JOMEC Journal Journalism, Media and Cultural Studies Published by Cardiff University Press ‘I Don’t Think the Two Would Be the Same Without Each Other’: Portmeirion as Unintentional Paratext Abby Waysdorf Utrecht University Email:
[email protected] Keywords The Prisoner paratext Portmeirion fan tourism fandom interviews Abstract This article looks at media tourism through the concept of the paratext. The term paratext, originally developed by literary theorist Gérard Genette to discuss the ‘extra-textual’ elements of a book that gives the reader context about it (such as book covers or the author’s biographical information). It has become important to media scholars seeking to understand how audiences understand films and television shows in a media-rich environment. This paper expands on the concept, arguing that place can be used and understood as an ‘unintentional’ paratext – a paratext that was not created as one, but that functions as one for audiences. I do this through an analysis of the relationship between 1960s cult television show The Prisoner (ITV 1967-8) and its filming location of Portmeirion, a holiday village in North Wales, where fans have been visiting since The Prisoner first aired. Through analysis of 16 interviews with The Prisoner fans, participant observation at Portmeirion, and analysis of fan-produced writing, I show how fans have established and use Portmeirion as a paratext. Fans not only visit Portmeirion to better understand how it was used in the genesis and creation of The Prisoner, but establish parallels between Portmeirion itself and the program, putting The Prisoner into a particular British artistic tradition and further confirming it as a worthy object of fandom.