3Rd Dimension Veritas Et Visus October 2010 Vol 6 No 1
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Pionicer Newspaper of Ocean County. 5 Vents a Copy
PIONICER NEWSPAPER OF OCEAN COUNTY. 5 VENTS A COPY TOMS RIVER, 31. J, FRIDAY. APRII. », 1920 KWABIWUKW IS» VOLERE To .NUMBER js " , . OF WORK FOB REN “JOE" THORFNON IS -TOO H AILS SHOT TO PIKt'F.S NO ONI OPPOSED DAM AT *>1) TEAMS IN THIS SECT 10 X POOt TO RTS HtH CONGRESS" llltt Iti: 1*0 8 ITS REPORTED BV OCEAN lOt.NTV BANKS I’lHUt HEARING VESIERDAT Bank Assets Deposits In the past month or ho the xnmrently there 1» no lack of work In some parts of the Third Consrea-1 malls have again loom all shot to nvrtt and teams in this section of slonal district they have a brand new Lakewood Trust Company $2.!»20.T;m>.70 $2 553.463 10 No one appeared yesterday to op- First N'attonal, Toms River 1,180,387.81 1,124,76012 pieces, It has been as iliilicult to fsvse the project of damming Toma ■ . «hore In addition to the ordinary and bona fide reason for uppoal.i* i get mall mailer through as It »a» “ok of aprlna. which 1c enough on "Joe" Thompson of New Ksypt for Ocean Co. National. Pt. Pleasant 1.113,716.28 961,368 JO River at the public hearing In ibo Peoples National, Lakewood ■ 1,153,488,27 959,294.84 •luring the curly months of tots, courthouse on Tbi vday, April 8. at , ms and the rmtda to keep teams the Republican nomination for coo- when the war paralysed the mall ' i teamsters busy, there are a nutn- gress this fall. -
Baggage X-Ray Scanning Effects on Film
Tib5201 April 2003 TECHNICAL INFORMATION BULLETIN Baggage X-ray Scanning Effects on Film Updated April 8, 2003 Airport Baggage Scanning Equipment Can Jeopardize Your Unprocessed Film Because your pictures are important to you, this information is presented as an alert to travelers carrying unprocessed film. New FAA-certified (Federal Aviation Administration) explosive detection systems are being used in U.S. airports to scan (x-ray) checked baggage. This stronger scanning equipment is also being used in many non-US airports. The new equipment will fog any unprocessed film that passes through the scanner. The recommendations in this document are valid for all film formats (135, Advanced Photo System [APS], 120/220, sheet films, 400 ft. rolls, ECN in cans, etc.). Note: X rays from airport scanners don’t affect digital camera images or film that has already been processed, i.e. film from which you have received prints, slides, KODAK PHOTO CD Discs, or KODAK Picture CDs. This document also does not cover how mail sanitization affects film. If you would like information on that topic, click on this Kodak Web site: mail sanitization. Suggestions for Avoiding Fogged Film X-ray equipment used to inspect carry-on baggage uses a very low level of x-radiation that will not cause noticeable damage to most films. However, baggage that is checked (loaded on the planes as cargo) often goes through equipment with higher energy X rays. Therefore, take these precautions when traveling with unprocessed film: • Don’t place single-use cameras or unprocessed film in any luggage or baggage that will be checked. -
Dolby Cineasset User Manual 005058 Issue 6
Dolby CineAsset User’s Manual 22 July 2019 CAS.OM.005058.DRM Issue 6 Notices Notices Copyright © 2019 Dolby Laboratories. All rights reserved. Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-645-4000 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. The following are trademarks of Dolby Laboratories: Dialogue Intelligence™ Dolby Theatre® Dolby® Dolby Vision™ Dolby Advanced Audio™ Dolby Voice® Dolby Atmos® Feel Every Dimension™ Dolby Audio™ Feel Every Dimension in Dolby™ Dolby Cinema™ Feel Every Dimension in Dolby Atmos™ Dolby Digital Plus™ MLP Lossless™ Dolby Digital Plus Advanced Audio™ Pro Logic® Dolby Digital Plus Home Theater™ Surround EX™ Dolby Home Theater® All other trademarks remain the property of their respective owners. Patents THIS PRODUCT MAY BE PROTECTED BY PATENTS AND PENDING PATENT APPLICATIONS IN THE UNITED STATES AND ELSEWHERE. FOR MORE INFORMATION, INCLUDING A SPECIFIC LIST OF PATENTS PROTECTING THIS PRODUCT, PLEASE VISIT http://www.dolby.com/patents. Third-party software attributions Portions of this software are copyright © 2012 The FreeType Project (freetype.org). All rights reserved. Dolby CineAsset software is based in part on the work of the Qwt project (qwt.sf.net). This software uses libraries from the FFmpeg project under the LGPLv2.1. This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit (openssl.org). This product includes cryptographic software -
Scary Movies at the Cudahy Family Library
SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS -
Dolby 3D Brochure
Dolby 3D Makes Good Business Sense Premium Quality Dolby 3D provides a thrilling audience experience and a powerful box-office attraction. It’s also more cost-effective and better Widely recognized as producing the best 3D image, Dolby for the environment than systems that use disposable glasses. Another key feature: Dolby 3D is part of an integrated suite of 3D provides an amazingly sharp picture with brighter, more Dolby Digital Cinema products from a company with over 40 years of cinematic innovation. natural colors—giving your audiences an unparalleled 3D experience they’ll want to return for again and again. Keep More 3D Profit Dolby 3D Return on Investment Dolby 3D is a one-time investment—no annual licensing fees ROI or revenue sharing. In fact, a complete Dolby 3D system generally pays for itself after only a few 3D releases. You $80K keep more of the additional revenues generated with Dolby $60K Flexible 3D and your ROI continues to improve over time. $40K Dolby 3D wows audiences on any screen—either on $20K traditional white screens or on silver screens, allowing Durable and Eco-Friendly for greater scheduling flexibility. Easily switch between Engineered to resist damage and hold their shape, Dolby 3D $0 2D and 3D, and move films from one auditorium to glasses deliver a comfortable fit and the highest quality 3D ($20K) another without screen restrictions. experience for hundreds of uses, without ending up in landfills like disposables. Reduce, reuse, recycle—it's good ($40K) for business. 1 5 10 15 Number of Dolby 3D Releases* World-Class Support Dolby provides comprehensive support for our 3D solution, *Based on 7,500 admissions per title. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Dolby 3D Installation Manual
Dolby® 3D Installation Manual Issue 2 Part Number 9110260 Dolby Laboratories, Inc. Corporate Headquarters Dolby Laboratories, Inc. 100 Potrero Avenue San Francisco, CA 94103‐4813 USA Telephone 415‐558‐0200 Fax 415‐863‐1373 www.dolby.com European Headquarters Dolby Laboratories, Inc. Wootton Bassett Wiltshire SN4 8QJ England Telephone 44‐1793‐842100 Fax 44‐1793‐842101 DISCLAIMER OF WARRANTIES: EQUIPMENT MANUFACTURED BY DOLBY LABORATORIES IS WARRANTED AGAINST DEFECTS IN MATERIALS AND WORKMANSHIP FOR A PERIOD OF ONE YEAR FROM THE DATE OF PURCHASE. THERE ARE NO OTHER EXPRESS OR IMPLIED WARRANTIES AND NO WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, OR OF NONINFRINGEMENT OF THIRD‐PARTY RIGHTS (INCLUDING, BUT NOT LIMITED TO, COPYRIGHT AND PATENT RIGHTS). LIMITATION OF LIABILITY: IT IS UNDERSTOOD AND AGREED THAT DOLBY LABORATORIES’ LIABILITY, WHETHER IN CONTRACT, IN TORT, UNDER ANY WARRANTY, IN NEGLIGENCE, OR OTHERWISE, SHALL NOT EXCEED THE COST OF REPAIR OR REPLACEMENT OF THE DEFECTIVE COMPONENTS OR ACCUSED INFRINGING DEVICES, AND UNDER NO CIRCUMSTANCES SHALL DOLBY LABORATORIES BE LIABLE FOR INCIDENTAL, SPECIAL, DIRECT, INDIRECT, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, DAMAGE TO SOFTWARE OR RECORDED AUDIO OR VISUAL MATERIAL), COST OF DEFENSE, OR LOSS OF USE, REVENUE, OR PROFIT, EVEN IF DOLBY LABORATORIES OR ITS AGENTS HAVE BEEN ADVISED, ORALLY OR IN WRITING, OF THE POSSIBILITY OF SUCH DAMAGES. Dolby and the double‐D symbol are registered trademarks of Dolby Laboratories. All other trademarks Part Number 9110260 remain the property of their respective owners. Issue 2 © 2008 Dolby Laboratories. All rights reserved. S08/18712/19863 ii Dolby® 3D Installation Manual Regulatory Notices FCC NOTE: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. -
Audiovisual Spatial Congruence, and Applications to 3D Sound and Stereoscopic Video
Audiovisual spatial congruence, and applications to 3D sound and stereoscopic video. C´edricR. Andr´e Department of Electrical Engineering and Computer Science Faculty of Applied Sciences University of Li`ege,Belgium Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) in Engineering Sciences December 2013 This page intentionally left blank. ©University of Li`ege,Belgium This page intentionally left blank. Abstract While 3D cinema is becoming increasingly established, little effort has fo- cused on the general problem of producing a 3D sound scene spatially coher- ent with the visual content of a stereoscopic-3D (s-3D) movie. The percep- tual relevance of such spatial audiovisual coherence is of significant interest. In this thesis, we investigate the possibility of adding spatially accurate sound rendering to regular s-3D cinema. Our goal is to provide a perceptually matched sound source at the position of every object producing sound in the visual scene. We examine and contribute to the understanding of the usefulness and the feasibility of this combination. By usefulness, we mean that the technology should positively contribute to the experience, and in particular to the storytelling. In order to carry out experiments proving the usefulness, it is necessary to have an appropriate s-3D movie and its corresponding 3D audio soundtrack. We first present the procedure followed to obtain this joint 3D video and audio content from an existing animated s-3D movie, problems encountered, and some of the solutions employed. Second, as s-3D cinema aims at providing the spectator with a strong impression of being part of the movie (sense of presence), we investigate the impact of the spatial rendering quality of the soundtrack on the reported sense of presence. -
History of the Early Days of Ampex Corporation
PAPER History of The Early Days of Ampex Corporation As recalled by JOHN LESLIE and ROSS SNYDER Alexander M. Poniatoff founded Ampex in 1944, primarily to manufacture small motors and generators for military applications. When WWII ended, the military contracts dropped off, and Alex had to search for a new line of business to continue his company’s existence. He and his small group of engineers heard a demonstration of a Magnetophon, a German magnetic tape recorder used by Hitler during WWII. The demonstration quickly convinced Alex to redirect his company and soon it was designing and manufacturing professional-quality magnetic tape recorders. Bing Crosby was a great help in Ampex’s early years. The company grew quickly and, within a short time, dominated the magnetic tape recorder market in radio, television, the record industry, and industrial and military markets for instrumentation recorders . Alex was born in Russia in 1892. His father was well-to- 0 INTRODUCTION do, and sent Alex to Germany for an education in engineering. After college, he returned to Russia only to see his country It has been amazing how many people today are asking become engaged in a civil war. Alex escaped to China, where questions about Ampex and the Company’s contribution to the he went to work for the Shanghai Power Company. He music recording industry, the radio and television broadcast immigrated to the United States in 1927 where he worked for industry and the stereophonic home entertainment field. There General Electric, Pacific Gas & Electric, and the Dalmo Victor is no question that Ampex was a major factor in each of these Corporation in San Carlos, California. -
Dolby Laboratories, Inc
The Henry Fund Henry B. Tippie School of Management Ajay Kaushik Rajagopalan [[email protected]] Dolby Laboratories, Inc. (DLB) March 8, 2016 Information Technology – Diversified Electronics Stock Rating Sell Investment Thesis Target Price $37-$44 DCF $40.65 Dolby Laboratories is a leader in audio technologies and since its inception in DDM $19.77 1965, it has established itself as the de-facto standard for lossless audio Relative Multiple $34.33 technologies. Dolby has supplemented its audio technology offerings with Price Data image technologies such as Dolby Vision. The current offerings of Dolby have Current Price $39.57 positioned it well to leverage the digital television boom in emerging markets. 52wk Range $29.87 – 41.84 The future growth prospects of Dolby are for good measure factored into the current stock price and hence this report recommends a sell rating. Consensus 1yr Target $39.00 Key Statistics Drivers of Thesis Market Cap (B) $3.97 The demand for Set Top Boxes (STBs) and Digital TVs is expected to grow Shares Outstanding (M) $101.35 at 7% CAGR through 2020 and this is expected to drive the broadcasting Institutional Ownership 94.6% licensing growth at 6.7% CAGR through 2020.(10) Five Year Beta 0.695 Wanda group is partnering with Dolby to open 200 new Dolby Cinema halls Dividend Yield 1.21% by 2024 and this is expected to drive the product segment growth at 16.6% Analyst Est. 5yr Growth 10.00% CAGR through 2020.(8,19) Price/Earnings (TTM) 24.42 Future Audio/Video conferencing products of British Telecom and Premier Price/Earnings (FY1) 18.8 Global Services Inc. -
1 Stereographics
1 Stereographics Mike Bailey [email protected] This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License Computer Graphics Stereographics.pptx mjb – August 5, 2021 1 2 Stereovision is not new – It’s been in common use in the movies since the 1950s Computer Graphics Life Magazine mjb – August 5, 2021 2 1 And, even longer than that in stills 3 Newport Maritime Museum Portland Art Museum Computer Graphics mjb – August 5, 2021 3 4 Binocular Vision In everyday living, part of our perception of depth comes from the slight difference in how our two eyes see the world around us. This is known as binocular vision. We care about this, and are discussing it, because stereo computer graphics can be a great help in de-cluttering a complex 3D scene. It can also enhance the feeling of being immersed in a movie. OSU President Dr. Becky Johnson Computer Graphics mjb – August 5, 2021 4 2 5 The Cyclops Model In the world of computer graphics, the two eye views can be reconstructed using standard projection mathematics. The simplest approach is the Cyclops Model. In this model, the left and right eye views are obtained by rotating the scene plus and minus what a Cyclops at the origin would see Y ψ ψ X L C R Z The left eye view is obtained by rotating the scene an angle +ψ about the Y axis. The right eye view is obtained by rotating the scene an angle -ψ about the Y axis. In practice, if you wanted to do this (and you don’t), a good value of ψ would be 1-4˚. -
Dolby Laboratories, Inc. -- Film Sound Glossary Film Sound Glossary
Film-Tech The information contained in this Adobe Acrobat pdf file is provided at your own risk and good judgment. These manuals are designed to facilitate the exchange of information related to cinema projection and film handling, with no warranties nor obligations from the authors, for qualified field service engineers. If you are not a qualified technician, please make no adjustments to anything you may read about in these Adobe manual downloads. www.film-tech.com Dolby Laboratories, Inc. -- Film Sound Glossary Film Sound Glossary Acoustics -- The characteristics, such as how sound is reflected and absorbed, that acoustically differentiate one environment from another, such as a living room from a concert hall. Ambiance -- Low level sounds that set a mood or suggest the character of a particular place. Analog vs. digital -- The difference between analog and digital sound is explained best in terms of the analog and digital soundtracks on the Dolby Digital print shown in Figure 1. Figure 1 The width of the analog soundtrack varies in a way that is directly analogous to the varying soundwaves of the original sound. All analog formats have an equivalent varying parameter, such as the strength of the magnetic field on recording tape, or the side-to-side swings of the groove on a phonograph record. When played back, the varying width of the track is translated to a varying electrical voltage which ultimately causes the theatre's loudspeakers cones to move back and forth to recreate the original sound. With a digital optical soundtrack, points along the soundwaves of the original sound are assigned a numeric (or digital) value, which are represented as tiny dots on the track.