Nick Drake Accecati Dalla Luna Rosa
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Nicl\ Renbour:Rz, D~Vey Graham, Ralpl1 Mcte/1 and Donovan, to Be Followed by Fair Port Conventzon, John Martyn, Pentangle and the Incredible String Band
. Tlze En~lish fol~ scene has always seemed obscure and mysterious from tlzis J szd~ of the. Atlantzc Ocean. _Tize traditional music of the British Isles began a re I nmssance ~n tlze 1950s and 60s witlz Ewan MacCo/1 A .L. Lloyd, Imz Campbell and Ma.rtm Carthy. Tlzey paved the way for the singer/songwriter/guitarist, who, w>tll a nod towards Bob Dylan, updated the traditional folk style and syn thesized it with blues and jazz. The early '60s wave was led by Bert Jansch, John Nicl\_ Renbour:rz, D~vey Graham, Ralpl1 McTe/1 and Donovan, to be followed by Fair port Conventzon, John Martyn, Pentangle and the Incredible String Band. ~orne .of thes~ people r~ached llationwide, even worldwide, success. Many re r:zamed m relatzve obscunty, rarely if ever playing ill the States. They remained m the folk club and small concert scene in Englmzd. Tlzeir music was often intri Drake cate, introsp~ctive and unlike tlze )olk mu~ic" we were accustomed to. One of them .wa~ Nzck Drake, who remams to thzs. day all almost anonymous figure, even m hzs own country. already established himself through Witch season Productions, recording LPs by Fair port, John Martyn and the Incredible String Band (as well as being the latter's mentor/manager). He called Nick and asked for a tape, which Nick obliged. Joe described his initial impression of Drake's music as "melodically unusual and sophisti cated." There was no doubt that Nick had to be nurtured and recorded. Five Leaves Left was begun in mid-1968. -
Memories of Nick Drake (1969-70)
Counterculture Studies Volume 2 Issue 1 Article 18 2019 Memories of Nick Drake (1969-70) Ross Grainger [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Grainger, Ross, Memories of Nick Drake (1969-70), Counterculture Studies, 2(1), 2019, 137-150. doi:10.14453/ccs.v2.i1.17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Memories of Nick Drake (1969-70) Abstract An account of Australian Ross Grainger's meetings with the British singer songwriter guitarist Nick Drake (1948-74) during the period 1969-70, including discussions at London folk clubs. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/18 Memories of Nick Drake (1969-70) Ross Grainger Nick Drake, 29 April 1969. Photograph: Keith Morris. I first met Nick Drake when I arrived in London after attending the Isle of Wight Pop Festival in 1969, which featured as its curtain-closer a very different Bob Dylan to the one I had seen in Sydney in March 1966. However, on thinking about it, Dylan’s more scaled down eclectic country music approach - which he revealed for the first time - kind of prepared me for what I was about to experience in London. The day after I arrived at my temporary London lodgings with friends living in Warwick Avenue, I went to Les Cousins in Greek Street. -
Pink Moon, a Story About Nick Drake Free
FREE PINK MOON, A STORY ABOUT NICK DRAKE PDF Gorm Henrik Rasmussen,Bent Sorensen | 176 pages | 24 Jan 2012 | Essential Works Ltd | 9781906615291 | English | London, United Kingdom ShieldSquare Captcha Pink Moon is a personal, original, and moving retelling of the life, death, and posthumous rise of Nick Drake from Danish poet Gorm Henrik Rasmussen. This is the only account of Nick's life to include extensive interviews with Nick's parents as well as others of his close friends. It is now available in English for the first time. Pink Moon explores how Nick Drake's third and final album has puttered and purred its way into a new millennium. Features interviews with producer Joe Boyd, string arranger Robert Kirby, and even the marketing team behind the VW Cabrio commercial that launched the album to platinum status more than thirty Pink Moon after its release. Nick Drake was barely 26 years old when he died in All are now recognized as classics. It provides an insight into the life and work of Nick Drake, and also the music scene of the s that formed his backdrop. In the book, he draws on a long letter from Nick's father to Dr Lusk, in which he describes how Nick's mother, discovered Nick's body during the morning of 25 Novemberfollowing an accidental overdose of prescribed drugs. Since his death in at the age of twenty-six, singer-songwriter Nick Drake has gained a huge international audience and come to be thought of as the epitome of English romanticism. In this book, Nathan Wiseman-Trowse unravels the myths surrounding Drake and his work and explores how ideas of Englishness have come to be intimately associated with the cult musician. -
Joe Boyd There Was an Interesting Moment When I Was Nick Drake Loves the Music
ISSUE #29 MMUSICMAG.COM ISSUE #29 MMUSICMAG.COM PRODUCER How’d the Drake tribute come about? my head. With the Nick record, because I’d worked on a recent spate of live tribute the arrangements are quite formal and the concerts—the first happened about five audiences were respectful, people seemed years ago. I did a tribute concert after [Pink to let the last note die away and then erupt Floyd founding member] Syd Barrett died, in cheers and such, so we felt that we could and I thought it turned out wonderfully. That do it. Also, somebody told us that BBC tilted my psychology about the idea of live Radio 2—the most important outlet in Britain tribute concerts, so when I was asked to for this kind of music—has a rule where they put together a celebration of Nick’s music don’t play tracks with applause. Sometimes at Birmingham Town Hall four years ago, I they dial it out themselves, but we chose to said, “Let’s try it.” And the audience thought take it out instead. it was fantastic, the musicians had a great Maria Muldaur time, and the singers loved getting their teeth If you were back working again with Pink into these songs—and they sounded so good yeah, I love him!” When I asked if she would Floyd in 1967, what would you change? singing them. sing that song, she said that she loved that The main thing I’d do differently would be one as well. She does it quite differently from to somehow make sure that I could get a How did that become an album? how Nick did it, but it’s exactly what I heard, bigger advance from Polydor Records to We’ve done about 15 of these concerts, imagined and wanted. -
Ayre-Dps-Stereophile-Review.Pdf
EQUIPMENT REPORT ELECTRONICALLY REPRINTED FROM APRIL 2010 Bauer Audio dps art dudley turntable Bauer audio dps turntable DESCRIPTION two-speed belt-drive turntable. Motor: three- lthough LPs remain, for me, the high-end medium of choice, I’m not terribly phase aC synchronous. Speeds: interested in today’s high-end record players. Most of them, from the 1980s 33.33, 45rpm. Motor frequency through the present, have been soulless, uninspired, me-too products that ut- accuracy: ±0.1%. terly fail to communicate the presence, momentum, and punch of recorded DIMENSIONS 17.7" (450mm) W by 7.2" (183mm) H by 13.8" (350mm) music. And in certain ways—expense, complexity, size, cosmetics—some have d. Weight: 50 lbs (22.7kg). been, quite simply, ridiculous. SERIAL NUMBER OF UNIT But a relative few have seemed the products of original thinking. And most REVIEWED uSa08004. of those have stood the test of time: The Well Tempered Turntable. The Rega Planar 9. The A 1 PRICE $9250. approximate number Roksan Xerxes and its descendents. The VPI Scout and its variants. of dealers: 50. If only for the originality and sheer quality of its design, I wonder if the dps turntable from MANUFACTURER Bauer audio, Bauer Audio of Munich, Germany—the model name is an initialism for its native-language Pollinger Strasse 4, 81377 Munich, descriptive, der plattenspieler—might also deserve a place in that select group, far from the over- Germany. tel: (49) (0)89-719-39-80. priced, overstyled, underengineered norm. Near the end of last year, after a mildly agonizing Web: www.bauer-audio.de. -
Jubilee Pack3
Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations. -
Sonny Rollins Saxophone Colossus PWR27241 >> 8436028694006 >> CD
NEW RELEASES Jazz & World 20th September 2010 call-off: 10th September harmonia mundi labels: world village, le chant du monde distributed labels: accords croisés, airmail, act, alpha, american jazz classics, asphalt tango, aum fidelity, bd jazz, black eye, black saint, blues beacon, british library national sound archive, cadillac, camjazz, camoci, casequarter, contre jour, cristal, deda, edition, ellipsis arts, emanem, enja, evidence, fedora, fmp, foghorn, hatology, hi 4 head, highnote, high two, hippo, home made rekords, iaso, institut du monde arabe, iris music, itm, jaro medien, jazz wax, jazzwerstatt, konimusic, long distance, lusafrica, maik maier, makasound, marabi, network, ocora, ogun, otrabanda, pi recordings, playasound, plus loin, poll winners, ponderosa, poo productions, psi, q-rious, raki, rare music, regardless, riti, savant, smalls live, soul note, tiptoe, token, totolo, wergo, winter & winter, yellowbird harmonia mundi UK Ltd, 45 Vyner Street, London E2 9DQ (tel) 020 8709 9500 (email) [email protected] PRIORITY NEW RELEASE 20th September File under: World / Egypt / UK Natacha Atlas Mounqaliba 479048 >> 794881956029 >> CD 1. Intro 0’55 2. Makaan 4’17 3. Matrah interlude 1’00 4. Bada al Fajr 2’01 5. Muwashar Ozkourini 3’43 6. River man 5’39 7. Batkallim 5’57 8. Mounqaliba 3’39 9. Le cor, le vent 3’43 10. Direct solutions interlude 1’38 11. Lahazat nashwa 3’04 12. La nuit est sur la ville 3’35 13. Fresco’s interlude 2’08 14. Ghoroub 2’24 15. Evening interlude 1’09 16. Taalet 3’11 17. Egypt interlude 2’13 18. Nafourat el anwar 2’57 Live dates: Globally celebrated singer Natacha Atlas has been building 7th Oct - Cadogan Hall, London towards the subtle beauty of her brand new album ever since 9th Oct - Turner Sims, Southampton 2008’s internationally acclaimed acoustic, orchestral album Ana Hina. -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
UC Merced UC Merced Electronic Theses and Dissertations
UC Merced UC Merced Electronic Theses and Dissertations Title Sound Guides Action and Action Scaffolds Sound Perception Permalink https://escholarship.org/uc/item/3ss7j34v Author Ross, Jessica Marie Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, MERCED Sound Guides Action and Action Scaffolds Sound Perception A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Cognitive & Information Sciences by Jessica Marie Ross Committee in charge: Professor Ramesh Balasubramaniam, Ph.D., Chair Cognitive & Information Sciences University of California, Merced Professor Rick Dale, Ph.D. Department of Communication University of California, Los Angeles Professor Michael J. Spivey, Ph.D. Cognitive & Information Sciences University of California, Merced 2018 The work presented in this thesis was carried out in the Cognitive & Information Sciences (CIS) program at the University of California, Merced, U.S.A. Multiple chapters are the results of collaborations with John R. Iversen and Scott Makeig at the Swartz Center for Computational Neuroscience, a center of the Institute for Neural Computation at the University of California, San Diego, U.S.A. Chapter 1 (Frontiers Media) © 2014 Jessica Marie Ross Chapter 2 © 2015 Springer Berlin Heidelberg. Reproduced with permission. Chapter 3 © 2016 Elsevier. Reproduced with permission. Chapter 4 © 2015 American Psychological Association. Reproduced with permission. Chapter 5: Manuscript in preparation (2018) Wiley-Blackwell. Chapter 6 © 2018 Massachusetts Institute of Technology. Reproduced with permission. Chapter 7: Manuscript Submitted (2018) Nature Publishing Group. Chapter 8 © 2016 Taylor & Francis. Reuses for dissertation contingent on resubmission of permission request if work is published. -
Phil's Picks - Greatest Albums of All Times
Phil's Picks - Greatest Albums of All Times Forever Changes, Love Village Green Preservation Society, The Kinks Da Capo, Love Rockers motion picture soundtrack Four Sale, Love On the Beach, Neil Young Catch the Wind, Donovan Neil Young, Neil Young Revolver, Beatles After the Gold Rush, Neil Young Rubber Soul, Beatles Covers Record, Cat Power Magical Mystery Tour, Beatles You Are Free, Cat Power Terry Reid, Terry Reid Doolittle, Pixies Laughing Stock, Talk Talk Roman Candle, Elliot Smith Last Laugh, The Brigade The Notorious Byrd Brothers, The Byrds Rosemary Lane, Bert Jansch Fifth Dimension, The Byrds Moonshine, Bert Jansch Songs, Leonard Cohen Nicola/Birthday Blues, Bert Jansch Desire, Bob Dylan Happy Sad, Tim Buckley I Just Can’t Stop It, The English Beat Dream Letter, Tim Buckley Axis: Bold as Love, Jimi Hendrix Five Leaves Left, Nick Drake Tea for the Tillerman, Cat Stevens Bryter Layter, Nick Drake Talking Heads ’77, Talking Heads Pink Moon, Nick Drake Who’s Next? The Who Astral Weeks, Van Morrison English Settlement, XTC Veedon Fleece, Van Morrison Birds of My Neighborhood, Innocence Mission Vaersgo, Kim Larsen We Walked in Song, Innocence Mission The Doors, The Doors Renaissance, The Association Strange Days, The Doors One Nation Underground, Pearls Before Swine The Boy with the Arab Strap, Belle and Sebastian I Retur, Turid . -
Nick Drake and the Baroque Characteristics of His Music Mckendrick Bearden
Nick Drake and the Baroque Characteristics of His Music McKendrick Bearden This paper was written for Dr. Callaway’s Music History course. Born in the British Colony of Burma in 1948 and brought up in the English countryside of Warwickshire, Nick Drake has become one of the most influential and celebrated folk artists of the twentieth century. Strangely enough, the popularity his music enjoys now was not gained until thirty years after his death in 1974. In his music we find the use of extremely unusual guitar tunings, pastoral and simplistic lyrics, beautiful melodies, and an extraordinary high emotional level that has evoked responses from many who have written about his work. He is now known as one of the most important folk singer/ songwriters to have ever lived, though much of his music sets him apart from the contemporary folk artists the 20th century. Nick Drake has influenced countless musicians and songwriters since his early passing, and the reason for his influence may well lie in the characteristics and influences of his songs that make them so different from other folk artists of era. Trevor Dann discusses his influences as “avant-garde jazz, classical music, especially choral music, what we’d now call ‘world music’, and the blues” (p.13). Many articles and reviews describe his music as having a baroque quality or influence. Whether it is referring to the string arrangements in several of his songs or the sweeping orchestral quality of his guitar, most commentators never fail to observe a Baroque tinge. Nick Drake’s first album Five Leaves Left introduced listeners to his ornate guitar accompaniments and baroque orchestrations that are now synonymous with his work. -
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· . ( in 5/ l,, he told tnt 11 i ~ tcntl) 1' I I . trd ' pice(' o t nntsl<. c > • ( • H ' . HI <. ould 110t ,>r th · It ·of rn \\or 2009 I ~ o rc h t. < H <1 tn . ' l . ><. •1 . • • t nHt !'iic that tlldn t staggc·r a ong hkl ho\\ to '' nt<' (l pt<.. <.<.. o . l 1 1 crossed o\ er , nd tgnor :0( t 1 har hn ~ t n 'issing ·' lcg, no\\ You · . ~ . 1 , .· ..,.. gonH'Ilt ts scar<..<. h 111 5/ 4, It go s c lono (from Five Leaves Left, Island, 1969) I Ltrr\ s ~ trtn g (lllu 11 "' • " . ~ . · t · 11 tl . ,, tV 1110, 1no rcgul'-rh .. nd <.rCJsstngo\ r t HiHt .'\I. n defies ,111\ hut th< 1110 1 l"'' ul.ttiH' ''"" lu sions .tbout its lunpt< rJ\Cr cl l <.,, b ~ " me. ning just .1 it ; ill ling 'hord 1Mll<'l'lt lik<'\\ isl' dl'l) h ·ats ,111 d the 5/ 4 ,dth it." nwlod~ ~nd ) l · 1 t a v · s r n c n d t ucli o omJu,ion. I ~ ,tin • llllt minute' ,uul 2 ""' ond' on dis<, it < ould go Arranger I larry I,o >Inson \\a ~ ~ 'o." . - rounder n·< mcnd ·d by Sound I 'chniCjll< ·ngmt t'r John\\ l d on lfl \t•r, like llcraclitus's rhcr, .th\,\~s ~ h.lll!'ing, ltl\\ays the !'ic\lll<:'. 0111 ~ l t hutcd "hen thf• guit.u s \H' n un!'>ht'<ttll<.'d in Catnl>ridge coll<'gt' as , musi( a! mimic'' ho could an tJilllllOdat' Dr.tkt 's d • irl' for 1 I"Ol Ill in c.1rh 19(h, the son(l\ sJ>l'li.tln(•ss \\,ts ol)\iOU!' ('\('ll \\ithin strings e\Oking the l:nglish 'om poser 1-r .,[crick lJ< liu .