*Some of the Myths Below Are Very Compressed and May Not Work As Well As Other Versions You Discover, However, They Are All Correctly Cited
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2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% %
2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% % 1. What elderly senator succeeded Domitian as emperor in 96 A.D.? NERVA B1 Give the name of the mistress of the Praetorian Prefect who led the conspiracy to assassinate Domitian. DOMITIA B2 What palace servant stabbed Domitian? STEPHANUS 2. What fisherman found and cared for Danaë and the infant Perseus? DICTYS B1 Name Dictys’s cruel brother. POLYDECTES B2 On what island did Dictys and Polydectes live? SERIPHOS 3. For the verb tollō, tollere give the 2nd person plural, imperfect, passive, indicative. TOLLĒBĀMINĪ B1 Make tollēbāminī 1st person. TOLLĒBĀMUR B2 Make tollēbāmur perfect. SUBLĀTĪ/-AE/-A SUMUS 4. What is the meaning of the Latin adjective melior? BETTER B1 Give an antonym of melior? PEIOR B2 Give the superlative form of peior? PESSIMUS 5. The Greek chieftains Phoenix, Ajax the Greater, and Odysseus were assembled to appease what warrior and convince him to rejoin the war against the Trojans? ACHILLES B1 Who had organized this embassy after stealing Achilles’ concubine and evoking his anger? AGAMEMNON B2 What was the name of this concubine from Lyrnessus whom Agamemnon had stolen to replace his own? BRISEÏS 6. Translate the following sentence into English: hortus cotīdiē ab animālibus rūsticīs vīsitābātur. THE GARDEN WAS (BEING) VISITED BY RUSTIC ANIMALS EVERY DAY. 2013%Yale%Certamen%Invitational% Intermediate%Division% Round%1% % B1 Now translate this sentence: herba ā nōn solum leporibus sed etiam bovibus consumpta est. THE GRASS WAS/HAS BEEN EATEN NOT ONLY BY RABBITS BUT ALSO BY COWS/HEIFERS. B2 Restate the sentence posteā agricola dēfessus leporēs gladiō interfēcit in Latin by changing the verb to the passive voice yet keeping the overall meaning the same. -
The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
MYTHS Echo and Narcissus Greco/Roman the Greeks
MYTHS Echo and Narcissus Greco/Roman The Greeks (and Romans) were among the early monogamous societies. The men, however, seemed to revel in stories of Zeus’ (Jupiter’s) adulterous escapades with goddesses as well as humans, and enjoyed tales of the jealousies of his wife, Hera (Juno), the goddess of marriage and the family. For the full introduction to this story and for other stories, see The Allyn & Bacon Anthology of Traditional Literature edited by Judith V. Lechner. Allyn & Bacon/Longman, 2003. From: Outline of Mythology: The Age of Fable, The Age of Chivalry, Legends of Charlemagne by Thomas Bulfinch. New York: Review of Reviews Company, 1913. pp. 101-103. Echo was a beautiful nymph, fond of the woods and hills, where she devoted herself to woodland sports. She was a favorite of Diana, and attended her in the chase. But Echo had one failing: she was fond of talking, and whether in chat or argument, would have the last word. One day Juno was seeking her husband, who, she had reason to fear, was amusing himself among the nymphs. Echo by her talk contrived to detain the goddess till the nymphs made their escape. When Juno discovered it, she passed sentence upon Echo in these words: “You shall forfeit the use of that tongue with which you have cheated me, except for the one purpose you are so fond of—reply. You shall still have the last word, but no power to speak the first.” This nymph saw Narcissus, a beautiful youth, as he pursued the chase upon the mountains. -
Greek and Roman Mythology and Heroic Legend
G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image . -
Dorian Gray Syndrome
Pleskovo Comprehensive Orthodox Christian Boarding School Dorian Gray Syndrome Modern society’s cognitive disease: origin, features and therapy. Author Daniil Igorevich Chugaev a senior student Supervisor Irina Vladimirovna Nickishina an English teacher 2012 Contents Prologue Oscar Wilde’s novel «The Picture of Dorian Gray»: • author’s short biography; • summary of the novel; • theme analysis. Pages 3 through 6 Keynote Dorian Gray Syndrome: • myth about Narcissus as a representation of ancient society; • becoming a trend of modern society; • origin and features; • ways of treatment. Pages 7 through 9 Conclusion Page 10 Credits Page 11 2 Prologue Oscar Wilde’s biography Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, plays and the circumstances of his imprisonment, followed by his early death. Wilde's parents were successful Dublin intellectuals. Their son became fluent in French and German early in life. At university Wilde read Greats; he proved himself to be an outstanding classicist, first at Dublin, then at Oxford. He became known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. He also profoundly explored Roman Catholicism, to which he would later convert on his deathbed. After university, Wilde moved to London into fashionable cultural and social circles. As a spokesman for aestheticism, he tried his hand at various literary activities: he published a book of poems, lectured in the United States of America and Canada on the new "English Renaissance in Art", and then returned to London where he worked prolifically as a journalist. -
Greek Mythology and Medical and Psychiatric Terminology
HISTORY OF PSYCHIATRY Greek mythology and medical and psychiatric terminology Loukas Athanasiadis A great number of terms in modern psychiatry, Narcissus gave his name to narcissism (ex medicine and related disciplines originate from treme self-love based on an idealised self-image). the Greek, including pathology, schizophrenia, He was a young man extremely proud of his ophthalmology, gynaecology, anatomy, pharma beauty and indifferent to the emotions of those cology, biology, hepatology, homeopathy, allo who fell in love with him. A goddess cursed him pathy and many others. There are also many to feel what it is to love and get nothing in return. terms that originate from figures from ancient He subsequently fell in love with his own image Greek mythology (or the Greek words related to when he saw his reflection in the water of a those figures) and I think that it might be fountain, and believed that this image belonged interesting to take a look at some of them. to a spirit. Every time he tried to embrace the Psyche means 'soul' in Greek and she gave her image it disappeared and appeared without names to terms like psychiatry (medicine of the saying a word. At the end the desperate soul), psychology, etc. Psyche was a mortal girl Narcissus died and was turned into a flower that with whom Eros ('love', he gave his name to still bears his name. erotomania, etc.) fell in love. Eros's mother Echo was a very attractive young nymph who Aphrodite had forbidden him to see mortal girls. always wanted to have the last word. -
The Changes of Dorian's Personality to Be Narcissistic Caused by His
The Changes of Dorian’s Personality to be Narcissistic Caused by His Environment Reflected in Oscar Wilde’s Novel The Picture of Dorian Gray SCIENTIFIC ARTICLE BY IRMA OEMAYA NIM 0811110048 STUDY PROGRAM OF ENGLISH DEPARTMENT OF LANGUAGES AND LITERATURE FACULTY OF CULTURAL STUDIES UNIVERSITAS BRAWIJAYA MALANG 2013 This is to certify that the Sarjana thesis of Irma Oemaya has been approved by the Board of Supervisors. Malang, 1 Agustus 2013 Supervisor Juliati, M.Hum. NIP. Malang, 21 June 2013 Co-supervisor Fredy Nugroho S, M.Hum The Changes of Dorian’s Personality to be Narcissistic Caused by His Environment Reflected in Oscar Wilde’s Novel The Picture of Dorian Gray Irma Oemaya Study Program of English, Faculty of Culture Studies, Universitas Brawijaya Abstract God creates human with the biological aspect as the foundation that build someone from the body, personality, character, etc, and biological is not the only factor that build some one’s character. There are some key factors, which provoke particular changes in human character, and these aspects can be divided into two groups, internal and external. Everyone has different personality and character, and they also have bad side and good side inside them, which is the most strongest side will be seen clearly as they wants. The Picture of Dorian Gray is a novel with uncommon theme or supernatural thing. Yet the real theme which is going to be analyzed deal with the change Dorian’s character a handsome young man from innocent nature into an evily selfish person. Dorian Gray was a pure man until his meeting with Lord Henry brought him to realize that beauty is everything. -
The Story of Orpheus and Eurydice in Coetzee and Rilke
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Debrecen Electronic Archive ACTA UNIVERSITATIS SAPIENTIAE, PHILOLOGICA, 8, 1 (2016) 41–48 DOI: 10.1515/ausp-2016-0003 The Story of Orpheus and Eurydice in Coetzee and Rilke Ottilia VERES Partium Christian University (Oradea, Romania) Department of English Language and Literature [email protected] Abstract. J. M. Coetzee’s The Master of Petersburg (1994) is a text about a father (Dostoevsky) mourning the death of his son. I am interested in the presence and meaning of the myth of Orpheus and Eurydice in the novel, compared to the meaning of the myth in R. M. Rilke’s poem “Orpheus. Eurydice. Hermes.” (1904). I read the unaccomplished encounter between Orpheus and Eurydice as a story that portrays the failed intersubjectity plot of Coetzee’s novel(s). Following Blanchot’s reading of the myth, I examine the contrasting Orphean and Eurydicean conducts – Orpheus desiring but, at the same time, destroying the other and Eurydice declining the other’s approach. I argue that Orpheus’s and Eurydice’s contrasting behaviours can be looked at as manifestations of a failure of love, one for its violence, the other for its neglect, and thus the presence of the myth in The Master of Petersburg is meaningful in what it says about the theme of intersubjectivity in Coetzee’s oeuvre. Keywords: Orpheus, Eurydice, encounter, intersubjectivity. J. M. Coetzee’s seventh novel, The Master of Petersburg (1994), is a novel about the trauma of losing a son; it is a mourning text both in the sense that in it the protagonist Dostoevsky tries to work through the trauma of loss (and through him Coetzee tries to work through the trauma of the loss of his own son1) and in the sense that the novel textually performs the work of mourning by trying – and failing – to understand this loss. -
Concept Clarity in Relation to Online Dating Behaviors
NARCISSUS ONLINE: AN INVESTIGATION OF NARCISSISM AND SELF- CONCEPT CLARITY IN RELATION TO ONLINE DATING BEHAVIORS by MARYAM TAJMIRRIYAHI Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON December 2020 Copyright © by Maryam Tajmirriyahi 2020 All Rights Reserved ii Acknowledgements “Out beyond ideas of wrongdoing and right doing, there is a field, I'll meet you there.” -Rumi I would like to thank my advisor, Dr. William Ickes, for giving me many opportunities to flourish and succeed, and for helping me grow as a scholar throughout this long and arduous process. I also would like to send special thanks to my committee members, Dr. Scott Coleman, Dr. Angela Dougall, Dr. Jared Kenworthy and Dr. Vivian Ta, for all their support, feedback, and insights. I would like to pay tribute to my family, Maman, Baba, Saeed, Zahra, Sami, Hesam, Sahar, Parsa, Atrisa and my friends, for providing me with love, support, and above all, encouragement. Finally, I want to acknowledge my awesome lab mates, Shaikha Aldousari, Dr. Meghan Babcock, Stephen Doerfler, Dr. Rebecca Robinson, Dr. Eric Russell, and Dr. Vivian Ta, for all their help and support. I owe a lot of not-falling-apart-in-grad-school to them. December 8, 2020 iii Abstract NARCISSUS ONLINE: AN INVESTIGATION OF NARCISSISM AND SELF- CONCEPT CLARITY IN RELATION TO ONLINE DATING BEHAVIORS Maryam Tajmirriyahi, Ph.D. The University of Texas at Arlington, 2020 Supervising Professor: Dr. William Ickes Nemours studies over the years have provided extensive knowledge about the association between narcissism and romantic relationship initiation. -
Mechanical Miracles: Automata in Ancient Greek Religion
Mechanical Miracles: Automata in Ancient Greek Religion Tatiana Bur A thesis submitted in fulfillment of the requirements for the degree of Master of Philosophy Faculty of Arts, University of Sydney Supervisor: Professor Eric Csapo March, 2016 Statement of Originality This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Tatiana Bur, March 2016. Table of Contents ACKNOWLEDGMENTS ....................................................................................................... 1 A NOTE TO THE READER ................................................................................................... 2 INTRODUCTION ................................................................................................................ 3 PART I: THINKING ABOUT AUTOMATION .......................................................................... 9 CHAPTER 1/ ELIMINATING THE BLOCAGE: ANCIENT AUTOMATA IN MODERN SCHOLARSHIP ................. 10 CHAPTER 2/ INVENTING AUTOMATION: AUTOMATA IN THE ANCIENT GREEK IMAGINATION ................. 24 PART II: AUTOMATA IN CONTEXT ................................................................................... 59 CHAPTER 3/ PROCESSIONAL AUTOMATA ................................................................................ -
The Story of Echo and Narcissus
The Story of Echo and Narcissus When Zeus came to the mountains, the wood nymphs rushed to embrace the jovial god. They played with him in icy waterfalls and laughed with him in lush green glades. Zeus’ wife, Hera, was very jealous, and often she searched the mountainside, trying to catch her husband with the nymphs. But whenever Hera came close to finding Zeus, a charming nymph named Echo stepped across her path. Echo chatted with Hera in a lively fashion and did whatever she could to stall the goddess until Zeus and the other nymphs had escaped. Eventually Hera discovered that Echo had been tricking her, and she flew into a rage. “Your tongue has made a fool of me!” she shouted at Echo. “Henceforth, your voice will be more brief, my dear! You will always have the last word - but never the first. From that day on, poor Echo could only repeat the last words of what others said. One day Echo spied a golden-haired youth hunting deer in the woods. The boy’s name was Narcissus, and he was the most beautiful young man in the forest. All who looked upon Narcissus fell in love with him immediately. But he would have nothing to do with anyone, for he was very conceited. When Echo first laid eyes upon Narcissus, her heart burned like the flame of a torch. She secretly followed him through the woods, loving him more with each step. She got closer and closer until finally Narcissus heard the leaves rustling. He whirled around and cried out, “Who’s here?” From behind a tree, Echo repeated his last word, “Here!” Narcissus looked about in wonder, “Who are you? Come to me!” he said. -
Greek Gods and Myths – Overview Gaia and Uranus to Reign of the Olympians
GREEK GODS AND MYTHS – OVERVIEW GAIA AND URANUS TO REIGN OF THE OLYMPIANS ERA SUMMARY – GREEK GODS AND MYTHS The myths and legends of Ancient Greece are such an essential part of Greek culture that the first three units of the Ancient Greece Classical Curriculum are dedicated entirely to myth and folklore. Greek mythology is important, not only because it reflects the pagan religion of the Ancient world, but also because it gives great insight into Greek thought and expression. References to Greek Gods and folklore are present throughout the recorded history of the ancient world, in religious symbols and ceremonies, in literature, in poetry, in art, in archeological artifacts, and in day to day life. The Greeks worshiped Pagan gods but did not credit them with the same qualities of omniscience and goodness that Christians associate with their God. Greeks Gods shared many human foibles so the legends that arose concerning them were almost invariably dramas involving jealousy, indulgence, revenge, debauchery, and misunderstandings. Greek myths were often quite humorous and frequently involved morals applicable to human relations. The myths, heroes and legends of Ancient Greece are too numerous to list, but a few general categories of the types of heroes and stories can be given. The first category of Greek myths involves the Gods, or immortals, who have a human form, and decidedly human personality traits, but possess enormous powers over the earth. The twelve Olympians are the most ATHENE CHANGES ARACHNE INTO A SPIDER important, and they include Zeus, Poseidon, and Hades who rule over the heaven, Sea, and Underworld respectively.