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Best Fiction 2015
From The New York Times Top .From The New York Times Top 100 *God Help the Child – Toni Morrison Preparation for the Next Life – Atticus Lish Child abuse cuts a jagged scar through Morrison’s novel, a Lish’s gorgeous, upsetting debut novel follows the doomed Ten of 2015 List of 2015 brisk modern-day fairy tale with shades of the Brothers love affair of a traumatized soldier and a Muslim immigrant. *The Door – Magda Szabo Grimm, and a blunt moral: What you do to children matters. Beatlebone – Kevin Barry *Purity – Jonathan Franzen In Szabo’s haunting novel, a writer’s intense relationship In razor-sharp prose, Barry’s novel imagines John Lennon in Harriet Wolf’s Seventh Book of Wonders – Connections emerge slowly as lies and secrets are revealed in with her servant — an older woman who veers from aloof 1978, on a journey through the west of Ireland in search of Julianna Baggott this intricately plotted novel about the corruptions of money indifference to inexplicable generosity to fervent, implacable his creative self, conversing with an Irish driver. The title character’s final novel has gone missing in this and power. rage — teaches her more about people and the world than her tenderhearted story about the legacy of loss. – Valeria -Luiselli long days spent alone, in front of her typewriter. This supple The Beautiful Bureaucrat – Helen Phillips *The Story of My Teeth translation shows how a story about two women in 20th- Hollow Land – Jane Gardam This playful collaborative novel invites reader participation. An administrative worker’s experiences pose existential century Hungary can resonate in a very different time and questions in Phillips’s riveting, drolly -surreal debut novel. -
Spring 2017 Event Flyer
FRANK ISLAM ATHENAEUM SYMPOSIA—SPRING 2017 DATE/TIME/PLACE SPEAKER TITLE Talk--Tuesday, February 7 Justyne Fischer, Award Winning Artist and Educator Justyne Fischer will discuss her Art Exhibit--Open Season: Social 2:00-3:00 p.m. Memorials HT216, Germantown__ Art Exhibit Exhibit Sponsored by the Art Department. Life-Size Portraits: Freddie Gray, Laquan McDonald. Walter Scott, February 6- March 31 Eric Garner, Tamir Rice, Jordan Davis, Trayvon Martin, William Globe Hall Foyer Wingate, and Sandra Bland. Wednesday, February 8 Amy Nutt, Author Amy Nutt will discuss her book Becoming Nicole (2015) 12 noon Pulitzer Prize-winning author Amy Ellis Nutt covers health and science In Becoming Nicole, Amy Nutt traces the transformation of Wyatt, one of identical twin boys, into Nicole and the transformation of their for The Washington Post. In 2017, the Supreme Court will address Globe Hall, Germantown legal issues of transgender individuals. family. Nutt will differentiate between gender identity and anatomy. Tuesday, February 21 NuttDwight discusses Watkins, her Author Dwight Watkins will discuss The Beast Side: Living and Dying 11:00 a.m. D. Watkins, a former Baltimore drug dealer, is the author of A Crack While Black in America (2015) Cultural Arts Theatre 1 Rock Memoir, 2016 and The Beast Side: Living and Dying While Black Takoma Park____________ in America, 2015. With a chapter on Freddie Grey, D. Watkins asserts that putting down 7:00 p.m. all guns is one answer to the epidemic problem that involves Globe Hall, Germantown Co-Sponsors IJRC, Humanities Division, Black Student Union education, jobs, prisons, and health. -
The Strangers
Common world Lucy Hannah One of the many joys of reading is that of being transported to another world, far from our own. When, in 2011, the judges of the Commonwealth Writers’ Prize gathered in Sydney, many hours were spent deciding the overall winner, but a significant amount of time was also spent with the five regional judges swapping insights and shedding light on the contexts of work coming out of their respective regions – Africa, Asia, the Caribbean, Canada and Europe, and the Pacific. The overall winner of the prize was a powerful novel set in post-civil war Sierra Leone, The Memory of Love, by Aminatta Forna. As an observer to this conversation, I was struck by how much I had missed in my own reading of the books, particularly those set in the Caribbean and the wider Pacific region. It also highlighted for me the impor- tance of access to the stories themselves, both locally and globally. Later, as a judge for the EBRD (European Bank for Reconstruction and Development) Literature Prize in 2018, I walked around London’s bookshops out of curi- osity to see how many of our shortlisted fictional works in translation to English were on offer in major bookstores – very few, and usually sitting on an out-of-the-way shelf, beyond the eyeline of shoppers. As readers, we are well aware that literature offers us a chance to remember that, as Jean Rhys observes in her Caribbean and European modernist classic, Wide Sargasso Sea, ‘there’s always the other side… always.’ Of course, there is also the problem of stories which get stuck in the margins, when they have the potential to alter how we see the world, in the spirit of what the Indian author, Kiran Desai, said of The Memory of 1 Love: ‘it delivers us to a common centre, no matter where we happen to have been born.’ For writers lucky enough to live in a place with a healthy publishing infrastructure, their imagined worlds have a chance to reach and engage readers far beyond their country’s borders. -
The Dutch House Ann Patchett
AUSTRALIA SEPTEMBER 2019 The Dutch House Ann Patchett A masterpiece from the Orange Prize-winning, New York Times number one bestselling author of Commonwealth and Bel Canto: a story of love, family, sacrifice, and the power of place Description Danny Conroy grows up in the Dutch House, a lavish folly in small-town Pennsylvania taken on by his property developer father. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her delicacy, her brilliance. Life is comfortable and coherent, played out under the watchful eyes of the house's former owners in the frames of their oil paintings, or under the cover of the draperies around the window seat in Maeve's room. Then one day their father brings Andrea home: Andrea, small and neat, a dark hat no bigger than a saucer pinned over a twist of her fair hair. Though they cannot know it, Andrea's advent to the Dutch House sows the seed of the defining loss of Danny and Maeve's lives. Her arrival will exact a banishment: a banishment whose reverberations will echo for the rest of their lives. For all that the world is open to him, for all that he can accumulate, for all that life is full, Danny and his sister are drawn back time and again to the place they can never enter, knocking in vain on the locked door of the past. For behind the mystery of their own enforced exile is that of their mother's self-imposed one: an absence more powerful than any presence they have known. -
1 Fordham Center on Religion and Culture
The Fordham Center On Religion and Culture 1 www.fordham.edu/CRC Fordham Center on Religion and Culture UNTO DUST: A LITERARY WAKE October 15, 2015 Fordham University | Lincoln Center E. Gerald Corrigan Conference Center | 113 W. 60th Street Panelists: Alice McDermott National Book Award-Winning Novelist and Author of Charming Billy, After This, and Someone Thomas Lynch Undertaker, Poet, Essayist and Author of The Good Funeral: Death, Grief and the Community of Care (with Thomas G. Long) and The Sin-Eater: A Breviary JAMES McCARTIN: Good evening. Welcome to Fordham. I am Jim McCartin, Director of the Fordham Center on Religion and Culture. I have to say that it is a particular thrill for me tonight to welcome here all of you, to be part of this conversation between the two very best people I could think of to discuss our mortal end. It is a topic that, I have to admit, I can never get enough of. It was at the tender age of eight that I began one of my still-favorite pastimes, which is to say, scouring the obituaries. In my perhaps somewhat peculiar point of view as a fully grown adult now, I contend that there are few things more satisfying than a proper funeral. Some will say — and perhaps McDermott and Lynch will agree with this — that my interest in death and in its many permutations runs deep in my Irish American heritage. But for me I gather it is something more than just the peculiarities of my ancestral identity. In studying the death notices as a young kid, what I was really trying to figure out, I think, was how the families of my hometown of Troy, New York, formed webs of relation with one another — how they were connected, who they married or loved, what institutions and organization formed them into the ordinary and sometimes, rarely, extraordinary people that they were. -
New Israeli Literature in Translation
NEW ISRAELI LITERATURE IN TRANSLATION To the Edge of Sorrow by Aharon Appelfeld Schocken Books, January 2019 See Also: The Man Who Never Stopped Sleeping (2017), Suddenly, Love (2014), Until the Dawn's Light (2011), Blooms of Darkness (2010), Laish (2009), All Whom I Have Loved (2007), The Story of a Life (2004) Judas by Amos Oz (translated by Nicholas de Lange) Houghton Mifflin Harcourt, 2016 *paperback available* See Also: Dear Zealots: Letters from a Divided Land (11/2018), Between Friends (2013), Scenes from Village Life (2011), Rhyming Life & Death (2009), A Tale of Love and Darkness (2004), The Same Sea (2001) The Extra by A.B. Yehoshua (translated by Stuart Schoffman) Houghton Mifflin Harcourt, 2016 *paperback available* See Also: The Retrospective (2013), Friendly Fire (2008), A Woman in Jerusalem (2006), The Liberated Bride (2003) A Horse Walks into a Bar by David Grossman (translated by Jessica Cohen) Knopf, 2017 *paperback available* See Also: Falling Out of Time (2014), To the End of the Land (2010), Lion’s Honey (2006), Her Body Knows (2005), Someone to Run With (2004) Two She-Bears by Meir Shalev (translated by Stuart Schoffman) Schocken Books, 2016 See Also: My Russian Grandmother and Her American Vacuum Cleaner (2011), A Pigeon and a Boy (2007), Four Meals (2002), The Loves of Judith (1999), The Blue Mountain (1991) Three Floors Up by Eshkol Nevo (translated by Sondra Silverston) Other Press, 2017 *in paperback* See Also: Homesick (2010) Waking Lions by Ayelet Gundar-Goshen (translated by Sondra Silverston) Little Brown, -
BTC Catalog 172.Pdf
Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material. -
A Better Place to Be Unhappy
Ghent University Faculty of Arts and Philosophy A BETTER PLACE TO BE UNHAPPY Identity in Gary Shteyngart’s immigrant fiction Paper submitted in partial fulfillment of the requirements for the degree of “Master in de Taal- Promotor: en Letterkunde: Nederlands – prof. dr. Philippe Codde August 2011 Engels” by Thomas Joos Acknowledgments In the acknowledgments of his latest novel, Gary Shteyngart says that “writing a book is real hard and lonely, let me tell you.” I don’t mean to steal his thunder, nor to underestimate the efforts required to write a novel comparable to his fiction, but writing a thesis on his books has been equally hard and lonely. Especially in the summertime. Let me tell you. Therefore, I would like to thank a number of people for helping me out or reminding me, once in a while, that I was still alive. First and foremost, my thanks go to my promotor prof. dr. Philippe Codde for his valuable feedback and for introducing me to Jewish American fiction in the first place. Also, I want to thank my parents, my brother Dieter and sister Eveline for supporting me, knowingly or unknowingly, from this world or another, at times when my motivation reached rock bottom. Finally, a big thank you to my closest friends, who made this 4-year trip at Ghent University definitely worthwile. Thomas Joos Ghent, August 2011 TABLE OF CONTENTS INTRODUCTION.................................................................................................................. 1 PART ONE ............................................................................................................................... 7 I. GARY SHTEYNGART...................................................................................................... 7 II. THE IMMIGRANT EXPERIENCE IN JEWISH AMERICAN LITERATURE........... 11 1. Historical Overview ..................................................................................................... 11 2. 21 st -Century Jewish American Fiction........................................................................ -
TALK SERIES Updated February 2013
TALK SERIES updated February 2013 To schedule a book series for your local library, senior center, historical society, or other Kansas nonprofit community organization, visit www.kansashumanities.org. Questions? Contact Leslie Von Holten, [email protected], 785/357-0359. THE 1930s COMING OF AGE IN RURAL AMERICA All the King’s Men by Robert Penn Warren Farmer Boy by Laura Ingalls Wilder The Day of the Locust by Nathanael West Good Land by Bruce Bair Mules and Men by Zora Neale Hurston Nathan Coulter by Wendell Berry The Worst Hard Time by Timothy Egan Under the Feet of Jesus by Helena Maria Viramontes Winter Wheat by Mildred Walker AFRICAN-AMERICAN PERSPECTIVES The Autobiography of Malcolm X COMMUNITY: THE WAY WE LIVE The Fire Next Time by James Baldwin Bailey’s Cafe by Gloria Naylor I Know Why the Caged Bird Sings by Maya Angelou Mama Day by Gloria Naylor Praisesong for the Widow by Paule Marshall Cannery Row by John Steinbeck Race Matters by Cornel West Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg Their Eyes Were Watching God by Zora Neale Hurston The Milagro Beanfield War by John Nichols Snow Falling on Cedars by David Guterson AWARD WINNERS Charming Billy by Alice McDermott CONTEMPORARY IMMIGRATION Cold Mountain by Charles Frazier Breath, Eyes, Memory by Edwidge Danticat Gilead by Marilynne Robinson Caramelo by Sandra Cisneros Motherless Brooklyn by Jonathan Lethem Harbor by Lorraine Adams Typical American by Gish Jen BEFORE THE CIVIL WAR The All-True Travels and Adventures of Lidie Newton by Jane Smiley ENCOUNTERING ASIA The Englishman in Kansas by T. -
Inprint Margarett Root Brown Reading Series 2016/2017
Inprint Margarett Root Brown PAID Houston TXHouston US Postage Reading Series Org Non-Profit Permit No. 1002 No. Permit Rabih Lauren Ada 2016/2017 Alameddine Groff Limón Season Tickets $180 The purchase of season tickets, a portion of which is tax-deductible, helps make this series possible. Season ticket benefits include: ŝ Seating in the reserved section for each of the Gregory Ann Annie seven readings. Seats held until 7:25 pm. ŝ Pardlo Patchett Proulx Signed copy of Jonathan Safran Foer’s new novel INPRINT Here I Am, available for pick up at the reading. Those who purchase two season tickets per household will receive a signed copy of George Saunders’ new novel MAIN 1520 WEST Lincoln in the Bardo as the second book. Inprint HOUSTON, TX 77006 HOUSTON, ŝ Free parking passes for each of the seven readings in the Alley Theatre garage. 2016/2017 Margarett Root Brown ŝ Access to the first-served “Season Subscriber” Reading Series book-signing line. Jonathan ŝ Recognition as a “Season Subscriber” in each 2016/2017 reading program. Safran Foer ŝ An acknowledgement letter for tax purposes. 2016/2017 season tickets on sale! on tickets season 2016/2017 To purchase season tickets online or for more details on season subscriber benefits, visit inprinthouston.org To pay by check, fill out the form on the back of this flap. George Colm Juan Gabriel Inprint Margarett Root Brown Root Margarett Inprint Series Reading This is a bookmark Saunders Tóibín Vásquez Dear Friends, One thing I am grateful for, particularly in a political season, is a compelling story or poem that, by its very nature, will not be reduced to platitude or hyperbole. -
Inter/View: Talks with America's Writing Women
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.