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Theater Performance Philosophy Theater Performance Philosophy INTERNATIONAL CONFERENCE June 26 – 28, 2014 University of Paris – Sorbonne Crossings and Transfers in Contemporary Anglo-American Thought Programme Organized by Flore Garcin-Marrou, Anna Street, Julien Alliot, Liza Kharoubi as members of the Laboratory of the Arts and Philosophies of the Stage (LAPS), Elisabeth Angel-Perez, in partnership with the University of Paris-Sorbonne and their research laboratories PRITEPS and VALE, along with CERILAC of the Univer- sity of Paris-Diderot, ICTT of the University of Avignon, CIEPFC of ENS Ulm and HARp of the University of Paris-Ouest, with the financial support of the City of Paris, the Institut des Amériques and the international network Performance Philosophy. Programme Thursday Friday Saturday June 26 June 27 June 28 8.30 Registration and Coffee in D 690 Registration and Coffee in D 690 Registration and Coffee in D 690 9.00 Welcome Opening Remarks Opening Remarks 9.30 10.00 Parallel Sessions Parallel Sessions Parallel Sessions 10.30 Coffee Break D 690 Coffee Break D 690 Coffee Break D 690 11.00 11.30 PLENARY LECTURE PLENARY LECTURE Parallel Sessions Martin Puchner Catherine Malabou 12.00 12.30 1.00 1.30 Coffee served in D 690 Coffee served in D 690 Coffee served in D 690 2.00 2.30 PLENARY LECTURE Parallel Sessions Parallel Sessions Avital Ronell 3.00 3.30 Coffee Break D 690 Coffee Break D 690 Coffee Break D 690 4.00 4.30 Parallel Sessions Parallel Sessions Parallel Sessions 5.00 Coffee Break D 690 Coffee Break D 690 Coffee Break D 690 5.30 6.00 PLENARY LECTURE PLENARY LECTURE PLENARY LECTURE Jon McKenzie Judith Butler Alphonso Lingis 6.30 7.00 Cocktail Reception 7.30 D 690 8.00 Conference Dinner Bouillon Racine 8.30 9.00 Film Screening Institut Finlandais 9.30 10.00 THURSDAY 26June 9:00 - 9:15 9:15 - 10:45 9:15 - 10:45 Amphi Richelieu Amphi Richelieu Amphi Michelet Welcome Philosophy and Theories of Per- Ethics and Aesthetics by Pascal Aquien (Vice-President of the Uni- formance Chair: Liza Kharoubi (Université d’Avignon, versity of Paris-Sorbonne) and opening remarks Chair: Timothy Murray (Cornell University, France) by the organizing team USA) Rebecca M. Groves (Stanford University, Darren Gobert (York University, Toronto, USA) - By Virtue of Performance: Rethinking Canada) - Mapping Interiors in Theatre and the Values of Aesthetic Judgment through the Philosophy Ethics of Care Paulo Filipe Monteiro (Universidade Nova de Dana LaCourse Munteanu (Ohio State Uni- Lisboa, Portugal) - Wittgenstein and Perfor- versity, USA) - Toward an Aesthetic Discursive mance Theory Approach to Ethical Matters Andrew C. Parker (Rutgers University, New Sam Kolodezh (Univ. of California, Irvine; Univ. Brunswick, USA) - Karl Marx Staging “English”. of California, San Diego, USA) - Moving Ethi- cally and Performing Positive Affirmation 9:15 - 10:45 9:15 - 10:45 9:15 - 10:45 Salle G363 Salle des Actes Salle D665 Performance Studies and the My- Théâtres performatifs Workshop thological Remains of Mimesis Chair: Josette Féral (Université Paris-Sorbonne Chair: Eleonore Obis (Université Paris-Sor- Chair: Julie Vatain-Corfdir (Université Paris- nouvelle) bonne) Sorbonne) Gabrielle Girot (ENS Lyon/Université Paris-Sor- Saviana Stanescu (Condeescu) (Ithaca Kélina Gotman (King’s College, London, UK) - bonne nouvelle) - « The performative turn » à College, New York, USA) – New York with an Ek-static Historical Experience: Herder, history, l’épreuve du théâtre français actuel Accent (Writing/Performing the Immigrant artefactuality Thomas Morisset (Ecole Nationale Supérieure Experience) Anna Kawalec (John Paul II Catholic Univer- des Arts Décoratifs, Paris) - Rythme et pré- Dimanche Rouge (Paris) – Praxis, Praxis ! sity of Lublin, Poland) - Metamimesis as co- sence dans un espace théâtral numérique knowing and co-making Marie Vandenbussche-Cont (Université Paris- Fabrizio Deriu (University of Teramo, Italy) - Sorbonne nouvelle) - Pensée et praxis de l’« Mimesis Restored: Can Performance Studies avec » dans le théâtre performatif de Nature Offer a New Epistemological Perspective for Theater of Oklahoma : l’exemple de No Dice the Humanities? 11:00 - 12:30 2:00 - 3:30 2:00 - 3:30 Amphi Richelieu Amphi Richelieu Amphi Descartes Plenary Lecture Lecture d’Antigonick d’Anne Car- La performance comme outil d’in- son telligibilité du monde Martin Puchner Directed by Ben Hjorth (Monash University, Chair: Sylvie Roques (Centre Edgar Morin Harvard University Melbourne, Australia) EHESS IIAC/CNRS, France) Chair: John Ireland (University of Illinois, Nicolas Fourgeaud (Hte École des Arts du Rhin, Strasbourg) – Performance in Postmo- « Scenes of Instruction » Chicago, USA) dern Culture, Milwaukee, 1977... Participants: Elisabeth Angel-Perez, Judith Butler, Laura Cull, Ben Hjorth, Opie Boero Sara Baranzoni (Univ. de Bologne, Italie) - La Chair: Elisabeth Angel-Perez (Université Paris- Imwinkelried, Jon McKenzie, Paul Monaghan, performance comme fonction critique et action Sorbonne) Timothy Murray, Freddie Rokem, Avital Ronell, pratique... Respondent: Laura Cull (University of Surrey, Karen Shimakawa. Simon Lanher (ENS/Lyon 3) - Ce que la méta- UK) phore théâtrale permet de penser en sociolo- gie... THURSDAY 26June 3:45 - 5:15 3:45 - 5:15 3:45 - 5:15 Amphi Richelieu Amphi Descartes Amphi Michelet Ce que la performance apporte à Theater, Performance, Philosophy: Digital Performance and the Pos- la philosophie : poétique de l’aller- A Dubious Encounter ? thuman retour Chair: Alice Lagaay (Universität Bremen, Chair: Marie-Madeleine Martinet (Université Chair: Flore Garcin-Marrou (Université Paris- Allemagne) Paris-Sorbonne) Sorbonne), Guillaume Sibertin-Blanc (Univer- James Corby (University of Malta) - The Aneta Stojnic (Ghent University, Belgique) - sité Toulouse Jean Jaurès) Contemporary Quarrel between Performance Setting the Stage for the Post-human Perfor- David Zerbib (Université de Paris 1-Sorbonne/ and Literature: Reflections on the Development mer HEAD-Genève) - La scène originaire du rapport of Performance Philosophy Natasha Lushetich (University of Exeter, UK) - entre philosophie, théâtre et performance Ramona Mosse (Freie Universität Berlin, Alle- Performative Disciplinarity in Alternate Reality: Jean-Christophe Goddard (Université Toulouse magne) - Slain by the Theatre: Philosophical From Foucault to McKenzie and Beyond Jean Jaurès) - Performer l’Anti-Narcisse. Rik- Encounters with Metatheatrical Corpses Kristof van Baarle (Ghent University, Belgique) baktsá Descartes ou l’Indien Yelena Gluzman (University of California, - The Coming Singularity of Posthumanism San Diego, USA) - What-There-Is: Theater as Method, Theory as Theater 3:45 - 5:15 5:30 - 7:00 Salle D665 Amphi Richelieu Workshop Plenary Lecture Chair: Marielle Pélisséro (Université Paris- Ouest) Jon McKenzie Workshop du Laboratoire du geste, créé par University of Wisconsin-Madison Barbara Formis et Mélanie Perrier (Université Paris 1 Panthéon-Sorbonne). « Ouiconsin Eidos: Performance, DesignLab, Atelier animé par Daniella De Moura, Coline and Experimental Theory » Joufflineau, Mélanie Perrier, Louise Proven- cher, Kahena Sanaâ et Laura Tristan-Flores (Université Paris 1) Chair: Anna Street (Université Paris-Sorbonne) Respondent: David Zerbib (Université de Paris 1-Sorbonne/HEAD-Genève) Durée 1h30 Inscription conseillée sur contact@tpp2014. com (20 participants) 8:15 - 10:30 Institut Finlandais Film screening Àjáso. A philoperformance 80 mn. English subtitles Debate with team members (Angel Alvaredo Cabellos, Farah Beji, Jean-Christophe God- dard, Blérina Hankollari, Jasmina Jovanovic, Soufiane Mezzourh, Daeseung Park, Behrang Pourhosseini) and the director Genti Koçi (capacity limited at 80 places) FRIDAY 27June 9:00 - 9:15 9:15 - 10:45 9:15 - 10:45 Amphi Richelieu Amphi Richelieu Amphi Guizot Opening Remarks Politiques du corps Biologies of Performance: Practice Presentation of Performance Philosophy activi- Chair: Etienne Balibar (Université Paris-Ouest/ and Plasticity ties in France: Labo LAPS (Flore Garcin-Mar- Kingston University, UK) Chair: Liliane Campos (Université Paris III-Sor- rou), PPWG Performance Philosophy France Pierre Zaoui (Université Paris-Diderot) – Le bonne Nouvelle, France) (Liza Kharoubi), Performance Philosophy and théâtre et la danse américaines face au sida : Stephen Loo, Undine Sellbach (University the Future of Genre: Thinking through Tragedy l’étrange fantôme de Foucault of Tasmania, Australie) – The Grasshopper & Comedy (Maïté Marciano, Ramona Mosse, Armelle Talbot (Université Paris-Diderot), Cabaret: Performing philosophy at the limits of Anna Street) Guillaume Sibertin-Blanc (Université Toulouse the human Jean Jaurès) – Scènes du deuil : le théâtre Katrina Schaag (University of Wisconsin-Madi- entre la vie et la mort son, USA) – Biological Plasticity and Performa- tive Possibility 9:15 - 10:45 9:15 - 10:45 11:00 - 12:30 Amphi Michelet Salle D665 Amphi Richelieu Politics of Performance Workshop Plenary Lecture Chair: Clare Woodford (Queen Mary, University How to do things with hearing : qu’est-ce qu’on of London, UK) écoute ? Catégoriser les pratiques verbales Catherine Malabou avec Garfinkel, Goffman, Goodwin, Hymes, Luis Guerra (Autonomous University of Barce- Kingston University lona, Espagne) – Anarchistory of Performance, Lerner, Sacks. a heresy in action. Performance-lecture on the Une séance d’écoute proposée par Nicolas Art of not being governed Rollet (Université Paris-Sorbonne nouvelle/ « Performance and Power: An Interrogation » Ryan Tracy (New York, USA) – Radical Demo- Co-fondateur
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