Radio Embraces `Evita'
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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First Permalink https://escholarship.org/uc/item/61q8p086 Author Reilly, Brandon Joseph Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Brandon Joseph Reilly 2013 © Copyright by Brandon Joseph Reilly 2013 ABSTRACT OF THE DISSERTATION Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First by Brandon Joseph Reilly Doctor of Philosophy in History University of California, Los Angeles, 2012 Professor Michael Salman, Chair My dissertation, “Collecting the People: Textualizing Epics in Philippine History from the Sixteenth Century to the Twenty-First,” examines the study and uses of oral epics in the Philippines from the late 1500s to the present. State institutions and cultural activists uphold epics linked to the pre-colonial era as the most culturally authentic, ancient, and distinctive form of Filipino literature. These “epics” originated as oral traditions performed by culturally diverse groups. Before they could be read, they had to be written down and translated into, first, the colonial language of Spanish, and later, the national languages of English and Filipino. Beginning from the earliest Spanish colonial times, I examine the longer history of writing about, describing, summarizing, and beginning in the late nineteenth century, transcribing the diverse sorts of oral narratives that only in the twentieth century came to be called epics. -
Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. -
LIVE SOUND MIXING CONSOLES FULL LINE CATALOGUE 2015 Harman Professional Catalog 2015
Harman Professional Catalog 2015 RUSH LIVE SOUND MIXING CONSOLES FULL LINE CATALOGUE 2015 Harman Professional Catalog 2015 Vi6 DIGITAL LIVE SOUND MIXING CONSOLE • Vistonics™ II touchscreen interface relieves the burden BEYOND INTUITIVE CONTROL of complex mental mapping with pristine audio quality SERIES • FaderGlow™ illumination of fader tracks for at a glance Vi status display With groundbreaking Soundcraft® Vistonics™ and FaderGlow™ • Simultaneous mixing of up to 96 inputs on 32 faders technologies combining visual information and operational in 3 banks into 35 outputs, with 24 insert send/return pairs assignable to any of the input or output channels controls in one area, Vi Series live sound consoles remove the • 32 Mono or stereo Group/Aux/Matrix busses burden of complex mental mapping, freeing the operator to • 40-bit floating point digital audio processing concentrate on the mix. A simple touch of the screen is all it takes • Cat5 or Cat7 connection to remote stagebox to access channel functions including routing, input gain, digital • Optional Fibre Optic interface gain trim, delay, high and low pass filters, 4-band parametric EQ, • Lexicon / BSS Audio processing compressor, limiter, gate, de-esser and pan. • 96 inputs to mix • 16 VCA Groups and 4 independent Mute Groups Partnering a compact control surface with a powerful SCore • 4-band fully parametric EQ on every input and output, Live processing engine and remote stageboxes, Vi6 delivers with HPF and LPF on every input simultaneous mixing of up to 96 inputs on 32 faders in 3 banks • GEQ on every bus. into 35 outputs, with 24 insert send/return pairs assignable to any • 8 independent stereo Lexicon FX processors of the input or output channels. -
You Can't Eat the Sweet with the Paper On
ISSN 1653-2244 INSTITUTIONEN FÖR KULTURANTROPOLOGI OCH ETNOLOGI DEPARTMENT OF CULTURAL ANTHROPOLOGY AND ETHNOLOGY You can’t eat the sweet with the paper on An anthropological study of perceptions of HIV and HIV prevention among Xhosa youth in Cape Town, South Africa By Kajsa Yllequist 2018 MASTERUPPSATSER I KULTURANTROPOLOGI Nr 77 Abstract South Africa has the biggest HIV epidemic in the world and the HIV rates among youth are especially alarming. In 2016 there were 110 000 new cases of HIV among 15 to 24-year-olds1. The aim of this study is to describe and analyse perceptions of HIV and HIV prevention among Xhosa youth in the township of Langa, Cape Town. In order to study this, I focus on the organisation loveLife and their employed peer educators called groundBREAKERs (gBs). To gain knowledge on what fuels the HIV epidemic in this setting I will examine their thoughts and notions of HIV/AIDS, sexuality and sexual behaviour in relation to the information that is available to them. Examining the socio-cultural context of HIV/AIDS is important to understand the spread and why HIV is not declining sufficiently in response to HIV preventative efforts. This thesis is based on ten weeks of fieldwork at loveLife’s Y-Centre in Langa. The material was gathered through semi-structured interviews and participant observation. To analyse the drivers for the spread of HIV among Xhosa youth an analytical tool of gender roles, with a main focus on masculinity, has been utilized. Title: You can’t eat the sweet with the paper on – An anthropological study of perceptions of HIV and HIV prevention among Xhosa youth in Cape Town, South Africa. -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
{TEXTBOOK} Anansi Boys Ebook Free Download
ANANSI BOYS PDF, EPUB, EBOOK Neil Gaiman | 416 pages | 11 Jul 2011 | HarperCollins Publishers Inc | 9780060515195 | English | New York, NY, United States Anansi Boys (American Gods, #2) by Neil Gaiman Gaiman turned his attention to African mythology and the figure of Anansi the spider god. Having already made a scene-stealing appearance in the award-winning American Gods , the irresistible Mr Nancy makes a triumphant return in this witty romp of a novel — perfect for fans of Douglas Adams and Terry Pratchett. Now you merely have to do something just as beautiful and just as ground-breaking. Inside, fully illustrated, original black-and-white chapter headings tell their own folktale — all of which are especially fitting for a book about the power and vitality of stories. Spider was the cool one; he was the other one. Bereavement is a time of upheaval and for Fat Charlie Nancy the changes are practically seismic. Not only does he discover that his embarrassing old dad was actually Anansi the African trickster god, his life is about to be invaded and turned upside down by Spider, the magical twin brother he never knew he had. As well as helping to inspire the book, Lenny Henry provided advice and insight on Caribbean syntax and dialogue, helping to ensure that the voices of the characters sounded authentic. His work demonstrates exactly how wild and varied the field can be, from uprooting fairy tales in Stardust to exposing the fantastical underbelly of London in Neverwhere. Neil Gaiman is a critically acclaimed writer of short fiction, novels, comic books, graphic novels, audio theatre and films. -
Vincent Van Gogh the Starry Night
Richard Thomson Vincent van Gogh The Starry Night the museum of modern art, new york The Starry Night without doubt, vincent van gogh’s painting the starry night (fig. 1) is an iconic image of modern culture. One of the beacons of The Museum of Modern Art, every day it draws thousands of visitors who want to gaze at it, be instructed about it, or be photographed in front of it. The picture has a far-flung and flexible identity in our collective musée imaginaire, whether in material form decorating a tie or T-shirt, as a visual quotation in a book cover or caricature, or as a ubiquitously understood allusion to anguish in a sentimental popular song. Starry Night belongs in the front rank of the modern cultural vernacular. This is rather a surprising status to have been achieved by a painting that was executed with neither fanfare nor much explanation in Van Gogh’s own correspondence, that on reflection the artist found did not satisfy him, and that displeased his crucial supporter and primary critic, his brother Theo. Starry Night was painted in June 1889, at a period of great complexity in Vincent’s life. Living at the asylum of Saint-Rémy in the south of France, a Dutchman in Provence, he was cut off from his country, family, and fellow artists. His isolation was enhanced by his state of health, psychologically fragile and erratic. Yet for all these taxing disadvantages, Van Gogh was determined to fulfill himself as an artist, the road that he had taken in 1880. -
7-26-18 2019 Frederick Speaker Series Lineup
Media Contact: Barbara Hiller Manager of Marketing, Weinberg Center for the Arts 301-600-2868 | [email protected] FOR IMMEDIATE RELEASE 2019 Frederick Speaker Series Lineup Announced FREDERICK, MD, July 26, 2018 — Entering its seventh year, the Frederick Speaker Series has developed a reputation for bringing world-class speakers to the Frederick community. The 2019 lineup includes; Pulitzer Prize winning journalist, Ronan Farrow, actress and LGBT advocate, Laverne Cox, actor and literacy advocate, Levar Burton and international bestselling author, Neil Gaiman. All series events are held at the Weinberg Center for the Arts. Tickets for all four speakers will go on sale to Weinberg Center members on Thursday, August 9 at 10:00 AM and to the general public on Thursday, August 16 at 10:00 AM. Tickets may be purchased online at weinbergcenter.org, by calling the Weinberg Center Box Office at 301-600-2828, or in person at 20 W. Patrick Street in Frederick, Maryland. For more information about becoming a Weinberg Center member and gaining early access to tickets, please visit weinbergcenter.org/support#membership. A separately-ticketed meet-and-greet reception will take place immediately following each presentation. These exclusive events provide a chance for fans to meet the speakers, take pictures, and obtain autographs. All proceeds from the meet-and-greet receptions will benefit children’s programs at Frederick County Public Libraries. Ronan Farrow | Thursday, February 28, 2019 at 7:30 PM Born in 1987 to actress Mia Farrow and filmmaker Woody Allen, Ronan Farrow achieved early notoriety as a child prodigy, skipping grades and starting college at age 11. -
Gala2o2o Saturday, October 17
VIRTUAL GALA2O2O SATURDAY, OCTOBER 17 THANK YOU FOR YOUR SUPPORT AND FOR JOINING US THIS EVENING Dear Friends, Welcome to the (very unusual and hopefully unique) 17th annual Reach for the Stars Gala! Six months ago, it was unthinkable that we would not be gathering together to celebrate tonight. We envisioned the ballroom, the tables, the speakers, and the dancing. Now it is up to you to take a spin at home. Right now, advocates are talking with survivors, assisting with paperwork, safety planning, and counseling them as they face an (even more) uncertain future. Right now, our prevention staff is working with teachers, coaches, and administrators on professional development programs, classroom presentations, team trainings, and parent meetings. Right now, our house is home to only half of the families we are sheltering—four families remain in a hotel after fully emptying the shelter when COVID hit. We clean like never before and advocate like we always have—in a world that looks so different. And as you read this, right now, we are getting ready to host a virtual gala for the first time. We are excited to share this evening with hundreds of people over the internet, something we never envisioned when we planned it. We are doing this with your help and our shared conviction that the show must go on because the work goes on. When our office lights went out on March 16, dozens of makeshift desks got set up. Cell phones got charged. We kept working. REACH staff kept calling survivors, partnering with schools, providing shelter—we kept doing it all. -
Euphonix MC Mix Test: Fxpansion BFD2 Test
3/März 2008 5,60 € Österreich 5,60 € ț Schweiz 11,20 sFr ț BeNeLux 5,60 € www.professional-audio.de Professional audio Magazin 3/März 2008 Test: Channelstrip dbx 376 Geheimtipp für 700 Euro Test: USB-Interface Tascam US-1641 Multitalent für DAW-Produktionen Neue Workshop-Serie Test: Fxpansion BFD2 Audio Mastering Drumsampler mit mit PC-Workstations Suchtpotential Test: Channelstrip dbx 376 Test: ½ Exklusivtest: Technik: Datenreduktion in der Audiotechnik Technik: Brandneuer ½ DAW-Controller: Euphonix MC Mix Test: Fxpansion BFD2 Test: ½ Setzt neue Maßstäbe bei Geschwindigkeit, Komfort und Preis/Leistung Außerdem lesen Sie: Report: NAMM-Show 2008 Surroundtechnik: Datenreduktion in der Audiotechnik Test: 8-Kanal-Interface Phonic Firefl y 808 Test: 5.1-Mehrkanal-Lautsprecher-Set Genelec 8030A/7060B ½ Test: Großmembran-Mikrofon Audio Technica AT 4050 Test: 16-Kanal-Analogmischer Soundcraft FX16ii Test: Euphonix MC Mix Test: Test: Faltungshall-Plug-in Studio Devices Refl ections LE V1.1 & Bree Casedy Library TEST ANALOGMISCHPULT Soundcraft FX16ii robusten, gut klingenden Konsolen für den Tour-Alltag. Sie legten damit den Grundstein für die Firma Soundcraft. Was vor über 30 Jahren mitten in Lon- don mit einer kleinen Manufaktur be- gann, hat sich über die Jahrzehnte zu Sound-Kraft einem der wichtigsten Hersteller analo- ger und digitaler Konsolen entwickelt. Heute bietet Soundcraft Mischpulte in Von Michael Nötges ridge und Graham Blyth das weltweit allen Größen und Ausstattungen für die erste Mischpult im Flight-Case auf den Bereiche Live-Sound, Recording, Post- ir schreiben das Jahr 1973: Wäh- Markt. Entwickler Blyth und Toningeni- Production sowie TV- und Radio an. Wrend sich Elvis und Priscilla Pres- eur Dudderidge haben die Zeichen der Mittlerweile zu Harman International ley scheiden lassen und Led Zeppelin Zeit richtig gedeutet. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
French Stations Unite
advertisement M&M SPOTLIGHT: Dutch Rock Fighting For Survival... see page 20 hanne boel NOVEMBER 9, 199 VOLUME 13, Is -404 #9*6,...i 0)1 A\ _51 £2.95DM8 FFR25 US$5 D Europe's Radio -Active Newsweekly the new single out nowl from the jorMockof allxim s' Kaczkowski's Golden Mike French Stations Unite Against NRJ Plans by Emmanuel Legrand radio) licence holders to be recently indicated that some of able to broadcast substantial its nine members are starting PARIS -SRGP, the group rep- amounts of networked pro- to be sympathetic to a soften- resenting national full -service gramming. At present, only ing of the current regulation. networks RTL, Europe 1 and Category C local stations are Independentradiogroup RMC, is fiercely opposing a permitted to be part of net- SIRTI welcomed SRGP's deci- campaign by NRJ for changes works. sion to oppose changes to the in French radio regulation. The motive behind NRJ's currentregulatorysystem, SRGP has called for an request is a desire to establish arguing that "the whole batch urgent meeting withradio a third national radionet- of frequencies used by inde- Polskie Radio Program 3 presenter Piotr Kaczkowski receives the regulators CSA to oppose any work-Rire et Chansons-to pendentstationswould be AKG Golden Microphone after being voted the greatest "All Time change to the current licence supplement its existing NRJ under threat" if the category Radio Personality" during the fourth Music & Media Polish Radio category system, and is being and Cherie FM nets. Given system was changed. In a clear Conference. Kaczkowski (centre) received the award from Piotr Wojcicki, managing director of Audiofan (left) and Hendrik supported inits moves by that all category C local sta- reference to NRJ, SIRTI notes Homan, managing director of AKG Austria.