Leaving the Towns
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The Queer" Third Species": Tragicomedy in Contemporary
The Queer “Third Species”: Tragicomedy in Contemporary LGBTQ American Literature and Television A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature of the College of Arts and Sciences by Lindsey Kurz, B.A., M.A. March 2018 Committee Chair: Dr. Beth Ash Committee Members: Dr. Lisa Hogeland, Dr. Deborah Meem Abstract This dissertation focuses on the recent popularity of the tragicomedy as a genre for representing queer lives in late-twentieth and twenty-first century America. I argue that the tragicomedy allows for a nuanced portrayal of queer identity because it recognizes the systemic and personal “tragedies” faced by LGBTQ people (discrimination, inadequate legal protection, familial exile, the AIDS epidemic, et cetera), but also acknowledges that even in struggle, in real life and in art, there is humor and comedy. I contend that the contemporary tragicomedy works to depart from the dominant late-nineteenth and twentieth-century trope of queer people as either tragic figures (sick, suicidal, self-loathing) or comedic relief characters by showing complex characters that experience both tragedy and comedy and are themselves both serious and humorous. Building off Verna A. Foster’s 2004 book The Name and Nature of Tragicomedy, I argue that contemporary examples of the tragicomedy share generic characteristics with tragicomedies from previous eras (most notably the Renaissance and modern period), but have also evolved in important ways to work for queer authors. The contemporary tragicomedy, as used by queer authors, mixes comedy and tragedy throughout the text but ultimately ends in “comedy” (meaning the characters survive the tragedies in the text and are optimistic for the future). -
Authorities Shut Down Local Methamphetamine Operation
THURSDAY, JANUARY 23, 2014 SERVING TILTON, NORTHFIELD, BELMONT & SANBORNTON, N.H. FREE Tilton selectmen consider banning controversial incense products BY DONNA RHODES spread unlabelled abuse of easy for law enforcement, [email protected] the products an “epidem- though. ic,” and in 2012 placed an Cormier said the state TILTON — Det. Nate emergency ban on their laboratory is so backed Buffington and Chief Rob- sale. up that they don’t readily ert Cormier of the Tilton Since then, manufac- have time to test the newer Police Department ap- turers have changed their products to see if they are peared before selectmen formulas from the pre- of the same chemical com- last Thursday evening to vious formula that was pound already banned by propose a town ordinance banned, and it is back on the DEA. COURTESY that would ban the sale of the shelves at many stores. “Spice,” the pair ex- synthetic marijuana, oth- Buffington said the plained to the board, is Forrester salutes new LRBRA president erwise known as “Spice,” newer products are sold also being packaged in Sen. Jeanie Forrester installs Ray Boelig as the 2014 President of Lakes Region Builders & in the town of Tilton. as incense and labeled ways that make it attrac- Remodelers Association at their January meeting. Boelig is the owner of Hampshire Hardwoods. “Spice” comes in pack- that they are not for hu- tive with names such as ets, and is marketed as an man consumption, but law “Scooby Snax,” “Atomic,” incense. Rather than burn- enforcement has seen an and “Klimax” that are tar- ing it as incense, though, increase in problems as geting teens. -
>>> I ',1!.'. ; a Ince Paramore's 2005 Debut Recording ,11/ We Know Is
,>>> ince Paramore's 2005 debut recording ,11/ We Know Is Falling,the i a wli \ Nashville-based, rock outfitt popularity has grown substantially, garnering ',1!.'. ; lr th.* multiple Grammy nominations as well as plum song placements in soundtracks for motion picture blockbusters like Tutilight, platinum sales and a consistently growing, global audience. They've also developed a reputation for high-energy live shows, fueled as much by their musical chops as by a finely honed sense ofwhat they and their audience need to hear in order for both band and crowd to leave it all on the stage and on the arena floor, respectively, every night. The band is currently touring in support of its fourth release - simply entitled Paramore - representing the first fullJength album and tour they've undertaken since the departure ofguitaristJosh Farro and his brother, drummer ZacFarro. "It hasn't been an easy break," says tavis Bing, Paramore's monitor engineer since 2009. That said, both he and front of house engineer Eddie Mapp had noth- ing but good things to say about the atmosphere on the road when talking with me from Denver, roughly two weeks into the North American leg of the tour. "The feeling is onwards and upwards. Everyone who's here wants to be here, band and crew, and that makes it fun for everyone, even old,jaded road dogs." 16 Live Sound lnternational June 2013 www.ProSoundWeb.com all driven by four d&b D12 amplifiers, per side as fiIls. The Vsubs were a last minute addition, based on a demo at the band's audio supplier, Nashville- based Spectrum Sound, Prior to the tour. -
Glen Hansard Roll on Slow
Glen Hansard Roll On Slow Vestral and psychologist Durant often etherizing some hazards pell-mell or drove coolly. Darrell is stingy: she renegadelanced caressingly truly. and falsifying her als. Hookiest Adlai always regorged his snouts if Anatol is increasable or Read more at The Daily Beast. Montrealer by birth, he has lived all over Canada and the United States. By using this website, you agree to our use of cookies. Look in your contacts, or connect to Facebook to see what your friends listen to. This track takes you down into a mellow stroll through memory lane with classic Glen Hansard lyric and melodic writing. These tunes are good! Unlimited access your entire music uses cookies to edit or by john misty, your experience on glen hansard roll on slow on spotify. The Musical, winning eight Tony Awards including the top musical prize itself and an Olivier award in London for outstanding achievement in music. Extend pmc global to get subscriber data. Loft studio in Chicago and they recorded enough material to fill a new album. Share your favorite artists, being ousted in terms of pride in carrying rhythm lab radio show about that are property is being rendered inline after chief executive robert hutchinson was drinking solo night. The latest news and updates from WBUR on the coronavirus outbreak. Your comment could not be posted. Musicians do this kind of thing all the time. Are you sure you want to exit without saving your changes? Loft studio on the north side of Chicago. Apple associates your notifications viewing and interaction data with your Apple ID. -
Live Nation Launches 'National Concert Week' with $20 All-In
Live Nation Launches ‘National Concert Week’ With $20 All-In Ticket Offer Celebrating Kickoff to Summer Season One Week Only – Over 1.5 Million Tickets Available to 2,000+ Summer Shows at NCW.LiveNation.com Starting April 30 LOS ANGELES (Apr 23, 2018) -- Today Live Nation announced ‘National Concert Week’ will take place April 30 through May 8 with an exclusive $20 all-in ticket offer for fans to celebrate the kickoff to its biggest summer season. The deal will include over 1.5 million tickets to 2,000+ shows across Live Nation’s roster of summer tours including Comedy, Country, Hip-Hop, Latin, Metal, Rock, Pop, and more. For one week only, fans can get their hands on the $20 all-in tickets Monday, April 30 at 8:00 am local time at NCW.LiveNation.com, through Tuesday, May 8 at 11:59 pm local time. DJ Khaled shared his excitement about the ticket offer from 45,000 feet, encouraging music fans to nab their tickets to the hottest summer shows. Watch the video HERE. Produced by Live Nation, National Concert Week is a time for artists and fans to celebrate their love of live music. To launch the week, Live Nation will hold a special media event in New York featuring dozens of their touring artists. Talent in attendance talking about their upcoming summer tours will include Paramore, Lindsey Stirling, Bush’s Gavin Rossdale, Jeff Beck, Counting Crows' Adam Duritz, Ann Wilson of Heart, Evanescence’s Amy Lee, Foreigner’s Mick Jones, 3 Doors Down, Bad Company and Free’s Paul Rodgers, Coheed and Cambria, Collective Soul, Pentatonix, O.A.R., Poison, Soul Asylum, Stone Temple Pilots, Styx, Taking Back Sunday, The Cult, The Offspring, Whitesnake, and more. -
God's Favorite Customer by Father John Misty
Father John Misty – “God’s Favorite Customer” The artist behind the ego: Josh Tillman, mostly known by his performance nom de guerre Father John Misty, is a Maryland born indie folk/rock singer; although he began his musical career as a drummer playing for minor indie bands like Saxon Shore while working in a bakery for a day job. He was born in an evangelical household and was very religious during his youth, something he resented his parents for when he grew up. While working as a drummer, he wrote music for himself in his free time. He attended a private Christian college but dropped out as he felt more comfortable in his music career. Through touring, he made connections with other artists and his demos made their way to Damien Jurado, a fellow Sub Pop artist. He would then go on to open for Jurado. In 2006, he had his first studio album released under the moniker J. Tillman. He then went on to produce four more albums (eight in total), with the last one being released in 2010. During his J. Tillman years, a lot of the music he made was very folk and has joked about the music he made being “sad bastard music.” He found very little success doing folk albums. During this time as J. Tillman, he joined the indie band Fleet Foxes as the drummer. In an interview with Rolling Stone, he stated that, “With Fleet Foxes I had to confront a certain sacred cow in my life, which was the idea that if I was in a popular band, if I just get to be a working musician, then that’s going to be the antidote for all the boredom and pain in my life. -
It's Not a Fashion Statement
Gielis /1 MASTER THESIS NORTH AMERICAN STUDIES IT’S NOT A FASHION STATEMENT. AN EXPLORATION OF MASCULINITY AND FEMININITY IN CONTEMPORARY EMO MUSIC. Name of student: Claudia Gielis MA Thesis Advisor: Dr. M. Roza MA Thesis 2nd reader: Prof. Dr. F. Mehring Gielis /2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. M. Roza and Prof. Dr. F. Mehring Title of document: It’s Not a Fashion Statement. An exploration of Masculinity and Femininity in Contemporary Emo Music. Name of course: MA Thesis North American Studies Date of submission: 15 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Claudia Gielis Gielis /3 Abstract Masculinity and femininity can be performed in many ways. The emo genre explores a variety of ways in which gender can be performed. Theories on gender, masculinity and femininity will be used to analyze both the lyrics and the music videos of these two bands, indicating how they perform gender lyrically and visually. Likewise a short introduction on emo music will be given, to gain a better understanding of the genre and the subculture. It will become clear that the emo subculture allows for men and women to explore their own identity. This is reflected in the music associated to the emo genre as well as their visual representation in their music videos. This essay will explore how both a male fronted band, My Chemical Romance, and a female fronted band, Paramore, perform gender. All studio albums and official music videos will be used to investigate how they have performed gender throughout their career. -
Newsletter Art Barn and Finch Lane Gallery ǀ Newsletter of the Salt Lake City Arts Council
SUMMER 2013 NEWSLETTER ART BARN AND FINCH LANE GALLERY ǀ NEWSLETTER OF THE SALT LAKE CITY ARTS COUNCIL TABLE OF CONTENTS 2013 TWILIGHT CONCERT SERIES Click title below to go directly to story. The Salt Lake City Arts Council is pleased to announce the 2013 Twilight Concert Series, now in its 26th season, returning to Pioneer Park with another tremendous Twilight Concert Series lineup. The series will run July 18 through September 5 every Thursday evening, with special back-to-back shows scheduled for Wednesday, August 7 and Thursday, Oelerich & Somsen Exhibition August 8. Featured performing artists include Belle & Sebastian, Blitzen Trapper, Public Art Program The Flaming Lips, The National, Sharon Van Etten, Grizzly Bear, Youth Lagoon, Erykah Badu, Kid Cudi, Empire of the Sun, and MGMT. Twilight concerts are a Wheatley & Ashcraft Exhibition longtime staple of Salt Lake City‘s downtown landscape, recognized for inviting Brown Bag Concert Series some of today‘s most impressive names in music to perform on summer nights, when the air is slightly cooler and where the community can come together under New Visual Arts Season a canopy of stars. City Arts Grants Deadlines For 2013, tickets are still just $5 for each concert and $35 for season tickets. Arts Council Welcomes New Season tickets are on sale now via the local ticketing agency, www.24tix.com. Staff Member Additionally, individual tickets will go on sale June 1 at noon and will be available online at 24tix.com and all Graywhale locations throughout the valley. Day of Lifelong Learning Class show entry will be allowed at the gate for $5. -
Cool Cozy, Sexy
PATTON OSWALT • SHARON JONES • SWOON • AWKWARD BLACK GIRL’s issa rae FOR DE WOMEN C WITH THE /JAN 2014 SOMETHING SEXIEST TO GET CELEB FANFIC OFF THEIR p. 87 CHESTS GIRL ON 51 “It’s NO-FAIL A FIRE LL RI PARAMORE’s T E TO T GIFT R UCK Hayley IDEAS A LL NI Williams STarTinG AT ght!” UNDER $5! Rookie Mag’s Throw a TAVI Cookie GEVINSON Party! BUST.COM DEC/JAN 2014 - VOLUME 84 Cozy, Sexy, DISPLAY UNTIL JAN 27 HAVE THE BEST HOLIDAYS EVER Cool BUST.COM 38 . DEC/JAN 2014 . BUST Pretty IN Punk DRESS: NICOLE MILLER BODYSUIT: OYE Fierce and feminist, Hayley Williams—the frontwoman of the pop-punk band Paramore— is a rock star for an enlightened generation. Here, she opens up about band drama, selling sex, and her secret dreams BY MOLLY SIMMS PHOTOGRAPHED BY EMILY SHUR STYLED BY JAK MAKEUP BY GREGORY ARLT HAIR BY BRIAN O’CONNOR 39 Y SOME MEASURES, Hayley Williams, the lead singer of the pop-punk band Paramore, seems like a fairly regular 25-year-old. She crafts her ass off, shops at thrift stores, and loves to experiment with hair dye. In fact, despite her hordes of Twitter followers (around 3.5 million at last count), the numerous Web sites devoted to her opinions and outfits, and the way-too-obsessive media analy- sis of her comings-and-goings, Williams is shockingly normal. So normal that, while talking to her, you almost forget that while your average Tuesday-night plans revolve around watching House Hunters, hers might consist of playing a sold-out show at Lon- don’s Wembley Arena. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Issue 17.Indd
The Lewis-Clark State College Student Newspaper Thursday Warrior Track and fi eld Hay’s corner: My life in top albums of the May 7, 2020 Volleyball recap update quaratine Issue 17 2010s Volume 130 Pages 3-4 Page 5 Page 10 Page 11 The Pathfi nder is hiring! The Pathfi nder is looking for a business manager for next year! The position pays $2,425/school year, and allows up to 15% commission off of ad sales! This position is a great one for business or accounting emphasis students, and would look great on resumes! The position requirements are handling payroll for the staff of The Pathfi nder, attending meetings, and HELP WANTED reaching out to local or global businesses to buy ads! You will also have access to your own offi ce, computer, and printer for the entire school year! If you are interested, please contact us at thepathfi [email protected]! Or, when school re- opens next year, stop by the offi ce in SUB 228! 2 May 7, 2020 CdA’s Gray uses her tax business to place second in Idaho Entrepreneurial Challenge By LC State News gave a video PowerPoint presentation utilize their fi nancials,” Gray said. can put owners out of business. idea how to manage the business to the judges, who then were able to “Currently my experience is in Gray said there were 394 side of their business. Before they of LCSC ask questions. Gray’s presentation advising clients how to understand federal tax liens fi led during 2017- know it, their tax problems have was about Simple Tax Solutions, and maintain their tax obligations. -
Father John Misty Announces October 04 Please Contact: Concert at Orpheum Theatre in Phoenix DAVID J
For more information, Father John Misty announces October 04 please contact: Concert at Orpheum Theatre in Phoenix DAVID J. CRUSE (Orpheum) Watch performance of “Ballad of the [email protected] Dying Man” on The Late Show with 602.768.5926 Stephen Colbert Pure Comedy Tracklisting: 1. Pure Comedy 2. Total Entertainment Forever https://www.youtube.com/watch?v=jiGLxt7d9E4 3. Things it Would Have Been Helpful to Know Before the Revolution Pure Comedy available this Friday 4. Ballad of the Dying Man from Sub Pop and Bella Union 5. Birdie 6. Leaving LA 7. A Bigger Paper Bag 8. When the God of Love Father John Misty has scheduled 2017 international headlining Returns There’ll Be Hell to Pay tour dates this fall in support of Pure Comedy , out this Friday on 9. Smoochie Sub Pop and Bella Union. The new round of dates includes a stop 10. Two Wildly Different at the Orpheum Theatre in downtown Phoenix. Early pre-sales for Perspectives these new shows begin April 10th at 10am (local time), with tickets 11. The Memo on sale to general public on Friday April 14th at 10am via 12. So I’m Growing Old on phoenix.ticketforce.com Magic Mountain 13. In Twenty Years or So Support for the show will come from Weyes Blood. Father John Misty’s spring & summer international festival Father John Misty on Spotify schedule includes Coachella (April 14th & 21st), Glastonbury (June 21st-25th), Down the Rabbit Hole Festival in Ewijk, Netherlands (June 23rd-25th), Roskilde (June 30th), Splendour in fatherjohnmisty the Grass (July 21- 23), Fuji Rock (July 28th - July 30th), Winnipeg’s Interstellar Rodeo (August 18th), and Portland, Father John Misty on Sub Oregon’s Project Pabst (August 26th), prior to beginning his US Pop.com leg of the tour, leading him to Phoenix’s historic Orpheum.