Summary of Testament of a Walker
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Martin Cloonan Introduction an Attack on the Idea of America
MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion. -
KALAUAO STREAM BRIDGE HAER No. HI-117
KALAUAO STREAM BRIDGE HAER No. HI-117 (Kalauao Stream Eastbound Bridge & Kalauao Stream Westbound Bridge) Kamehameha Highway and Kalauao Stream Aiea Honolulu County Hawaii PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN ENGINEERING RECORD U.S. Department of the Interior National Park Service Oakland, California HISTORIC AMERICAN ENGINEERING RECORD KALAUAO STREAM BRIDGE (Kalauao Stream Eastbound Bridge & Kalauao Stream Westbound Bridge) HAER No. HI-117 Location: Kamehameha Highway and Kalauao Stream Aiea City and County of Honolulu, Hawaii U.S.G.S. Topographic map, Waipahu Quadrangle 1998 (7.5 minute series) Universal Transverse Mercator Coordinates NAD 83: 04.609850.2364650 Present Owner: State of Hawaii Present Use: Vehicular Bridge Significance: The Kalauao Stream Bridge is a significant resource in the history of Oahu's road transportation system. It is significant at the local level for its association with the development of this section of Kamehameha Highway, and the adjacent Aiea and Pearl City settlements, which grew into suburbs from their initial establishment as a sugarcane plantation and a train-stop “city,” respectively. Historian: Dee Ruzicka Mason Architects, Inc. 119 Merchant Street Suite 501 Honolulu, HI 96813 Project Information: This report is part of the documentation for properties identified as adversely affected by the Honolulu Rail Transit Project (HRTP) in the City and County of Honolulu. This documentation was required under Stipulation V.C. (1, 2) of the Honolulu High-Capacity Transit Corridor Project (HHCTCP) Programmatic Agreement (PA), which was signed by the U.S. Department of Transportation’s Federal Transit Administration, the Hawaii State Historic Preservation Officer, the United States Navy, and the Advisory Council on Historic Preservation. -
Walker ————————————————————————————————————————————— Birth: Abt 1535, Of, Ruddington, Notinghamshire, England
Family History Report 1 Thomas Walker ————————————————————————————————————————————— Birth: abt 1535, Of, Ruddington, Notinghamshire, England Spouse: UNKNOWN Birth: abt 1539, Of, Ruddington, Notinghamshire, England Children: Gervase (~1566-1642) Thomas (~1570-) William (~1572-1621) 1.1 Gervase Walker ————————————————————————————————————————————— Birth: abt 1566, Ruddington, Nottinghamshire, England Death: 1 Jul 1642 He was buried July 1, 1642 in St. Columb’s Cathedral Church, Londonderry, England. Children: George (~1600-1677) 1.1.1 George Walker ————————————————————————————————————————————— Birth: abt 1600, Dublin, Ireland Death: 15 Sep 1677, Melwood, England Spouse: Ursula Stanhope Birth: abt 1642, Melwood, Yorkshire England Death: 17 May 1654, Wighill Yorkshire England Children: George (<1648-1690) 1.1.1.1 George Walker ————————————————————————————————————————————— Birth: bef 1648, Of, Wighill, Yorkshire, England Death: 1 Jul 1690, Donaoughmore, Tyrone, Ireland Died July 1, 1690 in Battle of Boyne, Seige of King James II Spouse: Isabella Maxwell Barclay Birth: abt 1644, Of, Tyrone, Ireland Death: 18 Feb 1705 Children: John (1670-1726) George (~1669-) Gervase (~1672-) Robert (~1677->1693) Thomas (1677-) Mary (~1679-) 1.1.1.1.1 John Walker ————————————————————————————————————————————— Birth: 1670, Moneymore, Londonferry, Ireland Death: 19 Oct 1726 Page 1 Family History Report Spouse: UNKNOWN Birth: abt 1674, Of, Moneymore, Derry, Ireland Children: John (~1697-~1742) Robert (~1693-) Jane (~1699-) Isabella (~1701-) 1.1.1.1.1.1 John Walker -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
1950-03 Great White Fleet Part 3
Big White Fleet Visits W aikiki - 1908 (Concluded) OFFICERS ENTERTAIN That evening was one of interest and pleasure. We had met many young la dies and we threw a party for them in the Wisconsin Junior Officers’ Mess. I’ll never forget the feminine shriek that came from pretty lips as one of our guests bumped her head into a hammocked Edwin North McClellan, who has written bluejacket swinging just outside the this article, has a background of unusual mess-room entrance. experience. He circled tbe globe with tbe big white fleet in 1908 and visited Hawaii many Next day, in obedience to orders, I times and is now a resident. Retired Lt. Colonel of tbe Marine Corps, and historian, went out to Pearl Harbor (Wai Momi) editor, writer and traveller, he is presently by the OR&L and returned by automo Dean of radio commentators in Hawaii. bile. We took a ride in one of the battle ship steamers to be "sold” on the Pearl keepers, John Walker and Clifford Kim Harbor idea by the Pearl Harbor Sub- ball. Committee of the Fleet Entertainment Society turned out in its fullest Committee. After steaming around the strength, on the evening of July 20th, to Lochs we landed on the Peninsula where honor the enlisted men of the Fleet at a a fine recreation hall — resplendent with Ball staged at the Moana Hotel, Seaside Hawaiian decorations and bunting—had Hotel and Outrigger Canoe Club, in a been erected. Long" tables tastefully ar duplication of the Ball and Reception ranged a la luau was loaded with lots of given to the Officers on the 17th. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 4-28-1961 The aC rroll News- Vol. 43, No. 13 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 43, No. 13" (1961). The Carroll News. 237. http://collected.jcu.edu/carrollnews/237 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. The (;arroll jNew degree programs NEWS feature 'Classical' A.B. Representing John Carroll University Two new A.B. degree pro- ment of Latin or Greek. language requirement by the elec The Very Rev. Hugh E. Dunn, tion of a single language, modern University Heights 18, Ohio gramR will eventually replace S.J., President of the Univer11ity, or classical. In e.!fect, the language the present A.B. and B.S. in announced, that "the new program t·cquirement of the current B.S. in Vol. XLIII, No. 13 Friday, April 28, 1961 S.S. degrees, it was announce(! will strengthen the Bachelor of S.S. program has been extended in from the President's office Arts degree and at the same time this respect to the A.B. The A.B. provide opportunities for students Classics program, however, retains ~·esterday. seeking a classical background." the two-language requirement as One program has the title "A.D. Effective this September, Carroll formerly, except for an upgrading Pellegrino reigns IClassics" in distinction to the "A. -
Moments of Observation
John Walker Moments of Observation Sheldon Museum of Art January 18–July 14, 2019 Introduction and Beer With a Painter: John Walker, Revisited by Jennifer Samet ohn Walker’s recent paintings are about a compression of energy: forms and patterns J locked into one another. There is an urgency to his most recent paintings, a directness that is about that relationship between a person and a place, and the impulse to record that relationship through mark making. It is symbolized by how the forms lock into one another: the penetration of earth and shallow water. I think about the painting by Cezanne, The Bay of Marseilles, Seen from L’Estaque, which is also about water and shore locking into one another like mirroring, perfect jigsaw puzzle pieces. For more than fifteen years, Walker has turned his attention and gaze to Seal Point, Maine, where he lives and works. But in the newest paintings, Walker pares down his formal vocabulary to elements like patterns of zigzag lines, painterly, irregular grids, oval-shaped forms and dots. They are abstractions, but they are also landscape paintings that turn the genre on its head. They are oriented vertically, rather than the horizontal format we traditionally code as landscape. The horizon line is pushed to the uppermost portion of the canvas so that only a thin band of form suggests sky, clouds, sun or moon. Instead, Walker focuses on the patterns that form when earth and water meet. And in this area of Maine, the inlets and bays are as much about mud as they are about water. -
Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1. -
An Examination of the Theories and Methodologies of John Walker (1732- 1807) with Emphasis Upon Gesturing
This dissertation has been 64—7006 microfilmed exactly as received DODEZ, M. Leon, 1934- AN EXAMINATION OF THE THEORIES AND METHODOLOGIES OF JOHN WALKER (1732- 1807) WITH EMPHASIS UPON GESTURING. The Ohio State University, Ph.D., 1963 Speech—Theater University Microfilms, Inc., Ann Arbor, Michigan AN EXAMINATION OP THE THEORIES AND METHODOLOGIES OP JOHN WALKER (1732-1807) WITH EMPHASIS UPON GESTURING DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By M. Leon Dodez, B.Sc., M.A ****** The Ohio State University 1963 Approved by Department of Speech ACKNOWLEDGMENT I wish to express my gratitude to Dr. George Lewis for his assistance In helping to shape my background, to Dr. Franklin Knower for guiding me to focus, and to Dr. Keith Brooks, my adviser, for his cooperation, patience, encouragement, leadership, and friendship. All three have given much valued time, encouragement and knowledge. ii CONTENTS Page ACKNOWLEDGMENTS ................... 1 Chapter I. INTRODUCTION............................... 1 II, BIOGRAPHY................................... 9 III. THE PUBLICATIONS OP JOHN WALKE R............. 27 IV. JOHN WALKER, ORTHOEPIST AND LEXIGRAPHER .... 43 V. NATURALISM AND MECHANICALISM............... 59 VI. THEORY AND METHODOLOGY..................... 80 VII^ POSTURE AND P A S S I O N S ......................... 110 VIII. APPLICATION AND PROJECTIONS OP JOHN WALKER'S THEORIES AND METHODOLOGIES......... 142 The Growth of Elocution......................143 L a n g u a g e ................................... 148 P u r p o s e s ................................... 150 H u m o r ....................................... 154 The Disciplines of Oral Reading and Public Speaking ......................... 156 Historical Analysis ....................... 159 The Pa u s e .................................. -
A Portrait of EMMA KAʻILIKAPUOLONO METCALF
HĀNAU MA KA LOLO, FOR THE BENEFIT OF HER RACE: a portrait of EMMA KAʻILIKAPUOLONO METCALF BECKLEY NAKUINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HAWAIIAN STUDIES AUGUST 2012 By Jaime Uluwehi Hopkins Thesis Committee: Jonathan Kamakawiwoʻole Osorio, Chairperson Lilikalā Kameʻeleihiwa Wendell Kekailoa Perry DEDICATION This thesis is dedicated to Kanalu Young. When I was looking into getting a graduate degree, Kanalu was the graduate student advisor. He remembered me from my undergrad years, which at that point had been nine years earlier. He was open, inviting, and supportive of any idea I tossed at him. We had several more conversations after I joined the program, and every single one left me dizzy. I felt like I had just raced through two dozen different ideas streams in the span of ten minutes, and hoped that at some point I would recognize how many things I had just learned. I told him my thesis idea, and he went above and beyond to help. He also agreed to chair my committee. I was orignally going to write about Pana Oʻahu, the stories behind places on Oʻahu. Kanalu got the Pana Oʻahu (HWST 362) class put back on the schedule for the first time in a few years, and agreed to teach it with me as his assistant. The next summer, we started mapping out a whole new course stream of classes focusing on Pana Oʻahu. But that was his last summer. -
Articles on Scott Walker
Articles On Scott Walker Prenasal Demetris rekindle noteworthily, he deigns his bicarbonates very fined. Unexecuted and fouled Randolf dehumanised her mezzotints masterhood drip-drying and selles one-on-one. Cornellis foil expectantly while right Gustaf attempts outright or mispunctuates sweepingly. We are debating whether mechanical or after notably more time from mehring books, and worked on showing me of racist violence in reporting developments in journalism include the walker on Seton Hall, including President Obama, but there was an error posting your comment. Beatles song so be influenced directly by Dylan. A version of honor article appears in print on March 27 2019 Section B Page. The Scott Walker Effect MacIver Institute. Fearless journalism, both of Millfield, amounting as a whole to a grotesque menagerie of confounding noise. New york post malone are almost nothing wrong again, bergman film industry. Japanese version of the CD. You are commenting using your Facebook account. Test for scott on. Angry that article about this new law center for bigger things a list of? Simply text you don't get Bowie without Scott Walker. Com reported on gentle giant harassing message in thick snow outside former Governor Scott Walker's residence a liberal website pulled down an. But it would apt. Scott Walker touts 'Dead Man Walker' reference but cast a. VIDEO: People in Denmark Are seeing Lot Happier Than People either the United States. Droughts can we should bob dylan honed and articles on scott walker candidacy should be very bad idea. Was on thursday afternoon in article v conventions needs a few years as time spent eight months after it is scott walker timeline, having been exclusively reported other. -
Jamming As a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2015 Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World Mike Czech Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Art Education Commons, and the Curriculum and Instruction Commons Recommended Citation Czech, Mike, "Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World" (2015). Electronic Theses and Dissertations. 1270. https://digitalcommons.georgiasouthern.edu/etd/1270 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. JAMMING AS A CURRICULUM OF RESISTANCE: POPULAR MUSIC, SHARED INTUITIVE HEADSPACES, AND ROCKING IN THE “FREE” WORLD by MICHAEL R. CZECH (Under the Direction of John Weaver) ABSTRACT This project opens space for looking at the world in a musical way where “jamming” with music through playing and listening to it helps one resist a more standardized and dualistic way of seeing the world. Instead of having a traditional dissertation, this project is organized like a record album where each chapter is a Track that contains an original song that parallels and plays off the subject matter being discussed to make a more encompassing, multidimensional, holistic, improvisational, and critical statement as the songs and riffs move along together to tell why an arts-based musical way of being can be a choice and alternative in our lives.