Evangelical Lutheran Hymnary Handbook — Biographies and Sources —
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Is Spoken Danish Less Intelligible Than Swedish? Charlotte Gooskens, Vincent J
Is spoken Danish less intelligible than Swedish? Charlotte Gooskens, Vincent J. van Heuven, Renée van Bezooijen, Jos J.A. Pacilly To cite this version: Charlotte Gooskens, Vincent J. van Heuven, Renée van Bezooijen, Jos J.A. Pacilly. Is spoken Danish less intelligible than Swedish?. Speech Communication, Elsevier : North-Holland, 2010, 52 (11-12), pp.1022. 10.1016/j.specom.2010.06.005. hal-00698848 HAL Id: hal-00698848 https://hal.archives-ouvertes.fr/hal-00698848 Submitted on 18 May 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Accepted Manuscript Is spoken Danish less intelligible than Swedish? Charlotte Gooskens, Vincent J. van Heuven, Renée van Bezooijen, Jos J.A. Pacilly PII: S0167-6393(10)00109-3 DOI: 10.1016/j.specom.2010.06.005 Reference: SPECOM 1901 To appear in: Speech Communication Received Date: 3 August 2009 Revised Date: 31 May 2010 Accepted Date: 11 June 2010 Please cite this article as: Gooskens, C., van Heuven, V.J., van Bezooijen, R., Pacilly, J.J.A., Is spoken Danish less intelligible than Swedish?, Speech Communication (2010), doi: 10.1016/j.specom.2010.06.005 This is a PDF file of an unedited manuscript that has been accepted for publication. -
Martin Luther
\WORI(S, OF MARTIN LUTHER \ I •. ': •) WITH lNTRODUCTIONS AND NOTES THE PHILADELPHIA EDITION VOLUME SIX . e .MUHLEHBERG PRESS ~ Muhlenherg Press Philadelphia ' ''' 1,-,/ '! ,. ) COPYlllGtr.r, 1932, BY BoAllD or PuBuCATION, UNITJ:D LurlttaAM Cnuncx - IN A»ERIC,\ PRINTED JN USA FORMULA OF MASS AND COMMUNION. FOR THE CHURCH AT WITTENBERG [FORMULA MISSAE ET COMMUNIONIS PRO ECCLESIA WITTEMBERGENSIS] 1523 FORMULA MISSAE ET COMMUNIONIS 1523 INTRODUCTION Nicolaus Hausmann, pastor primarius of the Marien kirche at Zwickau and a most devoted friend of Luther, had written repeatedly to him requesting advice and direction in matters connected with church worship. One of these requests had been for an order for saying mass which would conform with the principles of the movement in which they both were so <leeply concerned. Luthre had replied more or less promptly to all of Haus mann's requests except the last, and only after repeated urg ing by letter, through Stephen Roth, who was studying theology at Wittenberg, and through other friends did Luther meet Hausmann's hope and plea. Luther sent Hausmann a copy of a pamphlet 011 another subject on November 13. 1523, and in the accompanying letter told him that he would send to him a copy of the form of mass which he proposed for the ttse of the Wittenberg church. This may have been ready for printing at the time of writing this letter, for a few weeks later, on December 4, Luther sent Hausmann a printed copy of the Formula mis sae et communionis pro ecclesia Wittembergensi. It reached him 011 December 11, and its arrival moved Hausmann to expressions of gratitude, joy, and satisfaction. -
Kutsuminen, Siunaaminen Ja Lähettäminen – Ordinaatiokaavojen Käsitys Pappisvihkimyksestä Ja -Virasta Suomen Evankelis-Luterilaisessa Kirkossa 1963–2003
Juhana Pohjola Kutsuminen, siunaaminen ja lähettäminen – Ordinaatiokaavojen käsitys pappisvihkimyksestä ja -virasta Suomen evankelis-luterilaisessa kirkossa 1963–2003 Esitetään Helsingin yliopiston teologisen tiedekunnan suostumuksella julkisesti tarkastettavaksi auditoriossa XII 15.8.2014 klo 12. © Juhana Pohjola Kansi ja taitto: Evie Viestintätoimisto Eveliina Palola Kannen kuvat: Tomas Garaisi © Painopaikka ja -vuosi: Bta Media Oy, Porvoo 2014 ISBN 978-951-51-0000-9 (nid.) ISBN 978-951-51-0001-6 (PDF) 5 Esipuhe Tämä tutkimusprojekti käynnistyi unesta. Se ei ollut ilmestys eikä painajainen. Olin miettinyt tiiviin työrupeamani keskellä jatko-opintoja, mutta aihe oli täysin auki. Polun pää puuttui. Al- kuvuodesta 2010 yhtenä arkiaamuna herättyäni ensimmäinen ajatus oli, että tutkimukseni voisi käsitellä ordinaatiokaavoja. Unen sisältöä en muistanut, mutta tunsin välittömästi iloa ajatuk- sesta. Tässä on tie. Tämä ilo on säilynyt koko prosessin ajan väsymyksenkin hetkinä. En ollut aikaisemmissa opinnoissani työskennellyt ordinaatioteeman parissa, mutta virkateologiasta olin aina ollut kiinnostunut. Lähdin töiden ohessa ottamaan asiasta selvää. Pian huomasin, kuinka teema oli hedelmällinen ja Suomessa vähän tutkittu. Esitin ajatukseni prof. Jyrki Knuutilalle, joka innostui välittömästi asiasta. Hän osasi auttaa ratkaisevalla alkuaskeleella eli tutkimustehtävän rajauksessa ja on ollut tukena koko matkan. Kun tehtävä ja dispositio hahmottuivat, otin yhteyttä prof. Miikka Ruokaseen, joka avoimuu- dellaan rohkaisi tutkimussuunnitelman tekemiseen ja dogmatiikan jatko-opiskelijaksi. Luvan jatko-opintoihin sainkin vuoden 2010 lopulla. Prof. Ruokasesta tuli tutkimukseni valvoja. Toi- seksi ohjaajaksi prof. Knuutilan lisäksi nimettiin prof. Risto Saarinen, joka suurella ammatti- taidollaan on ollut apuna tutkimuksen eri vaiheissa. Prof. Ruokasen jäätyä virkavapaalle prof. Pekka Kärkkäinen vei avuliaasti projektin loppuun. Asiantuntevat ja tarkat esitarkastajat dos. Jari Jolkkonen ja dos. Kari Kopperi veivät kommenteillaan tutkimustani eteenpäin. -
Cultura, Literatura, Memória E Identidades
i i i i i i i i i i i i 2 i i i i i i i i 3 Cultura, Literatura, Mem´oriae Identidades: por ocasi˜aodo centen´ario de Cl´audiade Campos (1859-1916) i i i i i i i i Ficha T´ecnica T´ıtulo: Cultura, Literatura, Mem´oriae Identidades: por ocasi˜aodo centen´ariode Cl´audiade Campos (1859-1916) Direc¸c˜ao:Isabel Lousada, Rosa Fina Coordena¸c˜ao:Sandra Patr´ıcio, Lu´ısPinheiro e M´arcioMatiassi Cantar´ın Cole¸c˜ao:Elas, 2 Directores da Colec¸c˜ao:Isabel da Cruz Lousada, Alexandre Honrado, Isabel Baltazar Director Adjunto da Colec¸c˜ao:Lu´ısda Cunha Pinheiro Composi¸c˜ao& Pagina¸c˜ao:Lu´ısda Cunha Pinheiro Centro de Literaturas e Culturas Lus´ofonase Europeias, Faculdade de Letras da Universidade de Lisboa Centro Interdisciplinar de CiˆenciasSociais da Universidade Nova de Lisboa Cˆamara Municipal de Sines Lisboa, 2018 ISBN – 978-989-8916-58-7 Esta publica¸c˜aofoi financiada por fundos nacionais atrav´esda FCT – Funda¸c˜aopara a Ciˆenciae a Tecnologia, I.P., no ˆambitodo Projecto «UID/ELT/00077/2013» Esta ´euma obra em acesso aberto, distribu´ıda sob a Licen¸caInternacional Creative Commons Atribui¸c˜ao-N˜aoComercial 4.0 (CC BY NC 4.0) i i i i i i i i Isabel Lousada, Rosa Fina (Direc¸c˜ao) Sandra Patr´ıcio, Lu´ısPinheiro e M´arcioCantar´ın (Coordena¸c˜ao) Cultura, Literatura, Mem´oriae Identidades: por ocasi˜aodo centen´ario de Cl´audiade Campos (1859-1916) CLEPUL / CICS.NOVA / Cˆamara Municipal de Sines 2018 i i i i i i i i i i i i i i i i ´Indice Nota de Abertura Isabel Lousada, Rosa Fina, Sandra Patr´ıcio, Lu´ısPinheiro, M´arcioMa- tiassi Cantar´ın....................................v Cl´audiade Campos Isabel Lousada e Sandra Patr´ıcio...................... -
The Moravian Church and the White River Indian Mission
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1991 "An Instrument for Awakening": The Moravian Church and the White River Indian Mission Scott Edward Atwood College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History of Religion Commons, Indigenous Studies Commons, and the United States History Commons Recommended Citation Atwood, Scott Edward, ""An Instrument for Awakening": The Moravian Church and the White River Indian Mission" (1991). Dissertations, Theses, and Masters Projects. Paper 1539625693. https://dx.doi.org/doi:10.21220/s2-5mtt-7p05 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. "AN INSTRUMENT FOR AWAKENING": THE MORAVIAN CHURCH AND THE WHITE RIVER INDIAN MISSION A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements-for the Degree of Master of Arts by Scott Edward Atwood 1991 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, May 1991 <^4*«9_^x .UU James Axtell Michael McGiffert Thaddeus W. Tate, Jr. i i TABLE OF CONTENTS Page ACKNOWLEDGMENTS................................................................................. -
Document Cover Page
A Conductor’s Guide and a New Edition of Christoph Graupner's Wo Gehet Jesus Hin?, GWV 1119/39 Item Type text; Electronic Dissertation Authors Seal, Kevin Michael Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 06:03:50 Link to Item http://hdl.handle.net/10150/645781 A CONDUCTOR'S GUIDE AND A NEW EDITION OF CHRISTOPH GRAUPNER'S WO GEHET JESUS HIN?, GWV 1119/39 by Kevin M. Seal __________________________ Copyright © Kevin M. Seal 2020 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Doctor of Musical Arts Document Committee, we certify that we have read the document prepared by: Kevin Michael Seal titled: A CONDUCTOR'S GUIDE AND A NEW EDITION OF CHRISTOPH GRAUPNER'S WO GEHET JESUS HIN, GWV 1119/39 and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 7, 2020 Bruce Chamberlain _________________________________________________________________ Date: ____________Aug 3, 2020 John T Brobeck _________________________________________________________________ Date: ____________Aug 7, 2020 Rex A. Woods Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. -
Bible Teaching
The Friendly Companion Electronic Version - Index for January1965- March 2017 This is the index for the period from January 1965 – March 2017. The index can be searched in Adobe Reader, as can an individual magazine or all the magazines in one period. Use the ‘Edit’ menu, then search. To go directly to a yearly volume, click on the links below. Use the ‘Page Up’/’Page Down’ keys or the bookmarks to the left to navigate through the index. Clicking on a link next to an index entry will take you directly to the magazine page requested. To return to the opening page, click here: Return to Opening Page. 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 FRIENDLY COMPANION INDEX 1965-2017 Addresses/Sermons Title Source/Author Year/Page Short of Money Ashdown, E. 1985/136 Halloween? Or Reformation Day? Beeke, J.R. 1985/188 An Address Broome, L.R. 1976/9 Funeral Sermon Broome, L.R. 1976/148 Christianity and Creation Dawson, Colin 1977/105 Time Farley, Vernon 1965/69 Funeral Address Jupp, R.S. 1985/91 Centenary Address Ramsbottom, 1966/203 B.A. The Speaker (of House of Commons) Thomas, George 1977/56 Eternity Wallis, A.E. 1965/104 3 Articles – Allegorical Articles – Allegorical Title Source/Author Year/Page Original Sin Anonymous 2010/90 Some Men are like Pigs Anonymous 2010/172 The Way to Conquer Anonymous 1992/195 “Honourable Minu” - An Barker, William H. -
Program-For-Website.Pdf
Buon Natale Laudate Singers & Baroque Chamber Orchestra Lars Kaario, Conductor Livestream December 13, 2020 * Pre-Concert Music – see next page for detail Magnificat, RV610 Antonio Vivaldi 1678-1741 1. Magnificat Chorus 2. Et exultavit Soprano, alto, tenor & chorus Soloists – Elizabeth, Monica, Kilian 3. Et misericordia eius Chorus 4. Fecit potentiam Chorus 5. Deposuit potentes Chorus 6. Esurientes Soprano duet – Laurel & Elizabeth 7. Suscepit Israel Chorus 8. Sicut locutus est Chorus 9. Gloria Patri Chorus Soprano: Laurel Curley, Laura Kaario, Elizabeth Petersen Alto: Alana Davies, Monica Teng Tenor: Kilian Benson, Nathan Kaleta Bass: Alec Faris, Preston Lee 20-MINUTE INTERLUDE see next page for detail Gloria in D major, RV589 Antonio Vivaldi 1678-1741 1. Gloria in excelsis Chorus 2. Et in terra pax Chorus 3. Laudamus te Soprano duet – Cassie & Isabella 4. Gratias agimus tibi Chorus 5. Propter magnam gloriam tuam Chorus 6. Domine Deus Soprano aria – Cassie 7. Domine Fili unigenite Chorus 8. Domine Deus, Agnus Dei Alto (Jessica) and Chorus 9. Qui tollis peccata mundi Chorus 10. Qui sedes ad dexteram Patris Alto aria – Maria 11. Quoniam tu solus sanctus Chorus 12. Cum Sancto Spiritu Chorus Soprano: Cassie Karvonen, Isabella Kershaw Alto: Jessica De Gaust, Maria Golas Tenor: Kilian Benson, Nathan Kaleta Bass: Nick Ainsworth, Andrew Wilson Instrumentalists Nancy DiNovo, violin Andrea Siradze, violin Sarah Kwok, viola Brian Mix, cello Marea Chernoff, oboe Mark D’Angelo, trumpet Michael Molnar, organ *Post-Concert Music – see next page for detail 2 Please enjoy music from our previous recordings before the concert begins, during the 20-minute interlude while the venue’s air is exchanged for musicians’ safety, and at the end of the concert. -
Sixth Periodical Report Presented to the Secretary General of the Council of Europe in Accordance with Article 15 of the Charter
Strasbourg, 19 February 2018 MIN-LANG (2018) PR 1 EUROPEAN CHARTER FOR REGIONAL OR MINORITY LANGUAGES Sixth periodical report presented to the Secretary General of the Council of Europe in accordance with Article 15 of the Charter GERMANY Sixth Report of the Federal Republic of Germany pursuant to Article 15 (1) of the European Charter for Regional or Minority Languages 2017 3 Table of contents A. PRELIMINARY REMARKS ................................................................................................................8 B. UPDATED GEOGRAPHIC AND DEMOGRAPHIC INFORMATION ...............................................9 C. GENERAL TRENDS..........................................................................................................................10 I. CHANGED FRAMEWORK CONDITIONS......................................................................................................10 II. LANGUAGE CONFERENCE, NOVEMBER 2014 .........................................................................................14 III. DEBATE ON THE CHARTER LANGUAGES IN THE GERMAN BUNDESTAG, JUNE 2017..............................14 IV. ANNUAL IMPLEMENTATION CONFERENCE ...............................................................................................15 V. INSTITUTE FOR THE LOW GERMAN LANGUAGE, FEDERAL COUNCIL FOR LOW GERMAN ......................15 VI. BROCHURE OF THE FEDERAL MINISTRY OF THE INTERIOR ....................................................................19 VII. LOW GERMAN IN BRANDENBURG.......................................................................................................19 -
ISL 1415637606 13 44 Pdf.Pdf (546.1Kb)
The Holadomkirkja font, by GuSmundur GuSmundsson of Bjarnastadahlfd. Pjodminjasafn Islands [National Museum of Iceland]. Photograph: Ivar Brynjolfsson. chapter 2 Baroque Literature Mainland Europe The baroque is a relatively modern concept as applied to literature and emerged at a time when it would have occurred to no one to apply it to the literature of his own day. The word has its origins in the Romance languages, and it was Italian humanists who first adopted it to describe intellectual contradictions and unsatisfactory reasoning. In sixteenth-century France the term “ baroque,” prob ably a loan-word from Portugal, was used to describe unevenly shaped precious stones that were to be polished. It was not until the twentieth century that the term was adopted in earnest in literary analysis. Previously it had been used rather negatively to denote eccentricities and exaggerations of style. With the emergence of impressionism, and following the example of the Swiss art historian Heinrich Wolfflin (i888), scholars began to employ the word when referring to intellectual originality, stylistic freedom and artistic innovation. After World War I expressionism helped to stimulate German interest in the seventeenth century, and we can speak of a re-evaluation or even revival of the literature and art of that period, which by this time had become widely associated with the baroque. In his study of twentieth-century baroque research Ferdinand van Ingen (1966) argues that scholars’ conclusions were frequently contradictory and irreconcilable and that no agreement as to the meaning of “ baroque” had yet emerged. For some it described an i 3 14 Icelandic Baroque attitude to life, for others a feature of literary form; some dated its emergence back to the eighteenth century, while others avoided questions of chronology altogether. -
Count Nicolaus Ludwig Von Zinzendorf's Theory for Missions Portrayed at Herrnhut and by Selected 18Th-20Th Century Moravian Missions
Calhoun: The NPS Institutional Archive Theses and Dissertations Thesis Collection 1986 Count Nicolaus Ludwig Von Zinzendorf's theory for missions portrayed at Herrnhut and by selected 18th-20th century Moravian missions. Roth, Larry A. Yale University http://hdl.handle.net/10945/21749 >(0i CO 00 CD COUNT NICOLAUS LUDWIG VON ZINZENDORF'b THEORY FOR MISSIONS < PORTRAYED AT HERRNHUT AND BY SELECTED I D 18th-20th CENTURY MORAVIAN MISSIONS < f^7<2l3 DTIC ELECTE LARRY A. ROTH MAY 2 8 t988 Lieutenant Commander S Chaplain Corps United States Navy Spring Semester, 1986 y r* / i/M2j>?*fr'**? A Thesis in Partial Fulfillment of the Requirements for Wei. 704 b AMERICAN RELIGIOUS HISTORY, II Rel. 731 a S. b HISTORY OF CHRISTIANITY IN THE THIRD WORLD READING COURSE BY THE ABOVF SAME TITLE MASTER OF SACRED THEOLOGY DEGREE V YALE DIVINITY SCHOOL New Haven. Connecticut PaTtlB UTlO_N_STAfg MTf,T _A Approved lot public iwleaaaf ry /^ Distribution Unlimited £6 Z 3 4 »•.-.>. T239266 ' TABLE OF CONTENTS Introduction 1 The German Pietist Foundations 9 Count Zinzendorf : The Forming of a Mission Theory . 19 Herrnhut: The Base for Mission Outreach 31 West Indies: The First Mission Experiment 47 Zinzendorf's Developing Mission Theory 58 Selected Moravian Missions 69 Indian Missions in Southern California 86 Conclusion 103 Bibliography 109 Appendix A: Method for the Conversion of the Heathen . 113 Appendix B: Plan for a Catechism for the Heathen . 114 Appendix C: Moravian Mission Statistics 116 DUE pry ROOL.v ' 1 3 ?! INTRODUCTION ft ?: In the history of Christian missions, Moravians* £ have been admired and emulated. The purpose of this paper ™ is not to review the history of Moravian missions^- but «< to trace the development of the theory of missions in the -,\ life and work &J Count Nicolnus Ludwig Von Zinzendorf and to Sf analyze the significance and impact this theory had upon *'.• Moravian missions as they expanded throughout the world in i the 18th and 19th century with some review of modern 3 Moravian missions. -
T. Koopman & Amsterdam Baroque Orchestra
Johann Sebastian Bach (1685 – 1750) COMPLETE CANTATAS – L’INTÉGRALE DES CANTATES DAS KANTATENWERK VOLUME 18 Johannette Zomer, Sandrine Piau, Sibylla Rubens soprano Bogna Bartosz alto Christoph Prégardien, James Gilchrist tenor Klaus Mertens bass THE AMSTERDAM BAROQUE ORCHESTRA & CHOIR TON KOOPMAN COMPACT DISC I 74’56 “Ich armer Mensch, ich Sündenknecht” BWV 55 12’54 Dominica 22 post Trinitatis On the 22nd Sunday after Trinity – Am 22. Sonntag nach Trinitatis – Pour le 22e dimanche après la Trinité Text: unknown. (5) 6th verse from Werde munter, mein Gemüte, Johann Rist 1642 Strings, traverso, oboe d´amore, basso continuo Christoph Prégardien, tenor 01 Aria (Tenor): “Ich armer Mensch, ich Sündenknecht” 5’44 02 Recitative (Tenor): “Ich habe wider Gott gehandelt” 1’11 03 Aria (Tenor): “Erbarme dich, laß die Tränen dich erweichen” 3’31 04 Recitative (Tenor): “Erbarme dich! Jedoch nun tröst ich mich” 1’28 05 Chorale: “Bin ich gleich von dir gewichen” 1’00 “Wer sich selbst erhöhet, der soll erniedriget werden” BWV 47 19’27 Dominica 17 post Trinitatis On the 17th Sunday after Trinity – Am 17. Sonntag nach Trinitatis – Pour le 17e dimanche après la Trinité Text: Johann Friedrich Helbig 1720. (1) Luke 14, 11; (5) 11th verse from Warum betrübst du dich, mein Herz, anon. 1561 Strings, oboes, bassoon, organo obbligato, basso continuo Sandrine Piau, soprano – Klaus Mertens, bass 06 Chorus: “Wer sich selbst erhöhet” 5’22 07 Aria (Soprano): “Wer ein wahrer Christ will heißen” 8’04 08 Recitative (Bass): “Der Mensch ist Kot, Staub, Asch und Erde” 1’44 09 Aria (Bass): “Jesu, beuge doch mein Herze” 3’31 10 Chorale: “Der zeitlichen Ehrn will ich gern entbehrn” 0’46 “Ich lasse dich nicht, du segnest mich denn” BWV 157 16’37 Festo Purificationis Mariae At the feast of the purification – Mariae Reinigung – Pour la Fête de la Purification de Marie Text: Christian Friedrich Henrici (Picander) 1727, after Mose 32, 27; (5) 6th verse from Meinem Jesum laß ich nicht, Christian Keymann 1658.