FRIENDS of The Trout Gallery dickinson college carlisle, pennsylvania 2006–2007 Letter from the Director
Bulletin he 2006-2007 season promises to be another excit- The Friends of T THE TROUT GALLERY ing year for visitors to The Vol. 3, 2006-2007 Trout Gallery. The exhibi-
The Bulletin is published annually by tion schedule opens with a the Friends of The Trout Gallery remarkable collection of religious prints by Editor, Stephanie Keifer Rembrandt and Dürer, two THE TROUT GALLERY of the finest printmakers Carlisle, Pennsylvania 17013 ever to put ink to plate. 717-245-1344 fax 717-254-8929 Along the lines of Opening Reception, Designing for Victory 1914-1945: Posters from www.dickinson.edu/trout the United States Army Heritage and Education Center, Fall 2005. [email protected] outstanding printmaking, The Trout Gallery and DIRECTOR Phillip Earenfight Dickinson College senior art history majors will organize an exhibition of etchings by Ellen Day Hale and other members of the late nineteenth-century etcher-painter move- REGISTRAR AND ment. Turning to three-dimensional works, the museum is pleased to host an exhibition of EXHIBITIONS PREPARATOR James Bowman brilliant new sculpture by Anthony Cervino, who recently joined the Art & Art History faculty. Rounding out the media will be Progress on the Land, which features American OUTREACH PROGRAM landscape paintings from the nineteenth and twentieth century. The season concludes with CURATOR OF EDUCATION Wendy Pires the always-fascinating and challenging senior studio art majors’ exhibition. Complementing the exhibitions will be a series of educational programs curated by OUTREACH PROGRAM PUBLICITY COORDINATOR the Outreach staff. This year’s programs will focus on such themes as the science and tech- Dottie Reed nology of printmaking, as well as industry, and geography. Teachers and events planners are encouraged to contact the Outreach Program office early as programs fill up quickly. ADMINISTRATIVE ASSISTANT Stephanie Keifer As part of an effort to make the collections more widely accessible to the public, The Trout Gallery has begun taking digital photographs of all of the works in its permanent GALLERY ATTENDANTS collection and will be making them available on the web through a searchable database. Sue Curzi Rosalie Lehman Such a tool will enable the public to learn more about the collections for the purpose of Catherine Sacco study and enjoyment. Satsuki Swisher Looking ahead to the future, there are two important events to note. The first is a BULLETIN DESIGN major traveling exhibition organized by The Trout Gallery and slated for autumn 2007 Kimberley Nichols entitled A Kiowa’s Odyssey: A Sketchbook from Fort Marion. This exhibition reunites parts Patricia Pohlman of a late nineteenth-century sketchbook that were made by Etahdleuh Doanmoe, a Kiowa PHOTOGRAPHER Indian, prior to his arrival at the Carlisle Indian School. During its venue at The Trout A. Pierce Bounds Gallery, A Kiowa’s Odyssey will be complemented by related exhibitions in Carlisle at the Cumberland County Historical Society and the U.S. Army Heritage and Education PRINTING Triangle Printing Center. York, Pennsylvania The second event is The Trout Gallery’s 25th Anniversary, which we will celebrate throughout the 2008-2009 season. It will be a year that acknowledges past achievements © The Trout Gallery, 2006 and future goals. So plan ahead and bring out your white gloves and black ties. As we look forward to this season and those to come, I wish to thank the Friends for making so much of what we do at The Trout Gallery possible and to invite those who are not yet members to discover the joy of being a Friend.
Sincerely, Cover: Ellen Day Hale, First Night in Venice, c. 1922, softground etching, à la poupée color proof, Gift of Eric Denker ’75, in Memory of Ruth Trout, 2004.6.9. Phillip Earenfight THE Exhibitions 2006-2007
The Inspired Line Selected Prints of Albrecht Dürer and Rembrandt van Rijn The Trout Gallery from the Thrivent Financial Collection of Religious Art Lectures in the September 1, 2006 – October 21, 2006 History of Art Opening Reception: Friday, September 1, 5-7 p.m.
Arthur K.Wheelock, Jr. he Inspired Line presents works by two of the finest printmakers of the Curator of Northern Baroque Painting Renaissance and Baroque era. This selection of prints invites the viewer National Gallery of Art,Washington, D.C. “Innovations and Tradition in to consider the artists and their work within the tumultuous and com- T Rembrandt’s Religious Prints” plex religious and political environment that witnessed the birth of the Protestant Wednesday, October 11, 2006, 7 p.m. Reformation, the Catholic Counter-Reformation, and the Thirty-Years War. The Rubendall Recital Hall exhibition features twenty-three prints by Dürer and seventeen by Rembrandt, Weiss Center for the Arts including select pairs where both artists represent the same subject. Such pairings In conjunction with The Inspired Line compel the viewer to examine the artists’ historical contexts, religious back- exhibition,The Trout Gallery is pleased grounds, printmaking techniques, and styles. to host Arthur K.Wheelock, Jr., who will present a public lecture that considers A program of ExhibitsUSA, a national division of Mid-America Arts Alliance Rembrandt’s religious prints within the and The National Endowment for the Arts. broader context of Renaissance and Baroque printmaking. Dr.Wheelock is curator of northern baroque painting at the National Gallery of Art and profes- sor of art history at the University of Maryland. He publishes widely on Dutch and Flemish art and his books include Perspective, Optics, and Delft Artists around 1650 (1977); Vermeer and the Art of Painting (1995); and the Dutch Collection at the National Gallery, Dutch Paintings of the Seventeenth Century (1995). He has also organized a number of major exhibi- tions including Gods, Saints & Heroes: Dutch Painting in the Age of Rembrandt (1980); Anthony van Dyck (1990); Johannes Vermeer (1995); Jan Steen: Painter and Storyteller (1996); Gerrit Dou: Master Painter in the Age of Rembrandt (2000); and Aelbert Cuyp (2001). Dr.Wheelock received his bachelor’s degree from Williams College and his doctorate from Harvard University.
The lecture is supported in part by Eric Denker ’75 and co-sponsored by the Medieval and Early Modern Studies pro- gram at Dickinson.
Albrecht Dürer, Death of the Virgin, 1510, woodcut. Rembrandt van Rijn, Death of the Virgin, 1659, etching and drypoint. TROUT GALLERY Exhibitions 2006-2007
Progress on the Land Industry and the American Landscape, 1875-1945
November 3, 2006 – January 13, 2007 Opening Reception: Friday, November 3, 5-7 p.m.
rogress on the Land offers a compelling look at American landscape painting during a period of tremendous industrial Pgrowth. Works in this exhibition cover a wide chronological span, beginning with paintings from the Hudson River School and continuing up through the Luminists, Tonalists, and ending with the Ash Can School. This group of paintings examines the ways in which artists such as Stanford Gifford, George Inness, Ralph Blakelock, and George Bellows represented the land at the very moment it was being transformed by unprecedented urban expansion and industrialization. This exhibition is organized by the Melton Art Reference Library, Oklahoma City, Oklahoma.
The Trout Gallery will be closed November 22–27 and George Inness, Sr., Woodland Scene, n.d., oil on board, December 23–January 2. Collection Melton Art Reference Library.
Ellen Day Hale and the Painter-Etcher Movement
January 26, 2007 – April 14, 2007 Opening Reception: Friday, January 26, 5-7 p.m.
llen Day Hale was among a number of gifted artists whose work stimulated an etching revival in the late nineteenth and early Etwentieth centuries. Through a fluid use of line and tone, Hale and her contemporaries rendered landscapes, vistas, street scenes, and portraits on an intimate scale with a subtlety and touch that one associates with both sketching and oil painting. This exhibition features prints by Hale and her contemporaries James McNeill Whistler, Mary Nimmo Moran, Gabrielle de Veaux Clements, and Samuel Coleman who helped revive interest in and further explore the potential of this media. Works from this exhibition are drawn primarily from The Trout Gallery’s permanent collection. It is curated by Dickinson College senior art history majors: Claire Angelilli, Samantha Bellinger, Brittany Bosch, Kathryn Malinowski, Alexandra Ruhfel, Stephanie Shapiro, and Jennifer Thompson, under the direction of Phillip Earenfight, Associate Professor of Art History and Director of The Trout Gallery and in conjunction with Ellen Dale Hale, Milk Wagon, Cairo, 1930, soft-ground etching and color aquatint, Eric Denker ’75. Gift of Eric Denker ’75, in Honor of Nancy Hale, 2002.17.2. Exhibitions 2006-2007
Anthony Cervino: Sculpture
February 9, 2007 – March 31, 2007 Opening Reception: Friday, February 9, 5-7 p.m.
nthony Cervino’s recent sculpture considers the autonomous identity of miscellaneous and seemingly A useless parts. Drawing primarily from the plastic “trees” used in the making and organizing the individual parts of plastic toy models, Cervino investigates the discarded supports as complete objects in their own right. These forms are explored as independent units, in segments, and at varying scales in order to illustrate their ability to imply their former function and to stand alone as complete objects that, while perhaps misplaced, retain a sense of function and use. Anthony recently joined the faculty as Assistant Professor of Art in the Department of Art & Art History at Dickinson College. Anthony Cervino, Fleet, 2005, wood, steel, paint.
Senior Studio Art Majors Exhibition
April 27, 2007 – July 7, 2007 Opening Reception: Friday, April 27, 5-7 p.m.
he annual Senior Studio Art Majors Exhibition marks the Tculmination of a student’s artistic career at Dickinson College. This exhibition features works by Katherine Austin, Gabrielle Besante, Megan Donley, Berna Onat, Sarah Price, Sara Shaffer, Naomi Shanzer, and Katelyn Valeri, under the direction of Todd Arsenault, Andrew Bale, Anthony Cervino, Ward Davenny, Barbara Diduk, and Dee Jenkins.
Opening Reception, Drawn, Fired, Pressed, Shot, the 2006 senior studio art majors exhibition. MUSEUM HOURS: Tuesday – Saturday: 10-4 Closed: Nov. 22–27 Dec. 23–Jan. 2 Summer Hours: Wednesday – Saturday: 10-4 Exhibits Future Exhibitions: 2007–2008
A Kiowa’s Odyssey: Reconstructing A Sketchbook from Fort Marion
September 7, 2007 – January 12, 2008
his major touring exhibition reunites parts of a sketchbook that were made in 1877 by Etahdleuh Doanmoe, a Kiowa who was among the 72 Indians captured during the Red TRiver Wars and incarcerated for three years at Fort Marion, Florida. The sketchbook contains drawings that chronicle the Indians’ surrender at Fort Sill, Indian Territory, their traumatic journey by train to Fort Marion, and their time at the fort, where, under the direction of Lt. Richard Henry Pratt, Etahdleuh and his fellow captives were “educated” and “civilized” according to western models. Pratt’s efforts at Fort Marion became the basis for his work at the Carlisle Indian School, which he founded in 1879, and where Etahdleuh continued his schooling. This exhibition reassembles parts of the sketch- book, which are now divided between The Trout Gallery and the Beinecke Rare Book and Manuscript Library at Yale University. The exhibition will travel to Fort Sill, Oklahoma and the Beinecke Library. The exhibition catalogue will be published by the University of Washington Press (2007). It will include contributions by Janet Catherine Berlo, Joseph Horse-Capture, Brad Lookingbill, George Miles, and Phillip Earenfight, who is also the volume’s editor. A national symposium focusing on the sketchbook will be held at Dickinson College on October 20-21, 2007. During its venue at The Trout Gallery, A Kiowa’s Odyssey will be complemented by an exhibition of Carlisle Indian School drawings at the Cumberland County Historical Society and an exhibition of artifacts associated with Plains Indian Wars at the U.S. Army Heritage and Education Center, both of which are in Carlisle.
Cover, photograph, and drawing from A Kiowa’s Odyssey, 190.7.11.1. Future Exhibits Future Collections Management
Storage and Lighting In a continuing effort to provide the best environment for its centerpiece to the traveling exhibition Visions of the Susquehanna. permanent collection, The Trout Gallery recently increased its Organized by the Lancaster Museum of Art, the exhibition will capacity to store oversized prints. The need for oversized print travel to several sites, including the Susquehanna Museum of Art, storage comes in response to recent trends in printmaking, drawing, the Governor’s Residence, the Washington County Museum of Fine and digital photography, which favor oversize dimensions. To this Art, and the Roberson Center for Art and Science. end, the gallery acquired a flat file storage unit that can hold prints up to 48 x 60 inches. This new unit affords ample room to store the existing prints with significant amounts of reserve space for future acquisitions. Assessments The gallery has also begun to prepare for the second phase The Trout Gallery, in of the lighting system upgrade, purchasing thirty-five new fixtures conjunction with the to fit the new track system. In summer 2007, the old tracks in East Asian Studies the lower level of the gallery will be removed and the new lighting Department, received system installed. The additional fixtures purchased this year will a grant from allow us to make a seamless transition to the new system and will AsiaNetwork/Henry result in installations that feature more controlled and archivally Luce Foundation to sound lighting. assess the Asian objects in the museum’s collection. Dr. Samuel Parker Loans and Dr. Joan The Trout Gallery is pleased to share its resources with other O’Meara visited the museums by lending works from its permanent collections to gallery during the temporary and traveling exhibitions. In the spring of 2006, The 2005-2006 academic Trout Gallery provided the Montgomery Museum of Fine Arts in year to provide a Alabama with a series of prints for its exhibition Fleeting Impressions: comprehensive survey Prints by James McNeill Whistler. The loan included portraits of of the Asian artifacts Whistler by Mortimer Menpes, Sir William Nicholson, Ernest and prints. Their Haskell, Sir Leslie Ward, and William Hole. This important efforts identified exhibition inaugurated the opening of the Montgomery Museum several significant of Fine Art’s expanded facility. works in the collec- Dr. Samuel Parker discussing a number Over the course of the next few years, The Trout Gallery’s tion and added of the Asian statues in the collection. Edmund Darch Lewis, Susquehanna at Duncannon, will be the considerably to the information the gallery had in its collection records. The assessment will also function as the foundation of a future exhibition of Asian art to be held at the gallery in 2007.
— James Bowman Registrar and Exhibitions Preparator
Edmund Darch Lewis, The Susquehanna at Duncannon, 1872, oil on canvas, Gift of Boyd Collections Lee Spahr, Jr, 1955.1.1. Management Outreach Program
Programs for 2006-2007 The Trout Gallery looks forward to providing another successful season of educational programs that stimulate curiosity and motivate learning among area and regional school groups and members of the local community. Through October, school groups may register for programs offered in conjunction with Animalia, our fun-filled summer exhibition that focuses on images of animals from The Trout Gallery’s permanent collection. For The Inspired Line, programs will focus on European history and the science of printmaking, while Progress on the Land provides the basis for projects that consider the Industrial Revolution. In the winter, the etchings of Ellen Day Hale provide material for a study of geography, and in the spring, the sculpture of Anthony Cervino will provide the basis for art activities that center on plastic models and kits. Plan your schedule early as these programs fill quickly.
Pre-school students are introduced to prepositions as Simon says “make your mouse scurry along your arm, under your chin, and over your head.”
Outreach In Review Highlights of the 2005-2006 Outreach Program included a Spanish-language program created for Francisco Goya’s Los Caprichos prints. Several hundred students from the Dickinson College Spanish department and area high schools participated in programs designed to explore eighteenth-century Spanish culture and politics portrayed in Goya’s satirical images and to develop conversation skills. Programs developed to accompany the exhibition Designing for Victory 1914-1945 challenged students to consider how artists and government agencies used words and imagery to manipulate viewers’ emotions and compel citizens to enlist for combat, accept sacrifices, and to justify war. The spring semester brought throngs of very young students, teachers, and parents to the “Places and Spaces” programs to explore the paintings of Edmund Quincy. Using the familiar theme of “Town Mouse and Country Mouse,” children developed their language arts skills, created original stories, and A student displays her cityscape, made in conjunction with the Edmund Quincy exhibition. made their own landscapes or cityscapes in oil pastel. Outreach Outreach Program
Reaching Out to Other Museums Gallery Attendants As part of The Trout Gallery’s commitment to professional development, members The Trout Gallery is happy to welcome of the Outreach Program worked with their counterparts at other museums to review Satsuki Swisher and our practices and share programming ideas. Site visits included the Newark Museum, Catherine Sacco to The Baltimore Museum of Art, The American Visionary Art Museum, and Maryland The Trout Gallery Institute College of Art. Just as we reached out to other institutions, they reached out to staff.Together with Rosalie Lehman and us. Over the course of the year, the directors of the Oakes Museum at Messiah College Sue Curzi, Satsuki and The Baltimore Museum of Public Works invited Wendy Pires, The Trout Gallery and Catherine Curator of Education, to consult with their staff on programming ideas, permanent will provide the essential link exhibits, and strategies for audience development in a small museum context. between the visitor Satsuki Swisher and the museum’s exhibitions and collections.We are pleased to have Update on New Education Room for them aboard. The Trout Gallery Outreach Program Work continues on plans for The Trout Gallery’s new education classroom. Originally slated to open this year, construction has been moved to summer 2007 and should be completed in time for fall programming. With display areas, smart-room capability, and Catherine Sacco creative work spaces, the new classroom will make a significant difference in learning experience for teachers and students throughout the central-Pennsylvania region. The new education room is funded by a gift in memory of Evalyn Mumper Stewart, Harvey M. Stewart ’34, and George B. Mumper 1884. In Memory of Sylvia Kauffman
— Wendy Pires, Curator of Education Dottie Reed, Publicity Coordinator
On January 11, 2006, Sylvia Kauffman, former gallery attendant and friend to all who entered The Trout Gallery, passed away. Over the course of the last five years, Sylvia has been among the most recognized faces at The Trout Gallery. From her desk she greeted visitors, assisted with educational programs, collected and processed attendance data, provided helpful directions, and brought a cheery spirit to all who entered the doors of The Trout Gallery. Sylvia will be missed deeply by all who were touched by her optimism, strength, and life. She is survived by her sister, Sharon Miller, who was both Sylvia’s energetic Cassie Lynott ’06 created a floor-size map for a hands-on geography lesson in conjunction with the Designing for traveling partner and loving nurse. Victory exhibition. Recent Acquisitions
Unknown Artists,American Winslow Homer (1836-1910),American Evan David Summer (b. 1949),American Ralph Gibson (b. 1939),American African-American Dolls, n.d. Home They Brought Her Warrior Dead, 1879 Landscape XI, n.d. Dining Room View,Titian’s Palace,Venice, Various materials Wood engraving Etching, engraving, drypoint 2002 AcquisitionsGift of Vivian O. Potamkin Gift of Eric Denker ’75, in Honor of Gift of Eric Denker ’75, in Memory of Chromogenic development print 2005.2.1-69b [renumbering of previously Ward Davenny Donald Vogler Gift of Mark Connelly recorded gift] 2005.3.3 2005.3.6 2005.5.7
William Russell Birch (1755-1834), Mortimer Menpes (1855-1938),Australian Robert Walter Weir (1803-1889), Ralph Gibson (b. 1939),American American Mrs. Ronald Colman, c. 1930 American Left Bank Bistro Menu, Paris, 2000 Solitude in Pennsylvania, belonging to William Etching The Presidents of the United States, c.1835 Chromogenic development print Penn, c. 1800 Gift of Eric Denker ’75, in Honor of Engraving Gift of Mark Connelly Color engraving Phillip Earenfight Gift of Eric Denker ’75, in Honor of 2005.5.8 Gift of Eric Denker ’75, in Honor of 2005.3.4 Wilford W. Scott ’72 Lynn Quallis ’75 2005.3.7 Ralph Gibson (b. 1939),American 2005.3.1 Mortimer Menpes (1855-1938),Australian Restaurant Sideboard, Helsinki, 2000 Merton College, n.d. American Chromogenic development print William Russell Birch (1755-1834), Etching El Coronada Hotel, San Diego, 1891 Gift of Mark Connelly American Gift of Eric Denker ’75, in Honor of Wood block with ink residue 2005.5.9 Solitude in Pennsylvania, belonging to William Phillip Earenfight Gift of Eric Denker ’75 Penn, c. 1800 2005.3.5 2005.3.8 Ralph Gibson (b. 1939),American Engraving, black and white Four Star Restaurant, Dijon, 1990 Gift of Eric Denker ’75, in Honor of Mabel Dwight (1875-1955),American Chromogenic development print Lynn Quallis ’75 Self-Portrait, 1932 Gift of Mark Connelly 2005.3.2 Lithograph 2005.5.10 Gift of Eric Denker ’75, in Honor of Wilford W. Scott ’72 Ralph Gibson (b. 1939),American 2005.3.9 Dining Room, Beverly Hills, 2001 Chromogenic development print American Gift of Mark Connelly Harper’s Magazine, vol. 82, 1891 2005.5.11 Gift of Eric Denker ’75 2005.3.10 Ralph Gibson (b. 1939),American Doorman, Chez Bocuse, Lyon, 1991 Japanese Chromogenic development print One of the Juni Shinsho, twelve guardian Gift of Mark Connelly generals surrounding Yakushi Nyorai, 2005.5.12 Possibly 12th to 14th century CE Wood Ralph Gibson (b. 1939),American 2005.4 Picnic, Long Island, 1994 Chromogenic development print Erica Lennard (b. 1950),American Gift of Mark Connelly Wisteria,America, 2000 2005.5.13 Gelatin silver print Gift of Mark Connelly Ralph Gibson (b. 1939),American 2005.5.1 Cafe Rosatti, Rome, 1986 Chromogenic development print Erica Lennard (b. 1950),American Gift of Mark Connelly Water Lilies,Tunisia, 2000 2005.5.14 Gelatin silver print Gift of Mark Connelly Jenny Lynn (b. 1953),American 2005.5.2 Pyramid & Palms, 1983, printed 2002 Gelatin silver print Erica Lennard (b. 1950),American Gift of Mark Connelly Ferns, Italy, 1999 2005.5.15 Gelatin silver print Gift of Mark Connelly Jenny Lynn (b. 1953),American 2005.5.3 Woman Kneeling on Rooftop, 1979 Gelatin silver print Erica Lennard (b. 1950),American Gift of Mark Connelly LiYuan Garden, China, 2000 2005.5.16 Gelatin silver print Gift of Mark Connelly Jenny Lynn (b. 1953),American 2005.5.4 Black Swan, 1983 Gelatin silver print Erica Lennard (b. 1950),American Gift of Mark Connelly Hampstead Heath, England, 1992 2005.5.17 Gelatin silver print Gift of Mark Connelly Jenny Lynn (b. 1953),American 2005.5.5 Stone Dog, 2000 Gelatin silver print Ralph Gibson (b. 1939),American Gift of Mark Connelly Waiter; Isle of Capri, 1983 2005.5.18 Gelatin silver print Gift of Mark Connelly Jenny Lynn (b. 1953),American 2005.5.6 The Antelopes, 1988 Gelatin silver print Mortimer Menpes, Merton College, n.d., etching Gift of Mark Connelly Gift of Eric Denker ’75, in Honor of Phillip Earenfight 2005.5.19 2005.3.5 Recent Acquisitions / Friends News
Jenny Lynn (b. 1953),American Leonard Baskin (1922-2000),American Dog Ears, 2000 Owl, n.d. Gelatin silver print Woodcut Gift of Mark Connelly Gift of Joan M. Covey, in Memory of 2005.5.20 Nancy J. Loughridge 2006.1.2 Jenny Lynn (b. 1953),American Two Faces, 1988 Peter Max (b. 1937), German/American Gelatin silver print Max Odyssey Gallery, 1977 Gift of Mark Connelly Offset poster 2005.5.21 Gift of the Doctors Meyer P.and Vivian O. Potamkin Jenny Lynn (b. 1953),American 2006.2 Hand and Foot, 1999 Gelatin silver print Gift of Mark Connelly 2005.5.22
Leonard Baskin (1922-2000),American Thomas Eakins, 1964 Etching Gift of Joan M. Covey, in Memory of Nancy J. Loughridge 2006.1.1
Jenny Lynn, Woman Kneeling on Rooftop, 1979 gelatin silver print Gift of Mark Connelly 2005.5.16
Friends Events Best Wishes to Sharon Hirsh his past spring, The Trout Gallery sent Friends a n January 1, 2006, Sharon Hirsh accepted the presidency questionnaire to survey interest levels to a variety of her alma mater, Rosemont College, in suburban Tof potential event types. The response was remark- OPhiladelphia, and stepped down from her position as the Friendsable. One in three Friends responded to the survey, under- Charles A. Dana Professor of Art History at Dickinson College. The scoring the Friends devotion to the museum and interest new appointment recognizes her life-long commitment to superior in its activities, and providing a clear direction for future quality education and her senior administrative skills. Rosemont programming. Among the events that attracted the most College is fortunate to attract Sharon to the shores of the Skuykill favorable response are bus trips to metropolitan area River. Sadly, Dickinson College, The Trout Gallery, and the museums, public lectures, and exhibition-related discussions. Department of Art & Art History will miss her bold leadership, Over the course of the next year, The Trout Gallery will sound judgment, impressive scholarship, tireless support, and kind plan events in accordance with these and other preferences. friendship. Sharon played an instrumental role in founding The Trout Activities will include a bus trip to the newly opened Gallery, served as interim director and member of the Friends Board, Smithsonian American Art Museum in Washington, D.C. developed lasting relationships with donors and patrons, curated as well as a trip to Philadelphia to visit the King Tut numerous exhibitions, and hosted countless artists and art historians. Exhibition. Watch your mail box for invitations and Sharon leaves a legacy of achievement and vision to follow. We wish notices regarding these and other events. her the best of success at her new position. Friends of The Trout Gallery The Trout Gallery gratefully recognizes individuals and organizations who support the museum through contributions of service, funds, or works of art during the 2005-2006 fiscal year.
BOARD MEMBERS Eugene Jeffreys Melissa Capuano ’99 John Kallmann Amy Spangler Shepley Walter Beach ’56 Beverly C. Jeffreys Carlisle Area Newcomers †Sylvia Kauffman Amelia Span Donna Clarke Nancy Siegel Club Ann Thompson Kern ’63 Shillingsburg ’96 Carolyn Wherly Betty Richardson Edward Kreuser Robert Shillingsburg Cleveland ’60 SUPPORTERS Churchill ’58 David Kranz Lynnea Sparandero ’04 Eric Denker ’75 Arthur Arnold II ’50 Daniel D. Churchill Suzanne Kranz Natalie Rizzo Taylor ’00 Karen Neely Faryniak ’86 John Curley ’60 Colin Clarke Mark D. Larocca Mark Taylor Melissa Gallagher Ann Conser Curley ’63 Christopher Cocores ’05 Stephanie Latini ’04 John Thayer V Susan Goldberg Todd Henry Engels ’87 David Cohn ’48 Richard Lawson Caroline Thayer Paul Kanev ’75 Deirdre DeBlasio Engels ’87 Rosemarie Cohn Ruth Lawson Nancy Klaunberg Maureen Reed Karen Neely Faryniak ’86 Ralph Colliander Morton Levitt ’58 Thomas ’55 Melinda Schlitt Anneliza Dela James Dambrosia David Lipchak ’75 Carroll Thomas Wilford Scott ’72 Cruz-Humlen ’91 Kay Cadwallader Ashley Hodges Lorenz ’96 John H. Turner Tamar Weiss Odd-Egil Humlen Dambrosia ’66 Cassie Lynott ’06 Janice B. Turner William E. Owens ’62 Suzanne Ruggles Dates ’55 Sarah E. Maggs ’97 Milica Curcic Vice-President: Victoria Hann Reynolds ’50 Donald Dates Peter Martin Wainwright ’95 Maureen Reed Woodrow W. Reynolds Daniela M. D’Amato ’01 Ann Martin Fred Wainwright Treasurer: Nancy Gray Vibert ’83 Sylvie G. Davidson Robert Masland, Jr. Michael Weiss ’89 Karen Neely Faryniak ’86 Meta Duevell ’03 Jean Masland Robyn Nichols Witschey ’80 FRIENDS Helen Delano Anne McLean ’93 John Witschey BENEFACTOR Cornelius Allen James Evans ’51 Clarence Millichap Helen Mercer Witt ’55 Mark W. Connelly Cynthia Allen Joan Trier Evans ’55 Zita Millichap Mr. & Mrs. Charles Wood George Allan Ella Forsyth Stacy C. Milo ’91 Barbara Minnich Wyatt ’55 PATRONS Mary E. Allan Matthew Freedman ’08 Melissa Groff Mooney ’93 William Wyatt Henry D. Clarke, Jr. ’55 Michelle Attias ’96 Melissa Gallagher Ryan Morey ’04 Robert Zieff Donna L. Clarke William Baker William Gallagher Arthur A. Murphy Eric Denker ’75 Annalee Baker Carol Shaw Glatt ’55 Togo Nishiura Joseph & Doris Gerofsky Patricia Ritterhoff Barber ’84 Julian Glatt Eleanor Nishiura † deceased George Hoffer ’61 Kim Bechert Lori Edwards Goldman ’81 Noel Potter, Jr. Ann Hoffer William Bechert Edward L. Goldman Sarah Weissman Presite ’98 Siena Scott Renie Carthage Danielle Gower ’05 David Reel ’92 Wilford Scott ’72 Beidleman ’87 Meghan Hadalski ’02 Stephanie Wolf Reel ’92 The Trout Gallery receives Mary Stuart Smith ’69 David Beidleman David C. Hancock ’66 Barbara Burket Ritter ’55 support from Dickinson Richard Snider Sarah J. Bonnice ’98 Christopher Hatch ’88 Gisela Roethke College, the Ruth Trout Mary Snider Rick Bonomo ’71 Michael Heiman Dieter Rollfinke Endowment, and the Helen Michael Bose ’71 Paula Heiman Jackie Rollfinke E. Trout Memorial Fund. CONTRIBUTOR Kenneth Brophy ’96 Elizabeth Will Hillbert ’55 Jeffrey Runge Additional funding for special Kathryn Cundiff Truman Bullard G. Randolph Hudson Bjorn W. Runquist projects comes from the Henry Anderson ’81 Beth Bullard Cynthia Nixon-Hudson ’71 Anne C. Runquist D. Clarke, Jr. Foundation for Brien Anderson James R. Bunce Esther Humphrey Martha McLaughlin the Arts. Carolyn Wherly Sally Greene Bunce Alissa Imperatore ’97 Schloetzer ’99 Cleveland ’60 Sarah Rachel Burger ’05 David James ’74 Scott Schweigert ’92 Phillip Earenfight Josie Prescott Campbell ’65 Leigha Jennings ’98 Jack Shepley ’87
❑ Benefactor - $5,000 M EMBERSHIP F ORM July 1, 2006 – June 30, 2007 ❑ Patron - $1,000 ❑ Contributor - $500 ❑ New Member ❑ Renewal ❑ Supporter - $250 Make checks payable to: ❑ Friends Friends of The Trout Gallery ❑ Name Family - $60 Dickinson College ❑ Dual - $45 P.O. Box 1773 Address ❑ Individual - $30 Carlisle, PA 17013–2896 ❑ Student - $15 City State Zip
4.5K 07/06 Tr