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Buster Keaton Film Locations: a Silent Echoes Tour of Los Angeles
BUSTER KEATON FILM LOCATIONS: A SILENT ECHOES TOUR OF LOS ANGELES Copyright 2005 John Bengtson. All rights reserved. The following self-guided tour directions have been provided as a special bonus to John Bengtson’s “Touring Los Angeles Through the Films of Buster Keaton” presentation at the UCLA Film and Television Archive. (You can also download this document from the Archive’s website at www.cinema.ucla.edu.) New locations have been added here to the ones discussed in Bengtson’s acclaimed book, Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton (www.SilentEchoes.net, Santa Monica Press: 800-784-9553). Happy navigating your way around town! Hollywood Tour The Hollywood tour begins, symbolically, at the corner of Hollywood and Vine (1). Here Keaton jumped onto a fire truck in The Cameraman. Proceed west down Hollywood Boulevard past Highland, to Mann’s (formerly Grauman’s) Chinese Theater. There, across the street between Highland and Orange, at 6904 Hollywood Blvd., is the former Mary Moll Building (2), which appeared briefly during the film-editing sequence from Sherlock Jr. Turn back east down Hollywood Blvd., and turn right (south) onto Cahuenga, stopping near the corner. The alley on the east side of Cahuenga (3) is the alley from Cops where Keaton grabs a passing car one- handed. Proceed south down Cahuenga a few yards until you reach the parking lot at 1622 Cahuenga (4), the lot where Brown Eyes was kept safe in Go West. This parking lot also appears in The Cameraman. Across the street from the parking lot (5) is the site of the former fire station that appears in Three Ages and The Cameraman. -
Catalogo Giornate Del Cinema Muto 2011
Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A. -
My Wonderful World of Slapstick
THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased. -
December 4, 1975 CONCORDIA UNIVERSITY Volume 2, Number 13 Who Must Involuntarily Inhale the Con Tribution of the , Smokers to the Atmosphere
Rector's Statement On Smoking Smoking, whic_h may be a pleasure for some people, is a source of serious discomfort for their fellows. Further, medical authorities express their concern about the effect of smoking on the health not only of those who smoke but also those December 4, 1975 CONCORDIA UNIVERSITY Volume 2, number 13 who must involuntarily inhale the con tribution of the , smokers to the atmosphere. addition to the Non-Print Area and wiJl As you are doubtless aware, a Library Changes accommodate 12 people when the considerable number of our students have sound-proofing work is complete. Bookings The Concordia . Library Letter noted joined together in an effort to persuade the can be arranged at the Non-Print desk. some major clfanges in library operations university to ban smoking in the class The Audio-Visual department in the this year. rooms. I believe they are entirely right in Norr~ Building has moved from the "Perhaps the most noticeable change," their aim. However, I would hope it is sub-basement to the fourth floor close to the letter said, "has been effected in the possible to achieve this by an appeal to the Non-Print Area. From here it will be Vanier Library (at Loyola) through the reason and to concern for others rather possible to borrow equipment and pur instalJation of carpeting. Aside from the than by regulation. chase audio visual supplies and materials. aesthetic improvement, it is expected that Smoking is prohibited by City by-laws in There's bad news for students in the there will be an observable decrease in the theatres and in halls used for showing films recordings department. -
Read Ebook {PDF EPUB} the Complete Films of Buster Keaton by Jim Kline the Complete Films of Buster Keaton by Jim Kline
Read Ebook {PDF EPUB} The Complete Films of Buster Keaton by Jim Kline The Complete Films of Buster Keaton by Jim Kline. The Three Ages (1923) Directed by Buster Keaton and Eddie Cline. Buster Keaton, Margaret Leahy, Wallace Beery (56 min.) The Three Ages is one of the first old movies I ever saw. It stars Buster Keaton and takes place in three different time periods, the Stone Age, the Roman Age and the Modern (1920s) Age. The girl who stars alongside with Buster is an English girl who could not act to save her life. She won a beauty contest and her prize was to be in a movie. I love this movie. In all of the different ages the same basic thing is going on in different times. In all three ages Buster is challenged by the bad guy (Wallace Beery) to a fight for the girl. In the Stone Age, they clomp each other on the head with clubs. In the Roman Age he is challenged to a chariot race, but the day of the race there is a blizzard (in Rome?). So, he puts sled runners on his chariot and fastens on dogs instead of horses. How ingenious! In the Modern Age, the battle is football. In all of these times you have to imagine little Buster up against BIG, BIG Wallace. it is just funny. One of my favorite parts is in the climax of the Modern Age. Buster is running from the cops (like in so many other movies). He goes through obstacles and comes to a point where he is supposed to jump from the top of one building to the next, so he sets up a diving board on the roof, jumps--and misses! He falls down the side of the building. -
The End of the World (1916) 77 Mins
Saturday November 2 Master Directors of the Silent Era! August Blom- Kuleshov The End of the World (1916) 77 mins. September 24 at 2pm Unitarian Church Sydney 15 Francis Street East Sydney Saturdays July-October Live music with Kaine Hayward On grand piano Tickets $20 Please see over www.ozsilentfilmfestival.com.au T 0419 267 318 Kaine is in demand as a piano accompanist and has worked as for companies including The Australian Ballet, The Paris Opera Ballet, Sydney Dance Company and The Sydney Conservatorium of Music. As a singer, he has performed at both The Sydney Opera House and Hamer Hall, performed lead roles for Opera Australia, toured internationally and maintains a busy concert schedule. 1 Tickets each session $20 at website or call T 0419 267 318 with light refreshments after film September 24 Saturday at 2pm The End of the World (1916) Denmark 77 minutes Verdens Undergang English subtitles Directed by August Blom “A mine foreman, West, has two daughters, the fair Edith and the dark Dina. Edith falls in love with ship's mate Reymers, while Dina runs away with the unscrupulous capitalist Frank Stoll. When the rumour spreads that a comet is on a collision course with Earth, Stoll exploits the situation to make a killing on the stock market. On the eve of the comet's impact, Stoll gathers his friends for a great orgy, but enraged workers storm his grand villa, egged on by Dina's jilted ex-fiancé. He, Stoll, and Dina all perish. Fire rains down from the sky, and the seas flood the land: The Earth is laid waste. -
Cinefiles Document #13758
Document Citation Title The films of Buster Keaton Author(s) Raymond Rohauer Source Audio Film Center Date Type distributor materials Language English Pagination No. of Pages 24 Subjects Keaton, Buster (1895-1966), Piqua, Kansas, United States Film Subjects The blacksmith, Keaton, Buster, 1922 College, Horne, James W., 1927 Battling Butler, Keaton, Buster, 1926 Go west, Keaton, Buster, 1925 Seven chances, Keaton, Buster, 1925 The Navigator, Keaton, Buster, 1924 Our hospitality, Keaton, Buster, 1923 Cops, Keaton, Buster, 1922 The balloonatic, Keaton, Buster, 1923 Convict 13, Keaton, Buster, 1920 The electric house, Keaton, Buster, 1922 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) One week, Keaton, Buster, 1920 Day dreams, Keaton, Buster, 1922 The playhouse, Keaton, Buster, 1921 The General, Keaton, Buster, 1927 The frozen north, Keaton, Buster, 1922 My wife's relations, Keaton, Buster, 1922 The paleface, Keaton, Buster, 1921 The boat, Keaton, Buster, 1921 The goat, Keaton, Buster, 1921 Sherlock, Jr., Keaton, Buster, 1924 The high sign, Keaton, Buster, 1921 The haunted house, Keaton, Buster, 1921 Steamboat Bill, Jr., Reisner, Charles F., 1928 Neighbors, Keaton, Buster, 1920 The scarecrow, Keaton, Buster, 1920 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. -
Gallery/Maquinista
EL MAQUINISTA DE LA GENERAL Menuda MENUDA FILMO Filmo CINE PARA TODOS LOS PÚBLICOS EL MAQUINISTA DE LA GENERAL UN CÓMICO MUY SERIO THE GENERAL EEUU · 1926 · 74’ El maquinista de La General es una película de cine silente cuyo protagonista es una de las fi guras más importantes del cine cómico: Buster Keaton (1895- GUIÓN Y DIRECCIÓN Buster 1966). Este actor, guionista, productor y director desarrolló un estilo propio Keaton y Clyde Bruckman en sus fi lms. Buster comenzó su carrera como cómico de niño: sus padres EFECTOS ESPECIALES Buster trabajaban en vodeviles, tocando música y cantando, y le incluyeron en el Keaton PRODUCCIÓN Buster espectáculo disfrazándolo para que pareciera un enano y no un niño. Realizaba Keaton DIRECCIÓN ARTÍSTICA acrobacias y hacía reír al público. Fred Gabourie INTÉRPRETES Buster Keaton, Marion Mack, Glen Keaton empezó en el cine como actor pero pronto dirigió sus propios Cavender, Jim Farley cortometrajes, en los que continuó siendo el protagonista. Se le reconoce por su expresión siempre seria, según sus palabras “cuanto más serio estaba, más se reía la gente”. En sus cortometrajes mezcla los trucos de magia del vodevile con espectaculares equilibrios; con la llegada del largometraje la historia pasó a ser lo más importante, y los momentos mágicos desaparecieron. Ideó escenas arriesgadas, peligrosas en muchos casos, con las que dejar al público con la boca abierta: saltos desde altas azoteas o acrobacias en cataratas sin ninguna protección. Tampoco utilizaba dobles, aunque en ocasiones hizo de doble de SINOPSIS otros actores en sus películas. El maquinista de un tren, al que no han dejado alistarse durante la Los fi lms de Buster Keaton son comedias visuales, lo que signifi ca que la Guerra de Secesión, demuestra su imagen debe contar la historia. -
Catalogo Giornate Del Cinema Muto 2016
ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael -
El Maquinista De La General
EL MAQUINISTA DE LA GENERAL FICHA TÉCNICA Director Buster Keaton / Clyde Bruckman Guión Buster Keaton / Clyde Bruckman Argumento Basado en la novela de William Pittinger Productor Búster Keaton Production Inc. Productora United Artists Corporation Fotografía Dev Jennings / Bert Haines (B/N) Montaje J. Sherman Kell / Buster Keaton Ayudante de montaje Harry Barnes Director técnico Fred Gabourie Vestuario J.K. Pitcairn / Fred C. Ryle Maquillaje Bennie Hubbel Efectos especiales Jack Little / Denver Harmon DATOS TÉCNICOS Título original The General Género Comedia Duración 77 minutos Versión Muda con rótulos en inglés y subtítulos en castellano Año de producción 1927, EE.UU. Formato Blanco y negro Localizaciones Oregón (EE.UU.) Fecha de estreno 05/02/1927 Distribución Cineteca, S.A. FICHA ARTÍSTICA Intérpretes Personajes Buster Keaton Johnnie Gray Marion Mack Annabelle Lee Glen Cavender capitán Anderson Jim Farley general Thatcher Frederick Vroom general sudista Charles Smith padre de Annabelle Frank Barnes hermano de Annabelle Frank Agney sargento Joe Keaton oficial de la Unión Mike Donlin oficial de la Unión Tom Nang oficial de la Unión PRESENTACIÓN Johnnie Gray tiene dos amores: su locomotora "La General" y su novia Annabelle. Al estallar la Guerra de Secesión, Johnnie trata de alistarse en el ejército confederado para impresionar a su novia. Sin embargo, no es aceptado por considerarle más útil como maquinista. Su novia, creyéndole un cobarde, le abandona. Un año después, unos espías de la Unión secuestran "La General" en donde, casualmente, viaja Annabelle. Johnnie se lanza en su persecución con otra locomotora, penetrando en territorio enemigo, donde descubrirá los planes del ejército de la Unión para un ataque sorpresa. -
History of STG Silent Movie Mondays (Pdf)
Seattle Theatre Group Silent Film History 1998-2020 1998 Film Title/Year Screen date Director Star Legends of Comedy The General, 1926 August 10,1998 Clyde Bruckman Buster Keaton & Buster Keaton The Pale Face, 1922 August 10, 1998 Edward F. Cline Buster Keaton & Buster Keaton The Gold Rush, 1925 August 17, 1998 Charlie Chaplin Charlie Chaplin Safety Last, 1923 August 24, 1998 Fred C. Newmeyer Harold Lloyd Two Tars, 1928 August 24, 1998 James Parrott Stan Laurel & Oliver Hardy 1999 Film Title/Year Screen date Director Star Funny Money Show People, 1928 June 7, 1999 King Vidor Marion Davis A Dog’s Life, 1918 June 14, 1999 Charlie Chaplin Charlie Chaplin The Pilgrim, 1916 June 14, 1999 Frank Borzage Frank Borzage Seven Changes, 1925 June 21, 1999 Buster Keaton Buster Keaton That Certain Thing, 1928 June 28, 1999 Frank Capra Viola Dana Heroes and Villains The Bat, 1926 July 5, 1999 Roland West George Beranger The Black Pirate, 1926 July 12,1999 Albert Parker Douglas Fairbanks Dr. Jekyll and Mr. Hyde, 1920 July, 19,1999 John S. Robertson John Barrymore Special Engagement Faust, 1926 October 31, 1999 F.W Murnau Emily Jannings Seattle Theatre Group Silent Film History 1998-2020 2000 Film Title/Year Screen date Director Star DW Griffith & MoMA Orphans of The Storm, 1921 July 3, 2000 DW Griffith Lillian and Dorothy Gish Way Down East, 1920 July 10, 2000 DW Griffith Lillian Gish Intolerance, 1916 July 17, 2000 DW Griffith Lillian Gish & Sci-Fi & Adventure The Lost World, 1925 October 2, 2000 Harry O. Hoyt Wallace Beery Aelita- Queen of Mars,1924 October 9, 2000 Yakov Protazanov Yuliya Solntseva Peter Pan, 1924 October 16, 2000 Herbert Brenon Betty Bronson Submarine, 1928 October 23, 2000 Frank Capra Jack Holt The Phantom of the Opera, 1929 October 20, 2000 Rupert Julian Lon Chaney 2001 Film Title/Year Screen date Director Star Women in Film La Boheme, 1926 July 9, 2001 King Vidor Lillian Gish My Best Girl, 1927 July 16, 2001 Sam Taylor Mary Pickford IT, 1927 July 23, 2001 Clarence G. -
+ Vimeo Link for ALL of Bruce Jackson's and Diane Christian's Film
Virtual February 2, 2021 (42:1) Buster Keaton and Clyde Bruckman: THE GENERAL (1927, 72 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries + Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the Spring 2021 BFS Vimeo link for our introduction to The General Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 National Film Preservation Board, USA 1989 Directed by Buster Keaton, Clyde Bruckman, Written by Buster Keaton, Clyde Bruckman, (written by), Al Boasberg, Charles Henry Smith (adapted by), William Pittenger (book, memoir "The Great BUSTER KEATON (b. Joseph Frank Keaton VI on Locomotive Chase") (uncredited) and Paul Girard October 4, 1895 in Piqua, Kansas—d. February 1, Smith (uncredited) 1966 in Los Angeles, CA) was born in a boarding Produced Buster Keaton, Joseph M. Schenck house where his parents, Joseph Hallie Keaton and Music Joe Hisaishi Myra Cutler Keaton, were touring with a medicine Cinematography Bert Haines, Devereaux Jennings show. He made his debut at the age of nine months Film Editing Buster Keaton, Sherman Kell when he crawled out of the dressing room onto the Art Direction Fred Gabourie stage, and he became part of the act when he was three. The young Keaton got his nickname within the Cast first two years of his life when he fell down a flight of Buster Keaton…Johnnie Gray stairs and landed unhurt and unfazed.