Congratulations!

Total Page:16

File Type:pdf, Size:1020Kb

Congratulations! Congratulations! You have been chosen to complete the Greek Mythology Project! To understand allusions to Greek Mythology in literature, it is extremely helpful to know about some gods, goddesses, and creatures, including myths and legends! Here are the guidelines for you to follow: - Research a Greek god, goddess, hero, monster, or other creature using the books and/or websites listed on the back of this paper. It is important to use AT LEAST two sources for your information so you can get as much background as possible. (only ONE person per class for each subject- a sign up list will be provided) - Take notes concerning your research- gather the information in a manner that would be easily explainable to others. - Prepare a presentation for your class to explain the subject you chose as well as any myths associated with your subject. You are the expert here! Make sure the audience understands the importance of your subject! - Create a visual aid to represent your subject- this could be a power point, a poster, a three-dimensional object, or something else. Be creative! - Be ready to present on the day this is due! What will you turn in? What is your grade based upon? - Your notes! These can be messy, neat, or whatever! I just want to see how you took notes! Staple these to the back of your works cited page. - A typed, printed works cited page in MLA format! Use your MLA notes to help you cite your sources correctly in MLA format. Remember, there are different ways to cite books and websites. Use your resources to help you do this correctly! Don’t forget about the OWL at Purdue website! - Your presentation! I expect you to find enough information to give a 2-3 minute presentation about your subject. Please time yourself and PRACTICE so you fit within the time frame. Points will be deducted for going under or over the time guidelines. - Your visual aid! Make sure your visual aid is representative of your subject and is mentioned DURING your presentation- not just at the end as an afterthought. Assigned: Thursday, December 12, 2019 Due: Monday, January 6, 2020 * You will NOT have time in class to work on this! Ideas for subject matter (this is just a list to be helpful, you can chose other GREEK subjects that you find): Zeus Eros Athena Arachne Poseidon Pandora Echo Gaea Hades Hermes Achilles Icarus Hera Heracles The Sirens Cronus Demeter Nike Aries Daedalus Persephone Atlas Atalanta Prometheus Apollo Pan Narcissus Hestia Aphrodite Cerberus Daphne Styx Hephaestus Orpheus The Minotaur Graeae Perseus Dionysus Jason and the Pegasus Theseus Medusa Argonauts Psyche King Midas Artemis Oedipus Greek Mythology Rubric _____/ 8 Notes - Enough notes to cover the material well - Teacher can see effort put into the note-taking _____/ 10 Works Cited - Formatted in MLA (12 point, times new roman, double-spaced, proper heading in the top, left-hand corner) - Cited in MLA (ALl sources used are correctly typed in MLA format and listed alphabetically by the first letter of each source) _____/ 20 Presentation - Relevant information covered (as well as visual aid referenced) - Time guidelines adhered to - Speaker was well rehearsed, serious, gave good eye contact, and had a proper volume - Minimal disruptions (filler words, pauses, etc.) _____/ 12 Visual Aid - Creative, thoughtful - Professional appearance - Relevant to the subject matter _____/ 50 TOTAL Acceptable Books/Websites (you MUST use this list for your sources!) www.greek-gods.org www.theoi.com www.greekgodsandgoddesses.net www.greek-gods.info Edith Hamilton’s Mythology: Timeless Tales of Gods and Heroes Bernard Evslin’s Heroes, Gods and Monsters of the Greek Myths W.H.D. Rouse’s Gods, Heroes and Men of Ancient Greece .
Recommended publications
  • 2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% %
    2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% % 1. What elderly senator succeeded Domitian as emperor in 96 A.D.? NERVA B1 Give the name of the mistress of the Praetorian Prefect who led the conspiracy to assassinate Domitian. DOMITIA B2 What palace servant stabbed Domitian? STEPHANUS 2. What fisherman found and cared for Danaë and the infant Perseus? DICTYS B1 Name Dictys’s cruel brother. POLYDECTES B2 On what island did Dictys and Polydectes live? SERIPHOS 3. For the verb tollō, tollere give the 2nd person plural, imperfect, passive, indicative. TOLLĒBĀMINĪ B1 Make tollēbāminī 1st person. TOLLĒBĀMUR B2 Make tollēbāmur perfect. SUBLĀTĪ/-AE/-A SUMUS 4. What is the meaning of the Latin adjective melior? BETTER B1 Give an antonym of melior? PEIOR B2 Give the superlative form of peior? PESSIMUS 5. The Greek chieftains Phoenix, Ajax the Greater, and Odysseus were assembled to appease what warrior and convince him to rejoin the war against the Trojans? ACHILLES B1 Who had organized this embassy after stealing Achilles’ concubine and evoking his anger? AGAMEMNON B2 What was the name of this concubine from Lyrnessus whom Agamemnon had stolen to replace his own? BRISEÏS 6. Translate the following sentence into English: hortus cotīdiē ab animālibus rūsticīs vīsitābātur. THE GARDEN WAS (BEING) VISITED BY RUSTIC ANIMALS EVERY DAY. 2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% % B1 Now translate this sentence: herba ā nōn solum leporibus sed etiam bovibus consumpta est. THE GRASS WAS/HAS BEEN EATEN NOT ONLY BY RABBITS BUT ALSO BY COWS/HEIFERS. B2 Restate the sentence posteā agricola dēfessus leporēs gladiō interfēcit in Latin by changing the verb to the passive voice yet keeping the overall meaning the same.
    [Show full text]
  • The Cambridge Companion to Greek Mythology (2007)
    P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr.
    [Show full text]
  • Greek Gods and Myths – Overview Gaia and Uranus to Reign of the Olympians
    GREEK GODS AND MYTHS – OVERVIEW GAIA AND URANUS TO REIGN OF THE OLYMPIANS ERA SUMMARY – GREEK GODS AND MYTHS The myths and legends of Ancient Greece are such an essential part of Greek culture that the first three units of the Ancient Greece Classical Curriculum are dedicated entirely to myth and folklore. Greek mythology is important, not only because it reflects the pagan religion of the Ancient world, but also because it gives great insight into Greek thought and expression. References to Greek Gods and folklore are present throughout the recorded history of the ancient world, in religious symbols and ceremonies, in literature, in poetry, in art, in archeological artifacts, and in day to day life. The Greeks worshiped Pagan gods but did not credit them with the same qualities of omniscience and goodness that Christians associate with their God. Greeks Gods shared many human foibles so the legends that arose concerning them were almost invariably dramas involving jealousy, indulgence, revenge, debauchery, and misunderstandings. Greek myths were often quite humorous and frequently involved morals applicable to human relations. The myths, heroes and legends of Ancient Greece are too numerous to list, but a few general categories of the types of heroes and stories can be given. The first category of Greek myths involves the Gods, or immortals, who have a human form, and decidedly human personality traits, but possess enormous powers over the earth. The twelve Olympians are the most ATHENE CHANGES ARACHNE INTO A SPIDER important, and they include Zeus, Poseidon, and Hades who rule over the heaven, Sea, and Underworld respectively.
    [Show full text]
  • *Some of the Myths Below Are Very Compressed and May Not Work As Well As Other Versions You Discover, However, They Are All Correctly Cited
    *Some of the myths below are very compressed and may not work as well as other versions you discover, however, they are all correctly cited. Perseus and Medusa In Greek mythology Perseus was the young hero who slew Medusa, one of the fearful Gorgons who turned to stone anyone who dared to look at them. Perseus was the son of Zeus, king of the gods, and Dana, the beautiful daughter of Acrisius, king of Argos. Acrisius had banished mother and son because an oracle had said Dana's son would one day kill him. Polydectes was king of the island where Dana and Perseus had been carried under Zeus's guidance. The king wooed Dana, but knew that he would have to get rid of Perseus before he could win Dana's hand. So he sent the youth to bring back the head of Medusa, thinking Perseus would be killed. Medusa was one of three terrible sisters called Gorgons. They had leathery wings, brazen claws, and writhing poisonous snakes in place of hair. Anyone who looked at them turned to stone. But Perseus was helped by the gods. Athena lent him her brightly polished shield, and Hermes gave him a magic sword. Perseus came to the land of night where the three Gray Sisters (the Graeae) lived. They had only one eye and one tooth among them. They refused to help Perseus, but he stole their eye and returned it only when they told him where to find the Gorgons. With winged sandals that enabled him to fly, the helmet of Hades that made him invisible, and a bag in which to conceal the head, he set out again and finally found the three Gorgons asleep.
    [Show full text]
  • The Quest of Medusa's Head
    Villainy and Women: A Critical Edition of James Baldwin’s “The Quest of Medusa’s Head” Cassandra Grosh, Noah Patterson, & Maggie Weeks-Foy, Ball State University INTRODUCTION he story of Medusa has traveled ABSTRACT through centuries of mythology Tales of Medusa typically end in her death, but, if all she does is die, why are andT folklore. Numerous versions the stories about her? Through analyzing have appeared over time, with origins Medusa’s story with a feminist lens, in both Europe and North America. readers can see that her life is dictated In 1895, American author James by the men around her—she is hideous Baldwin wrote an anthology of short because a man rapes her and is killed stories based upon famous Greek because a man desires her head. Medusa has become a comparative symbol for myths. Included in these stories was women who break from gender roles “The Quest of Medusa’s Head,” a and defy the patriarchy. This edition tale recounting Perseus’s supposedly analyzes restraints placed upon Medusa, heroic quest to slay Medusa and and all women, with particular focus on claim her head as a prize. Baldwin’s literature from the nineteenth century. recounting of Medusa’s death is problematic in many ways. Perhaps the most notable problem with Baldwin’s tale is his distinct separation of women into two types: the “ideal” or “good” woman, one who will marry well and become a devoted mother, and the “monstrous” or “bad” woman, one who is not respected in society and is exiled due to differences.
    [Show full text]
  • Bulfinch's Mythology
    Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34
    [Show full text]
  • Simple Gods Powers Reference
    Simple Gods Powers Reference Compatibilities Index Name Golden Player Timing Power Fleece Count Your Worker may move into an opponent Worker’s space by forcing their Worker to the space Your Move 111 Apollo yours just vacated. 222 Artemis Your Move Your Worker may move one additional time, but not back to its initial spacspace.e. 333 Athena Opponent’s Turn If one of your Workers moved up on your last turn, opponent Workers cannot move up this turn. 444 Atlas Your Build Your Worker may build a dome at any levellevellevel . 555 Demeter Your Build Your Worker may build one additional time, but not on the same space. 666 Hephaestus Your Build Your Worker may build one additional block (not dome) on top of your firstfirst block. If your Workers do not mmmovemove up or downdowndown , they may each move any number of times (even zero), Your Turn 777 Hermes and then either builds . Your Worker may move into an opponent Worker’s space, if their Worker can be forced one space Your Move 888 Minotaur straight backwards to an unoccupied space at any level. 999 Pan Win Condition You also win if your Worker moves down two or more levelslevelslevels . 101010 Prometheus Your Turn If your Worker does not move up , it may build both before and after moving . Advanced God s Power Reference Compatibilities Index Name GolGolGol den Player Timing Power Fleece Count If an opponent Worker starts its turn neighboring one of your Workers , its last move must be to a 111111 Aphrodite Opponent’s Turn space neighboring one of your Workers .
    [Show full text]
  • And Graeae Theatre (UK) Theatre’S Impact
    “Disability on Stage”: The DisAbility Project (USA) and Graeae Theatre (UK) Theatre’s Impact on Disabled Actors: A Comparative Study Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Jonathan Wayne Kochensparger, M. Ed. Graduate Program in Theatre The Ohio State University 2019 Dissertation Committee Lesley Ferris, Advisor Beth Kattelman Joseph Brandesky Karen Mozingo Copyright by Jonathan Wayne Kochensparger 2019 ABSTRACT Few opportunities and many challenges exist in professional theatre for performers who have disabilities in the United States and in the United Kingdom. Joan Lipkin leads a community theatre group in St. Louis, Missouri in the United States that provides opportunities for disabled actors to perform live theatre encompassing original material that is focused on bringing disabilities to the forefront of each production. Likewise, Jenny Sealey leads a professional theatrical company in London, England called The Graeae Theatre. Graeae hires disabled artists as actors, writers and producers. Graeae is leading the way in changing perceptions of non-disabled people and showing the world that disabled artists have important work to perform. This dissertation examines the impact theatre has on the quality of lives of disabled actors and civil rights gains achieved for them by examining the history of disablity theatre in a comparison study of the DisAbility Project of the United States and Graeae Theatre of the United Kingdom. It covers work by disability scholars in a field that is in its beginning stages historically and shows how far this discussion has come since the passage of the ADA in the United States in 1990.
    [Show full text]
  • Greek Mythology Link (Complete Collection)
    Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of
    [Show full text]
  • Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
    1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS
    [Show full text]
  • An Online Textbook for Classical Mythology
    Utah State University DigitalCommons@USU Textbooks Open Texts 2017 Mythology Unbound: An Online Textbook for Classical Mythology Jessica Mellenthin Utah State University Susan O. Shapiro Utah State University, [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/oer_textbooks Recommended Citation Mellenthin, Jessica and Shapiro, Susan O., "Mythology Unbound: An Online Textbook for Classical Mythology" (2017). Textbooks. 5. https://digitalcommons.usu.edu/oer_textbooks/5 This Book is brought to you for free and open access by the Open Texts at DigitalCommons@USU. It has been accepted for inclusion in Textbooks by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Mythology Unbound: An Online Textbook for Classical Mythology JESSICA MELLENTHIN AND SUSAN O. SHAPIRO Mythology Unbound by Susan Shapiro is licensed under CC-BY-NC-SA 4.0 Contents Map vii Aegis 1 Agamemnon and Iphigenia 5 Aphrodite 9 Apollo 15 Ares 25 The Argonauts 31 Artemis 41 Athena 49 Caduceus 61 Centaurs 63 Chthonian Deities 65 The Delphic Oracle 67 Demeter 77 Dionysus/Bacchus 85 Hades 97 Hephaestus 101 Hera 105 Heracles 111 Hermes 121 Hestia 133 Historical Myths 135 The Iliad - An Introduction 137 Jason 151 Miasma 155 The Minotaur 157 The Odyssey - An Introduction 159 The Oresteia - An Introduction 169 Origins 173 Orpheus 183 Persephone 187 Perseus 193 Poseidon 205 Prometheus 213 Psychological Myths 217 Sphinx 219 Story Pattern of the Greek Hero 225 Theseus 227 The Three Types of Myth 239 The Twelve Labors of Heracles 243 What is a myth? 257 Why are there so many versions of Greek 259 myths? Xenia 261 Zeus 263 Image Attributions 275 Map viii MAP Aegis The aegis was a goat skin (the name comes from the word for goat, αἴξ/aix) that was fringed with snakes and often had the head of Medusa fixed to it.
    [Show full text]
  • The Story of Perseus and the Gorgon the Story of Perseus and the Gorgon
    The Story of Perseus and the Gorgon The story of Perseus and the Gorgon There was once a king called Acrisius, who had a beautiful daughter named Danaë. An oracle warned him that he would be killed by Danaë’s son, so he imprisoned her at the top of a bronze tower so that she could never meet a man or have children. But Zeus the king of the gods saw her in the tower and fell in love with her. He turned himself into a shower of gold and poured himself into her room. She had a little boy whom she called Perseus. Acrisius was furious, but he couldn’t bring himself to kill Perseus, as he realised Perseus was the son of Zeus. He had Danaë and Perseus shut up in a wooden box and thrown into the sea. The box floated, and was eventually washed up on the island of Seriphos, where it was found by a fisherman called Dictys. Dictys looked after Danaë and Perseus until Perseus had grown to manhood. 2 Dictys’ brother, Polydectes, was the king of Seriphos. He had noticed how beautiful Danaë was and wanted her for himself. First he needed to get rid of Perseus. He pretended he was going to marry someone else, and said that everyone on the island must give him a magnificent horse as a wedding present. Perseus didn’t have a magnificent horse, or any money to buy one with. He promised Polydectes he would give him anything else he wanted. “Then bring me the head of the gorgon Medusa,” snarled Polydectes.
    [Show full text]