The Bruce Cockburn Newsletter Edited by Daniel Keebler
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Reviews Alebre Joueur D'harmonica, Gabriel Labbe Est Aussi Connu Comme Collectionneur De Disques 78 Tours
Maste~ of French Canadian Dances. Joseph Al- lard, Violin. Selected and annoted by Gabriel Labbe. Produced by Richard Carlin. Folkways Records, RBF 110 [$11.00 aux membres, $13.00 autrement]. Reviews alebre joueur d'harmonica, Gabriel Labbe est aussi connu comme collectionneur de disques 78 tours. On gait qu'il est I'auteur du livre Les Pionniers du dj§gue folkloriQue Quebecois.1920-1950 (L' Aurore 1977). C'est ainsi que sur cet album, il nODSlivre une petite partie de sa precieuse collection en noDS presentant 14 des meilleurs pieces qu'a endisque Joseph Allard entre leg annees1928 et 1933sur disques78 tours. Joseph Allard naquit Ie ler fevrier 1873 a Woodland, pres de Montreal. Son peTe, Louis Allard, lui-meme violoneux, lui enseigneIe violon des l'ige de 9 ans. A 16 ans, il quitte Ie Canada pour la Nouvelle-Angleterre MUSIQUE INSTRUMENTALE ou on reconnait son talent. Apres 28 ans, il revient au CANADIENNE-FRANCAISE Canada en 1917 et p~ra la majeure partie de sa vie CHEZ FOLKWAYS RECORDS a Ville St-Pierre, pres de Montreal. Comme beaucoup de musiciens,il meurt seul et pauvre en novembre 1947 par Donald Deschenes a l'ige de 76 ans. Apres avoir entendu parler de JosephAllard par des [NDLR. - Les disques dont traite cet article sont en Philippe Bruneau, des Jean Carignan et bien d'autres, vente chez Ie SeIVice de commandes postales de la on ressent une tres vive emotion a erouter ces pieces SCI'M, Box 4232, Sta. c, Calgary,Alberta T2T 5N1, aux par ce grand interprete qui, par la qualite et la richesse de son jeu et de son repertoire, a influence plusieurs prix preci'ies,plus $2.00 fru d'expedition pour Ie prem- ier disque, $.50 pour chaque disque additionnel.] generationsde musiciens,tant au Quebec que dans tout I'est de I'Amerique du nord. -
September 11,1995
1351 No Registration Mail GST) 20 plus $2.80( $3.00 11,1995 September - 6 No. 62 Volume 2 - RPM - Monday September 11, 1995 INCANTATION Nominees announced for '95 MuchMusic Video Awards Delerium The MuchMusic/CHUMCity building on Queen ONE LIFE Bill Morrison Street in Toronto will once again be the site for Raggadeath COME INTO MY LIFE the annual MuchMusic Video Awards (formerly Ray Dumas JLM the Canadian Music Video Awards), which take FLOWERS BECOME SCREENS David Howell WAKE UP place Thursday, September 28, from 8-11 pm. Delerium Bill Morrison Spin That Wheel MuchMusic will honour the very best in David Cowdery Canadian music video, dishing out awards in 20 BRAND NEW SONG Mystery Machine FEEL THE GOOD TIMES different categories, chosen from an initial list of Stephen Scott Charlene Smith some 92 nominees. WAKE ME Alain Desrochers Much will also continue the new tradition Rusty FOREIGN VIDEO BY A CANADIAN of having the fans pick their favourites, with the Kris Lefcoe HAVE YOU EVER People's Choice Awards for favourite male, DANCE VIDEO female, group and video being chosen by popular REALLY LOVED A WOMAN? vote. The general public can vote on these awards A DEEPER SHADE OF LOVE Bryan Adams Anton Corbijn (director) at any Blockbuster Video location across Canada, Camille Terrance Babb (director) or by calling 1 -800 -226 -VOTE. NOMINEES continued on page 5 The awards show promises to offer its Wright and Bendeth de BMG Music Canada usual impressive list of live performers, a list that part had yet to be confirmed by press time. -
The Cord Weekly (February 5, 1981)
THECORDWEEKLY WilfridLaurier University Waterloo, Ontario Thursday, February 5, 1981 Volume 21 Number 17 Recycled food for pigs? by JoanneRimmer These containers are wheeled out Do you ever wonder what through the plant to be fdled with happens to the mashedpotatoes and waste. When each container is filled, vegetables that youleft on yourplate it is put on the second trailer. in the Dining Hall? Well, believe it Kasters receives all the edible waste or not, they are still put to good use. and Westons is provided with a way Both the Torque Room and the to keep their plant cleaner. Such a Dining Hall save theirfood wastes system is a benefit for both for Kaster Farms Ltd. a hog farm. companies. Roger Kaster, the owner,- said that There are federal regulations they have been getting the food which Kasters must heed with scraps from Laurier for several regard to this waste. The farm must years. They also get leftovers from be kept very clean, the food is all re- approximately 30 restaurants in this cooked to kill bacteria. This area. Frito-Lay, Dare and Westons prevents hog cholera which killed also supply them with food waste. several hogs several years ago. There is no exchange of money Kasters presently have 3000 hogs but of services. Kasters provides the and expect to accommodate 4000by company with the removal of their May. food waste and the company lessens Roger Kaster estimated that if all Kasters' feed cost. Westons has just the food waste in the Waterloo renewed a contract with Kasters. Region was disposed of in this Kasters supply Westons with 2 fashion, there would be enough trailers full of containers 48 x 50. -
Spectrum History W. Visuals
1980 – 2020 Celebrating 40 Years! Spectrum A&E Media 1980-2020 Celebrating 40 Years! Spectrum Productions was established in 1980 in Regina, Saskatchewan to provide multimedia resources for organizations working with students in Canada. A board of committed friends sacrificially stood behind Keith and Jenny Martin to help raise support and give direction to the work. Spectrum’s Roots The roots of Spectrum go back to 1970, when Keith, having graduated with a B.A. in psychology and a minor in philosophy from the University of Regina, spent time at L’Abri Fellowship in Switzerland. L’Abri was and still is a live-in student community founded by Francis and Edith Schaeffer to explore answers to basic philosophical questions from a Christian worldview. 2 In 1971 Keith, Steve Archer and Art Pearson applied for and received a federal Opportunities For Youth grant for a summer project called Street Level: A Multimedia Culture Probe. Inspired by seeing 2100 Productions in the United States, they wanted to do something similar in Canada. With a budget of $8,800 they hired 8 students (Keith, Steve, Art, Gene Haas, Chris Molnar, Steve and Lorne Seibert, and Linda McArdell—and Henry Friesen for the presentation phase) at $1,000 each for 3 months of work. That left $800, and lots of borrowed eQuipment, to produce a 5-screen, 7-projector 80 minute multi-media presentation using contemporary music to look at what people were living for. 3 Some of the artists used in the production were Pink Floyd, Simon & Garfunkle, Strawbs, STREET LEVEL Steppenwolf, Leonard Cohen, Cat Stevens, Moody Soundtrack (1971) Blues, Traffic, Chicago, Procol Harem, Black “Careful With That Axe, Eugene” - Pink Floyd (Ummagumma) “At the Zoo” - Simon & Garfunkle (Bookends) “I’ve Got a Story” - Gary Wright (Extraction) Sabbath, King Crimson, and Ford Theatre. -
Christianity & the Arts, Wi
Christianity & the Arts, Winter 2000 The Magazine Christianity & the Arts Online Winter 2000 Homecoming Lyrics of Canadian Songwriter Bruce Cockburn By Brian Walsh At home in the darkness but hungry for dawn . Forgetfulness is the temptation of homelessness. Elie Wiesel puts it this way: "The one who forgets to come back has forgotten the home he or she came from and where he or she is going. Ultimately, one might say that the opposite of home is not distance but forgetfulness. One who forgets, forgets everything, including the roads leading homeward." This relation of home and memory is, of course, not alien to the Scriptures. Indeed, it is precisely forgetfulness that is seen to occasion the homelessness of exile, and it is memory that keeps the vision of homecoming alive while in exile. "Don't forget where you have come from, who led you out of slavery and who gave you this bountiful land," says Deuteronomy 8, lest you go into exile. And when exile does befall forgetful Israel, it is memory of Yahweh's past faithfulness - memories of Abraham and Sarah, Noah, David, indeed of creation and exodus - that funds the prophetic imagination and keeps alive the vision of homecoming. If home is a place of deeply rooted memories, then homelessness is a state of amnesia in which we forget who we are precisely because we forget where we come from. And as long as the amnesia holds, there is no way back, no homecoming. The themes of home, homelessness, and homecoming, together with the motif of memory, are ubiquitous in the lyrics of Canadian songwriter and performer, Bruce Cockburn. -
LIVERPOOL of the NORTH”: the STORY of OTTAWA, CANADA’S MUSIC, 1960’S–TODAY
“LIVERPOOL OF THE NORTH”: THE STORY OF OTTAWA, CANADA’s MUSIC, 1960’s–TODAY. EXCERPTS FROM ALAN CHRISMAN’S BOOK: “IT’S A LONG WAY HOME” Ottawa had quite the music scene in the 60’s. Part of this was because Canada and Ottawa had more direct connections to England than the U.S., so they knew about The Beatles before the rest of North America. And their 60’s bands, were very adept at re-creating that British pop sound. In fact, Richie Patterson, a mainstay and drummer in many of its bands, called Ottawa the “Liverpool of The North”. Ritchie went to Fisher Park school with Paul Anka, backing him up in the Bobbysoxers. Anka was one of the first to make it out of Ottawa and become a teen sensation with “Diana” and “Puppy Love” in the 50’s, before moving to Vegas and writing “My Way” for Frank Sinatra. Richie’s “The Esquires” were first influenced by Cliff Richard and the Shadows right before The Beatles took over. Scores of Ottawa bands formed and recorded songs and some albums. There were several places to play like the Auditorium, Pineland and clubs like the Chaudiere across the river in in Hull, Quebec and several church basements. And hundreds of kids would attend. Ottawa even had its own version of American Bandstand, Saturday Date, hosted by Peter Jennings who would go to ABC News in New York. The best of these got recording contracts like The Staccato’s (who later became The Five Man Electrical Band) when they moved to California with their international hits “ Signs” ( ‘Signs Signs ,everywhere, telling me what to do’) and The Cooper Bros. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
Obscene Summer 2009
Ottawa BLUES Society Summer 2009 In this issue: Op-Ed — Digital Armageddon 3 Update on DAWG FM 4 OBS Board Bluesfest Picks 5 Bringing the Blues to Blues Series 8 Eastern Ontario Kat Danser’s Blues Pilgrimage 14 Ottawa Blues Cruise 17 CD Reviews 18 Postcards From The Road 26 Corporate Directory 30 In this issue … … lots of info about several popular Blues Series in the Ottawa area, heads-up on the upcoming Blues Cruise and this year’s ‘On the Road to Memphis’ local blues competition, update on the DAWG-FM saga, our very first Op-Ed column, the final installment of Kat Danser’s ‘Blues Pilgrimage’, the latest ‘Postcards From The Road’ from JW-Jones and … our CD reviewers went crazy and reviewed CDs from musicians appearing at Bluesfest, CDs from wonderful Canadian musicians and CDs from some up-and-comers you need to hear. 2 OBS CONTACTS OBScene Deadlines Website: www.OttawaBluesSociety.com Issue Copy Deadline Distribution Date E-mail: Please use feedback form on website Fall September 15 Online mid-October CORRESPONDENCE AND ADDRESS CHANGES OBS Mission Ottawa Blues Society Winter December 15 Early January 2010 P.O. Box 708, Station “B” To foster appreciation, Ottawa, ON K1P 5P8 promotion, preservation OBS EXECUTIVE COMMITTEE AND DIRECTORS From the Editor … and enjoyment of the President:: Liz Sykes Starting last Fall, two issues of the blues in all of its forms Vice President: Mike Graham OBScene each year will be converted to Secretary: Gary Paradis electronic only (available on the OBS Directors : Brent Diab, Rob Dufresne, Ken Fraser, website at www.ottawabluessociety.com/ Mike Graham, Denis Paquin, Gary Paradis, Debra newsletters.php). -
No Labels, Please! Music Is Evolutionary Process for Cockburn Meyers Sharp, Jo Ellen
7/7/15, 9:04 PM Back to previous page document 1 of 1 No labels, please! Music is evolutionary process for Cockburn Meyers Sharp, Jo Ellen. Indianapolis Star [Indianapolis, Ind] 25 Oct 1994: C.5. Abstract (summary) Despite nearly 25 years in the music business and superstar status in his native Canada, the 49- year-old singer-songwriter is both an unknown and an anomaly in the United States. Down at the bus station Shark grins and sandpaper conversations Men's faces women's bodies on the magazine stand And a headline about Sarajevo and Tehran. Full Text JO ELLEN MEYERS SHARP Bruce Cockburn Where: The Vogue, 6259 N. College Ave. When: 8 p.m. Wednesday. Tickets: $15 in advance, $16 day of show; (317) 259-7029. The inability to pigeon-hole Bruce Cockburn and his style of music can make him a hard sell. Despite nearly 25 years in the music business and superstar status in his native Canada, the 49-year-old singer-songwriter is both an unknown and an anomaly in the United States. He gained some recognition in this country with the release in 1984 of Stealing Fire and the protest anthem If I Had A Rocket Launcher. His popularity, however, has increased in recent years http://search.proquest.com.ezproxy.ilibrary.org/indianapolisstar/printviewfile?accountid=46127 Page 1 of 6 7/7/15, 9:04 PM with the development of adult album alternative stations on radio. Bloomington's WTTS-FM (92.3), for example, has regularly played cuts from Cockburn's lastest disc, Dart to the Heart, and his 1991 release, Nothing But A Burning Light. -
March 30, 1974
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“Our Silence Buys the Battles”: the Role of Protest Music in the U.S.-Central American Peace and Solidarity Movement
“Our Silence Buys the Battles”: The Role of Protest Music in the U.S.-Central American Peace and Solidarity Movement CARA E. PALMER “No más! No more!” “No más! No more!” Shout the hills of Salvador Shout the hills of Salvador Echo the mountains of Virginia In Guatemala, Nicaragua We cry out “No más! No more!” We cry out “No más! No more!”1 In the 1980s, folk singer John McCutcheon implored his fellow U.S. citizens to stand in solidarity with Central Americans in countries facing United States (U.S.) intervention. Combining both English and Spanish words, his song “No Más!” exemplifies the emphasis on solidarity that characterized the dozens of protest songs created in connection with the U.S.-Central American Peace and Solidarity Movement (CAPSM).2 McCutcheon’s song declared to listeners that without their active opposition, the U.S. government would continue to sponsor violence for profit. McCutcheon sang, “Our silence buys the battles, let us cry, ‘No más! No more!,’” urging listeners to voice their disapproval of the Reagan administration’s foreign policies, because remaining silent would result in dire consequences. One hundred thousand U.S. citizens mobilized in the 1980s to protest U.S. foreign policy toward Central America. They pressured Congress to end U.S. military and financial aid for the military junta in El Salvador, the military dictatorship in Guatemala, and the Contras in Nicaragua. The Reagan administration supported armed government forces in El Salvador and Guatemala in their repression of the armed leftist groups FMLN and MR-13, and the Contras in Nicaragua in their war against the successful leftist revolution led by the FSLN.