Apollo Cinema Piccadilly Circus

Total Page:16

File Type:pdf, Size:1020Kb

Apollo Cinema Piccadilly Circus Brace yourself for the most powerful cinema experience ever Apollo Cinema Piccadilly Circus Now with in all screens and Happy to host Raindance 2010 The perfect location at which to host your Corporate Events, Product Launches, Press Shows, Conferences, Private Parties, Preview Screenings, Film Premieres and Presentations. For event information and booking contact [email protected] 0871 220 6000 or www.apollocinemas.com For fi lm info or to book tickets for Raindance or any other fi lm Apollo_RaindanceAd_3.indd 1 09/08/2010 15:18 OUR THANKS TO PRINCIPAL SPONSOR Our jurors: Charles Saatchi, Mark Herbert, Ernie Marsh, Dave McKean, Alison Owen, Derek Malcolm, Julian Barratt, Lemmy and Joe Bateman Our sponsors: Amy Gustin, Ian Powell & all at the Apollo, Sumi Ghose and Asia House, Virginie Guichard & all at Electric Sheep, Neil McCartney, Marcia Degia SUPPORTING PARTNERS & all at the IFT, Helen Cowley, Jo Underhill, Paul Greenwood & all at Lovefilm, Brad Day & NDP, Ian McNaught & Pearl & Dean, Maurice Hugget, Tom Walczak at The Phoenix, Oli Harbottle, Terry Stevens & all at Dogwoof, Zara Ballantyne-Grove, Keith Greenhalgh and all at Raindance.tv, James Mullighan & Helen Jack at Shooting People, everyone at Revolver, Wing Wang and Angela Liu at UK China Association, Candi Perez, Olvido Salazar Alonso and all at the Instituto de Cervantes, Danny Miller, Andy Woodward and all at Little White Lies, Tom Hunter, Charmaine Freeman and all at London Calling, Michael Sheppard and all at Grange Hotels, All at The May Fair Hotel, Rita Rowe, Connie Farr & Pete Lawton at Thinksync Cat Crawford and Diesel, Ruth Elliott and all at Vitamin Water, Rinaldo Quacquarini and all at Moviescope. Georgina Marling, Libby Durdy, Andy Capper, Gee Vaucher, Julian Beavers, Tony Cooke, Ute Kromrey, Matt Adam, David Kapur & Ian Cartwright at 1155, Tessa Collinson & Johanna von Fischer, Fred Hogge, Pete Galli & The Airborne Toxic Event, Martin Myers, Julie Taylor-Butt & Sam Clark at Kodak, CULTURAL PARTNERS Will Stevenson, Dean Goldberg, all our volunteers and interns and everyone we’ve unforgivably, momentarily forgotten Raindance Patrons Nick Broomfield, Jonathan Caouette, Henrik Danstrup, Mike Figgis, Terry Gilliam, Ken Loach, Dave McKean, 0Martin Myers, Alan Parker, Jonathan Pryce, Marky Ramone, Vanessa Redgrave Benefactors MEDIA PARTNERS Fuad Omar, Darren Priest, Chris Cameron, Mariana Pimentel, Bilal Mannaa, Samantha Lay, Luc Toutoughi, Nigel Spence, Susan Douglas, Ardor Pictures & ABS Properties/Media – Los Angeles Raindance Film Festival 81 Berwick Street London W1F 8TW Tel +44(0)20 7287 3833 www.raindance.org LOVEFiLM COMPLETE LOGO – CMYK. RIO. 3-11-08 18TH RAINDANCE FILM FESTIVAL 3 VENUES & MAP APOLLO CINEMA PHOENIX ARTIST CLUB 19 Lower Regent Steet 104–110 Charing Cross Road London SW1Y 4LR London WC2H 0JN Ticket Prices Full price £12 / Concs £8 Box Office 0871 220 6000 Screenings take place at the Apollo, unless otherwise specified The Phoenix Artist Club is a private members bar underneath the Phoenix Theatre on Charing Cross Road. Festival-goers will have access to this marvelous late-night drinking establishment for the duration of the festival simply by quoting ‘Raindance’ on the door 18TH RAINDANCE FILM FESTIVAL 5 APOLLO CINEMA A WEDS 29 SEPT 19:00 Jackboots on Whitehall APOLLO CINEMA B THURS 30 SEPT 17:30 The Sound of Mumbai: A Musical 16:00 Plymouth College of Arts Shorts 19:15 All I Ever Wanted 18:30 On Holiday 21:45 Geidai Shorts 20:30 Ollie Keppler’s Expanding Purple World FRI 1 OCT 15:15 On Holiday 14:30 All I Ever Wanted 17:15 Shorts: Nova Express 16:45 Superstonic Sound: The Rebel Dread 19:30 Legacy 18:15 This Way of Life 21:45 L.A. Zombie 20:15 Swansea Love Story 22:00 Cannibal SAT 2 OCT 13:15 Lummox 12:00 Legacy 14:30 Nausicaä of the Valley of the Wind 14:00 Shorts: Risky Liaisons 16:45 Robert Mitchum Is Dead 16:00 Days of Harvest 18:45 Huge 17:45 Pure Asia 21:00 Symbol 20:00 Treasure of the Black Jaguar 22:15 Too Much Pussy: Feminist Sluts in the Queer… SUN 3 OCT 13:30 Shorts: Relative States 14:00 Look at What the Light Did Now 15:30 American Grindhouse 15:45 Rouge Ciel 18:00 Bo 17:45 There Once Was an Island 20:00 Vacation! 20:15 Lost Girl MON 4 OCT 18:30 Live!Ammunition! 16:00 G-Star screening 20:30 The Woman with a Broken Nose 18:30 Armless 20:30 Lovers of Hate TUES 5 OCT 13:45 Lovers of Hate 14:45 The Woman with a Broken Nose 15:45 When the World Breaks 17:00 99 Minute Film Funding School 18:00 Mackendrick Interview + Into the West 19:30 Robin Hood Tax Screening 21:00 The Lake Effect 21:30 Freight WEDS 6 OCT 13:45 The Lake Effect 15:45 The Story of My Space 17:15 Lost and Found 18:00 The Cutting Tradition: Insights into Female… 19:00 Five Daughters 19:15 Sounds Like a Revolution 21:30 We Are the Mods 21:15 Helena from the Wedding THURS 7 OCT 16:30 Shorts: Absent Sense 17:45 Lunar Child 18:45 Slackistan 20:00 Macho 20:45 The Vice Guide to Liberia 21:45 Vampires 22:30 Iron Doors FRI 8 OCT 15:45 Iron Doors 15:30 Vampires 19:30 Rebels without a Clue 19:15 USB 21:30 Autumn Adagio SAT 9 OCT 11:00 Rebels without a Clue 11:45 The Toll 12:45 Yellow Kid 14:00 99 Minute Animation School 15:00 Lights Out 17:00 Hori Smoku Sailor Jerry: The Life and Times… 16:45 Stolen 18:45 Incredibly Small 18:30 Do Elephants Pray? 20:45 Yuriko’s Aroma 20:45 Donoma 22:15 Dirty Diaries SUN 10 OCT 12:15 Camp Victory, Afghanistan 10:00 99 Minute Editing School 13:15 Do Elephants Pray? 12:00 99 Minute VFX School 17:00 Raindance Awards 13:45 Hi! Otsuka Drugstore 19:00 Son of Babylon 6 18TH RAINDANCE FILM FESTIVAL APOLLO CINEMA C 16:00 Night Runner 18:15 Question in Details SCREENING SCHEDULE 14:30 Ollie Kepler’s Expanding Purple World 16:30 Alive 18:30 Boys on the Run 10:00 99 Minute Sound School 12:00 99 Minute Film Scoring School 14:00 99 Minute Directing School 16:00 Kodak New Talent Screening 18:15 Shorts: Best UK 10:00 99 Min DSLR Schl 12:00 99 Min Indie Survival School 14:30 Kino Caravan 16:30 I Believe in Angels 18:30 32nd December 14:45 Symbol 16:45 Shorts: Thriller Zone 18:45 Straight 8 screening 15:15 Armless 17:00 Shorts: Abstract Notions 18:45 Flooding with Love for the Kid 16:45 Shorts: Raging Liberties 18:45 My Flesh My Blood 17:00 Marieke, Marieke 19:15 9:06 22:45 Bedways CINÉ LUMIERE 14:45 Shorts: Changing Lanes 18:30 Lights Out 16:45 Shorts: Learning Curves 22:45 A Serbian Film MAY FAIR HOTEL 10:00 99 Minute Casting School 19:00 Treasure of the Black Jaguar 12:00 99 Minute Special FX School 14:15 Shorts: Gone Astray 16:30 Shorts: Best International 19:00 Trash 10:30 Incredibly Small CINÉ LUMIÈRE 11:30 Shorts: Documentary Tones 17 Queensberry Place 13:30 Shorts: Animation City London SW7 2D2 15:45 My Neighbour Totoro 18TH RAINDANCE FILM FESTIVAL 7 READ film reviews, in-depth articles and festival reports! WATCH bizarre and beautiful trailers and short films! LISTEN to podcasts of interviews with the most exciting filmmakers! SPIN the Film Roulette and win DVDs and cinema tickets! CHECK OUT our monthly film club at the Prince Charles Cinema! Look out for The End, an Electric Sheep anthology of specially commissioned essays on transgressive film from David Lynch to Electric Sheep is the online magazine for Nollywood, including contributions by the lovers of offbeat, left-field and cult cinema. Brothers Quay, Peter Whitehead, Jason It celebrates the celluloid dreams of the Wood and Jack Sargeant, published by most outlandish, provocative and visionary Strange Attractor Press in November 2010. directors, the marginal and the transgressive, A must-read for all film lovers and those who the poetic and the subversive. like to wander off the beaten cultural track. www.electricsheepmagazine.com FESTIVAL JURY PRIZES To recognise the outstanding achievements of the filmmakers showcased at the 18th Raindance Film Festival in 2010, a number of jury prizes will be awarded. The winners will be announced at the Apollo Cinema on Sunday 10 October at 5pm. The nominees are: BEST INTERNATIONAL FEATURE BEST DOCUMENTARY Donoma [France] Camp Victory, Afghanistan [USA] Son of Babylon [Iraq] Stolen [Australia] Symbol [Japan] Rouge Ciel [France] The Woman with a Broken Nose [Serbia] Sounds Like a Revolution [Canada] There Once Was an Island [USA/New Zealand] BEST UK FEATURE This Way of Life [New Zealand] Five Daughters Huge BEST UK SHORT Jackboots on Whitehall Dust Legacy The Golden Boy Rebels without a Clue Natural Selection Stanley Pickle BEST DEBUT FEATURE Storage Armless [USA] Watching Cannibal [Belgium] Donoma [France] BEST INTERNATIONAL SHORT Huge [UK] Still [Cyprus] Robert Mitchum Is Dead [France] Happiness Is Hate Therapy [Canada] The Story of My Space [Russia] I Am a Fat Cat [USA] LIN [UK] BEST MICRO BUDGET FEATURE Fly [Germany/Poland] Armless [USA] Moustachette [USA] Flooding with Love for the Kid [USA] Incredibly Small [USA] FILM OF THE FESTIVAL [SHORT] Lovers of Hate [USA] The winner is offered the chance to make next Macho [Mexico] year’s trailer with the support of the IFT. 18TH RAINDANCE FILM FESTIVAL 9 Untitled-1 1 20/8/10 15:34:14 THE FESTIVAL JURY Julian Barratt is an English comedian, musician, music producer and actor.
Recommended publications
  • Mona Lisa Smile Is the Title of a 2003 Film Directed by Mike Newell and Starring Julia
    1 Mona Lisa Smile is the title of a 2003 film directed by Mike Newell and starring Julia Roberts as novice art professor Katherine Ann Watson at Wellesley, a private women's liberal arts college west of Boston, during the school year 1953/54. She is free-thinking and unorthodox in her teaching methods and a product of a state university rather than one of the elite colleges, so she is initially not respected by students or most other faculty members. It is hoped that perhaps she will make up in brains what she lacks in pedigree. She is referred to as "Bohemian" but she would probably not appear so in a less stuffy and tradition-bound place. Her artistic tastes would seem modern and her feminism was perhaps a bit ahead of the main wave, but she also shows herself to be bound by a number of social conventions. The four main students whose stories thread throughout the movie are Betty (Kirsten Dunst), Joan (Julia Stiles), Giselle (Maggie Gyllenhaal), and Connie (Ginnifer Goodwin). Betty is by far the most traditional in her plans and outlook. She is the most bigoted, bad- tempered, rude, and least open to change. She is also the one who ends up with the most change in circumstances, going from a young student with no plans other than a perfect marriage to a divorcing woman moving to Greenwich Village. Joan blossoms during the year and actually considers her options, marriage or law school, carefully. After eloping, Joan makes an impassioned speech to Professor Watson pointing out the professor's own stereotyping, telling her that it is wrong to assume housewives have no depth and no intellect.
    [Show full text]
  • Treball De Grau En Comunicació Audiovisual Curs
    Departament de Biblioteconomia, Documentació i Comunicació Audiovisual Facultat de Biblioteconomia i Documentació Treball de Grau en Comunicació Audiovisual Curs 2016-2017 ANÀLISI DEL TRACTAMENT CINEMATOGRÀFIC DE LA SAGA HARRY POTTER ANDREA CAÑAMERO HERNANDEZ TUTOR: JAUME DURÀN CASTELLS Barcelona, 12 de juny del 2017 Aquesta obra està sota una llicència de Creative Commons Reconocimiento- NoComercial-SinObraDerivada 3.0 España. https://creativecommons.org/licenses/by-nc-nd/3.0/es/ Anàlisi de la saga Harry Potter Andrea Cañamero Hernandez ÍNDEX INTRODUCCIÓ 3 ANÀLISI DEL TRACTAMENT Harry Potter and The Sorcerer’s Stone 4 Harry Potter and The Chamber of Secrets 6 Harry Potter and The Prisoner of Azkaban 9 Harry Potter and The Goblet of Fire 12 Harry Potter and The Order of The Phoenix 15 Harry Potter and The Half-Blood Prince 19 Harry Potter and The Deathly Hallows Part 1 22 Harry Potter and The Deathly Hallows Part 2 26 CONCLUSIONS 29 BIBLIOGRAFIA 31 ANNEXOS Annex 1 Biografia J. K. Rowling 32 Annex 2 Anàlisi cinematogràfica de Harry Potter and The Philosopher’s Stone 33 Fitxes tècniques i sinopsis 44 Annex 3 Elements de continuïtat a la cinquena entrega 57 Annex 4 Biografia dels directors de la saga 59 Annex 5 Fotografies dels diferents plans analitzats 68 Annex 6 Bibliografia de referències 99 2 Anàlisi de la saga Harry Potter Andrea Cañamero Hernandez INTRODUCCIÓ El món de Harry Potter va deixar de ser un fenomen juvenil literari per convertir-se en la saga cinematogràfica produïda en menys temps de la història del cinema. Molts són els que han criticat les seves adaptacions, però la realitat és que totes i cadascuna d’elles han sigut un èxit rotund en taquilla.
    [Show full text]
  • “No Reason to Be Seen”: Cinema, Exploitation, and the Political
    “No Reason to Be Seen”: Cinema, Exploitation, and the Political by Gordon Sullivan B.A., University of Central Florida, 2004 M.A., North Carolina State University, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Gordon Sullivan It was defended on October 20, 2017 and approved by Marcia Landy, Distinguished Professor, Department of English Jennifer Waldron, Associate Professor, Department of English Daniel Morgan, Associate Professor, Department of Cinema and Media Studies, University of Chicago Dissertation Advisor: Adam Lowenstein, Professor, Department of English ii Copyright © by Gordon Sullivan 2017 iii “NO REASON TO BE SEEN”: CINEMA, EXPLOITATION, AND THE POLITICAL Gordon Sullivan, PhD University of Pittsburgh, 2017 This dissertation argues that we can best understand exploitation films as a mode of political cinema. Following the work of Peter Brooks on melodrama, the exploitation film is a mode concerned with spectacular violence and its relationship to the political, as defined by French philosopher Jacques Rancière. For Rancière, the political is an “intervention into the visible and sayable,” where members of a community who are otherwise uncounted come to be seen as part of the community through a “redistribution of the sensible.” This aesthetic rupture allows the demands of the formerly-invisible to be seen and considered. We can see this operation at work in the exploitation film, and by investigating a series of exploitation auteurs, we can augment our understanding of what Rancière means by the political.
    [Show full text]
  • A Dangerous Method
    A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M.
    [Show full text]
  • Mona Lisa Smile Dirección
    FICHA TÉCNICA La sonrisa de Mona Lisa Título en inglés: Mona Lisa Smile Dirección: Mike Newell Dirección artística: Mike Newell Producción: Juan Gordon y Pau Calpe Guion: Lawrence Konner, Mark Rosenthal Música: Rachel Portman Fotografía: Anastas N. Michos Montaje: Mick Audsley País: Estados Unidos Año: 2003 Género: Comedia, Drama, Romance. Duración: 117 minutos Idiomas: Italiano, Inglés Protagonistas: Julia Roberts (Katherine Watson), Kirsten Dunst (Betty Warren), Julia Stiles (Joan Brandwyn) Maggie Gyllenhaal (Giselle Levy), Marcia Gay Harden (Nancy Abbey), Dominic West (Bill Dunbar), Topher Grace (Tommy Donegal), Ginnifer Goodwin (Connie Baker), Juliet Stevenson (Amanda Armstrong), John Slattery (Paul Moore), Christopher Joseph Burke (guardian). Premios: Nominada en Globos de Oro, EE.UU. 2004, por Mejor canción original. Nominada en Premios de la Asociación de Críticos de Cine Broadcast. 2004 por mejor canción. Nominada en Premios de la Sociedad de Críticos de Cine de Phoenix (PFCS). 2004 al Premio por mejor uso de música previamente publicada o grabada Nominada en Premios Satélite 2004, por Golden Satellite Award por Mejor canción original. Sinopsis: Katherine Watson es una profesora de historia del arte que viaja desde California al campus de la universidad de Wellesley en Nueva Inglaterra en el año 1953. Estamos en plena postguerra y la profesora Watson tiene en su clase a las mejores estudiantes del país a las que espera abrir muchas puertas, aprovechando las oportunidades que se les ofrezcan. Sin embargo, poco después de su llegada, Katherine se da cuenta de que la prestigiosa institución es bastante conservadora y parece tener otro tipo de prioridades que no son precisamente académicas. La propuesta de matrimonio de una joven está considerado como un premio mayor que una buena educación.
    [Show full text]
  • Suffragette Study Guide
    © ATOM 2015 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-622-0 http://www.theeducationshop.com.au Running time: 106 minutes » SUFFRAGETTE Suffragette (2015) is a feature film directed by Sarah Gavron. The film provides a fictional account of a group of East London women who realised that polite, law-abiding protests were not going to get them very far in the battle for voting rights in early 20th century Britain. click on arrow hyperlink CONTENTS click on arrow hyperlink click on arrow hyperlink 3 CURRICULUM LINKS 19 8. Never surrender click on arrow hyperlink 3 STORY 20 9. Dreams 6 THE SUFFRAGETTE MOVEMENT 21 EXTENDED RESPONSE TOPICS 8 CHARACTERS 21 The Australian Suffragette Movement 10 ANALYSING KEY SEQUENCES 23 Gender justice 10 1. Votes for women 23 Inspiring women 11 2. Under surveillance 23 Social change SCREEN EDUCATION © ATOM 2015 © ATOM SCREEN EDUCATION 12 3. Giving testimony 23 Suffragette online 14 4. They lied to us 24 ABOUT THE FILMMAKERS 15 5. Mrs Pankhurst 25 APPENDIX 1 17 6. ‘I am a suffragette after all.’ 26 APPENDIX 2 18 7. Nothing left to lose 2 » CURRICULUM LINKS Suffragette is suitable viewing for students in Years 9 – 12. The film can be used as a resource in English, Civics and Citizenship, History, Media, Politics and Sociology. Links can also be made to the Australian Curriculum general capabilities: Literacy, Critical and Creative Thinking, Personal and Social Capability and Ethical Understanding. Teachers should consult the Australian Curriculum online at http://www.australiancurriculum.edu.au/ and curriculum outlines relevant to these studies in their state or territory.
    [Show full text]
  • 2000 Film Program Schedule
    ACCOUNTANT, THE USA 2000 Betacam SP/16mm 106 mins. One Wheel Panther Productions East Coast Premiere [email protected] Director/Writer/Editor: Glenn Gers Producer: Spencer M. Clarke, Jr. Cinematography: Noah Prince Music: Bryan E. Miller Costumes: Loren Bevans Starring: David Valcin, Marlene Forte, John Randolph Jones The story of a gentleman who tries to protest the lack of civilized behavior in New York City and inadvertently brings about the end of civilization. A narrator-hero guides us through an Altmanesque/neo-Dickensian tale involving 18 principal characters in a tragicomedy of race, class, good intentions and bad luck. Shot for $62,000 in 88 locations with 120 actors, "The Accountant" is a no-budget magical-realist disaster movie. A.J.’S DOGUMENTARY USA 1999 Digital Video 53 mins. New England Premiere Director: A.J. Poulin The film offers a comic glimpse into the lives of obsessive dog owners, and shows the bizarre ways they pamper their pets. A.J.’s Dogumentary has been in four film festivals, winning the audience award for favorite film three times. ALZIRA: A MATRIARCH TELLS HER STORY USA 2000 Digital Video 63 mins. In English and Portuguese (with English subtitles) http://members.tripod.com/~christian-d/index.html Breaking Branches Pictures Official World Premiere [email protected] Director: Christian de Rezendes Music: Alberto Resendes Featuring: Alzira Rodrigues By 1929, Alzira de Jesus Soares had survived the conditions of her impoverished village in the north of Portugal, a place called Bouçoais - where her father and two younger siblings had died from influenza and starvation. Only months earlier, she had been granted the most unique of opportunities for those in her native homeland: a better life in America.
    [Show full text]
  • Notice of a Regular Meeting
    NOTICE OF A REGULAR MEETING OF THE BOARD OF DIRECTORS OF THE OLIVENHAIN MUNICIPAL WATER DISTRICT 1966 Olivenhain Road, Encinitas, CA 92024 Tel: (760) 753-6466 • Fax: (760) 753-5640 VIA TELECONFERENCE ONLY Pursuant to AB3035, effective January 1, 2003, any person who requires a disability related modification or accommodation in order to participate in a public meeting shall make such a request in writing to Stephanie Kaufmann, Executive Secretary, for immediate consideration. DATE: WEDNESDAY, OCTOBER 14, 2020 TIME: 4:00 P.M. PLACE: Remote Regular Meeting VIA TELECONFERENCE ONLY Pursuant to the State of California Executive Order N-35-20, and in the interest of public health, OMWD is temporarily taking actions to mitigate the COVID-19 pandemic by holding Board Meetings electronically or by teleconference. The Boardroom will not be open to the public for this meeting. To join this meeting via phone, please dial: (669) 900-9128 or (346) 248-7799 Meeting ID: 914 8480 1481 and Password: 758077 Public Participation/Comment: Members of the public can participate in the meeting by emailing your speaker slip on an agenda item to the Board Secretary at [email protected] by 3:00 P.M. the day of the meeting. The subject line of your email should clearly state the item number you are commenting on and should include your name and phone number to ensure you are called on and have the opportunity to comment. All comments will be emailed to the Board of Directors. NOTE: ITEMS ON THE AGENDA MAY BE TAKEN OUT OF SEQUENTIAL ORDER AS THEIR PRIORITY IS DETERMINED BY THE BOARD OF DIRECTORS 1.
    [Show full text]
  • Les Manoirs De Tourgéville MAISON DE FAMILLE Welcome You to Their Green Setting in the Normandy Les 57 Chambres, Dont 35 Suites, the Luxury of a Family Home
    MODE / FASHION L’ESPRIT DES LIEUX Spirit of place OBJETS UNIQUES… BYBLOS EXCLUSIVE SERIES A unique event calls for unique objects INÉDIT SPECIAL EVENT ICÔNES / ICONS LILY LE MUST DES CINQ ALLEN DERNIÈRES DÉCENNIES EN CONCERT The must-haves of the past five decades AU BYBLOS In concert at the Byblos BYBLOS SAINT-TROPEZ & CAVES DU ROY HAPPY BIRTHDAY ! 1967-2017 : « SPÉCIAL 50 ANS » 1967-2017: Special 50th birthday issue Édito / Editorial Président du Directoire du Groupe Floirat / Chairman of the Board LUXE INTEMPOREL TIMELESS LUXURY lus qu’une entreprise, le Groupe Floirat est Groupe Floirat is more than a business group. It is une aventure humaine née de la vision d’un a human adventure born of the vision of one man P homme – Sylvain Floirat, mon arrière-grand- – Sylvain Floirat, my great-grandfather – and his père – et de son désir de concrétiser ses rêves. Les determination to make his dream come true. We are valeurs qui nous ont été transmises jour après jour – still driven by the values he transmitted to us day la générosité, le travail, la simplicité – nous animent by day: work, generosity and simplicity. These are toujours. Ce sont ces qualités qui ont nourri l’idée the qualities that have nourished our idea of luxury, que nous nous faisons du luxe. Cet « Esprit Groupe and this "Groupe Floirat Spirit" is the very soul of 4 Floirat » incarne l’âme de nos maisons. our hotels. 5 Cette année 2017 est toute particulière, puisque nous This year – 2017 – is a special one, celebrating the célébrons le 50e anniversaire du Byblos et des Caves 50th anniversary of the Byblos and the Caves du du Roy.
    [Show full text]
  • CHAPTER I INTRODUCTION A. Background of the Study Love In
    CHAPTER I INTRODUCTION A. Background of the Study Love in the Time of Cholera is a film that was directed by England director, Mike Newell, which in screen writer is Ronald Harwood and Gabriel Garcia Marquez, then producer by Scott Steindorff and editor by Mick Audsley. It was released in November 16, 2007 in English and there is some filming location at Cartagena (Colombia), London (UK) and Twickenham Film Studios, England (UK). Information about box office from imdb.com that budget Love in the Time of Cholera movie $45,000,000 (estimated) while in opening weekend $1,924,860 (USA) 852 screens and RUR 346,488 (Russia) 3 screens. The category of this film is drama romance in 139 minute of duration of this film. Love in the Time of Cholera was production by New Line Cinema, Stone Village Pictures, Grosvenor Park Media. Mike Newell is one of famous director. Mike Newell was born on March 28, 1942 in St. Albans, Hertfordshire, England. He was raised the son of amateur actors who exposed him early in life to the theatrical world. After receiving his education from St. Albans School, he attended the University of Cambridge, where he majored in English. Following his graduation in the early 1960s, Newell joined Granada Television as a 1 2 production trainee and spent a few years learning his craft with the intention of entering the theatre world. Instead he begin directing television helming the gangster series “Spindoe” (ITV, 1968) and the crime serial “Big Breadwinner Hog” (ITV, 1969) along with fellow director Michael Apted.
    [Show full text]
  • SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
    SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont
    [Show full text]
  • Rupert Everett ~ 36 Screen Credits
    Rupert Everett ~ 36 Screen Credits Look at that lip. Hauteur, condescension, disdain writ large. "I am a very limited actor. There's a certain amount I can do and that's it," said Everett in 2014. Maybe so, but - see My Best Friend's Wedding, An Ideal Husband, Separate Lies or Unconditional Love - how well he does it. Born in Burnham Deepdale, Norfolk on 29 May 1959 the second son of parents Anthony and Sara, RUPERT JAMES HECTOR EVERETT is of English, Scottish, Irish and more distant German and Dutch ancestry. His father, who died in 2009, was a Major in the British Army who later worked in business. When he was six, Rupert was taken into Braintree for his first trip to a cinema. There was a long queue, the child was typically fretful and the grown-ups thought about leaving, but finally decided not to: And so my mother bought the fateful tickets and unknowingly guided me through a pair of swing doors into the rest of my life ... ... Those huge curtains silently swished open and Mary Poppins sprang across the footlights and into my heart. After preliminary instruction from a governess, Everett was educated at Far- leigh House School, Andover from seven to thirteen then at Ampleforth College, Yorkshire from thirteen to sixteen, at which point he absconded to London to become an actor. After two years of living the bohemian life to the full (if not excess), he won a coveted place at the Central School of Speech and Drama, but after attending for two tempestuous and more or less unrewarding years was told not to return for a third.
    [Show full text]