December 4, 1975 CONCORDIA UNIVERSITY Volume 2, Number 13 Who Must Involuntarily Inhale the Con­ Tribution of the , Smokers to the Atmosphere

Total Page:16

File Type:pdf, Size:1020Kb

December 4, 1975 CONCORDIA UNIVERSITY Volume 2, Number 13 Who Must Involuntarily Inhale the Con­ Tribution of the , Smokers to the Atmosphere Rector's Statement On Smoking Smoking, whic_h may be a pleasure for some people, is a source of serious discomfort for their fellows. Further, medical authorities express their concern about the effect of smoking on the health not only of those who smoke but also those December 4, 1975 CONCORDIA UNIVERSITY Volume 2, number 13 who must involuntarily inhale the con­ tribution of the , smokers to the atmosphere. addition to the Non-Print Area and wiJl As you are doubtless aware, a Library Changes accommodate 12 people when the considerable number of our students have sound-proofing work is complete. Bookings The Concordia . Library Letter noted joined together in an effort to persuade the can be arranged at the Non-Print desk. some major clfanges in library operations university to ban smoking in the class­ The Audio-Visual department in the this year. rooms. I believe they are entirely right in Norr~ Building has moved from the "Perhaps the most noticeable change," their aim. However, I would hope it is sub-basement to the fourth floor close to the letter said, "has been effected in the possible to achieve this by an appeal to the Non-Print Area. From here it will be Vanier Library (at Loyola) through the reason and to concern for others rather possible to borrow equipment and pur­ instalJation of carpeting. Aside from the than by regulation. chase audio visual supplies and materials. aesthetic improvement, it is expected that Smoking is prohibited by City by-laws in There's bad news for students in the there will be an observable decrease in the theatres and in halls used for showing films recordings department. "Recordings will noise level. as well as in laboratories where there may no longer circulate to stud~nts," the letter · "A wall has been torn down in the card be a fire hazard. Elsewhere, it is up to our said, "and will circulate to faculty for a catalogue area in order to allow more room own good serise. three-day period. As most users will for the catalogue. The reference desk is I am therefore asking you to maintain realise, this constitutes a reprieve for the located in this area, however, the offices of "No Smoking" in the auditoria, classrooms collection which has long suffered from and seminar rooms where you teach. This being played on defective equipment. The proof of your interest for their health and Audiq Visual Department has installed two Book lovers have lost a friend in James well-being is very important to a large fine stereo turn-tables in the Non-Print Ranasy who battled for a better Concordia number of our students. Area for use by individual listeners." library budget and won a whopping 50 J.W. O'Brien percent increase in the book acquisition There have been acquisitions in the Rector and Vice-Chancellor budget this year. The resigning Director of Norris library too. Libraries moves to Ottawa to take on a One is a multi-media kit on women, major assignment with the federal containing 150 items. Another Non-Print Department of Mines. FYI wishes Dr. Area acquisition is 30 recordings of Bel$"ian European Studies / · Kanasy well in his new job. music donated by the Belgian Consulate. Joseph Princz, Associate Director, Among them are recordings representing Public Lecture moves in as acting head until a permanent the music of Henry de Mont, Hubert appointment is made. Renolte, Joseph Jongen, Cesar Franck and The lnteruniversity Centre for Euro­ Jacques Brei. pean Studies, of which Concordia is a The Norris Library has also acquired member, is sponsoring a seminar and the reference librarians have been moved additions to its microfilm collection. public l~cture on Monday, Dec. 8, given by from this section to the third floor," the A valuable source of information on Dr. Benjamin Nelson. · letter said. North American unions is the Labour " 'Mentalities' of the Medieval and The library also announced a major Union Constitutions and Proceedings Renaissance Middle Class and the-' Spirit of change in the location of the general 1836-1974 collection, 197 microfilm reels in Capitalism" is the topic for a research collection. all. seminar at3 p.m., Room 6405 , 1199 Bleury. "All books still classified in the Dewey • There is also a collection assembled by At 6 p.m. Dr. Nelson will give the Marc Decimal system are now· located in the the University of Warwick of economic Bloch Lecture on "Intercivilizational basement and all those classified according papers from universities including papers Encounters: How to Study Them - And to the Library of Congress system are from Concordia. Why?". The lecture takes place in Room housed on the main floor. Periodicals have · The library is also attempting to build 10010, 1199 Bleury. been moved to the third floor," the letter holdings on Liberia and has recently· Dr. Nelson is sociology professor in the said. collected the microfilm collection of the Graduate Faculty of the New School for "The Special Collection has also been Hon. Louis Grimes, former member of the Social Research, New York, and presidtint moved from·the basement to a room on the Liberian Supreme Court. The six-reel of the International Society for the third floor. Should you wish to consult any Grimes Collection consists of rare Comparative Study of Civilizations. He is of the material in this room, please inquire pamphlets, Liberian government reports, the author of numerous publications, at the reference desk on the main floor," works of the League of Nations and including Th e Idea of Usury, Freud and the the letter said. Liberian newspapers. 19th Century, "Selflmages and Systems of There have been . changes at the Concordia has also acquired the collec­ Spiritual Directions in the History of downtown Norris Library at the Sir tion of 89 volumes of Biographical European Civilizations" (in The Quest for George Campus too. scrapbooks which have been microfilmed Self Control: Cl.assical Phiwsophies · and "After a number of renovations," the onto 32 reels. There is a strong emphasis on Scientific R esearch] and "Weber's Protes­ letter said, "the Non-Print Area has prominent Canadians from the Toronto tant Ethic" in Beyond the Cl.assics by G.W. officially reopened." arear but a number of Montrealers are Glock and P. Hammond. The Listening Viewing Room is a new included as well. For further information, phone 282-4978. scientific disciplines in undergraduate Teaching ~cellence Concordia Responds_ education, but we would caution against cutting too deeply into ·the necessary basic The Learning Development Office ToOSF education or limiting the ability of the presents Excellence in Teachin'g, a science student to become an educated workshop for faculty to design more Recommendations. man or woman m the broader sense: There effective instruction to be held· at the I is a relat~d danger in closing off to the Campus Centre from December 10 to 12 at undergraduate, who, as the report points Loyola. On Nove"mber 4, Concordi,a issued an out, may well not proceed to a higher The workshop will cover four main ' 11-page commentary on the report of degree, the kind of bidisciplinary or areas: Operation Sciences Fondamentales [OSFJ, multi-disciplinary education which will 1) Principles and practices of designing a committee formed to make recommen­ demonstrably prepare him for worthwhile - instruction, covering insights on learning, dations on the organization of science employment, now· and in a changeable planning for the whole course, a single 1 teaching and research in the province's future. class or several classes. will also cover universities. Transl,ated excerpts of the 1 It teacher-centred designs, learner;centred university's response to the OSF chairman designs, sequence of timing, specifying follow. Concordia University ( levels of performance and assessing course Con·cordia University is a new universi­ outcomes. Planning Parameters ty, even though its founding institutions 2) Designing for motivation will also be Concordia University in general appre­ ' were well established in the Montreal discussed. This will cover psychological ciates a position that echoes much of its community. It is at present in a period of factors, problem students apd educational own work in the sciences, namely tile need transition, seeking th~ structures which barriers. to intensify teaching of and research into will ~est facilitate the application of its 3) Teaching styles will also be discussed the practical aspects. Our concern is, resources to the service of its students and , in which teachers will discuss the however, that the pendulum should n9t · thus help it meet the socio-economic needs . awareness of their own style. swing~oo far. There is in English-language · of the province. The university has 4) Problem solving will also be discuss'ed, higher education an important tradition of inherited two sets of scientific depart­ which covers alternatives to include in a attention to scientific humanism, to the ments which have many similar programs, teacher's own design. melding of training in the scientific method but whose ,ethos may be quite different. The workshop will be, dealt with in a with exposure to the broader issues which Our concern is that we should have the series of mini-lectures, ~monstrations. and a scientist must be aware of, whatever his time to pursue our present study of both'-' small group and indivi al periods. particular employment. The report ends and means so· as to develop - within Enrollment is limit d to 25 faculty approaches this question in its recommen­ the next two years - the Concordia members. If you are interested, contact the dations for para-scientific programs, structure that we believe will be m1>st Learning Development Office, local 397.
Recommended publications
  • Buster Keaton Film Locations: a Silent Echoes Tour of Los Angeles
    BUSTER KEATON FILM LOCATIONS: A SILENT ECHOES TOUR OF LOS ANGELES Copyright 2005 John Bengtson. All rights reserved. The following self-guided tour directions have been provided as a special bonus to John Bengtson’s “Touring Los Angeles Through the Films of Buster Keaton” presentation at the UCLA Film and Television Archive. (You can also download this document from the Archive’s website at www.cinema.ucla.edu.) New locations have been added here to the ones discussed in Bengtson’s acclaimed book, Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton (www.SilentEchoes.net, Santa Monica Press: 800-784-9553). Happy navigating your way around town! Hollywood Tour The Hollywood tour begins, symbolically, at the corner of Hollywood and Vine (1). Here Keaton jumped onto a fire truck in The Cameraman. Proceed west down Hollywood Boulevard past Highland, to Mann’s (formerly Grauman’s) Chinese Theater. There, across the street between Highland and Orange, at 6904 Hollywood Blvd., is the former Mary Moll Building (2), which appeared briefly during the film-editing sequence from Sherlock Jr. Turn back east down Hollywood Blvd., and turn right (south) onto Cahuenga, stopping near the corner. The alley on the east side of Cahuenga (3) is the alley from Cops where Keaton grabs a passing car one- handed. Proceed south down Cahuenga a few yards until you reach the parking lot at 1622 Cahuenga (4), the lot where Brown Eyes was kept safe in Go West. This parking lot also appears in The Cameraman. Across the street from the parking lot (5) is the site of the former fire station that appears in Three Ages and The Cameraman.
    [Show full text]
  • Inhospitable World Cinema in the Time of the Anthropocene
    Inhospitable World Cinema in the Time of the Anthropocene Jennifer Fay Press University Oxford 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2018 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress Press ISBN 978–0–19–069678–8 (pbk.) ISBN 978– 0– 19– 069677– 1 (hbk.) 9 8 7 6 5 4 3 2 1 Paperback printed by WebCom, Inc., Canada Hardback printed by Bridgeport National Bindery, Inc., United States of America University Oxford CONTENTS Acknowledgments ix Introduction 1 PART I: On Location . 21 1. Buster Keaton’s Climate Change 23 Press 2. Nuclear Conditioning 59 3. The Ecologies of Film Noir 97 PART II: .
    [Show full text]
  • January 12, 2010: XX:1 the GENERAL 1927 (75 Minutes)
    January 12, 2010: XX:1 THE GENERAL 1927 (75 minutes) Directed by Clyde Bruckman, Buster Keaton Written by Al Boasberg and Charlie Smith based on William Pittenger’s 1863 novel, The Great Locomotive Chase Producers by Buster Keaton, Joseph M. Schenck Cinematography by Bert Haines, Devereaux Jennings Film Editing by Buster Keaton and Sherman Kell Art Direction Fred Gabourie Marion Mack.... Annabelle Lee Charles Smith .... Mr. Lee Richard Allen .... His Son Glen Cavender .... Captain Anderson Jim Farley .... General Thatcher Frederick Vroom....Southern General Joe Keaton....Union General Mike Donlin....Union General Tom Nawn .... Union General B Buster Keaton .... Johnnie Gray Selected for the National Film Registry, 1989 BUSTER KEATON (Joseph Frank Keaton VI, 4 October 1895, Piqua, Kansas—1 February 1966, Los Angeles, lung cancer) wrote about 30 films, directed nearly 50, and acted in more than 130, often playing himself. His first film role was in The Butcher Boy 1917; his last in Samuel Becket’s Film 1966. Some of the others are A Funny Thing Happened on the Way to the Forum 1966, How to Stuff a Wild Bikini 1965, Beach Blanket Bingo 1965, Pajama Party 1964, It's a Mad Mad Mad Mad World 1963, Limelight 1952, Sunset Blvd. 1950, Pardon My Berth Marks 1940, Palooka from Paducah 1935, What! No Beer? 1933, Steamboat Bill, Jr. 1928, College 1927, Battling Butler 1926, Seven Chances 1925, The Navigator 1924, Sherlock, Jr. 1924, Our Hospitality 1923, Paleface 1922, Cops 1922, One Week 1920. He won an honorary Academy Award in 1960. MARION MACK (Joey Marion McCreery, 9 April 1902, Mammoth, Utah—1 May 1989, Costa Mesa, California) appeared in only five films: The Great Chase 1963, The General, The Carnival Girl 1926, One of the Bravest 1925, and Mary of the Movies 1923.
    [Show full text]
  • PDF Download Buster Keaton : the Persistence of Comedy Ebook Free
    BUSTER KEATON : THE PERSISTENCE OF COMEDY PDF, EPUB, EBOOK Imogen Sara Smith | 284 pages | 24 Nov 2013 | Createspace Independent Publishing Platform | 9781494285593 | English | none Buster Keaton : The Persistence of Comedy PDF Book For the businessmen who were to make the final decision, one fact loomed above all others: features made more money. What about when the door hits him and he walks up and down holding his face? She has written on topics ranging from photography and painting to cinema history. Schenck Director: Edward F. The best book on Keaton in print-- and I've read most of them. Options as a Strategic Investment by Lawrence G. Dark Passages Hotel Noir From the squalid to the generic, cheap hotels serve as a quintessential habitat for the lonely, transitory people in crime cinema. Opposing qualities of irony and sweetness, logic and absurdity, passion and impassiveness don't just coexist in Keaton's films and character, they are fused so completely that it is impossible to see where one ends and the other begins. He briefly launches into an Erich von Stroheim impression during one of these scenes. Trade Paperback Books. Subscribe today. Yes it's magic but it's not often a good biography because it can be fawning, obsequious or just plain sickening. In addition, the two codirected The Rough House , a comedy short in which they also starred. Show More Show Less. Please refer to the appropriate style manual or other sources if you have any questions. Hart and, well, I am a bit annoyed. At least, this is how it has appeared to scholars.
    [Show full text]
  • Read Ebook {PDF EPUB} the Complete Films of Buster Keaton by Jim Kline the Complete Films of Buster Keaton by Jim Kline
    Read Ebook {PDF EPUB} The Complete Films of Buster Keaton by Jim Kline The Complete Films of Buster Keaton by Jim Kline. The Three Ages (1923) Directed by Buster Keaton and Eddie Cline. Buster Keaton, Margaret Leahy, Wallace Beery (56 min.) The Three Ages is one of the first old movies I ever saw. It stars Buster Keaton and takes place in three different time periods, the Stone Age, the Roman Age and the Modern (1920s) Age. The girl who stars alongside with Buster is an English girl who could not act to save her life. She won a beauty contest and her prize was to be in a movie. I love this movie. In all of the different ages the same basic thing is going on in different times. In all three ages Buster is challenged by the bad guy (Wallace Beery) to a fight for the girl. In the Stone Age, they clomp each other on the head with clubs. In the Roman Age he is challenged to a chariot race, but the day of the race there is a blizzard (in Rome?). So, he puts sled runners on his chariot and fastens on dogs instead of horses. How ingenious! In the Modern Age, the battle is football. In all of these times you have to imagine little Buster up against BIG, BIG Wallace. it is just funny. One of my favorite parts is in the climax of the Modern Age. Buster is running from the cops (like in so many other movies). He goes through obstacles and comes to a point where he is supposed to jump from the top of one building to the next, so he sets up a diving board on the roof, jumps--and misses! He falls down the side of the building.
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • The End of the World (1916) 77 Mins
    Saturday November 2 Master Directors of the Silent Era! August Blom- Kuleshov The End of the World (1916) 77 mins. September 24 at 2pm Unitarian Church Sydney 15 Francis Street East Sydney Saturdays July-October Live music with Kaine Hayward On grand piano Tickets $20 Please see over www.ozsilentfilmfestival.com.au T 0419 267 318 Kaine is in demand as a piano accompanist and has worked as for companies including The Australian Ballet, The Paris Opera Ballet, Sydney Dance Company and The Sydney Conservatorium of Music. As a singer, he has performed at both The Sydney Opera House and Hamer Hall, performed lead roles for Opera Australia, toured internationally and maintains a busy concert schedule. 1 Tickets each session $20 at website or call T 0419 267 318 with light refreshments after film September 24 Saturday at 2pm The End of the World (1916) Denmark 77 minutes Verdens Undergang English subtitles Directed by August Blom “A mine foreman, West, has two daughters, the fair Edith and the dark Dina. Edith falls in love with ship's mate Reymers, while Dina runs away with the unscrupulous capitalist Frank Stoll. When the rumour spreads that a comet is on a collision course with Earth, Stoll exploits the situation to make a killing on the stock market. On the eve of the comet's impact, Stoll gathers his friends for a great orgy, but enraged workers storm his grand villa, egged on by Dina's jilted ex-fiancé. He, Stoll, and Dina all perish. Fire rains down from the sky, and the seas flood the land: The Earth is laid waste.
    [Show full text]
  • Cinefiles Document #13758
    Document Citation Title The films of Buster Keaton Author(s) Raymond Rohauer Source Audio Film Center Date Type distributor materials Language English Pagination No. of Pages 24 Subjects Keaton, Buster (1895-1966), Piqua, Kansas, United States Film Subjects The blacksmith, Keaton, Buster, 1922 College, Horne, James W., 1927 Battling Butler, Keaton, Buster, 1926 Go west, Keaton, Buster, 1925 Seven chances, Keaton, Buster, 1925 The Navigator, Keaton, Buster, 1924 Our hospitality, Keaton, Buster, 1923 Cops, Keaton, Buster, 1922 The balloonatic, Keaton, Buster, 1923 Convict 13, Keaton, Buster, 1920 The electric house, Keaton, Buster, 1922 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) One week, Keaton, Buster, 1920 Day dreams, Keaton, Buster, 1922 The playhouse, Keaton, Buster, 1921 The General, Keaton, Buster, 1927 The frozen north, Keaton, Buster, 1922 My wife's relations, Keaton, Buster, 1922 The paleface, Keaton, Buster, 1921 The boat, Keaton, Buster, 1921 The goat, Keaton, Buster, 1921 Sherlock, Jr., Keaton, Buster, 1924 The high sign, Keaton, Buster, 1921 The haunted house, Keaton, Buster, 1921 Steamboat Bill, Jr., Reisner, Charles F., 1928 Neighbors, Keaton, Buster, 1920 The scarecrow, Keaton, Buster, 1920 WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S. Code) WARNING: This material may be protected by copyright law (Title 17 U.S.
    [Show full text]
  • Charlie Chaplin & Buster Keaton
    SCIO. Revista de Filosofía, n.º 13, Noviembre de 2017, 77-96, ISSN: 1887-9853 CHARLIE CHAPLIN & BUSTER KEATON COMIC ANTIHERO EXTREMES DURING THE 1920S CHARLIE CHAPLIN Y BUSTER KEATON LOS DOS EXTREMOS DEL ANTIHÉROE CÓMICO DURANTE LOS AÑOS VEINTE Wes Gehringa Fechas de recepción y aceptación: 3 de abril de 2017, 13 de septiembre de 2017 In pantomime, strolling players use incomprehensible lan- guage... not for what it means but for the sake of life. [writer, actor, director Leon] Chancerel is quite right to insist upon the importance of mime. The body in the theatre... (Camus, 1962, p. 199). Abstract: The essay is a revisionist look at James Agee’s famous article “Comedy’s Greatest Era” –keying on Buster Keaton and Charlie Chaplin– ‘the comedy auteurs’ of the 1920s. However, while Chaplin was the giant of the era, period literature showcases that Keaton was a popular but more cult-like figure. (See my forthcoming book: Buster Keaton in his own time, McFarland Press). However, Keaton is now considered on a par with Chaplin. While the inspired comedy of Chaplin will be forever timeless, Keaton now seems to speak to today. At least a Wes D. Gehring is Ball State University’s “Distinguished Professor of Film”, Muncie, Indiana, USA. He is also the Associate Media Editor of USA TODAY Magazine for which he also writes the col- umn “Reel World”. He is the author of 36 books, including award-winning biographies of James Dean, Steve McQueen, Robert Wise, Red Skelton, and Charlie Chaplin. Correspondence: 3754 North Lakeside Drive, Muncie. Indiana 47304, United Sate of America.
    [Show full text]
  • History of STG Silent Movie Mondays (Pdf)
    Seattle Theatre Group Silent Film History 1998-2020 1998 Film Title/Year Screen date Director Star Legends of Comedy The General, 1926 August 10,1998 Clyde Bruckman Buster Keaton & Buster Keaton The Pale Face, 1922 August 10, 1998 Edward F. Cline Buster Keaton & Buster Keaton The Gold Rush, 1925 August 17, 1998 Charlie Chaplin Charlie Chaplin Safety Last, 1923 August 24, 1998 Fred C. Newmeyer Harold Lloyd Two Tars, 1928 August 24, 1998 James Parrott Stan Laurel & Oliver Hardy 1999 Film Title/Year Screen date Director Star Funny Money Show People, 1928 June 7, 1999 King Vidor Marion Davis A Dog’s Life, 1918 June 14, 1999 Charlie Chaplin Charlie Chaplin The Pilgrim, 1916 June 14, 1999 Frank Borzage Frank Borzage Seven Changes, 1925 June 21, 1999 Buster Keaton Buster Keaton That Certain Thing, 1928 June 28, 1999 Frank Capra Viola Dana Heroes and Villains The Bat, 1926 July 5, 1999 Roland West George Beranger The Black Pirate, 1926 July 12,1999 Albert Parker Douglas Fairbanks Dr. Jekyll and Mr. Hyde, 1920 July, 19,1999 John S. Robertson John Barrymore Special Engagement Faust, 1926 October 31, 1999 F.W Murnau Emily Jannings Seattle Theatre Group Silent Film History 1998-2020 2000 Film Title/Year Screen date Director Star DW Griffith & MoMA Orphans of The Storm, 1921 July 3, 2000 DW Griffith Lillian and Dorothy Gish Way Down East, 1920 July 10, 2000 DW Griffith Lillian Gish Intolerance, 1916 July 17, 2000 DW Griffith Lillian Gish & Sci-Fi & Adventure The Lost World, 1925 October 2, 2000 Harry O. Hoyt Wallace Beery Aelita- Queen of Mars,1924 October 9, 2000 Yakov Protazanov Yuliya Solntseva Peter Pan, 1924 October 16, 2000 Herbert Brenon Betty Bronson Submarine, 1928 October 23, 2000 Frank Capra Jack Holt The Phantom of the Opera, 1929 October 20, 2000 Rupert Julian Lon Chaney 2001 Film Title/Year Screen date Director Star Women in Film La Boheme, 1926 July 9, 2001 King Vidor Lillian Gish My Best Girl, 1927 July 16, 2001 Sam Taylor Mary Pickford IT, 1927 July 23, 2001 Clarence G.
    [Show full text]
  • Christian Hospitality
    Christian Hospitality A Handbook for Parishes To obtain more copies of Christian Hospitality please contact: Archdiocese of Louisville (502) 585-3291 Created by agencies of the Archdiocese of Louisville. Photographs provided by THE RECORD. 5th Revision 2013 Permission is granted to duplicate any part of this book, as needed, for non-commercial use for parishes, schools, and other church related agencies. Otherwise, no part of this publication may be reproduced in any manner without prior written permission of the Archdiocese of Louisville. Dear Sisters and Brothers in Christ: Welcome to the fourth revised edition of Christian Hospitality. First published in 1994, this handbook has served as a helpful resource for many parishes in our Archdiocese and beyond. Hospitality is a vital part of our baptismal call to invite all to come to know the good news of Jesus Christ. This ministry requires a welcoming spirit that offers opportunities for us to develop relationships of mutuality and solidarity. With its sections on liturgical hospitality, multicultural realities, welcoming persons with special needs, and reaching out beyond our parish boundaries, this handbook offers solid suggestions and food for thought in many areas of ministry and challenges us to deepen our practice of how to welcome all in Jesus’ name. I thank the many archdiocesan agencies that worked together to update and develop this material. As we present it again for use by parishes, let us seek the intercession of St. Benedict, the great monk and scholar whose ministry provides us with a deep sense of hospitality based upon reverence for the dignity of every person and upon our common journey toward union with our God.
    [Show full text]
  • Bikes and Movies: a Brief History of Motorcycle in Cinema
    Bikes and Movies: A Brief History Of Motorcycle In Cinema Sandra Martinez and Antonio Sanjuán University of A Corunha, [email protected], [email protected] Volume 3.2 (2014) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2014.94 | http://cinej.pitt.edu Abstract Bikers, gangs, heroes and villains, women, cops, races... After an exhaustive compilation and categorization of more than 2,500 movies, this article explores the biker image on films through the most representatives. This is a brief review of the motorcycle use from the Early Cinema to the end of the 20th century, highlighting the fifties and seventies. Some movies of those years marked the biker genre and the biker and gang aesthetics, both in costume and in the way they relate to the world. Also the presence of “soft motorbikes”, the scooter and the European image of the motorcyclist is reviewed. Keywords: Biker movies, cinema, history, European cinema New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Bikes And Movies: A Brief History Of Motorcycle In Cinema Sandra Martinez and Antonio Sanjuán Introduction In order to provide a more in-depth look at cinema portrayals of motorcycles and the people who ride them, we have begun a compilation of the most popular, and some significant but less well-known movies. More than 2,500 movies were introduced in our database.
    [Show full text]