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												See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films - 
												
												Abandoning the Girl Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation
AN ABSTRACT OF THE THESIS OF Adam C. Hughes for the degree of Master of Arts in Applied Ethics presented on July 15, 2013 Title: Abandoning the Girl's Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation Abstract approved: Flora L. Leibowitz In regards to animation created and aimed at them, girls are largely underserved and underrepresented. This underrepresentation leads to decreased socio-cultural capital in adulthood and a feeling of sacrificed childhood. Although there is a common consensus in entertainment toward girls as a potentially deficient audience, philosophy and applied ethics open up routes for an alternative explanation of why cartoons directed at young girls might not succeed. These alternative explanations are fueled by an ethical contract wherein producers and content creators respect and understand their audience in return for the privilege of entertaining. ©Copyright by Adam C. Hughes July 15, 2013 All Rights Reserved Abandoning the Girl Show Ghetto: Introducing and Incorporating Care Ethics to Girls' Animation by Adam C. Hughes A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented July 15, 2013 Commencement June 2014 Master of Arts thesis of Adam C. Hughes presented on July 15, 2013 APPROVED: Major Professor, representing Applied Ethics Director of the School of History, Philosophy, and Religion Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. My signature below authorizes the release of my thesis to any reader upon request. Adam C. Hughes, Author ACKNOWLEDGEMENTS This author expresses sincere respect for all animators and entertainers who strive to create a better profession for themselves and their audiences. - 
												
												Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. - 
												
												Cold Chisel to Roll out the Biggest Archival Release in Australian Music History!
Cold Chisel to Roll Out the Biggest Archival Release in Australian Music History! 56 New and Rare Recordings and 3 Hours of Previously Unreleased Live Video Footage to be Unveiled! Sydney, Australia - Under total media embargo until 4.00pm EST, Monday, 27 June, 2011 --------------------------------------------------------------- 22 July, 2011 will be a memorable day for Cold Chisel fans. After two years of exhaustively excavating the band's archives, 22 July will see both the first- ever digital release of Cold Chisel’s classic catalogue as well as brand new deluxe reissues of all of their CDs. All of the band's music has been remastered so the sound quality is better than ever and state of the art CD packaging has restored the original LP visuals. In addition, the releases will also include previously unseen photos and liner notes. Most importantly, these releases will unleash a motherlode of previously unreleased sound and vision by this classic Australian band. Cold Chisel is without peer in the history of Australian music. It’s therefore only fitting that this reissue program is equally peerless. While many major international artists have revamped their classic works for the 21st century, no Australian artist has ever prepared such a significant roll out of their catalogue as this, with its specialised focus on the digital platform and the traditional CD platform. The digital release includes 56 Cold Chisel recordings that have either never been released or have not been available for more than 15 years. These include: A “Live At - 
												
												Jay & Silent Bob Reboot
Presents JAY & SILENT BOB REBOOT A film by Kevin Smith 105 mins, USA, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com JAY AND SILENT BOB REBOOT SYNOPSIS: The stoner icons who first hit the screen 25 years ago in CLERKS are back! When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again! 1 CAST & CREW BIOGRAPHIES: KEVIN SMITH (Silent Bob, Director / Writer) Kevin Smith has been saying silly cinematic shit since his first film Clerks, released way back in 1994. He had a heart attack and almost died last year but survived solely so he could direct his magnum opus, Jay and Silent Bob Reboot. A polygamist, he’s married to both his wife Jen and podcasting. JASON MEWES (Jay) Jason Mewes most recently made his directorial debut on MADNESS IN THE METHOD, which was released in August 2019. With cult-fans following his controversial antics, Mewes has captured audiences with his rebellious banter against his unspoken other half and longtime friend, Kevin Smith. Since the beginning of the duo’s offbeat work together, Mewes and Smith have continued to build on their beloved character-driven roles from the Jay and Silent Bob series. It’s been over a decade since fans last saw the duo in live- action, but they’re back along with a star-studded cast in the upcoming comedy film, JAY AND SILENT BOB REBOOT. - 
												
												Northbound Single-Lane by Marsha Mathews Finishing Line Press AA Poeticpoetic Traveloguetravelogue Ofof Thethe Heartheart
Issue Number Fifteen Spring/Summer 2012 In Case of Rapture Lefty Frizzell Fiction by William Dockery A story of a one-of-a-kindness The Way ’Twas A memory captured by a snapshot A Flying Elizabeth Family Reunion and Hazel Families that fly together... The women behind the picture Brush With the Law Northbound Non-ignorance of the law is an excuse Single - Lane A collection of Southern poetry Daddy’s in the Closet ...and that’s where he’s going to stay Lisa Love’s Life Where humor and reality hang out Kids and Politics Why Daddy drinks California Itch Go west, young man with apologies to Norman Rockwell E-Publisher’s Corner CaliforniaCalifornia ItchItch found the above picture tucked inside an old college “Because you can’t go any further west,” someone else said. yearbook. It featured the original members of Contents “Can’t go no further—this here’s Under Pressure, a band that we hastily assembled in injun territory.” Copas said, quoting September of 1970 for a freshman talent show at the the California stream-of-conscious- ness comedy troupe, Firesign Theater. East Tennessee Baptist college we attended. All of us were fed up with our par- IIThe only member of Contents not was before holes in jeans were cool). ticular circumstances. Kling and Copas pictured was (Dancin’) Dan (the Man) BoatRamp, the farmdog, was trying were bored with Nashville, and those Schlafer; he had joined us in early 1971, to imitate my stance and smile for the of us finishing up our college careers and by the time this was snapped—in camera. - 
												
												Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. - 
												
												Cold Chisel Breakfast at Sweethearts Mp3, Flac, Wma
Cold Chisel Breakfast At Sweethearts mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Breakfast At Sweethearts Country: Australia Style: Pop Rock, Classic Rock MP3 version RAR size: 1134 mb FLAC version RAR size: 1254 mb WMA version RAR size: 1886 mb Rating: 4.6 Votes: 848 Other Formats: MMF VOX MPC MIDI VQF MP2 VOX Tracklist A1 Conversations 4:28 A2 Merry Go Round 3:40 A3 Dresden 3:52 A4 Goodbye (Astrid Goodbye) 2:49 A5 Plaza 2:06 B1 Shipping Steel 3:22 B2 I'm Gonna Roll Ya 3:23 B3 Showtime 3:42 B4 Breakfast At Sweethearts 4:06 B5 The Door 4:15 Companies, etc. Manufactured By – WEA Records Pty. Limited Distributed By – WEA Records Pty. Limited Phonographic Copyright (p) – WEA Records Pty. Limited Copyright (c) – WEA Records Pty. Limited Published By – Rondor Music Pty. Ltd. Produced At – Albert Studios Engineered At – Albert Studios Mastered At – EMI Studios 301 Credits Art Direction – Ken Smith Bass – Phil Small Drums – Steve Prestwich Guitar – Ian Moss Harmonica – Dave Blight Management [Personal Management] – Rod Willis Management [Tour Management] – Dave Ferguson Photography By [At The Marble Bar, Sydney Hilton Hotel] – Greg Noakes Piano, Organ, Backing Vocals – Don Walker Producer, Mastered By – Richard Batchens Slide Guitar – Tony Faehse (tracks: B1) Vocals – Ian Moss (tracks: A5), Jim Barnes* Written-By – Walker*, Moss* (tracks: A3), Barnes* (tracks: A4) Notes Produced and engineered at Albert Studios, Sydney Mastered at E.M.I. Studios, Sydney On sleeve: "This is the neon strip Where baracudas cruise Drivers, midnight looters Zipped in sharkskin jackets Waiting for a Mark Their brains are soft computers" Distributed by WEA Records Pty. - 
												
												Sale Results Made by the Sale Company and May Be Different Than Results Previously Reported
For the latest news, go online to http://auctions.bloodhorse.com DISCLAIMER: Current year figures reflect fall of the hammer prices and any private sales reported by the sale company. Figures for the previous year include any revisions Sale Results made by the sale company and may be different than results previously reported. 39. C, Speightstown—TAJ AIRE, by Taj Alriyadh (Dromoland Farm, 80. C, Street Cry (IRE)—Ascot Starre, by Ascot Knight (Four Star KEENELAND agent)—John Ferguson ..................................................$700,000 Sales, agent)—John Ferguson .......................................$300,000 40. C, Storm Cat—Takesmybreathaway, by Gone West (Lane’s End, 81. F, Giant’s Causeway—AZERI, by Jade Hunter (Hill ‘n’ Dale Sales SEPTEMBER YEARLING SALE (SEPT. 14-28) agent)—Tom Tate ...........................................................$300,000 Agency, agent)—Robert & Lawana Low.........................$800,000 2009 2008 CHANGE 41. F, Bernardini—TAP YOUR HEELS, by Unbridled (Dromoland Farm, 83. F, Distorted Humor—BE GENTLE, by Tale of the Cat (Taylor Made NUMBER SOLD 3159 3605 -12.4% agent)—BBA Ireland.......................................................$500,000 Sales Agency, agent)—Westrock Stables .......................$325,000 GROSS $191,859,200 $327,999,100 -41.5% 42. F, Medaglia d’Oro—Tastetheteardrops, by What Luck (Paramount 84. F, Forestry—BELLE OF PERINTOWN, by Dehere (Stonestreet AVERAGE $60,734 $90,984 -33.2% Sales, agent)—John Ferguson .......................................$300,000 Thoroughbred Holdings)—Talons ...................................$150,000 MEDIAN $22,000 $37,000 -40.5% 43. C, Smart Strike—The in Thing, by Wild Again (Pope McLean, 85. C, Speightstown—Belle Turquoise (FR), by Tel Quel (FR) (Fares Farm, Warrendale Sales, agent)—Hong Kong Jockey Club, Cash PERCENT RNA 1201/27.5% 1190/24.8% agent) ...............................................................($70,000) Not sold 44. - 
												
												Jim Su Character / Creature Supervisor [email protected]
Jim Su Character / Creature Supervisor [email protected] Summary Portfolio and online demo reel: (NEW) Demoreel 2016 https://vimeo.com/156936732/jimsuDemoreel2016 Specialties: Expert in Facial blendshapes (Visemes and FACS), Facial rigging and methodology. Maya cMuscle system, nCloth. Please visit my site www.beach-studios.com for examples. Software - Maya, Houdini, 3ds Max, Faceware, Photoshop, Illustrator, After Effects Scripting - Python, MEL, Hscript, HTML, Traditional Illustration - Pencils, Inks, Colouring Experience Character / Creature Supervisor at Zoic Studios May 2016 - Present (8 months) CEO at Beach Creative Studios Inc. March 2005 - Present (11 years 10 months) I run a Creative Services Studio that caters to high end clients including: Mattel, Hasbro, Image Metrics, and Spin Master. My studio also publishes comic books, artbooks, licensed products. Package and Product illustrations for Mattel (Wheels Division: Matchbox and Tyco) Product illustrations for Hasbro (Milton Bradley: Indiana Jones, Transformers 2, Marvel Superhero Squad) Package illustrations for Spin Master (Bakugan, Sto and Go) CG modelling for Image Metrics (Foodfight!) Publisher of Crozonia comic book. Publisher of the Art of ReBoot. Publisher of the upcoming Storm Hawks comic book! Senior Creature TD at Double Negative April 2015 - May 2016 (1 year 2 months) Page1 Senior Rigger - Star Trek: Beyond, Through The Looking Glass, Miss Peregrine's Home for Peculiar Children - Developing vfx facial rig. - Implement Faceware (Facial motion capture) into workflow. - Rig Tall ship with procedural movements. - Redesigned Cloth Rig for Tall ship. Rigging Supervisor at Scanline VFX August 2012 - April 2015 (2 years 9 months) In charge of making sure hundreds of assets are promptly rigged and export ready in the Maya to Max pipeline. - 
												
												THE GETAWAY GIRL: a NOVEL and CRITICAL INTRODUCTION By
THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION By EMILY CHRISTINE HOFFMAN Bachelor of Arts in English University of Kansas Lawrence, Kansas 1999 Master of Arts in English University of Kansas Lawrence, Kansas 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2009 THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION Dissertation Approved: Jon Billman Dissertation Adviser Elizabeth Grubgeld Merrall Price Lesley Rimmel Ed Walkiewicz A. Gordon Emslie Dean of the Graduate College ii ACKNOWLEDGMENTS I would like to express my appreciation to several people for their support, friendship, guidance, and instruction while I have been working toward my PhD. From the English department faculty, I would like to thank Dr. Robert Mayer, whose “Theories of the Novel” seminar has proven instrumental to both the development of The Getaway Girl and the accompanying critical introduction. Dr. Elizabeth Grubgeld wisely recommended I include Elizabeth Bowen’s The House in Paris as part of my modernism reading list. Without my knowledge of that novel, I am not sure how I would have approached The Getaway Girl’s major structural revisions. I have also appreciated the efforts of Dr. William Decker and Dr. Merrall Price, both of whom, in their role as Graduate Program Director, have generously acted as my advocate on multiple occasions. In addition, I appreciate Jon Billman’s willingness to take the daunting role of adviser for an out-of-state student he had never met. Thank you to all the members of my committee—Prof. - 
												
												WF-C20590 Series
WorkForce Enterprise Administrator's Guide NPD5680-03 EN Administrator's Guide Contents Contents Copyright Print Settings for Peer to Peer Connection......35 Basic Settings for Printing..................37 Setting the Server or the Shared Folder..........41 Trademarks Relation between the Server and Each Function. .41 Configuring a Mail Server................. 41 About this Manual Shared Folder Settings....................46 Marks and Symbols.........................7 Using Contacts........................... 63 Descriptions Used in this Manual...............7 Destination Setting Features................63 Operating System References..................7 Configuring Contacts.....................63 Backing Up and Importing Contacts..........67 Cooperation between the LDAP Server and Introduction Users.................................68 Manual Component.........................9 Using Scan Functions.......................73 Terms Used in this Guide....................10 Scanning From a Computer................73 Terms................................10 Scanning using the control panel............ 74 Example of Network Environment........... 11 Using Document Capture Pro Server......... 75 Printer Connection Types..................14 Making System Settings.....................76 Setting the Control Panel..................76 Printer Settings and Management Power Saving Settings During Inactivity.......77 Setting the Sound........................77 Flow of the Printer Settings and Management. 16 Synchronizing the Date and Time with Time Network