11 Fear Her 6/24/2006 2006 0 83 20 6.0 5,405 2 12 Army of Ghosts 7/1/2006 2006 0 86 7 8.5 5,252 2 13 Doomsday 7/8/2006 2006 0 89 8 9.3 7,291 3 0 The Runaway Bride 12/25/2006 2006 1 84 10 7.6 5,388 3 1 Smith -
Doctor Who and the Politics of Casting Lorna Jowett, University
Doctor Who and the politics of casting Lorna Jowett, University of Northampton Abstract: This article argues that while long-running science fiction series Doctor Who (1963-89; 1996; 2005-) has started to address a lack of diversity in its casting, there are still significant imbalances. Characters appearing in single episodes are more likely to be colourblind cast than recurring and major characters, particularly the title character. This is problematic for the BBC as a public service broadcaster but is also indicative of larger inequalities in the television industry. Examining various examples of actors cast in Doctor Who, including Pearl Mackie who plays companion Bill Potts, the article argues that while steady progress is being made – in the series and in the industry – colourblind casting often comes into tension with commercial interests and more risk-averse decision-making. Keywords: colourblind casting, television industry, actors, inequality, diversity, race, LGBTQ+ 1 Doctor Who and the politics of casting Lorna Jowett The Britain I come from is the most successful, diverse, multicultural country on earth. But here’s my point: you wouldn’t know it if you turned on the TV. Too many of our creative decision-makers share the same background. They decide which stories get told, and those stories decide how Britain is viewed. (Idris Elba 2016) If anyone watches Bill and she makes them feel that there is more of a place for them then that’s fantastic. I remember not seeing people that looked like me on TV when I was little. My mum would shout: ‘Pearl! Come and see. -
2016 Topps Doctor Who Extraterrestrial
Base Cards 1 The First Doctor 34 Judoon 67 Dragonfire 2 The Second Doctor 35 The Family of Blood 68 Silver Nemesis 3 The Third Doctor 36 The Adipose 69 Ghost Light 4 The Fourth Doctor 37 Vashta 70 The End of the World 5 The Fifth Doctor 38 Tritovores 71 Aliens of London 6 The Sixth Doctor 39 Prisoner Zero 72 Dalek 7 The Seventh Doctor 40 The Tenza 73 The Parting of the Ways 8 The Eighth Doctor 41 The Silence 74 School Reunion 9 The War Doctor 42 The Wooden King 75 The Impossible Planet 10 The Ninth Doctor 43 The Great Intelligence 76 "42" 11 The Tenth Doctor 44 Ice Warrior Skaldak 77 Utopia 12 The Eleventh Doctor 45 Strax 78 Planet of the Ood 13 The Twelfth Doctor 46 Slitheen 79 The Sontaran Stratagem 14 Susan 47 Zygons 80 The Doctor's Daughter 15 Zoe 48 Sycorax 81 Midnight 16 Sarah Jane 49 The Master 82 Journey's End 17 Ace 50 Missy 83 The Waters of Mars 18 Rose 51 The Daleks 84 Victory of the Daleks 19 Captain Jack 52 The Sensorites 85 The Pandorica Opens 20 Martha 53 The Dalek Invasion of Earth 86 Closing Time 21 Donna 54 Tomb of the Cybermen 87 A Town Called Mercy 22 Amy 55 The Invasion 88 The Power of Three 23 Rory 56 The Claws of Axos 89 The Rings of Akhaten 24 Clara 57 Frontier in Space 90 The Night of the Doctor 25 Osgood 58 The Time Warrior 91 The Time of the Doctor 26 River 59 Death to the Daleks 92 Into the Dalek 27 Davros 60 Pyramids of Mars 93 Time Heist 28 Rassilon 61 The Keeper of Traken 94 In the Forest of the Night 29 The Ood 62 The Five Doctors 95 Before the Flood 30 The Weeping Angels 63 Resurrection of the Daleks 96 -
Doctor Who, Steampunk, and the Victorian Christmas Mcmurtry, LG
Doctor Who, Steampunk, and the Victorian Christmas McMurtry, LG Title Doctor Who, Steampunk, and the Victorian Christmas Authors McMurtry, LG Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/44368/ Published Date 2013 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Leslie McMurtry Swansea University Doctor Who, Steampunk, and the Victorian Christmas “It’s everywhere these days, isn’t it? Anime, Doctor Who, novel after novel involving clockwork and airships.” --Catherynne M. Valente1 Introduction It seems nearly every article or essay on Neo-Victorianism must, by tradition, begin with a defence of the discipline and an explanation of what is currently encompassed by the term— or, more likely, what is not. Since at least 2008 and the launch of the interdisciplinary journal Neo-Victorian Studies, scholars have been grappling with a catch-all definition for the term. Though it is appropriate that Mark Llewellyn should note in his 2008 “What Is Neo-Victorian Studies?” that “in bookstores and TV guides all around us what we see is the ‘nostalgic tug’ that the (quasi-) Victorian exerts on the mainstream,” Imelda Whelehan is right to suggest that the novel is the supreme and legitimizing source2. -
Doctor Who Assistants
COMPANIONS FIFTY YEARS OF DOCTOR WHO ASSISTANTS An unofficial non-fiction reference book based on the BBC television programme Doctor Who Andy Frankham-Allen CANDY JAR BOOKS . CARDIFF A Chaloner & Russell Company 2013 The right of Andy Frankham-Allen to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Copyright © Andy Frankham-Allen 2013 Additional material: Richard Kelly Editor: Shaun Russell Assistant Editors: Hayley Cox & Justin Chaloner Doctor Who is © British Broadcasting Corporation, 1963, 2013. Published by Candy Jar Books 113-116 Bute Street, Cardiff Bay, CF10 5EQ www.candyjarbooks.co.uk A catalogue record of this book is available from the British Library All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Dedicated to the memory of... Jacqueline Hill Adrienne Hill Michael Craze Caroline John Elisabeth Sladen Mary Tamm and Nicholas Courtney Companions forever gone, but always remembered. ‘I only take the best.’ The Doctor (The Long Game) Foreword hen I was very young I fell in love with Doctor Who – it Wwas a series that ‘spoke’ to me unlike anything else I had ever seen.