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September 11,1995
1351 No Registration Mail GST) 20 plus $2.80( $3.00 11,1995 September - 6 No. 62 Volume 2 - RPM - Monday September 11, 1995 INCANTATION Nominees announced for '95 MuchMusic Video Awards Delerium The MuchMusic/CHUMCity building on Queen ONE LIFE Bill Morrison Street in Toronto will once again be the site for Raggadeath COME INTO MY LIFE the annual MuchMusic Video Awards (formerly Ray Dumas JLM the Canadian Music Video Awards), which take FLOWERS BECOME SCREENS David Howell WAKE UP place Thursday, September 28, from 8-11 pm. Delerium Bill Morrison Spin That Wheel MuchMusic will honour the very best in David Cowdery Canadian music video, dishing out awards in 20 BRAND NEW SONG Mystery Machine FEEL THE GOOD TIMES different categories, chosen from an initial list of Stephen Scott Charlene Smith some 92 nominees. WAKE ME Alain Desrochers Much will also continue the new tradition Rusty FOREIGN VIDEO BY A CANADIAN of having the fans pick their favourites, with the Kris Lefcoe HAVE YOU EVER People's Choice Awards for favourite male, DANCE VIDEO female, group and video being chosen by popular REALLY LOVED A WOMAN? vote. The general public can vote on these awards A DEEPER SHADE OF LOVE Bryan Adams Anton Corbijn (director) at any Blockbuster Video location across Canada, Camille Terrance Babb (director) or by calling 1 -800 -226 -VOTE. NOMINEES continued on page 5 The awards show promises to offer its Wright and Bendeth de BMG Music Canada usual impressive list of live performers, a list that part had yet to be confirmed by press time. -
Obscene Summer 2009
Ottawa BLUES Society Summer 2009 In this issue: Op-Ed — Digital Armageddon 3 Update on DAWG FM 4 OBS Board Bluesfest Picks 5 Bringing the Blues to Blues Series 8 Eastern Ontario Kat Danser’s Blues Pilgrimage 14 Ottawa Blues Cruise 17 CD Reviews 18 Postcards From The Road 26 Corporate Directory 30 In this issue … … lots of info about several popular Blues Series in the Ottawa area, heads-up on the upcoming Blues Cruise and this year’s ‘On the Road to Memphis’ local blues competition, update on the DAWG-FM saga, our very first Op-Ed column, the final installment of Kat Danser’s ‘Blues Pilgrimage’, the latest ‘Postcards From The Road’ from JW-Jones and … our CD reviewers went crazy and reviewed CDs from musicians appearing at Bluesfest, CDs from wonderful Canadian musicians and CDs from some up-and-comers you need to hear. 2 OBS CONTACTS OBScene Deadlines Website: www.OttawaBluesSociety.com Issue Copy Deadline Distribution Date E-mail: Please use feedback form on website Fall September 15 Online mid-October CORRESPONDENCE AND ADDRESS CHANGES OBS Mission Ottawa Blues Society Winter December 15 Early January 2010 P.O. Box 708, Station “B” To foster appreciation, Ottawa, ON K1P 5P8 promotion, preservation OBS EXECUTIVE COMMITTEE AND DIRECTORS From the Editor … and enjoyment of the President:: Liz Sykes Starting last Fall, two issues of the blues in all of its forms Vice President: Mike Graham OBScene each year will be converted to Secretary: Gary Paradis electronic only (available on the OBS Directors : Brent Diab, Rob Dufresne, Ken Fraser, website at www.ottawabluessociety.com/ Mike Graham, Denis Paquin, Gary Paradis, Debra newsletters.php). -
Issue Number 55 February 2003
Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 55 February 2003 The Bruce Cockburn back catalogue - The Deluxe Editions Observations by Richard Hoare The first batch of six CDs were released in late 2002: Canada - True North – 19th November 2002. USA - Rounder/True North - 19th November 2002. UK - True North via Revolver - 16th December 2002. All these CDs have been digitally remastered by Peter J Moore @ The E Room, Toronto, 2002. The original analogue masters have been digitally transferred using a proprietary state of the art Ampex ATR 102 at 24 bits / 96Khz resolution and processed using Sonic Solutions NoNoise technology. The deluxe editions are distinguished externally from the previous CD releases by the inclusion of O card slipcases. Each CD booklet attempts to reproduce the artwork and information from the relevant original LP release plus additional photography and an essay. In 1997 Nicholas Jenning’s book Before The Goldrush was released in Canada. It documents the musical breeding ground that was Yorkville, Toronto in the 1960s. The equivalent of Greenwich Village, New York or Haight Ashbury, San Francisco it fostered such talents as Ian & Sylvia, Gordon Lightfoot, Joni Mitchell, Neil Young, Kensington Market, Murray McLauchlan and Bruce Cockburn. Although currently out of print, it is essential reading. Nicholas has put together a wonderful jigsaw, which illustrates how each of the artists fitted into the scene. The text is also supplemented by a wealth of great photographs, album sleeves, posters, flyers etc. My favourite is the photo of Bernie Finkelstein outside El Patio with Kensington Market, the band he launched with the payout from Albert Grossman for The Paupers. -
Buddy Guy Plays Massey Hall on April 22 and Kitchener's Centre in the Square on April 20 Sue Foley Plays Hump Day Blues at Jazz
June 2016 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 32, No 6 Sue Foley plays HumpBuddy Day Guy Blues plays at MasseyJazz Bistro Hall on July April 27 22and and the Kitchener's Women's Centre InBlues The Square Revue Novemberon April 2019 CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Sue Foley is Back John’s Blues Picks Goin' to Chicago Loose Blues News Blues Festivals Event Listings TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2016 BOARD OF DIRECTORS Derek Andrews (President), Jon Arnold, Gord Brown, Lucie Dufault (Secretary), Carol Flett, Sarah French, Jamie MacDonald (Vice-President), Lori Murray, Ed Parsons, Paul Sanderson, Terry Sellwood (Treasurer), Mike Smith, Earl Tucker, John Valenteyn (Executive) Musicians Advisory Council: Brian Blain, Gary Kendall, Lily Sazz, Mark Stafford, Suzie Vinnick,Ken Whiteley Finance Committee: Derek Andrews, Jon Arnold, Jamie MacDonald, Terry Sellwood, Mike Smith, Gord Brown. Membership Committee: Lucie Dufault, Gord Brown, Sarah French, Mike Smith, Debbie Brown, Ed Parsons Volunteer Committee: Ed Parsons, Lucie Dufault Office Manager: Alice Sellwood [email protected] Office Assistant: Ivy Farquhar-McDonnell Event Coordinator: Jordan Safer [email protected] Sponsorship Coordinator: Dougal Bichan [email protected] Grants Officer: Barbara Isherwood Become a member of the Toronto Blues Society, and get connected with Canada's premier blues events, releases, and our great blues community. With the help of members, donors and volunteers, Publisher/Editor-in-Chief: Derek Andrews the TBS is able to put on great events such as The Maple Blues Awards, Blues in the Schools, Guitar and Harmonica Workshops, the New Talent Search, and the always popular Women's Blues Revue. -
Issue Number 25 February 1998
Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 25 February 1998 Mali and The River of Sand Bruce Cockburn will travel with a Canadian documentary crew to Mali in February, to capture the life and livelihood of the people of the West African country. Cockburn will spend a month exploring the country. His itinerary will include stops in the legendary city of Timbuktu as well as the heart of Dogon country, home to one of Africa’s most ancient and fascinating cultures. Along the way, he will cross musical paths with some of Mali’s most well known musicians. His findings will be part of a one hour, made-for-broadcast documentary, River of Sand . It will provide a blend of music and culture while addressing the serious issues facing the people of the country. The film will be produced by Kensington Communications of Toronto. Cockburn, who will narrate and host the film, will also spend time in the Douentza district. There he will have the opportunity to view, first-hand, the ongoing life and death struggle of the local people in overcoming a serious drought this year. As well, he will investigate the progress being made in fighting back the desert, with the assistance of a Canadian development organization, USC Canada (www.usc-canada.org). The singer/songwriter is well known for his interest in environmental issues through his work as spokesperson for USC over the last 25 years. River of Sand will be aired nationally by Vision TV and regionally by TV Ontario and Saskatchewan Education Network. -
Aes 149Th Convention Program October 27–30, Online
AES 149TH CONVENTION PROGRAM OCTOBER 27–30, ONLINE AES 149th offered 80-plus hours of scheduled streaming content along with a slate of over 100 on-demand Paper, Engineering Brief sessions, as well as Workshops and Tutorials. The following is a listing of the events presented. Events without a date or time are On-Demand and will be available until November 30. Winner of the 149th AES Convention Best Paper Award 1 University of Parma, Parma, Italy Short-Range Rendering of Virtual Sources for Multichannel 2 ASK Industries Spa, Reggio Emilia, Italy Loudspeaker Setups—Juhani Paasonen, Ville Pulkki, 3 Aalto University, Espoo, Finland University of Southampton, Southapton, UK Convention Paper 10401 Convention Paper 10409 * * * * * * * * * * The AES has launched an opportunity to recognize student mem- SPECIAL EVENT OPENING CEREMONY bers who author technical papers. The Student Paper Award Com- Tuesday, October 27, 2020 petition is based on the preprint manuscripts accepted for the AES 10:30 am – 11:30 am convention. A number of student-authored papers were nominated. The excellent quality of the submissions has made the selection process Opening Remarks: • Executive Director Colleen Harper both challenging and exhilarating. • President Agnieszka Roginska The award-winning student paper will be honored during the Convention Chairs • Valerie Tyler Convention, and the student-authored manuscript will be consid- • Paul Womack ered for publication in a timely manner for the Journal of the Audio • Jonathan Wyner Engineering Society. Nominees for the Student Paper Award were required to meet the following qualifications: Welcome to AES’s Fall convention. Leadership and program chairs (a) The paper was accepted for presentation at the AES 149th will get you up to speed about what you can experience at this Convention. -
August 2009 Issue 319 Jazz Now in Our 35Th Year
August 2009 Issue 319 jazz now in our 35th year &blues report www.jazz-blues.com Diana Krall Diana Krall Knockin’ ‘Em Out on Quiet Nights Tour Full Orchestra Performances at Some Dates Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Mark Cole, Kelly Ferjutz, Nancy Ann Lee, Peanuts, Matt Simpson, Wanda Simpson, Mark Smith, Dave Sunde, Joerg Unger, Duane Verh, Emily Wahl and Ron Weinstock. Check out our constantly updated website. Now you can search for CD Reviews by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up and we’ll be going all the way back to 1974. Comments...billwahl@ jazz-blues.com Web .................. www.jazz-blues.com Copyright © 2009 Jazz & Blues Report No portion of this publication may be reproduced without written permission from the publisher. All rights Reserved. iana Krall is roughly two-thirds of the way through her sum- Founded in Buffalo New York in March of mer tour supporting her new Verve CD “Quiet Nights” as she 1974; began in Cleveland edition in April of 1978. Now this global e-zine edition is visits cities from coast to coast in the U.S. She performed 18 posted online monthly Dconcerts across her homeland, Canada, in April and May be- at www.jazz-blues.com fore kicking off the U.S. dates June 5. She has already played two nights at Carnegie Hall in New York, and will perform two nights at the Holly- wood Bowl in L.A. – with an orchestra – August 21 and 22. -
The Bruce Cockburn Newsletter Edited by Daniel Keebler
Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 37 February 2000 Success Without Compromise The following is from The Canadian, written by Patricia Holtz . It was originally published in 1976. Bruce Cockburn has been thinking. About love and myths and life on the road; about living on his songs. And after all this time – nearly a decade of writing, performing and watching his following grow – you’d expect him either to have reconciled himself to the unceasing adulation of his fans and the machinations of industry men – or to have quit, disillusioned. But he’s done neither, and in the process of ignoring nearly every convention of the music business Cockburn (pronounced Coe-burn) has established a rock-solid reputation for himself. More significantly, at a time when critical applause often echoes down halls of poverty and the prime requisite of musical marketability is not necessarily, ah, exceptional talent, he has earned his reputation while unobtrusively, but regularly, making his way to the bank. Bruce Cockburn, 31, engaging young man from the Ottawa Valley, today enjoys a measure of success and professional recognition previously known only to a handful of his contemporaries and never before to one who has chosen to keep his career solely within this country. His thoughtfully crafted jazz- and folk-oriented lyrics and considerable talent with the guitar, dulcimer and a variety of more esoteric ethnic instruments, have sold more than 300,000 albums in the last six and one half years (roughly 70 per cent to Canadians) and gained him a French- and English-Canadian audience that is amazingly devoted. -
January 2019 New Release Book
January 2019 New Release Book . Contact: Clay Pasternack Gary Davis Email: [email protected] Email: [email protected] Phone: 440-333-2208 | Fax: 440-333-2280 Phone: 206-972-7257 | Fax: 425-671-0193 21258 Maplewood Avenue Rocky River, Ohio 44116-1244 ALICE WALLACE INTO THE BLUE JTM MUSIC Key Selling Points: . These are just a few of the intense visuals that root Alice Wallace in her Southern California landscape and The uncertain ocean. An unpredictable wind. An unforgiving canyon. These are just a few of the intense visuals that root Alice Wallace in her Southern California landscape and which she deeply explores in her evocative new album, INTO THE BLUE - due out on January 18th, 2019. Her style on this latest effort reflects distinctive musical evolution and places Alice squarely among a host of West Coast artists who TRACK LISTING: are finding success in the Americana 1. The Lonely Talking scene with songs that are definitively 2. Santa Ana Winds coastal. 3. Elephants 4. The Blue 5. Desert Rose 6. When She Cries The 10 songs (plus a bonus track) shine an even brighter light on this Golden 7. Echo Canyon State singer, whose luminous voice and 8. The Same Old Song 9. Motorcycle Ride soulful, tremulous delivery is 10. Top Of The World reminiscent of classic country icons 11. For Califia but imbued with her own vocally rich, modern style. INTO THE BLUE will be Release Date: 1/18/19 Format: CD available on CD and vinyl, as well as WholesalePrice: 8.15 digitally. Featured tracks include the CatalogNumber: JTM 11037 Suggested List 12.99 edgy "The Lonely Talking", the Packaging: DIGIPAK California-inspired "Santa Ana Winds" FileUnder: AMERICANA and the lush Americana ballad "The Blue". -
Www .Maver Ic K
JANUARY/FeBRUARY 2014 www.maverick-country.com MAVERICK FROM THE EDITOR... MEET THE TEAM Editor t is with a great deal of sadness, that I acknowlege that this will be my last issue as Alan Cackett editor of Maverick. I have always believed that when you no longer enjoy doing 24 Bray Gardens, Loose, Maidstone, Kent, ME15 9TR, UK something, then it’s time to stop and look to do something di erent. I have had a 01622 744481 Igood run as editor, and now is the time to hand over to someone younger. Someone who [email protected] can hopefully take the magazine forward, embracing country music’s future whilst not Managing Editor overlooking its huge legacy of the past. I know that the new editor Laura Bethell who Michelle Teeman 01622 823920 worked with me for 5 years, 2 as my deputy editor, will do just that. [email protected] It was just over 47 years ago that I edited and published Britain’s rst regular monthly country music magazine. Looking back that was quite an audacious and bold undertaking Designer Laura Bethell for a teenager from a council house estate who le school at 15. Some of the original 01622 823922 readers of Country Music Monthly are still around and have continued to follow my writing [email protected] and views on the music as readers of Maverick. ere was a time when I not only knew Editorial Assistant many of the Maverick readers’ names but had a personal contact with them, but recently Chris Beck I’ve lost touch and I have to say that I miss the chats that we used to have when they phoned Project Manager up to renew their subscriptions. -
DB1907 Test.Pdf
JuLY 2019 VOLUME 86 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Issue Number 19 February 1997
Gavin’s Woodpile – The Bruce Cockburn Newsletter Edited by Daniel Keebler Issue Number 19 February 1997 The following interview was conducted in London with Bruce Cockburn on December 10, 1996, by Richard Hoare for the release of The Charity of Night album. Richard Hoare (RH) : In order to set the scene for the new album, please can you briefly describe your move to a new record label. Bruce Cockburn (BC) : Outside of Canada, when we parted with Columbia/Sony, there were several candidates under consideration. Ryko seduced me the best. It’s off to a really good start and the whole experience so far is very positive. It feels a lot more comfortable to be with a label that understands what to do with artists that don’t get radio play. The big liability with Columbia was that although they had all the muscle which in the States worked well for us, they still didn’t know what to do if you were not on the radio. Anyway, there’s been a change and we’re moving forward. RH : Has there been a positive decision to reintegrate jazz into your work with this album because I recall a quote of yours at about the time of Nothing But a Burning Light to the effect that there was a conscious decision at that point to omit jazz from the material. BC : It was more a case that in that period, and to a lesser degree with Dart to The Heart, that I made a conscious decision to keep it (jazz) out but as soon as I took down that little iron curtain, it came back in.