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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Edition 1 | 2019-2020
2019 SSPA OFFICERS, DIRECTORS, TRUSTEES AND MEMBERS PRESIDENT DIRECTORS TRUSTEES Bruce T. Cameron Jason R. Cameron & MEMBERS Kurt DeVries * Roger Good VICE PRESIDENT John J. Hayes, III Kevin Leddy & CLERK N. Frank Neer Joy P. Schiffmann Richard L. Evans Meg Nelson Thomas D. Shipp Tina Watson TREASURER Brian S. Noble Susan Weisenfluh Robert C. Jordan, Jr. Jeffrey C. Pratt * Elizabeth A. Sullivan Rebecca J. Synnestvedt *Chairmen of Community Trust SOUTH SHORE MUSIC CIRCUS 3 CAPE COD MELODY TENT From The EXECUTIVE PRODUCER… Welcome It’s been almost 70 years of transformation in the live music and recording industries. Technology continues to advance at record speed and we appreciate you taking the time to slow down and smell the roses with us. Thank you for making your memories with us here at the Cape Cod Melody Tent and South Shore Music Circus. It’s because of your loyalty that we continue to do what we do. It is our pleasure to welcome back many performers who consider our venues more than just a stop on tour but a home away from home. They appreciate just as well as we do, the intimate concert setting experience our venues bring with our patrons. Artists like Lee Brice, Brett Eldredge, Chris Botti, and Jim Gaffigan are just a few of the many returning performers under the tents this summer. At the same time, the summer is a time to try new experiences and we invite you to do so by seeing our newcomers at the venue, artist like Brothers Osborne, Foreigner, and Squeeze. We’d like to thank our patrons for keeping their money where their heart is. -
November 19, 1987 in Troy, OH Hobart Arena Drawing ??? 1. NWA
November 19, 1987 in Troy, OH Hobart Arena drawing ??? 1. NWA U.S. Tag Champs The Midnight Express (Eaton & Lane) vs. The Rock-n-Roll Express. November 5, 1988 in Dayton, OH UD Arena drawing ??? ($20,000) 1. The Sheepherders vs. ???. 2. Al Perez & Larry Zbyszko vs. Ron Simmons & The Italian Stallion. 3. Rick Steiner vs. Russian Assassin #2. 4. Bam Bam Bigelow & Jimmy Garvin vs. Mike Rotunda & Kevin Sullivan. 5. Ivan Koloff vs. Russian Assassin #1. 6. NWA U.S. Champ Barry Windham vs. Nikita Koloff. 7. The Midnight Express (Eaton & Lane) Vs. The Fantastics (Fulton & Rogers). 8. Lex Luger beat NWA World Champ Ric Flair via DQ. February 22, 1989 in Centerville, OH Centerville High school drawing 600 1. Match results unavailable. April 24, 1989 in Dayton, OH UD Arena drawing ??? 1. Shane Douglas beat Doug Gilbert. 2. The Great Muta beat George South. 3. The Samoan Swat Team beat Bob Emory & Mike Justice. 4. Ranger Ross beat The Iron Sheik. 5. NWA TV Champ Sting beat Mike Rotunda. 6. Ricky Steamboat & Lex Luger beat Ric Flair & Michael Hayes. Great American Bash 1989 July 21, 1989 in Dayton, OH UD Arena drawing ??? 1. Brian Pillman beat Bill Irwin. 2. Sid Vicious & Dan Spivey beat Johnny & Davey Rich. 3. Norman beat Scott Casey. 4. Scott Steiner beat Mike Rotunda via DQ. 5. Steve Williams beat ???. 6. Sid Vicious and Dan Spivey won a “two ring battle royal.” 7. The Midnight Express (Eaton & Lane) beat Rip Morgan & Jack Victory. 8. The Road Warriors beat The Samoan Swat Team. 9. NWA TV Champ Sting beat Norman. -
Sports Business Journal: Going Gray: Sports TV Viewers Skew Older Study: Nearly All Sports See Quick Rise in Average Age of TV
Sports Business Journal: Going gray: Sports TV viewers skew older Study: Nearly all sports see quick rise in average age of TV viewers as younger fans shift to digital platforms By John Lombardo & David Broughton, Staff Writers | Published June 5, 2017, Page 1 According to a striking study of Nielsen television viewership data of 25 sports, all but one have seen the median age of their TV viewers increase during the past decade. How top properties stack up Avg. age of Change TV viewers since Property in 2016 2006 PGA Tour 64 +5 ATP 61 +5 NASCAR 58 +9 MLB 57 +4 WTA 55 -8 NFL 50 +4 NHL 49 +7 NBA 42 +2 MLS 40 +1 Source: Magna Global The study, conducted exclusively for Sports Business Journal by Magna Global, looked at live, regular-season game coverage of major sports across both broadcast and cable television in 2000, 2006 and 2016. It showed that while the median age of viewers of most sports, except the WTA, NBA and MLS, is aging faster than the overall U.S. population, it is doing so at a slower pace than prime-time TV. The trends show the challenges facing leagues as they try to attract a younger audience and ensure long-term viability, and they reflect the changes in consumption patterns as young people shift their attention to digital platforms. “There is an increased interest in short-term things, like stats and quick highlights,” said Brian Hughes, senior vice president of audience intelligence and strategy at Magna Global. “That availability of information has naturally funneled some younger viewers away from TV.” Jeramie McPeek, former longtime digital media executive for the Phoenix Suns who now runs Jeramie McPeek Communications, a social media consultancy, also cited the movement of younger consumers to digital platforms. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Before the FEDERAL COMMUNICATIONS COMMISSION Washington DC 20554
Before the FEDERAL COMMUNICATIONS COMMISSION Washington DC 20554 In the Matter of ) ) Promoting the Availability of Diverse and ) MB Docket No. 16-41 Independent Sources of Video Programming ) To: The Commission COMMENTS OF UNIVISION COMMUNICATIONS INC. Univision Communications Inc. (“Univision”) submits these comments in response to the Notice of Inquiry (the “NOI”) in the captioned proceeding.1 The Commission seeks input on the state of the marketplace for independent video programming and, more particularly, on the challenges facing independent video programmers in securing carriage by multichannel video programming distributors (“MVPDs”) sufficient to provide the scale required for them to emerge and compete with both larger and vertically integrated programmers.2 Univision’s comments focus on two key issues raised in the NOI: first, the critical importance of independent programmers in serving the needs, interests and concerns of historically underserved minority communities and, second, the harmful effects on competition and innovation of the increasingly expansive most-favored nation clauses (“MFNs”) frequently required by MVPDs in their affiliation negotiations with independent programmers. I. UNIVISION UNIQUELY SERVES THE NEEDS, INTERESTS AND CONCERNS OF HISTORICALLY UNDERSERVED COMMUNITIES. Univision is a leading independent programmer offering a suite of program networks serving Hispanic viewers, including the Univision and UniMás networks broadcast by 1 Promoting the Availability of Diverse and Independent Sources of Video -
13963-47335-1-Pb
VU Research Portal How Satirists Alternate Between Discursive Modes Droog, Ellen; Burgers, Christian; Steen, G.J. published in International Journal of Communication 2020 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Droog, E., Burgers, C., & Steen, G. J. (2020). How Satirists Alternate Between Discursive Modes: An Introduction of the Humoristic Metaphors in Satirical News (HMSN) Typology. International Journal of Communication, 14, 3964-3985. https://ijoc.org/index.php/ijoc/article/view/13963 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 24. Sep. 2021 International Journal of Communication 14(2020), 3964–3985 1932–8036/20200005 How Satirists Alternate Between Discursive Modes: An Introduction of the Humoristic Metaphors in Satirical News (HMSN) Typology ELLEN DROOG1 Vrije Universiteit Amsterdam, The Netherlands CHRISTIAN BURGERS Vrije Universiteit Amsterdam, The Netherlands University of Amsterdam, The Netherlands GERARD J. -
Optik TV Channel Listing Guide 2020
Optik TV ® Channel Guide Essentials Fort Grande Medicine Vancouver/ Kelowna/ Prince Dawson Victoria/ Campbell Essential Channels Call Sign Edmonton Lloydminster Red Deer Calgary Lethbridge Kamloops Quesnel Cranbrook McMurray Prairie Hat Whistler Vernon George Creek Nanaimo River ABC Seattle KOMODT 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 Alberta Assembly TV ABLEG 843 843 843 843 843 843 843 843 ● ● ● ● ● ● ● ● ● AMI-audio* AMIPAUDIO 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 AMI-télé* AMITL 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 AMI-tv* AMIW 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 APTN (West)* ATPNP 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 — APTN HD* APTNHD 125 125 125 125 125 125 125 125 125 125 125 125 125 125 125 125 — BC Legislative TV* BCLEG — — — — — — — — 843 843 843 843 843 843 843 843 843 CBC Calgary* CBRTDT ● ● ● ● ● 100 100 100 ● ● ● ● ● ● ● ● ● CBC Edmonton* CBXTDT 100 100 100 100 100 ● ● ● ● ● ● ● ● ● ● ● ● CBC News Network CBNEWHD 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 CBC Vancouver* CBUTDT ● ● ● ● ● ● ● ● 100 100 100 100 100 100 100 100 100 CBS Seattle KIRODT 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 CHEK* CHEKDT — — — — — — — — 121 121 121 121 121 121 121 121 121 Citytv Calgary* CKALDT ● ● ● ● ● 106 106 106 ● ● ● ● ● ● ● ● — Citytv Edmonton* CKEMDT 106 106 106 106 106 ● ● ● ● ● ● ● ● ● ● ● — Citytv Vancouver* -
Unlocking the Smarter Remote Production Opportunity
A CONCISE GUIDE TO… UNLOCKING THE SMARTER REMOTE PRODUCTION OPPORTUNITY ive TV events, especially sports, create an unrivalledL buzz, anticipation and excitement among viewers the world over, but there are three major trends that the live production sector needs to recognize and address to ensure continued success. The rise in popularity of Subscription Video on Demand (SVOD) services is the first, underlining that consumers want more content – and more choice. The second is a greater focus on improved sustainability and employees’ wellbeing. Traditional live production set-ups require huge amounts of equipment and a large crew to be transported to the live location – not to mention several days’ worth of set up and take-down time. Finally, consumers are prepared to pay for fresh content, principally live sports. The trouble when it comes to live content – particularly sports – is that, as the cost of producing more live coverage is driven up by surging demand, it is not being met by the price that consumers are willing to pay. When you add in the rising outlay for hotly contested rights, the pressure is on broadcasters to find ways to produce more content more affordably – without compromising on quality. 1 GOING GLOBAL But all is not doom and gloom. The globalization of TV and rising viewer demand for more choices has unlocked huge potential, growing audiences and prospective revenues in new territories. For example, over the 2018/19 season, around 40 million viewers in North America watched English Premier League soccer (football in the rest of the world), within a global audience of 600 million people across 200 countries. -
Comcast TV Line-Up by Channel Number 2020-08-20
8/20/2020 XFINITY TV Local Channel Line-up Channel Number Channel Name 2 University of MD-CP 86 QVC2 181 Discovery Life Channel 3 CSPAN 87 QVC3 183 AFRO (SD Feed) 4 WRC 88 HSN2 184 Jewelry Television 5 WTTG 89 SHOPHQ 185 Cleo TV 6 County Cable Montgomery Ch. 6 96 WGN America 187 truTV 7 WJLA 98 The Weather Channel 189 UP 8 News Channel 8 100 POP 190 Montgomery Leased Access 9 WUSA 103 Bloomberg Business Television 194 Smithsonian Network 10 CoronaMontgomery 104 CSPAN2 196 WTTGDT3 (WTTG-DT3) 11 Cable TV & Telecommunications … 105 CSPAN3 197 WTTGDT2 (WTTG-DT2) 12 WMDE-DT (SD Feed) 106 Fox Business 198 WQAWLP (WQAW-LP) 13 Takoma Park City TV TPCTV Ch.13… 108 National Geographic Wild 200 WDCADT2 (WDCA-DT2) 14 WFDC 109 National Geographic USA 201 WDCWDT2 (WDCW-DT2) 15 WMDOCA (WMDO-CA) 110 Science 202 WUSADT3 (WUSA-DT3) 16 Montgomery Municipal Cable 111 Investigation Discovery 203 WUSADT2 (WUSA-DT2) 17 WPXW 112 American Heroes Channel 204 WJLADT2 (WJLA-DT2) 18 Home Shopping Network 113 Destination America 205 WJLADT3 (WJLA-DT3) 19 Montgomery Community Media 19 114 BBC America 207 Bounce SD 20 WDCA 115 FYI 208 WRCDT2 (WRC-DT2) 21 Montgomery Community Media 21 116 Vice 210 WDVMDT2 (WDVM-DT2) 22 WMPB 117 WE tv 211 WDVMDT3 (WDVM-DT3) 23 WDCW 119 Lifetime Movies 212 WRCDT5 (WRC-DT5) 24 WDVM 120 ASPiRE 215 SonLife Broadcasting Network 25 WZDCLP (WZDC-LP) 121 Do-It-Yourself Network 216 Gem Shopping Network 26 WETA 122 Cooking Channel 263 WHUTDT2 (WHUT-DT2) 27 City of Gaithersburg 123 Oxygen 264 WDCADT3 (WDCA-DT3) 28 NBC Sports Washington Plus 124 BabyFirst TV 265 WETADT2 (WETA-DT2) 29 Jewelry Television 125 Disney Junior US 266 WETADT3 (WETA-DT3) 30 QVC 128 Universal Kids 268 WFPTDT4 (WFPT-DT4) 31 Mid Atlantic Sports Network Alter… 129 Nicktoons Network 269 MPTDT3 32 WHUT 130 Discovery Family Channel 270 WETADT4 (WETA-DT4) 33 MCPS Cable TV Ch. -
Cfax022714.Pdf
www.cablefax.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 45 Pages Today CableFAX DailyTM Thursday — February 27, 2014 What the Industry Reads First Volume 25 / No. 039 Beat the Street: Cablevision Posts Some Good Numbers For months, Jim Dolan & Co have touted their new strategic plan for Cablevision. With 4Q results, we may have glimpsed the results, with sub losses (-18K) and AOCF (+7.5% to $456.6mln) better than expected. Shares of CVC closed up nearly 4% Wed. The MSO has held tight since Aug to its plan not to offer additional promos to subs who’ve been on long-running promotions. Optimum Services pres Kristin Dolan said that internally mgmt refers to it as the “no soup for you strategy,” but she added that a “significant majority of those customers are still with us 5 and 6 months after they’ve called us for an extension beyond 36 months or even less than that. We’re pleasantly surprised.” CEO Jim Dolan promised that pricing discipline would continue. Mgmt also stuck to its guns about making the call only about financials—offering not even the tiniest bit of color on cable consolidation. That doesn’t stop the speculation. “Simply be- ing small doesn’t make [Cablevision] a target,” concluded MoffettNathanson analysts, who doubt any Charter interest in CVC. “The Comcast/TWC deal robs them of one acquirer. And the divestitures that Comcast has agreed to make in order to stay below an erstwhile 30% subscriber cap robs them of another.” Cablevision also faces growth challenges given its industry leading penetration in all services. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v