1 De Lineage Van White Plum Asangha Gesticht Door Taizan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Just This Is It: Dongshan and the Practice of Suchness / Taigen Dan Leighton
“What a delight to have this thorough, wise, and deep work on the teaching of Zen Master Dongshan from the pen of Taigen Dan Leighton! As always, he relates his discussion of traditional Zen materials to contemporary social, ecological, and political issues, bringing up, among many others, Jack London, Lewis Carroll, echinoderms, and, of course, his beloved Bob Dylan. This is a must-have book for all serious students of Zen. It is an education in itself.” —Norman Fischer, author of Training in Compassion: Zen Teachings on the Practice of Lojong “A masterful exposition of the life and teachings of Chinese Chan master Dongshan, the ninth century founder of the Caodong school, later transmitted by Dōgen to Japan as the Sōtō sect. Leighton carefully examines in ways that are true to the traditional sources yet have a distinctively contemporary flavor a variety of material attributed to Dongshan. Leighton is masterful in weaving together specific approaches evoked through stories about and sayings by Dongshan to create a powerful and inspiring religious vision that is useful for students and researchers as well as practitioners of Zen. Through his thoughtful reflections, Leighton brings to light the panoramic approach to kōans characteristic of this lineage, including the works of Dōgen. This book also serves as a significant contribution to Dōgen studies, brilliantly explicating his views throughout.” —Steven Heine, author of Did Dōgen Go to China? What He Wrote and When He Wrote It “In his wonderful new book, Just This Is It, Buddhist scholar and teacher Taigen Dan Leighton launches a fresh inquiry into the Zen teachings of Dongshan, drawing new relevance from these ancient tales. -
Hakuin on Kensho: the Four Ways of Knowing/Edited with Commentary by Albert Low.—1St Ed
ABOUT THE BOOK Kensho is the Zen experience of waking up to one’s own true nature—of understanding oneself to be not different from the Buddha-nature that pervades all existence. The Japanese Zen Master Hakuin (1689–1769) considered the experience to be essential. In his autobiography he says: “Anyone who would call himself a member of the Zen family must first achieve kensho- realization of the Buddha’s way. If a person who has not achieved kensho says he is a follower of Zen, he is an outrageous fraud. A swindler pure and simple.” Hakuin’s short text on kensho, “Four Ways of Knowing of an Awakened Person,” is a little-known Zen classic. The “four ways” he describes include the way of knowing of the Great Perfect Mirror, the way of knowing equality, the way of knowing by differentiation, and the way of the perfection of action. Rather than simply being methods for “checking” for enlightenment in oneself, these ways ultimately exemplify Zen practice. Albert Low has provided careful, line-by-line commentary for the text that illuminates its profound wisdom and makes it an inspiration for deeper spiritual practice. ALBERT LOW holds degrees in philosophy and psychology, and was for many years a management consultant, lecturing widely on organizational dynamics. He studied Zen under Roshi Philip Kapleau, author of The Three Pillars of Zen, receiving transmission as a teacher in 1986. He is currently director and guiding teacher of the Montreal Zen Centre. He is the author of several books, including Zen and Creative Management and The Iron Cow of Zen. -
Seon Dialogues 禪語錄禪語錄 Seonseon Dialoguesdialogues John Jorgensen
8 COLLECTED WORKS OF KOREAN BUDDHISM 8 SEON DIALOGUES 禪語錄禪語錄 SEONSEON DIALOGUESDIALOGUES JOHN JORGENSEN COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 8 禪語錄 SEON DIALOGUES Collected Works of Korean Buddhism, Vol. 8 Seon Dialogues Edited and Translated by John Jorgensen Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-12-6 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 8 禪語錄 SEON DIALOGUES EDITED AND TRANSLATED BY JOHN JORGENSEN i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. Indeed, the veracity of the Buddhist worldview continues to be borne out by our collective experience today. -
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism
Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Kevin Buckelew All rights reserved Abstract Inventing Chinese Buddhas: Identity, Authority, and Liberation in Song-Dynasty Chan Buddhism Kevin Buckelew This dissertation explores how Chan Buddhists made the unprecedented claim to a level of religious authority on par with the historical Buddha Śākyamuni and, in the process, invented what it means to be a buddha in China. This claim helped propel the Chan tradition to dominance of elite monastic Buddhism during the Song dynasty (960–1279), licensed an outpouring of Chan literature treated as equivalent to scripture, and changed the way Chinese Buddhists understood their own capacity for religious authority in relation to the historical Buddha and the Indian homeland of Buddhism. But the claim itself was fraught with complication. After all, according to canonical Buddhist scriptures, the Buddha was easily recognizable by the “marks of the great man” that adorned his body, while the same could not be said for Chan masters in the Song. What, then, distinguished Chan masters from everyone else? What authorized their elite status and granted them the authority of buddhas? According to what normative ideals did Chan aspirants pursue liberation, and by what standards did Chan masters evaluate their students to determine who was worthy of admission into an elite Chan lineage? How, in short, could one recognize a buddha in Song-dynasty China? The Chan tradition never answered this question once and for all; instead, the question broadly animated Chan rituals, institutional norms, literary practices, and visual cultures. -
Zen Masters at Play and on Play: a Take on Koans and Koan Practice
ZEN MASTERS AT PLAY AND ON PLAY: A TAKE ON KOANS AND KOAN PRACTICE A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Brian Peshek August, 2009 Thesis written by Brian Peshek B.Music, University of Cincinnati, 1994 M.A., Kent State University, 2009 Approved by Jeffrey Wattles, Advisor David Odell-Scott, Chair, Department of Philosophy John R.D. Stalvey, Dean, College of Arts and Sciences ii TABLE OF CONTENTS Acknowledgements iv Chapter 1. Introduction and the Question “What is Play?” 1 Chapter 2. The Koan Tradition and Koan Training 14 Chapter 3. Zen Masters At Play in the Koan Tradition 21 Chapter 4. Zen Doctrine 36 Chapter 5. Zen Masters On Play 45 Note on the Layout of Appendixes 79 APPENDIX 1. Seventy-fourth Koan of the Blue Cliff Record: 80 “Jinniu’s Rice Pail” APPENDIX 2. Ninty-third Koan of the Blue Cliff Record: 85 “Daguang Does a Dance” BIBLIOGRAPHY 89 iii ACKNOWLEDGEMENTS There are times in one’s life when it is appropriate to make one’s gratitude explicit. Sometimes this task is made difficult not by lack of gratitude nor lack of reason for it. Rather, we are occasionally fortunate enough to have more gratitude than words can contain. Such is the case when I consider the contributions of my advisor, Jeffrey Wattles, who went far beyond his obligations in the preparation of this document. From the beginning, his nurturing presence has fueled the process of exploration, allowing me to follow my truth, rather than persuading me to support his. -
Not Falling, Not Obscuring: Dogen and the Two Truths of the Fox Koan
NOT FALLING, NOT OBSCURING: DOGEN AND THE TWO TRUTHS OF THE FOX KOAN ________________________________________________________________________ A Thesis Submitted to the Temple University Graduate Board ________________________________________________________________________ In Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS ________________________________________________________________________ By Patrick H. Wyant January, 2013 Thesis Approvals: Shigenori Nagatomo, Thesis Advisor, Religion Marcus Bingenheimer, Religion ABSTRACT Within recent Japanese Buddhist scholarship there is a debate over the interpretation of Karmic causality evidenced in the 75 and 12 fascicle editions of Dōgen‟s Shōbōgenzō, one salient example being that found in the daishugyō and shinjin inga fascicles on the fox kōan from the mumonkon. At issue is whether a Buddhist of great cultivation transcends karmic causality, with the earlier daishugyō promoting a balanced perspective of both “not falling into” and “not obscuring” causality, while shinjin inga instead strongly favors the latter over the former. Traditionalists interpret the apparent reversal in shinjin inga as an introductory simplification to aid novices, while some Critical Buddhists see Dōgen as instead returning to the orthodox truth of universal causality. I argue that Dōgen philosophically favored the view found in daishugyō, but moved away from it in his later teachings due to misinterpretations made by both senior and novice monks alike. ii TABLE OF CONTENTS ABSTRACT ....................................................................................................................... -
Don't Be a Jerk
DON’T BE A JERK Also by Brad Warner Hardcore Zen Sex, Sin, and Zen Sit Down and Shut Up There Is No God and He Is Always with You Zen Wrapped in Karma Dipped in Chocolate New World Library 14 Pamaron Way Novato, California 94949 Copyright © 2016 by Brad Warner All rights reserved. This book may not be reproduced in whole or in part, stored in a retrieval system, or transmitted in any form or by any means — electronic, mechanical, or other — without written permission from the publisher, except by a reviewer, who may quote brief passages in a review. Text design by Tona Pearce Myers Library of Congress Cataloging-in-Publication Data Names: Warner, Brad, author. Title: Don’t be a jerk and other practical advice from Dogen, Japan’s greatest Zen master : a radical but reverent paraphrasing of Dogen’s Treasury of the true dharma eye / Brad Warner. Description: Novato, CA : New World Library, 2016. Identifiers: LCCN 2015050026 | ISBN 9781608683888 Subjects: LCSH: Sōtōshū—Doctrines. | Dōgen, 1200–1253. Shōbō genzō. Classification: LCC BQ9449.D657 W37 2016 | DDC 294.3/85—dc23 LC record available at http://lccn.loc.gov/2015050026 First printing, April 2016 ISBN 978-1-60868-388-8 EISBN 978-1-60868-389-5 Printed in Canada on 100% postconsumer-waste recycled paper New World Library is proud to be a Gold Certified Environmentally Responsible Publisher. Publisher certification awarded by Green Press Initiative. www.greenpressinitiative.org 10 9 8 7 6 5 4 3 2 1 CONTENTS Introduction 1. Dōgen’s Zen FAQ (A Talk about Pursuing the Truth) 2. -
Gongan Collections I 公案集公案集 Gongangongan Collectionscollections I I Juhn Y
7-1 COLLECTED WORKS OF KOREAN BUDDHISM 7-1 GONGAN COLLECTIONS I COLLECTIONS GONGAN 公案集公案集 GONGANGONGAN COLLECTIONSCOLLECTIONS I I JUHN Y. AHN JUHN Y. (EDITOR) JOHN JORGENSEN COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 7-1 公案集 GONGAN COLLECTIONS I Collected Works of Korean Buddhism, Vol. 7-1 Gongan Collections I Edited by John Jorgensen Translated by Juhn Y. Ahn Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-10-2 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 7-1 公案集 GONGAN COLLECTIONS I EDITED BY JOHN JORGENSEN TRANSLATED AND ANNOTATED BY JUHN Y. AHN i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. Buddhism has always taught that the world is inherently unstable and its teachings are rooted in the perception of the three marks that govern all conditioned existence: impermanence, suffering, and non-self. -
Village Zendo Sutra Book
The Village Zendo Sutra Book 588 Broadway, Suite 1108 New York, New York 10012 www.villagezendo.org Table of Contents Daily Verses and Gathas 3 Maha Prajña Paramita Heart Sutra 4 Maka Hannya Haramita Shin Gyo 5 Sho Sai Myo Kichijo Dharani 6 Enmei Jukku Kannon Gyo 6 Song of the Jewel Mirror Awareness 7 Our Women Ancestors 10 The Identity of Relative and Absolute 12 Traditional Zen Ancestors Lineage 13 Daihishin Dharani 15 Fukanzazengi 16 Kan Ro Mon/Gate of Sweet Nectar 20 New Years and Jizo Shingon Dharanis 25 Meal Gatha 26 Nenju 28 2 Customary Refrain All Buddhas throughout space and time All Bodhisattva Mahasattvas Maha Prajña Paramita The Four Great Vows Sentient beings are numberless, I vow to save them. Desires are inexhaustible, I vow to put an end to them. The Dharmas are boundless, I vow to master them. The Buddha Way is unattainable, I vow to attain it. Verse of the Kesa Vast is the robe of liberation, A formless field of benefaction. I wear the Tathagata teaching, Saving all sentient beings. Gatha on Opening the Sutra The Dharma, incomparably profound and infinitely subtle, Is rarely encountered, even in millions of ages. Now we see it, hear it, receive and maintain it. May we completely realize the Tathagata's true meaning. Verse of Atonement All evil karma ever committed by me since of old, On account of my beginningless greed, anger and ignorance, Born of my body, mouth and thought, Now I atone for it all. 3 Maha Prajña Paramita Heart Sutra Avalokiteshvara Bodhisattva, doing deep Prajña Paramita, Clearly saw emptiness of all the five conditions Thus completely relieving misfortune and pain. -
Maha Prajña Paramita Heart Sutra
Maha Prajna Paramita Heart Sutra Maha Prajña Paramita Heart Sutra Avalokiteshvara Bodhisattva, doing deep Prajña Paramita, Clearly saw emptiness of all the five conditions, Thus, completely relieving misfortune and pain. Oh Shariputra, form is no other than emptiness Emptiness no other than form; Form is exactly emptiness, emptiness exactly form. Sensation, conception, discrimination, awareness are likewise like this. Oh Shariputra, all Dharmas are forms of emptiness: Not born, not destroyed; not stained, not pure, without loss, without gain. So in emptiness there is no form, no sensation, conception, discrimination, awareness. No eye, ear, nose, tongue, body, mind; no color, sound, smell, taste, touch, phenomena. No realm of sight, no realm of consciousness, no ignorance and no end to ignorance, No old age and death and no end to old age and death, No suffering, no cause of suffering, no extinguishing, no path, no wisdom and no gain. No gain and thus the Bodhisattva lives Prajña Paramita, with no hindrance in the mind. No hindrance, therefore no fear. Far beyond deluded thoughts, this is Nirvana. All past, present and future Buddhas live Prajña Paramita And therefore attain Añutara-Samyak-Sambodhi. Therefore know Prajña Paramita is the great mantra, The vivid mantra, the best mantra, the unsurpassable mantra It completely clears all pain. This is the truth not a lie. So set forth the Prajña Paramita mantra, 1 Maha Prajna Paramita Heart Sutra Set forth this mantra and say: Gate Gate Paragate! Parasamgate! Bodhi Svaha! Prajna Heart Sutra! 2 Identity of Relative and Absolute Identity of Relative and Absolute The mind of the Great Sage of India was intimately conveyed from West to East. -
Chan Rhetoric of Uncertainty in the Blue Cliff Record
Chan Rhetoric of Uncertainty in the Blue Cliff Record Chan Rhetoric of Uncertainty in the Blue Cliff Record Sharpening a Sword at the Dragon Gate z STEVEN HEINE 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Oxford University Press 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Cataloging-in-Publication data is on file at the Library of Congress ISBN 978–0–19–939776–1 (hbk); 978–0–19–939777–8 (pbk) 1 3 5 7 9 8 6 4 2 Printed by Webcom, Canada Contents Preface vii 1. Prolegomenon to a New Hermeneutic: On Being Uncertain about Uncertainty 1 2. Entering the Dragon Gate: Textual Formation in Historical and Rhetorical Contexts 46 3. -
Zen Desert Sangha Sūtra Book Is Based on Previous Compilations Made at Zen Desert Sangha and Pathless Path in Tucson Arizona, and at Empty Sky in Amarillo Texas
Zen Desert Sangha ZEN BUDDHIST SŪTRAS Tucson, Arizona Second revised version, April 2019. Prepared and edited by Zen Desert Sangha, a Diamond Sangha affiliate. https://www.zendesertsangha.org tel: 520 319 6260 email: [email protected] P. O. Box 44122 Tucson AZ 85733-4122 Based on text selections, translations, and commentaries from other Diamond Sangha affiliates, published inEncouraging Words: Zen Bud- dhist Teachings for Western Students by Robert Aitken (Pantheon Books: New York and San Francisco). Copyright © 1993 by Robert Aitken. The translation of the Heart Sūtra on page 32 is Copyright © 2005 by The Zen Center, Rochester NY, as is the reading starting on page 27. Thomas Cleary’s translation on page 36 and extensive notes starting on page 57 are Copyright © 1980, 1999 by San Francisco Zen Center. Credits for other quotations appear in the Notes and Commentary section. Any original content in this book is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. It is at- tributed to Zen Desert Sangha. The cover illustration is re-drawn after brush calligraphy by Hakuin Ekaku, a famous Zen master from eighteenth century c e Japan, based on the character mu. See: Penelope Mason (1993) History of Japanese Art fig. 287. FOREWARD This April 2019 revision of the Zen Desert Sangha Sūtra Book is based on previous compilations made at Zen Desert Sangha and Pathless Path in Tucson Arizona, and at Empty Sky in Amarillo Texas. Pat Hawk Rōshi added the names of several enlightened women to the service dedica- tions for the 2001 revision, and Dan Dorsey Rōshi has added more for the current version; sadly, Pat Hawk Rōshi’s Dharma name is itself now in the dedication to deceased ancestors.