Metropolitan Archivist Is to Serve Members of the Archivists Round Table of Metropolitan Features Editor New York (ART) By
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From the Head Librarian
NOTESVOLUME 17, NUMBER 3, FALL 2010 FROM THE HEAD LIBRARIAN Though people who know me realize I am more of a cat person, I do love the fact that working at the Society Library means meeting some lovely creatures of the canine variety. I hope you all enjoy the collection of photos of the Library’s furry friends on pages 4-6. As Circulation Supervisor Patrick Rayner will remind you, you can bring your dog into the Library while you drop off your returns, pick up books on hold, or get the latest New Books list at the front desk. RENOVATION UPDATE AND REMINDERS TO MEMBERS We made it. With the exception of some final tweaks to the handicapped accessibility at the front entrance and touch-ups to the fifth floor, the renovation is complete. Our first issue of Library Notes in the new year will be a full-color feature issue with photos and narrative about the renovation this summer and fall. At this time of writing, Renovation Projects Librarian Andrew Corbin is preparing this report for Notes. I did want to take a moment to make a few announcements to all members who frequent the renovated fifth floor: — We make the fifth floor study rooms available for five bookings at a time. Ask at the front desk and they’ll explain the booking system in detail. — The heating and cooling system is operational on the fifth floor. During the cooler days of winter, we will set the temperature at 72. We apologize in advance if there is some variance in comfort between the open space of the Hornblower Room and the study rooms. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLII, Number 1 Fall 2012 Woody Guthrie and Bob Dylan Hit Manhattan By Sean Wilentz, Princeton University Editors Note: This paper was delivered as the keynote address for the Woody Guthrie Centennial Conference held at Brooklyn College on 22 September, 2012. On February 16, 1940, a freezing blizzardy day, Woody Guthrie—short, intense, and aged twenty-seven—ended a long hitchhiking journey East and debarked in Manhattan, where he would quickly make a name for himself as a per- former and recording artist. Nearly twenty-one years later, on or about January 24, 1961, a cold and post-blizzardy day, Bob Dylan—short, intense, and aged nineteen—ended a briefer auto journey East and debarked in Manhattan, where he would quickly make a name for himself as a performer and recording artist—not as quickly as Guthrie had, but quickly. Dylan had turned himself into what he later described as “a Woody Guthrie jukebox,” and had come to New York in search of his idol. Guthrie had come to look up his friends the actors Will Geer and Herta Ware, who had introduced him to influential left-wing political and artistic circles out in Los Angeles and would do the same in Manhattan. Two different stories, obviously, of two very different young men a generation apart—yet, more than he might have realized, Dylan partly replayed his hero’s entrance to the city where both men would become legends. -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
Ii WOODY GUTHRIE
ii WOODY GUTHRIE THIS COLLECTION PRESENTS FOR THE FIRST TIME the full range of material Woody Guthrie recorded for the United States government, both in song and the spoken word. This publication brings together two significant bodies of work – the songs and stories he recorded for the Library of Congress, and the material he created when hired to write songs for the Bonneville Power Administration. There have been records released in the past of the Library of Congress recordings, but this collection is the first time that the complete and unedited Library of Congress sessions have been released. The songs from those recording dates have been available in the past – notably from Elektra and from Rounder – but we offer here the full body of work, including the hours of Woody Guthrie talking and telling his story. TO THE LIBRARY OF CONGRESS AND BPA RECORDINGS, we have also added material which Woody recorded for governmental or quasi-governmental efforts – some songs and two 15-minute radio dramas for the Office of War Information during the Second World War and another drama offered to public health agencies to fight the spread of venereal disease. WOODY GUTHRIE AMERICA N RADICA L PATRIOT by Bill Nowlin Front cover photo: marjorie mazia and woody guthrie in east st. louis, missouri. july 29, 1945. Inside front and inside back cover photo: woody, “oregon somewhere” on the coast in oregon. this is the only known photograph of woody guthrie during the time he spent touring with the bpa. ℗ 2013 Woody Guthrie Foundation. © 2013 Rounder Records. Under exclusive license to Rounder Records. -
Palmer's Views of New York, Past and Present
COPy RIGHT /909 BY ROH'-HT M. PAl-WER . /A MS TZZjEB— Avery Architectural and Fine Arts Library Gift of Seymour B. Durst Old York Library ov<~ £io sr fc\ \ 3 PALMER'S VIEWS- 2—PALMER'S VIEWS VIEW OF FORT AMSTERDAM on the Manhattan. (Original in Holland.) Erected 1623, finished 1635 by Gov- ernor Van Twiller. Peter Minuit bought the Island, about 22,000 acres, for $24, a few baubles, beads and some rum. VIEW OF BATTERY PARK as it appeared in the more recent past, yet a marked contrast with the present-day view as seen on opposite page, showing the Whitehall Building, etc. L PALMKR'S VIEWS— Jersey Shore. Battery Park. Pennsylvania Freight Depots. Battery Place. Washington Street. WHITEHALL BUILDING, Battery Place, West to Washington Street, overlooking Hudson River and Battery Park, twenty stories, 254 feet high; one of the most conspicuous office buildings in the city as seen from the harbor, commanding view of New York Bay, New Jersey and South Brooklyn. General offices of the Otis Elevator Co., incorporated November, 1898, with branch offices in all principal cities. Otis elevators are successfully used in the tallest structures of the largest cities in the world. Eiffel Tower, 1,000 feet high, Metropolitan Life Tower, Singer Building, Hudson Terminal Buildings, etc.. etc. 4—PALMER'S VIEWS THE OLD FORT, built by Peter Minuit, 1626, was on site of present Custom House. (A.) White house built on Strand by Governor Stuyvesant; (B.) House built by Jacob Leisler ; first brick house on Manhattan. (C.) The "Strand." now Whitehall Street; (D.) Pearl Street; (E.) Rampart, now State Street; (G.) Mouth of Broad NEW AMSTERDAM, a small city on Manhattan Island, New Holland, North America, now St. -
Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2305
Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2305 THE NEW YORK PUBLIC LIBRARY, 125TH STREET BRANCH, 224 East 125th Street, Manhattan Built 1904, McKim, Mead & White; architects. Landmark Site: Borough of Manhattan Tax Map Block 1789, Lot 37 On June 24, 2008 the Landmarks Preservation Commission held a public hearing on the proposed designation of New York Public Library 125th Street Branch; and the proposed designation of the related Landmark Site (Item No. 10). The hearing was duly advertised according to provisions of law. Three witnesses spoke in favor of designation, including representatives the New York Public Library, the Historic Districts Council, and the Municipal Art Society. Summary The 125th Street Branch of The New York Public Library is notable for being one of the Carnegie libraries and a significant Renaissance Revival style building by the important firm of McKim, Mead, & White. The library was the third Carnegie branch of The New York Public Library to open, and has served the Harlem community for more than one-hundred years. Made possible by a grant of $5.2 million from Andrew Carnegie to the City of New York to establish a city-wide branch library system, a total of 67 branch libraries were constructed between 1901 and 1929. Of those, 57 are still standing, and 54 are still in operation. The firm of McKim, Mead & White, one of the most notable and influential architecture firms in the country, designed twelve of The New York Public Library Carnegie Branches, and played a major part in the formulation of the libraries’ design guidelines. -
Woody Guthrie and the Christian Left: Jesus and “Commonism”
Briley: Woody Guthrie and the the Christian Left Woody Guthrie and the Jesus and “Commonism” Ron Briley ProducedWoody Guthrie, by The March Berkeley 8, 1943, Electronic Courtesy Press, of the 2007 Repository: Library of Congress Prints and Photographs Division. 1 Journal of Texas Music History, Vol. 7 [2007], Iss. 1, Art. 3 Woody Guthrie and the Christian Left: Jesus and “Commonism” Following the re-election of President George W. Bush in 2004, political pundits were quick to credit Christian evangelicals with providing the margin of victory over Democratic challenger John Kerry. An article in The New York Times touted presidential adviser Karl Rove as a genius for focusing the attention of his boss upon such “moral” issues as same-sex marriage and abortion, thereby attracting four million evangelicals to the polls who had sat out the 2000 election.1 The emphasis of the Democratic Party upon such matters as jobs in the economically-depressed state of 9a Ohio apparently was trumped by the emotionally-charged issues of gay marriage and abortion, which evangelicals perceived as more threatening to their way of life than an economy in decline. This reading of the election resulted in a series of jeremiads from the political left bemoaning the influence of Christians upon Christian Left: American politics. In an opinion piece for The New York Times, liberal economist Paul Krugman termed President Bush a radical who “wants to break down barriers between church and state.” In his influential book What’s The Matter with Kansas?, Thomas Frank speculated as to why working-class people in Kansas, a state with a progressive tradition, would allow themselves to be manipulated by evangelists and the Republican Party into voting against their own economic interests. -
Plane Wreck at Los Gatos (Deportee)"
Theory in Action, Vol. 13, No. 2, April (© 2020) DOI:10.3798/tia.1937-0237.2019 Illegal, Not Wanted, Unnamed: Woody Guthrie's Exploration of Media, Immigration, and Identity in "Plane Wreck At Los Gatos (Deportee)" Edward A. Shannon1 Woody Guthrie's 1948 song "Plane Wreck At Los Gatos (Deportee)" demonstrates Guthrie's talents not only as a songwriter, cultural worker, activist, but also as documentarian, journalist, and media critic. The song describes a plane crash that took the lives of 28 unnamed Bracero workers being deported to Mexico in January 1948. More, the song's grammatical, linguistic, and syntactical sophistication encourages listeners to consider not just the tragedy of the crash, but also the conditions of workers, and the politics of media coverage of the "others" serving the US agricultural system. Beyond those specific political concerns, the song also preserved the memory of the victims of the titular plane crash, leading to the rediscovery of their names after 60 years. This reading of the song contextualizes Guthrie as a critic of mass media as well as a laborer in that field. The song is informed by Guthrie's work as a journalist and novelist as well as his time as a songwriter, recording artist, and performer. "Deportee" reflects Guthrie's understanding of and resistance to mass media's power to obfuscate as well as communicate. [Article copies available for a fee from The Transformative Studies Institute. E-mail address: [email protected] Website: http://www.transformativestudies.org ©2020 by The Transformative Studies Institute. All rights reserved.] KEYWORDS: Woody Guthrie, Tim Z. -
New York State Peoples, Places and Priorities a Concise History with Sources
New York State Peoples, Places and Priorities A Concise History with Sources Joanne Reitano Routledge Taylor & Francis Group New York and London First Published 2016 By Routledge 711 Third Avenue, New York, NY 10017 New York State The state of New York is virtually a nation unto itself. Long one of the most populous states and home of the country’s most dynamic city, New York is geographically strategic, economically prominent, socially diverse, culturally innovative and politically influential. These characteristics have made New York distinctive in our nation’s history. In New York State: Peoples, Places and Priorities , Joanne Reitano brings the history of this great state alive for readers. Clear and accessible, the book features: • primary documents and illustrations in each chapter, encouraging engagement with historical sources and issues • timelines for every chapter, along with lists of recommended reading and websites • themes of labor, liberty, lifestyles, land and leadership running throughout the text • coverage from the colonial period up through the present day, including the Great Recession and Andrew Cuomo’s governorship Highly readable and up-to-date, New York State: Peoples, Places and Priorities is a vital resource for anyone studying, teaching or just interested in the history of the Empire State. Joanne Reitano is Professor of History at La Guardia Community College, City University of New York. She is the author of The Restless City: A Short History of New York from Colonial Times to the Present, The Restless City Reader and The Tariff Question in the Gilded Age: The Great Debate of 1888 . 1 Introducing New York State Place and Perceptions Only New York State borders on both the Great Lakes and the Atlantic Ocean. -
Annual Report 2019 Trustees Trustees Emerita Madjalia Seynou Building Lyn Chase Diane Srebnick Maintenance Liaquat Ahamed Contractors William G
Annual Report 2019 TRUSTEES Trustees Emerita Madjalia Seynou Building Lyn Chase Diane Srebnick Maintenance Liaquat Ahamed Contractors William G. Bardel Ada Peluso Carolyn Waters Byron Bell Barbara Hadley Stanton Part-Time Harry Abarca Laurence Bergreen Alex Bolesta Demetrio Fajardo Charles G. Berry StaFF Morgan Boyle Ralph S. Brown Jr. Full-Time Will Brown Robert A. Caro Christina Amato Hanna Brownlee-Holbrooke William J. Dean Barbara Bieck Kirsten Carleton Ella M. Foshay Susan Chan Scott Carlton George L.K. Frelinghuysen Mia D’Avanza Drew Facklam Adrienne Ingrum Christopher Henry Katherine L. Fricas Ellen M. Iseman Sara Holliday Janet Howard Carol Collins Malone Dana Richard Keith Katya Lindwasser Linn Cary Mehta Lawi Kibet Kate Marcus Jean Parker Phifer Simen Kot Stephanie Merchant Susan L. Robbins Freddy Kpeli Marialuisa Monda Theodore C. Rogers Randi Levy Doreen Pastore Daniel M. Rossner Catherine McGowan Joe Russo Gretchen Rubin Steven McGuirl Ashley-Luisa Santangelo Jeannette Watson Sanger Susan Vincent Molinaro Linnea Savapoulas Betty Kelly Sargent Peri Pignetti Harriet Shapiro Francesca Stanfill Syed Rasool lae sway Timothy N. Wallach Patrick Rayner Alexa J. Van Gilder Joan Zimmett REPOrt FROM THE CHAIR (2019) Carol Collins Malone 2019 was a good year for the Library. Our home on 79th Street remained Throughout the year, the Lecture and Exhibitions Committee, led by a vibrant place to read, to write, to borrow books and to exchange ideas Jeannette Watson Sanger, and aided by events coordinator Sara Holliday through our broad selection of programs. Membership levels rose slightly and her team, presented a wide range of lectures and performances. from the level achieved in 2018. -
2016 IMLS-RBS Fellows
The IMLS-RBS Fellowship for Early-Career Librarians 2016 IMLS-RBS Fellows Daniel Arbino Ralph R. Baylor Barrye O. Brown Angelique M. Carson MLIS Student Assistant Librarian Reference and Outreach Archivist Library Director Knowledge River Program at the Public Services The Avery Research Center for John and Bonnie Boyd School of Information Frick Art Reference Library African American History & Culture Hospitality & Culinary Library University of Arizona The College of Charleston Southern Food & Beverage Institute Alyssa E. Carver Amalia Castañeda Loree Clark Wanett Clyde Kidd Collection Archivist Collections & Digitization Assistant Archives Assistant Part-Time Senior Librarian Special Collections Library Special Collections & Archives Special Collections and Archives Information Services The Pennsylvania State University Cal State University, Los Angeles University of California, San Diego Brooklyn Public Library Lisa Cruces Agnieszka Czeblakow Zayda Delgado Diane Dias De Fazio Hispanic Collections Archivist Rare Books Librarian Public Services Assistant Librarian Special Collections UTSA Libraries Special Collections Special Collections University of Houston University of Texas at San Antonio & University Archives Brooklyn College and University of California, Riverside New York Society Library Gabrielle M. Dudley Maria Fernandez Megan L. Goins-Diouf Jose Cruz Guerrero Instruction Archivist & QEP Librarian Graduate Student Young Adult Senior Librarian MLIS Student Stuart A. Rose Manuscript, Archives School of Information/LLILAS Brooklyn -
Reading Publics: Books, Communities and Readers in the Early History of American Public Libraries
Please do not remove this page Reading Publics: Books, Communities and Readers in the Early History of American Public Libraries Glynn, Tom https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643429600004646?l#13643490630004646 Glynn, T. (2018). Reading Publics: Books, Communities and Readers in the Early History of American Public Libraries. In Mark Towsey (Ed.), Before the Public Library: Reading, Community, and Identity in the Atlantic World, 1650-1850 (pp. 323–346). Brill. https://doi.org/10.7282/T3Q2433D This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/09/26 18:49:51 -0400 Reading Publics: Books, Communities and Readers in the Early History of American Public Libraries In 1851, Charles Coffin Jewett, then the librarian of the Smithsonian Institution and later superintendent of the Boston Public Library, compiled his Notices of Public Libraries in the United States of America. In the introduction he explained that “I mean by it libraries which are accessible– either without restriction, or upon conditions with which all can easily comply—to every person who wishes to use them … In this sense I believe it may be said that all libraries in this country, which are not private property … are public libraries.”1 In 1876, the United States Bureau of Education published its exhaustive Public Libraries