DOCSLIB.ORG

WITH CASEY KASEM Fax 972.239.0220 Show Code: #98-25 Date: June 20/21 , 1998 Disc One/Hour One

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WITH CASEY KASEM Fax 972.239.0220 Show Code: #98-25 Date: June 20/21 , 1998 Disc One/Hour One AMERICAN 12655 North Central Expy.. Suite 800 Dallas, TX 75243 Phone 972.239.6220 WITH CASEY KASEM Fax 972.239.0220 Show Code: #98-25 Date: June 20/21 , 1998 Disc One/Hour One Track 1 Seg. 1 Open Billboards. AT&T (Open. Close+ #1 Story) Content. #20 "She Doesn't Need Me Any More" - Peter Cetera #19 "A Promise I Make" - Dakota Moon Commercials: 30 AT&T, Transactional :30 Blore, Face Cleanser 30 Schenng Plough, Dr Scholl's Odor & Wetness • Outcue. ... by your feet" Segment Time: 10:01 Local Break· 1.30 Seg 2 Track 2 Content. #18 ·1 Honestly Love You• - Ohv1a Newton-John Ext "Hope Of Dehverance· - Paul McCartney # 17 "My Heart Will Go On" - Celine Dion Commercials .30 K-Mart, Photo Finishing ·30 Chattem/Sunsource. Harmonex Vitamin/Supplement .30 Countrywide Mortgage. Mortgage 30 Schanng Plough, Dr Scholl's Insoles 0L:tCI.Jl"' " .by your leer. s~!:flllt:, ,l ti:,lt:, I :J.v6 Local Break 1 00 Seg. 3 Track 3 Content· Ext ·1 Swear" - All 4 One # 16 "One Behel Away" - Bonnie Raitt Commercials. :30 GEICO, Insurance .30 Frrto Lay, WOWI 30 MCA Records, Oltv1a Newton-John Outcue: " .. at Sam Goody" Segment time: 10:31 Local Break 1 30 Seg. 4 Track 4 Content #15 "Frozen - Madonna LOO ·Insens1t1ve" - Jann Arden Commercials ;30 GEICO, Insurance .30 Fnto Lay. wow1 30 Chattem/Sunsource, Harmorex Vitamin/Supplement :30 K-Mart. Photo Finishing Outcue • all the I1me" Segment time: 13:38 Local Break 1 00 Seg. 5 Track 5 Content. #14 "Ooh La La" - Rod Stewart Outcue: Jingle out Segment Time: 4:35 Insert local ID over 06 Jtngle bed END OF DISC ONE ··· DISC TWO STARTS AT SEGMENT SIX ••• America's Top Hits for Monday (Celine Dion) Is Track #s•·· .... America's Top Hits for Tuesday (All 4 One) Is Track #7 ••• AMERICAN 12655 North Central Expy., Suite 800 Dallas, TX 75243 Phone 972.239.6220 WITH CASEY KASEM Fax 972.239.0220 Show Code: #98-25 Date: June 20/21, 1998 Disc Two/Hour Two Seg. 6 Track 1 Content: #13 "Heaven's What I Fear - Gloria Estefan EX1 "Promise Ain't Enough" - Hall & Oates Commercials· 30 B,ore. Face Cleanser .30 AT&T. Transactional 30 MCA Records, Oltv,a Newton-John Outcue. •... at Sam Goody" Segment time: 11 :23 Local Break 1.30 Seg. 7 Track 2 Content: Ext "Dreams" - Fleetwood Mac 111 2 "All My" - Manah Carey Commerc,als· 60 GM, Cavalter 30 Schenng Plough, Dr Scholl's Insoles 30 Chattem/Sunsource, Harmonex V1tam1n/Supplement Outcue • ... Hormonex for ,nlormatlon" Segm3nt lime 10•42 local Bre..ok 1 00 Seg 8 Track 3 Contents #11 "Torn· - Natalte lmbruglta LOO "Right Here Wa1t1ng" - Richard Marx #10 "Like I Love You" -Amy Grant Commercials. :30 GM, Cavalier 30 Chattem/Sunsource. Harmonex V,tamtn/Supplement .30 Comedy Central, Mon Night Block Outcue: • .1t I guess· Segment time: 15:42 Local Break 1 30 Seg. 9 Track 4 Content· #9 "As Long As You Love Me" - Backstreet Boys #8 "Give Me Forever I Do" - John Tesh F/James Ingram Commercials .60 P S. I Love You, Gift ·30 Frito Lay, WOW1 :30 Comedy Central, Mon Night Block Outcue· " 11I guess" Segment time: 12:37 Local Break 1· oo Seg. 10 Track 5 Content: #7 "Ad1a" - Sarah Mclachlan Outcue· Jingle out Segment Time: 4:43 Insert local ID over .06 11ngle bed END OF DISC TWO •· DISC THREE STARTS AT SEGMENT 11 ·· ·America's Top Hits for Wednesday (Sting) 1s Tracks·•• ••• America's Top Hits for Thursday (Whitney Houston) 1s Track 7 ... 12655 North Central Expy. Suite 800 Dallas, TX 75243 Phone 972.239.6220 Fax 972.239.0220 Show Number #98-25 Date: June 20/21 , 1998 Disc Three/Hour Three Seg. 11 Track 1 Content #6 "looking Through Your Eyes" - leAnn Rimes Ext "You Were Meant For Me" - Jewel Commercials 30 AT&T. Transactional :30 B1ore, Face Cleanser :30 GEICO. Insurance Outcue: •. the sensible alternative•. Segment time: 10:36 Local Break 1. 30 Seg 12 Track 2 Content Ext "It's StJII Rock 'n Roll To Me" - Billy Joel #5 "Recover Your Sour - Elton John Commercials .30 Countrywide Mortgage, Mortgage 30 Cha11em/Sunsource, Harmonex V1tam1n/Supplement 30 Comedy Central. Mon Night Block ·30 AT&T Transactional Outcue • .. in most areas• Segmert tir.10: 9:17 Local Break 1 00 Seg 13 Track 3 Content #4 "To Love You More• - Celine Dion LDD "Takes A llltle Time" - Amy Grant Commercials. :30 GM. Cavalier 60 P S I love You, Gift Outcue. " .. SONG" Segment time: 12:45 local Break 1 30 Seg. 14 Track 4 Content #3 "Truly Madly Deeply" Savage Garden Ext "Your Wildest Dreams· - Moody Blues Commercials· ·30 GEICO, Insurance :30 Chat1em/Sunsource, Harmonex Vttam,n/Supplement 30 MCA Records. Ohv1a Newton-John .30 B1ore. Face Cleanser Outcue • clean honest· Segment time: 11 :16 Local Break 1 00 Seg. 15 Track 5 Content #2 "My Father's Eyes" - Eric Clapton #1 "You·re S1111 The One" - Shanra Twain Close Billboards AT&T Outcue: • ...TM Century hit discs•. Segment Time: 11 :07 END OF DISC THREE •••A merican Top 20 show promos are on Track 6 & 7 ••• ... America's Top Hits tor Friday (Sieve Winwood) ,son Track e· .. AMERICA'S 12655 North Central Expy., Suite 800 Dallas, TX 75243 WITH CASEY l(ASEM Phone 972.239.6220 W E E K D A Y FEATURE Fax 972.239.0220 Summary of America's Top Hits "America's Top Hits• segments are included at the ends of every disc/hour Please refer to the disc number. track. content, outcue and limes listed below Show Code: #98-26 Date: Week of June 22, 1998 MONDAY DISC 1, TRACK 6 Show 1· lncue· Jingle in Content: Story Into song "If You Asked Me To" - Celine Dion Commercial: :30 AT&T, Transactional ;30 K-Mart, Photo Finishing Outcue: • ... I'm Casey Kasem.• Total Time. 5:38 TUESDAY Oise 1, Track 7 Show 2· lncue Jingle In Content· Story into song "I Swear" - All 4 One Commercial 30 B1ore, Face Cleanser 30 GEICO Insurance Outcue. •. I'm Casey Kasem" Total Time 6 43 WEDNESDAY Oise 2, Track 6 Show 3: lncue· Jingle In Content: Story mto song "Fields Of Gold" • Sling Commercial :30 Chattem/Sunsource, Harmonex V1tamm/Supplement .30 AT&T, Transactional Outcue: •. I'm Casey Kasem • Total Time: 5:38 THURSDAY Oise 2, Track 7 Show4· lncue Jingle 1n Content: Story into song "I Wanna Dance· - Whitney Houston Commercial: :30 JC Penney. Shoe Thing ·30 GEICO. Insurance Outcue: . I'm Casey Kasem • Total Time 6 41 FRIDAY Disc 3, Track 8 Show 5: lncue: Jingle In Content: Story into song "Roll With It" - Steve W1nwood Commercial 30 JC Penney Shoe Thing 30 Kraft. Country Time Outcue. • .. I'm Casey Kasem.• Total Time: 6 09 .
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • 1 United States District Court District of Massachusetts 2
    1 1 UNITED STATES DISTRICT COURT DISTRICT OF MASSACHUSETTS 2 3 * * * * * * * * * * * * * * * * * * *ARKANSAS TEACHER RETIREMENT * 4 SYSTEM, on behalf of itself and * all others similarly situated * 5 Plaintiffs * CIVIL ACTION vs. * No. 11-10230-MLW 6 * *STATE STREET CORPORATION, * 7 STATE STREET BANK AND TRUST * COMPANY, AND STATE STREET GLOBAL * 8 MARKETS, LLC, * Defendants * 9 * * * * * * * * * * * * * * * * * * 10 11 Related cases: 11-cv-12049-MLW 12-cv-11698-MLW 12 13 14 BEFORE THE HONORABLE MARK L. WOLF UNITED STATES DISTRICT JUDGE 15 HEARING May 30, 2018 16 17 18 19 Courtroom No. 10 20 1 Courthouse Way Boston, Massachusetts 02210 21 22 JAMES P. GIBBONS, RPR/RMR Official Court Reporter 23 1 Courthouse Way, Suite 7205 Boston, Massachusetts 02210 24 [email protected] 25 2 1 APPEARANCES: 2 DONOGHUE BARRETT & SINGAL, (By William F. Sinnott, Esq., and Amy McEvoy, Esq. ), One Beacon Street, Suite 3 1320, Boston, Massachusetts 02108-3106, on behalf of the Hon. Gerald E. Rosen, Special Master 4 CHOATE, HALL & STEWART, LLP, (By Joan A. Lukey, 5 Esq., and Justin J. Wolosz, Esq.), 100-150 Oliver Street, Boston, Massachusetts 02110, on behalf of 6 Labaton Sucharow, LLP 7 NIXON PEABODY, LLP, (By Brian T. Kelly, Esq.), 100 Summer Street, Boston, Massachusetts 02110, on behalf 8 of the Thornton Law Firm, LLP 9 LIEFF CABRASER HEIMANN & BERNSTEIN, (By Richard M. Heimann, Esq.), 275 Battery Street, 30th Floor, San 10 Francisco, California 94111-3339, on behalf of Plaintiffs 11 12 WILMER HALE, LLP, (By William H. Paine, Esq., and Daniel W. Halston, Esq.), 60 State Street, Boston, 13 Massachusetts 02109, on behalf of Defendants 14 McTIGUE LAW, LLP, (By J.
    [Show full text]
  • How to Write a "Catchy" Song Title by Vince Corozine (ASCAP)
    How To Write a "Catchy" Song Title by Vince Corozine (ASCAP) The song title, "You Can't Take That Away From Me" immediately raises the question, "What can't you take away from me?" It drives the reader to want to investigate further and find out what the lyric says. It peaks our interest and arouses one's curiosity. A "catchy" song title will perk the interest of the listener and lead them to want to pursue more information about what the song is about. When selecting a song title one must ask, "What is the song about?" Is it about winning love, losing love, rival love, unrequited love? The topic of the song must be crystal clear in the mind of the songwriter and this central idea must be conveyed to the listener 1. What makes a good title? The title of a song should summarize the essence of the song and should be used in a prominent place in the song, like the first line of "Night and Day," or at the end of each verse as in "New York State of Mind," or at the very end of the song as in "You'll Never Walk Alone." Some of the strongest and best titles contain language that paints a verbal picture or suggests an image in the mind of the listener "A Boy Named Sue," or one that pertains to a color "Blue Suede Shoes." or one that mentions a place "Chicago," or represents a name "Michelle," or suggests a date "April Showers." 2. Can I use a title that already exists? It is fascinating to know that song titles, book titles, movie titles and so on are not copyrightable and therefore can be used freely by anybody without cost or paying royalties.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • Diversity Panel, Intersection of Education and Workforce
    - Welcome to everyone again, and particularly, welcome to the folks that are here on our diversity panel, Intersection of Education and Workforce. We have with us this afternoon David Owen, South Dakota Chamber of Commerce president, Nathan Sanderson, South Dakota Retailers Association executive director, Carla Gatzke, Daktronics, Vice President for Human Resources, Sandra Ogunremi, Regional Health, Manager of Diversity, Inclusion and Equality, and Nicole Freesemann of Raven, Vice President of Human Resources. I'd like to start from my right with Ms. Freesemann, and have each of you just give a brief opening statement, for lack of a better description, a little bit about who you are, what you do, and the importance of these issues in the workplace and how they relate to what we do, and then we'll open it up for questions and hopefully have a good dialogue. This is intended to be a rather informal gathering. So with that, please proceed. - All right, good afternoon. My name is Nicole Freesemann. I am the Vice President of Human Resources with Raven Industries. I've been with Raven now a little over 11 years in various HR roles, and today lead our HR function. As I was asked to be here, as far as considering my opening statement, I was to make comment about diversity and cultural education as an important conversation in South Dakota, and so I'm gonna speak a little bit from our perspective at Raven. Diversity and inclusion is a hot topic for employers today, and often, companies mistakenly assume diversity and inclusion are synonymous, but they are not.
    [Show full text]
  • Waiting for Godot Tragicomedy in 2 Acts
    Waiting for Godot tragicomedy in 2 acts By Samuel Beckett Estragon Vladimir Lucky Pozzo a boy ACT I A country road. A tree. Evening. Estragon, sitting on a low mound, is trying to take off his boot. He pulls at it with both hands, panting. # He gives up, exhausted, rests, tries again. As before. Enter Vladimir. ESTRAGON: (giving up again). Nothing to be done. VLADIMIR: (advancing with short, stiff strides, legs wide apart). I'm beginning to come round to that opinion. All my life I've tried to put it from me, saying Vladimir, be reasonable, you haven't yet tried everything. And I resumed the struggle. (He broods, musing on the struggle. Turning to Estragon.) So there you are again. ESTRAGON: Am I? VLADIMIR: I'm glad to see you back. I thought you were gone forever. ESTRAGON: Me too. VLADIMIR: Together again at last! We'll have to celebrate this. But how? (He reflects.) Get up till I embrace you. ESTRAGON: (irritably). Not now, not now. VLADIMIR: (hurt, coldly). May one inquire where His Highness spent the night? ESTRAGON: In a ditch. VLADIMIR: (admiringly). A ditch! Where? ESTRAGON: (without gesture). Over there. VLADIMIR: And they didn't beat you? ESTRAGON: Beat me? Certainly they beat me. VLADIMIR: The same lot as usual? ESTRAGON: The same? I don't know. VLADIMIR: When I think of it . all these years . but for me . where would you be . (Decisively.) You'd be nothing more than a little heap of bones at the present minute, no doubt about it. ESTRAGON: And what of it? VLADIMIR: (gloomily).
    [Show full text]
  • PATTI LABELLE Ith a Stage Presence As Exciting As Her Belting Soprano Voice
    EDUCATION APOLLO THEATER WALK OF FAME LEGEND PATTI LABELLE ith a stage presence as exciting as her belting soprano voice and “Rock and Soul” sound she helped pioneer in the 1970s, singer Patti LaBelle is nicknamed the “Godmother of Soul.” WBorn Patricia Louise Holte on May 24, 1944 in Philadelphia, Pennsylvania, “Patsy” was shy growing up. After joining her church’s youth choir in her teens, she discovered her singing had the ability to uplift audiences. Word of Holte’s talent spread quickly through Philadelphia, and before she knew it, listeners from around the city were coming to hear her sing. Encouraged by her experience in church, she formed an all-female “Doo-Wop” group in “FROM THE DAY LABELLE high school named, The Ordettes. In 1962, after auditioning with their cover of “I Sold My Heart STEPPED OUT ONSTAGE IN THOSE to the Junkman,” the vocal quartet was OUTRAGEOUS OUTFITS, PEOPLE signed to the Bluebelle Record Company and renamed, The Bluebelles. Soon after, Holte took a new name of her own, “Patti LaBelle”; “La WOULD NEVER SEE Belle” meaning “The Beautiful” in French. GIRL GROUPS THE Within days of being signed, Patti LaBelle and the Bluebelles were booked on the nationally SAME WAY AGAIN.” televised music program, American Bandstand. The following year in 1963, they played the World Famous Apollo Theater in Harlem for the first time. Audiences loved the girls so much they nicknamed them the “Sweethearts of DO NOW the Apollo.” Wear Something Silver When the British Invasion of Rock and Roll Labelle wowed audiences not hit the U.S.
    [Show full text]
  • 50 Cent Has Returned with with Someone
    you can indulge in the success that you’re actually having, or you reflect on the struggle, What’s the idea behind the book? how hard it was to get to that point - and why The book deals with fear a lot. I think a lot people are angry. Because, where I’m from, of people are afraid to move to the next level when people get confused, they get angry… without being conscious of it. ‘Cause they may because anger is a more comfortable feeling do everything that it says for them to require, than not knowing what’s going on period. So, or be eligible, to move into a good space and they get angry to find a more comfortable space then get there and not apply themselves. You to deal with those emotions, as opposed to go to school, you get your masters in the area actually dealing with informing themselves at you’re in, [and] you get your job. [Now] you’re in that point. the boardroom and they’re asking a question and you know the answer, but someone else is So who are you writing to with this album? answering the question a lot of times. If I’m in Well I’m writing for me. I stopped writing for corporate settings I’ll ask questions because I people - the Curtis album was me trying to want the answers. I’m not afraid of people in a offer something different. If you listen to my room [thinking] I don’t know. I’d rather leave the cadence on ‘Ayo Technology’, you’ve never room knowing, ‘cause I asked the question, than heard me rap that way because I was trying to conceal that I didn’t know.
    [Show full text]
  • The KARAOKE Channel Song List
    11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat.
    [Show full text]
  • Axel Dressler
    MUSIC HISTORY IN BLACK RIVER FALLS FALLS HISTORY PROJECT 2005 HISTORY OF THE PROJECT INTRODUCTION How do we actively engage students in the study of history? This is the ongoing challenge that history teachers must face at the secondary level. Historian David Blight of Yale University suggests that "all historical experience . must be imagined before it can be understood." One way to engage students and their imaginations more fully is to connect them to the actual process of "doing" history and relate that process to an increased understanding of their local environment. Indeed, the story of Black River Falls and the surrounding area provides a rich and diverse landscape for historical research. OVERVIEW The Falls History Project was initiated during the 2001-02 school year with the intention of promoting history education at BRFHS and connecting our students more authentically to the history of our region. As a symbolic beginning for the project, we established a permanent display related to Corporal Mitchell RedCloud, Jr., a BRFHS graduate who posthumously received the Medal of Honor for heroism in the Korean War. His life story offers a compelling example of the power of memory in our community. Our intention is that the project will be ongoing and that it will involve a number of teachers and students. 2005 marked our fourth full year. COMPONENTS OF THE PROJECT INTERNSHIP An advanced senior history student serves as a department intern and helps develop the project each year. This is designed for a student that has completed AP US History and has a particular interest in history.
    [Show full text]
  • Pdf, 194.50 KB
    00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Jesse Host I’m Jesse Thorn. It’s Bullseye. Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:22 Jesse Host Twyla Tharp is a legend in the world of dance. She’s put on well over 100 stage shows—either dancing in them or choreographing them. She’s won a Tony, an Emmy. She has an honorary doctorate from Harvard. She choreographed films like Hair, Amadeus, and Ragtime. She put on her first show in 1965. So, that is 55 years of dancing. She has been dancing for 55 years. She’s 78, now, and she’s still working just as hard as ever. And if that sounds extraordinary to you, well it kind of is. But Twyla Tharp doesn’t think so. She says the secret to staying healthy and vibrant is pretty simple: just keep moving. That’s the title of her book, pretty much. Keep It Moving: Lessons for the Rest of Your Life. Twyla talked with me, from New York, and man. She is a firecracker. Let’s get into our interview. [Music ends with a chorus of cheers and applause.] Twyla Tharp, welcome to Bullseye! I’m so happy to have you on the show.
    [Show full text]
  • Katie Zaffrann Transcript
    This transcript was exported on May 20, 2021 - view latest version here. Chris Velardi: Hey, it's Chris Velardi. Glad you found the 'Cuse Conversations podcast. Our guest today, Katie Zaffrann, a 2004 grad with a BFA in musical theater from VPA and her audition story, it's a good one. Katie Zaffrann: So, I remember I auditioned across the country for a number of programs. Syracuse was my first audition and it ended up being the standard that I held every other program up to. And I remember so clearly I was singing my song and the auditor who was later one of my professors got up from behind the table and started acting with me. Chris Velardi: What happens next? You'll have to listen to the conversation. She'll finish the story for you. We cover a lot of ground in this 'Cuse conversation, including Katie's time at SU. Her new venture as an instructor with Greenhouse Music, which is an online conservatory, she's teaching a class called The Whole Musician. We also dive deep into the importance of dealing with anxiety and mental health, but we're going to start with the challenges of the last year when you're a performer in a world without performances. So, how are you doing? Katie Zaffrann: I'm hanging in there and I'll be honest. I think I might be doing a little better than some. I wouldn't have said that a year ago, but I actually gave birth about two weeks into lockdown.
    [Show full text]