February 21 22 23 24 Queen Elizabeth Theatre
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pdfaboutnews To-The-Pointe-Spring12.Pdf
To the Pointe the To ISSUE 54 SPRING 2012 Message from the Executive Director As I reflect on my first quarter at Canada’s So too, the building is alive after hours, the support from our government National Ballet School, I’m drawn to the through our Adult and Associates partners, and will continue to connect spring scenes around the School. This is programs. It is a source of inspiration to them with NBS. a season of renewal, a time to anticipate see the Celia Franca Centre is alive with the summer ahead. In particular, the dancers at night. Two attributes characterize NBS from my spring brings something that is dear to perspective—passion and excellence. I me—the return of baseball! What does One item on my agenda is the completion want to acknowledge Mavis Staines for baseball have to do with ballet? Good of a new NBS Strategic Plan. There has her support during my transition, and for question—more on that later. been superb planning work done in modelling those attributes. I’d also like to past years, including a trend analysis of recognize our talented staff for the same Since joining NBS, I have found it to be the dance industry and an articulation reasons, and to thank our committed as stimulating and rewarding as I had of three strategic initiatives to address friends who attended the For the Love hoped. Coming from the museum world, these. We are facilitating a process for of Ballet Gala. I am a strong supporter of culture and the soliciting and refining staff contributions, role that knowledge plays in advancing with a goal of completing the plan in And so, how do my first few months at our society. -
BEETHOVEN-BALLETS Hans Van Manen / Mauro Bigonzetti 3 Aufbruch!
Triple Bill BEETHOVEN-BALLETS Hans van Manen / Mauro Bigonzetti 3 Aufbruch! Triple Bill BEETHOVEN- BALLETS Hans van Manen / Mauro Bigonzetti Presented by Adagio Hammerklavier Einssein Große Fuge 3 Aufbruch! Triple Bill BEETHOVEN- BALLETS Hans van Manen / Mauro Bigonzetti Presented by Adagio Hammerklavier Einssein Große Fuge 4 5 Ta Ta Taaaa – Dance! Ta Ta Taaaa – Dance! TA TA TAAAA – DANCE! Beethoven and ballet, it was said for a long time, are a bad fit. The choreographers Mauro Bigonzetti and Hans van Manen prove the opposite with their highly individual works set to the music of this acclaimed genius. There are statements which develop a life Olympus of Viennese classical music, Haydn of their own. Such is the case with this sen- and Mozart – rejected appointments at prin- tence by the great choreographer George cely courts in order to be free and subjective Balanchine: “Dance should leave Beethoven in his art. The consummate, ultimate artist well alone – there’s no choreographing to to whom nothing need be added – not even his music.” It would seem that these words the dance. The Ta ta taaaa of his Fifth Sym- have been echoing between stages and phony or the beginning of his piano piece studios for decades, for indeed: there are Für Elise have become acoustic knowledge far fewer pieces to Beethoven than to the world-wide. Which is exactly what George music of other composers. John Cranko, for Balanchine was referring to: “While listening example, did not choreograph a single ballet to composers like Beethoven and Brahms, to Beethoven, John Neumeier did not stage every listener has his own ideas, paints his his first full-length Beethoven ballet until own picture of what the music represents … fifty years after his debut. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
1 Alberta Ballet CANADA ARTISTIC DIRECTOR JEAN GRAND-MAÎTRE
18/19 ARTISTIC DIRECTOR JEAN GRAND-MAÎTRE Company Artists Hayna Gutierrez & Garrett Groat, Photo by Paul McGrath Alberta Ballet CANADA 1 2018—2019 SEASON 2018—2019 DEAR DANCE LOVERS, OUR 52ND SEASON IS SO RICH with ideas, contrasts and artistic daring, it may very well go down in history as one of our most memorable. Join us as we invite the very finest dancers, composers, singer-songwriters, designers and filmmakers from across the country on our exciting and inspiring journey. For our upcoming yearlong celebration of dance, Alberta Ballet is proud to have concocted what is arguably the richest convergence of Canadian artistry 2018—2019 SEASON 2018—2019 ever gathered in one season. A season book-ended with acclaimed tributes to two of Canada’s greatest music legends, Leonard Cohen and Joni Mitchell, is any artistic director’s dream come true. We’ll also stage the titanic and lavish world premiere of the most celebrated classical ballet of all time, The Sleeping Beauty, and Thomas. Heather and Groat Garrett Artists Company the comedic genius of William Shakespeare. And of course, we’re pleased to host two of Canada’s hottest Jean globe trotting sensations on our stage: Les Ballets Jazz de Montréal and Ballet BC. The season is a terpsichorean feast unlike no other. These captivating presentations will offer something Grand-Maître for everyone in abundance. From great classical ballets for the entire family – including a special 10th anniversary edition of our much loved The Nutcracker “A season of legends, – to the very best of the avant guard. Our stage will explode in a maelstrom of electrifying dreamweavers, sprites and enchanting magic, gathering artistic mavericks from across the nation. -
REACHING U Student Dress Rehearsal March 12, 2021 — 1:30Pm
REACHING U Student Dress Rehearsal March 12, 2021 — 1:30pm DANCER MIRIAM GITTENS. PHOTO BY MICHAEL SLOBODIAN. Learning Guide The goal of this Learning Guide is to help students engage fully with the dance performance featured in Ballet BC’s 2021 livestream of GARDEN and Bedroom Folk from the Massey Theatre on March 12, 2021 at 1:30 p.m. TABLE OF CONTENTS 3… Welcome message from the Artistic Director 4… About Ballet BC 5… Ballet BC presents REACHING U 6… Program 7… Before the Performance Lesson 1- Dance 11… Before the Performance Lesson 2 - Music 12… Before the Performance Lesson 3 - Storytelling 13… After the Performance Lesson 4 - Discussion/Review 15… Continue Your Exploration Ballet BC would like to thank the Diamond Foundation and the Beech Foundation whose generous support has helped to live stream this dress rehearsal to students across the province. Ballet BC would also like to thank the R&J Stern Family Foundation for their support of Ballet BC’s Outreach and Education Program. Ballet BC acknowledges the financial assistance of the Province of British Columbia for Ballet BC’s Outreach and Education Program. 2 DEAR TEACHERS, Thank you for participating in Ballet BC’s Student Dress Rehearsal for REACHING U. We believe that arts are important for youth and we are so excited to be sharing our art form with you. We are honoured to have you and your students with us, from a distance, during such challenging and limiting times. You will be the first audience to experience this performance before we release it to the public next month! As a leader and innovator of contemporary dance, Ballet BC believes in the importance of arts education and the role that creativity plays in the minds of our younger audiences. -
Juilliard Dance
Juilliard Dance Senior Graduation Concert 2019 Welcome to Juilliard Dance Senior Graduation Concert 2019 Tonight, you will experience the culmination of a transformative four-year journey for the senior class of Juilliard Dance. Through rigorous physical training and artistic and intellectual exploration, all of the fourth-year dancers have expanded the possibilities of their movement abilities, stretching beyond what they thought possible when entering the program as freshmen. They have accepted the challenge of what it means to be a generous citizen artist and hold that responsibility close to their hearts. Chosen by the dancers, the solos and duets presented tonight have been commissioned for this evening or acquired from existing repertory and staged for this singular occasion. The works represent the manifestation of an evolution of growth and the discovery of their powerfully unique artistic voices. I am immensely proud of each and every fourth-year artist; it has been a joy and an honor to get to know the senior class, a group of individuals who will inevitably change the landscape of the field of dance as it exists today. Please join me for a standing ovation, cheering on the members of the class of 2019 as they take the stage for the last time together in the Peter Jay Sharp Theater. Well done, dancers—we thank you for your beautiful contributions to our Juilliard community and to the world beyond our campus. Sincerely, Little mortal jump Alicia Graf Mack Director, Juilliard Dance Cover: Alejandro Cerrudo's This page: Collaboration -
Nederlands Dans Theater Bambill
1994 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ NEDERLANDS DANS THEATER BAMBILL BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer presents in the BAM Opera House October 17, 1994, 7pm; October 18-22, 8pm and in the BAM Majestic Theater October 24-29, 8pm; October 30, 3pm NEIERLANIS IANS THEATER Artistic Director: JIRI KYLIAN Managing Director: MICHAEL DE Roo Choreographers: JIRI KYLIAN & HANS VAN MANEN Musical Director: CHRISTOF ESCHER Executive Artistic Directors: GLENN EDGERTON (NDT1), GERALD TIBBS (NDT2), ARLETTE VAN BOVEN (NDT3) Assistants to the Artistic Directors: HEDDA TWIEHAUS (NDT 2) & GERARD LEMAITRE (NDT 3) Rehearsal Assistant to the Rehearsal/Video Director Artistic Director Director ROSLYN ANDERSON ULF ESSER HANS KNILL Company Organization Musical Coordinator/ Manager (NDT 2) (NDT1&3) Pianist CARMEN THOMAS CARINA DE GOEDEREN RAYMOND LANGEWEN Guest Choreographers (1994/95 season) MAURICE BEJART CHRISTOPHER BRUCE MARTHA CLARKE PATRICK DELCROIX WILLIAM FORSYTHE LIONEL HoCtIE PAUL LIGHTFOOT JENNIFER MULLER OHAD NAHARIN GIDEON OBARZANEK PHILIPPE TREHET PATRIZIA TUERLINGS Guest Teachers BENJAMIN HARKARVY (Guest teacher, North American tour) CHRISTINE ANTHONY KATHY BENNETS JEAN-PIERRE BONNEFOUX OLGA EVREINOFF IVAN KRAMAR IRINA MILOVAN JAN NUYTS ALPHONSE POULIN LAWRENCE RHODES MARIAN SARSTADT Technical Director Marketing & Publicity Joop CABOORT KEES KORSMAN & EVELINE VERSLUIS Costume Department Tour Management JOKE VISSER WANDA CREMERS Pianist Dance Fitness Therapist Chiropractor -
Glen Tetley: Contributions to the Development of Modern
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr. -
Press Kit 2018-2019 Season
PRESS KIT 2018-2019 SEASON Shelby Colona and Chris Bloom in CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival MISSION & HISTORY Ballet Hispánico, America’s leading Latino dance organization, has been bringing individuals and communities together to celebrate and explore Latino cultures through dance for nearly 50 years. Whether dancing on stage, in school, or in the street, Ballet Hispánico creates a space where few institutions are breaking ground. The organization’s founder, National Medal of Arts recipient Tina Ramirez, sought to give voice to the Hispanic experience and break through stereotypes. Today, Ballet Hispánico is led by Eduardo Vilaro, an acclaimed choreographer and former member of the Company, whose vision of social equity, cultural identity, and quality arts education for all drives its programs. Ballet Hispánico, a role model in and for the Latino community, is inspiring creativity and social awareness in our neighborhoods and across the country by providing access to arts education. CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival 2 ABOUT EDUARDO VILARO Artistic Director & CEO EDUARDO VILARO joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to Photo by Paula Lobo Paula Photo by head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr. -
Coro Do Teatro Nacional De São Carlos
D A Luísa Taveira Patrick Dickie (Companhia Nacional de Bailado) (Teatro Nacional de São Carlos) Companhia Nacional de Bailado — Coro do Teatro Nacional de São Carlos — Escola Superior de Teatro e Cinema Orquestra Gulbenkian — Orquestra Metropolitana de Lisboa — Orquestra Sinfónica Juvenil Orquestra Sinfónica Portuguesa — Orquestra de Sopros e Percussão do Conservatório Regional de Artes do Montijo André Baleiro — Airam Hernández — Christopher Bochmann — Cristiana Oliveira — Cristina Carvalhal Dinis Sousa — Domenico Longo — Joana Carneiro — Laryssa Savchenko — Lorenzo Decaro — Luís Rodrigues Maria Luísa de Freitas — Mário Laginha — Mary Elizabeth Williams — Nuno Silva — Pedro Amaral Pedro Meireles — Pedro Neves — Sara Braga Simões | 2 FESTIVAL AO LARGO MILLENNIUM BCP Fernando Pessoa escreveu que todos vivemos tal como sonhamos – sozinhos. À afirmação imaterial e poética im- põe-se a pergunta terrena e material: e enquanto vivemos e sonhamos, não choramos, não cantamos, não amamos e não acreditamos em comunidade? Uma das mais poderosas formas de bem-estar e de reconciliação é a partilha comunitária da Música, de uma simples melodia, não sozinhos, mas cercados por milhares de vozes. Claro que existe essa barreira, quase indecifrável, que divide as emoções de massa da verdadeira consciência estética, mas a prova está nos resultados, esses bem decifrá- veis: perdemo-nos na multidão ou, no meio dela, nos descobrimos como indivíduos unidos, mesmo comungando das nossas diferenças? Porque acreditamos que a etimologia não engana e que comunhão e comunidade são da mesma família, porque acreditamos que certas formas públicas de abraçarmos as diversas fatias da cultura são vitais para que essa mesma cultura possa sobreviver, o Festival ao Largo regressa na sua já 8ª edição. -
Professional Division Graduates, 1999-2014
Professional Division Graduates, 1999-2014 Name Company/College/University Year Heather Aagard Ballet Arizona; Joffrey Ballet 2001 Chelsea Adomaitis Pacific Northwest Ballet 2009 Tristan Alberda Milwaukee Ballet 2000 Maggie Alden Columbia University 2009 Kirsten Allman Louisville Ballet 2009 Garrett Anderson Hubbard Street Dance; Royal Ballet of Flanders; San Francisco Ballet 2001 Jessika Anspach Pacific Northwest Ballet 2004 Isaac Aoki Grand Rapids Ballet 2013 Emma Appel University of California, Berkeley 2011 Robbie-Jean Arbaczewski Central Pennsylvania Youth Ballet 2009 Jacquelyn Arcati Cherylyn Lavagnino Dance; Nevada Ballet; Columbia Univ. School of Law 2005 Thomas Baltrushunas Pennsylvania Ballet; Temple University 2002 Edward Barnes Pennsylvania Ballet 2008 Eli Barnes Cincinnati Ballet; Alberta Ballet 2011 Andrew Bartee Ballet BC; Pacific Northwest Ballet; Princess Grace Award Recipient 2008 Reid Bartelme Alberta Ballet; BalletMet; Current: Freelance fashion/costume designer 2001 Taisha Barton-Rowledge Ballet du Capitole, Toulouse, France; Carolina Ballet 2009 Alison Basford Boston Ballet; Pacific Northwest Ballet; Suzanne Farrell Ballet 2002 Marlowe Bassett Napoles Ballet Theatre; LINES Ballet; Metamorphosis (San Francisco) 2002 Reilley Bell Alberta Ballet 2007 Ezra Benjamin Cornish College of the Arts 2003 Christiana Bennett Ballet West (Principal Dancer) 1999 Laurel Benson Ballet West II 2014 Ian Bethany Ballet Austin 2008 Kelsey Bevington Nevada Ballet Theatre; Cincinnati Ballet II 2013 Perry Bevington Nevada Ballet Theatre, -
Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P.